How to use Verse in a sentence

verse
  • Their verse is of a very primitive description, and is chiefly used for purposes of love-making.

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  • In verse he had a touch far less sure than in prose.

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  • Take off the rose colored glasses—'my sins will continue'—or better yet, wait until you decipher a few more pages and she gives it to you in black and white, chapter and verse and supplies the sinful details.

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  • The name is often in popular literature written Cambalu, and is by Longfellow accented in verse Cambeilic. But this spelling originates in an accidental error in Ramusio's Italian version, which was the chief channel through which Marco Polo's book was popularly known.

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  • It is writtep in verse.

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  • The poems of Propertius, as they have come down to us, consist of four books containing 4046 lines of elegiac verse.

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  • After his elevation to the bishopric he ceased to produce the light verse in which he excelled, though his scruples did not prevent him from preparing a new edition of his Recueil de quelques vers amoureux (1602) in 1606.

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  • French, as a separate tongue from Latin, already existed as a literary speech, and no people had done more than the Normans to spread it as a literary speech, in both prose and verse.

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  • He compiled a Russian grammar, which long enjoyed popularity, and did much to improve the rhythm of Russian verse.

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  • The Tea-Table Miscellany is "A Collection of Choice Songs Scots and English," containing some of Ramsay's own, some by his friends, several well-known ballads and songs, and some Caroline verse.

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  • That he displayed considerable classical knowledge, was a good linguist, a ready and versatile writer of verse, and above all that he possessed an astounding memory, seems certain, not only from the evidence of men of his own time, but from the fact that even Joseph Scaliger (Prima Scaligerana, p. 58, 1669) speaks of his attainments with the highest praise.

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  • The best edition of his works is The Compositions in Prose and Verse of Mr John Oldham..

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  • Firdousi had been always strongly attracted by the ancient Pahlavi records, and had begun at an early age to turn them into Persian epic verse.

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  • Maecenas himself wrote in both prose and verse.

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  • Even when we treat him merely as a dramatist our enjoyment of his later works gains enormously if we take them as organic wholes, and not as mere plots dressed up in verse and action.

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  • He was a man of insignificant character, with a taste for artificial verse.

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  • A collected edition of his works of fiction, both in prose and verse, has reached twenty-one volumes (Leipzig, 1898), and a new edition was published in 1901.

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  • Other historical works of Bede are the History of the Abbots (of Wearmouth and Jarrow), and the lives of Cuthbert in verse and prose.

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  • It is first mentioned in a very ancient Pali ballad preserved in the Sutta Nipata (verse 583).

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  • Up till his thirtieth year he dabbled in verse, but he had little ear for metrical music, and he lacked the spiritual impulsiveness of the true poet.

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  • While conspicuously lacking in creative genius, the Ottomans have always shown themselves possessed of receptive and assimilative powers to a remarkable degree, the result being that the number of their writers both in prose and verse is enormous.

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  • The nocturnal expedition across the Hellespont by which Suleiman, the son of Orkhan, won Galipoli and therewith a foothold in Europe for his race, was shared in and celebrated in verse by a Turkish noble or chieftain named Ghazi Fazil.

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  • The Persianizing tendency of this school reached its highest point in the productions of Veysi, who left a Life of the Prophet, and of Nergisi, a miscellaneous writer of prose and verse.

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  • The few remaining fragments produce the impression of vivid and rapid narrative, to which the flow of the native Saturnian verse, in contradistinction to the weighty and complex structure of the hexameter, was naturally adapted.

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  • In the autumn of this year he received a visit 'at Vailima from the countess of Jersey, in company with whom and some others he wrote the burlesque extravagance in prose and verse, called An Object of Pity, privately printed in 1893 at Sydney.

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  • The chief authorities for Willibrord's life are Alcuin's Vita Willibrordi, both in prose and in verse, and Bede's Hist.

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  • Some capital snatches of verse are scattered throughout his novels, the best being "Poll put her arms akimbo" in Snarleyyow, and the "Hunter and the Maid" in Poor Jack.

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  • Between 1808 and 181 r he travelled much both in England and the south of Europe, and in 1812 published a blank verse translation of the Inferno.

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  • Jean de Masles, who annotated a portion of his verse, has recorded how the pages and young gentlemen of that epoch were required daily to learn by heart passages of his Breviaire des nobles.

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  • The whole verse is perhaps the addition of an allegorizing glossator.

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  • He studied ancient theories of music, and is said to have invented the thirteen-syllable verse known subsequently as versi martelliani.

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  • A portion of his Latin verse is printed in the first volume (pp. 306354) of Delitiae poetarum Scotorum (Amsterdam, 1637).

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  • John Major in his Latin History speaks of "one Henry, blind from his birth, who, in the time of my childhood, fashioned a whole book about William Wallace, and therein wrote down in our popular verse - and this was a kind of composition in which he had much skill - all that passed current among the people in his day.

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  • In this respect it is in marked contrast with all the patriotic verse of preceding and contemporary literature.

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  • Szekely wrote in prose, with verse introduction, a " Chronicle of the World " under the title of Cronica ez vildgnac yeles dolgairol (Cracow, 1559).

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  • Andrew Farkas and the homilist Peter Melius (Juhasz) attempted didactic verse; and Batizi busied himself with sacred song and Biblical history.

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  • The lyrics of Anthony Varady (1875, 1877) are somewhat dull and unequal in tone; both he and Baron Ivor Kaas, author of Az itelet napja (Day of Judgment, 1876), have shown skill rather in the art of dramatic verse.

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  • The Mesek of Augustus Greguss (1878), a collection of verse " Fables," belonging to the school of Gay, partake more of a didactic than lyrical nature.

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  • Amongst rhymed novels-novels in verse formthe best is the Delibdbok h ise (" The Hero of Mirages "), in which Ladislas Arany tells, in brilliantly humorous and captivating fashion, the story of a young Magyar nobleman who, at first full of great ideals and aspirations, finally ends as a commonplace country squire.

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  • In 1555 he published his first work, a translation of Oppian's Cynegeticon into Latin verse, with a commentary.

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  • In this connexion verse 10 is particularly appropriate as addressed to an Egyptian princess whose forefathers, though their rule had not on the whole been tyrannical, had been regarded by the Jews as heathen oppressors.

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  • In the literature as it survives many different branches of writing are represented - homilies in prose and verse, hymns, exposition and commentary, liturgy, apocryphal legends, historical romance, hagiography and martyrology, monastic history and biography, general history, dogmatics, philosophy and science, ecclesiastical law, &c. But the whole is dominated by the theological and ecclesiastical interest.

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  • When we put aside one or two exceptionally fine pieces, like the hymn of the soul in the apocryphal Acts of Thomas, the highest degree of excellence in style is perhaps attained in staightforward historical narrative - such as the account of the PersoRoman War at the beginning of the 6th century by the author who passes under the name of Joshua the Stylite, or by romancers like him who wrote the romance of Julian; by biographers like some of those who have written lives of saints, martyrs and eminent divines; and by some early writers of homilies such as Philoxenus (in prose) and Isaac of Antioch (in verse).

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  • He was a copious writer, especially in verse.

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  • The one wrote mainly in verse, the other in prose.

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  • Terence was translated into English verse by George Colman (2765).

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  • He would render the verse, "In that day there shall be a great mourning in Jerusalem, as the mourning of the women who weep for Tammuz-Adon" (A don means lord).

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  • The inscriptions he composed himself, in mediocre verse, full of Virgilian reminiscences.

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  • In 1818-1819 he revisited Switzerland, Savoy and Italy, the death of his beloved affording him new subjects for verse.

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  • Thereafter he spoke constantly, and acquired considerable reputation as an orator, - bringing out, moreover, many books in prose and verse.

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  • The four volumes of the Meditations, the Harmonies and the Recueillements, which contained the prime of his verse, are perhaps the most monotonous reading to be found anywhere in work of equal bulk by a poet of equal talent.

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  • Jocelyn had at one time more popularity in England than most French verse.

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  • In 1511 he accompanied the queen to Aberdeen and commemorated her visit in verse.

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  • The greater part of Dunbar's work is occasional - personal and social satire, complaints (in the style familiar in the minor verse of Chaucer's English successors), orisons and pieces of a humorous character.

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  • If further selection be made from the large body of miscellaneous poems, the comic poem on the physician Andro Kennedy may stand out as one of the best contributions to medieval Goliardic literature; The Two Mariit Wemen and the Wedo, as one of the richest and most effective pastiches in the older alliterative style, then used by the Scottish Chaucerians for burlesque purposes; Done is a battell on the Dragon Blak, for religious feeling expressed in melodious verse; and the well-known Lament for the Makaris.

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  • The peculiarity of the poem of Lucretius, that which makes it unique in literature, is that it is a reasoned system of philosophy, written in verse.

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  • His literary capacity was early shown in the remarkable fiction of his Memoirs of Arthur Hamilton (1886) under the pseudonym of "Christopher Carr," and his Poems (1893) and Lyrics (1895) established his reputation as a writer of verse.

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  • The earthquake at Lisbon, which appalled other people, gave Voltaire an excellent opportunity for ridiculing the beliefs of the orthodox, first in verse (1756) and later in the (from a literary point of view) unsurpassable tale of Candide (1759).

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  • Almost all his more substantive works, whether in verse or prose, are preceded by prefaces of one sort or another, which are models of his own light pungent causerie; and in a vast variety of nondescript pamphlets and writings he shows himself a perfect journalist.

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  • But that it is not in its right position here, before any mention of the work in Capernaum, appears from verse 23.

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  • The Munich MS., formerly at Bamberg, begins at line 85, and has many lacunae, but continues the history down to the last verse of St Luke's Gospel, ending, however, in the middle of a sentence.

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  • He rendered into verse all the most important parts of the Bible with admirable skill, dividing his work into vitteas, a term which, the writer says, may be rendered by "lectiones" or "sententias."

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  • The Praefatio goes on to say that it was reported that the poet, till then knowing nothing of the art of poetry, had been admonished in a dream to turn into verse the precepts of the divine law, which he did with so much skill that his work surpasses in beauty all other German poetry (ut cuncta Theudisca poemata suo vincat decore).

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  • It is impossible that a scholar of the 16th century could have been acquainted with this word, and internal evidence shows clearly that both the prose and the verse are of early origin.

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  • On the death of her lover in battle, she wrote numerous elegies bewailing him, and so became famous and devoted the rest of her life to the writing of verse.

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  • Tribal feuds are no longer the main incentives to verse.

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  • The tumultuous mixture of interests and passions to be found in a city like Bagdad are the subjects of a poet's verse.

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  • On the other hand Ibn ul-Mo`tazz (son of the caliph) was the writer of brilliant occasional verse, free of all imitation.

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  • The fervour of his political convictions effected a change in the style and tenor of his verse.

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  • In 1850 appeared two volumes of More Prose and Verse by the Corn-Law Rhymer.

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  • The verse quoted forms the climax of Mic. i.

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  • There is an English verse translation of the elegies by Plumptre (1907).

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  • At a very early age he began to write in prose and verse.

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  • With great imperfections, this study in Miltonic blank verse displays the genius of a poet, in spite of a curious obscurity both of thought and style.

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  • Yet Coleridge was perfectly just in his remark; and the metrical anarchy of the "Madelines" and "Adelines" of the 1830 volume showed that Tennyson, with all his delicacy of modulation, had not yet mastered the arts of verse.

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  • The advance in craftsmanship and command over the materiel of verse shown since the volume of 1830 is absolutely astounding.

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  • In 1842 the two-volume edition of his Poems broke the ten years' silence which he had enforced himself to keep. Here, with many pieces already known to all lovers of modern verse, were found rich and copious additions to his work.

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  • But his most remarkable publication at this time was The True-Born Englishman (1701), a satire in rough but extremely vigorous verse on the national objection to William as a foreigner, and on the claim of purity of blood for a nation which Defoe chooses to represent as crossed and dashed with all the strains and races in Europe.

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  • Defoe's next work was Jure divino, a long poetical argument in (bad) verse; and soon afterwards (1706) he began to be much employed in promoting the union with Scotland.

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  • For nearly three years, however, he was enabled to study and to experiment in verse without any active pressure or interruption from his family - three precious years in which the first phase of his art as a writer of idylls and bucolics, imitated to a large extent from Theocritus, Bion and the Greek anthologists, was elaborated.

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  • For his attempts at verse see Walpole's Royal and Noble Authors (1806), iv.

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  • Appius also published a collection of moral maxims and reflections in verse.

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  • But it was rather in the chants and litanies of the ancient religion, such as those of the Salii and the Fratres Arvales, and the dirges for the dead (neniae), and in certain extemporaneous effusions, that some germs of a native poetry might have been detected; and finally in the use of Saturnian verse, a metre of pure native origin, which by its rapid and lively movement gave expression to the vivacity and quick apprehension of the Italian race.

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  • They may have contributed to the formation of the style of comedy which appears at the very outset much more mature than that of serious poetry, tragic or epic. They gave the name and some of the characteristics to that special literary product of the Roman soil, the satura, addressed to readers, not to spectators, which ultimately was developed into pure poetic satire in Lucilius, Horace, Persius and Juvenal, into the prose and verse miscellany of Varro, and into something approaching the prose novel in Petronius.

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  • The five chief representatives of this age who still hold their rank among the great classical writers are Cicero, Caesar and Sallust in prose, Lucretius and Catullus in verse.

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  • His Menippeae Saturae, miscellanies in prose and verse, of which unfortunately only fragments are left, was a work of singular literary interest.

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  • His power of continuous narrative is best seen in the Metamorphoses, written in hexameters to which he has imparted a rapidity and precision of movement more suited to romantic and picturesque narrative than the weighty self-restrained verse of Virgil.

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  • Poetry died first; the paucity of writings in verse is matched by their insignificance.

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  • In the next century we have Velius Longus's treatise De Orthographia, and then a much more important work, the Noctes Atticae of Aulus Gellius, and (c. 200) a treatise in verse by Terentianus, an African, upon Latin pronunciation, prosody and metre.

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  • Ambrosius Macrobius Theodosius (c. 400) wrote a treatise on Cicero's Somnium Scipionis and seven books of miscellanies (Saturnalia); and Martianus Capella (c. 430), a native of Africa, published a compendium of the seven liberal arts, written in a mixture of prose and verse, with some literary pretensions.

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  • Her utterances were reduced to verse and edited by the prophets and the "holy men" (& oi.).

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  • Besides the Historia Britonum Geoffrey is also credited with a Life of Merlin composed in Latin verse.

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  • There is a great gap in style, though none in subject, between the really poetical prose of the first historian of the fifth crusade and the Latin empire and the awkward mannerism (so awkward that it has been taken to represent a "disrhymed" verse chronicle) of his follower.

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  • In 1904 he published a "romantic monograph" of the 10th century, Theophano, and in 1906 a verse tragedy, Nicephorus.

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  • In 1834 Hallam published The Remains in Prose and Verse of Arthur Henry Hallam, with a Sketch of his Life.

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  • Here he occupied himself less with science than with verse, a collection of which appeared under the title Knospen in 1810.

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  • The flight of the woman is mentioned in verse 6 to a place of refuge prepared for her by God.

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  • Spitta takes verse 6 to be an addition of the redactor, which describes proleptically what follows, while Gunkel sees in 6 and 7-16 parallel accounts.

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  • Verse II, with the exception of the words" which was and is not,"leads to the identification of the eighth with Nero redivivus.

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  • Bousset thinks that the Apocalyptist, knowing not what to make of this reckoning, left it standing as it was and attempted a new interpretation of the seven heads by taking them to refer to the seven hills of Rome in the addition he made to verse 9.

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  • The fathers (Die Getreuen) of the town used to send an annual birthday present of ioi plovers' eggs to Bismarck, with a dedication in verse.

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  • There are also several renderings in old German verse.

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  • Thanks to his father's excellent advice, he gave up writing doggerel verse (much of which had been printed by his brother and sold on the streets) and turned to prose composition.

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  • Garrick was often happy in his epigrams and occasional verse, including his numerous prologues and epilogues.

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  • His curious encyclopaedic work, entitled Satyricon, or De Nuptiis Philologiae et Mercurii et de septem Artibus liberalibus libri novem, is an elaborate allegory in nine books, written in a mixture of prose and verse, after the manner of the Menippean satires of Varro.

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  • The verse portions, which are on the whole correct and classically constructed, are in imitation of Varro and are less tiresome.

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  • He also wrote a good deal of German and Hebrew verse.

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  • According to his own statement (prologue to book iii.), not perhaps to be taken too literally, he was born on the Pierian Mountain, but he seems to have been brought at an early age to Italy, for he mentions that he read a verse of Ennius as a boy at school.

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  • The collection bearing the name of Romulus became the source from which, during the second half of the middle ages, almost all the collections of Latin fables in prose and verse were wholly or partially drawn.

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  • A 12th-century version of the first three books of Romulus in elegiac verse enjoyed a wide popularity, even into the Renaissance.

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  • Amongst the collections partly derived from Romulus the most famous is probably that in French verse by Marie de France.

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  • The subjects of the historical epics were generally some of the well-known myths, in the exposition of which the writer could exhibit the full extent of his learning and his perfect command of verse.

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  • The subjects of didactic epics were very numerous; they seem to have depended on the special knowledge possessed by the writers, who used verse as a form for unfolding their information.

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  • A ruder kind of drama, the amoebaean verse, or bucolic mime, developed into the only pure stream of genial poetry found in the Alexandrian School, the Idylls of Theocritus.

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  • He was so skilled in Latin verse that a comedy he wrote in his twentieth year, entitled Philodoxius, deceived the younger Aldus, who edited and published it as the genuine work of Lepidus.

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  • A fanciful explanation of his lameness is that it alludes to the elegiac couplet, one verse of which is shorter than the other.

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  • A gag, in verse 7, can hardly be the Amalekite king of i Sam.

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  • Her first literary efforts were historical romances in verse in the style of Walter Scott - Worcester Field (published without date), Demetrius and other Poems (1833).

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  • His Sonnets and Canzonets (1882) are chiefly interesting as an old man's experiments in verse.

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  • An anthology of New Zealand verse appeared in London in 1907.

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  • Lyte's first work was Tales in Verse illustrative of Several of the Petitions in the Lord's Prayer (1826), which was written at Lymington.

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  • He had previously published a catechism in Latin verse dedicated to the king, a work highly approved even by his opponents, and also a Latin translation of the Scottish Confession of Faith.

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  • Meanwhile he had published the Lamentations of Jeremiah, and the book of Revelation in Latin verse, which he dedicated to the king, complaining of his hard usage.

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  • The earlier half is written in octosyllabic verse, and begins with the story of the Deluge.

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  • The educational department has done good work in compiling volumes of prose and verse which have found much favour with the public. All the laws, edicts and regulations at present in force are to be had in print at popular prices.

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  • His first book, save for his share in a volume of English verse, was a History of Architecture (1849).

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  • In the folk-lore of Scotland his name is associated with numerous fragments of verse of a gnomic and prophetic character.

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  • Vrchlicky, a master of verse and a perfect cosmopolitan, and tech, who took the material for his epics from Czech history, are the outstanding names of this epoch.

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  • He was the author of a collection of aphorisms in verse mentioned by Cicero (of which a few fragments remain), and of a legal work entitled De Usurpationibus.

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  • Her Life of David in verse appears tedious, but many of the descriptions in the Seasons are elegant.

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  • Poland and Lithuania, however, abounded with superstitions and legends which only awaited the coming poet to put them into verse.

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  • Marya is a narrative in verse in the manner of Byron.

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  • In some of the flights of his muse he reminds us of Slowacki, in the melody of his verse of Zaleski.

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  • He wrote a number of comedies, to one of which, La Belle Plaideuse, Moliere's L'Avare is said to owe something; and also some volumes of verse.

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  • The metre is discussed first, each verse is scanned, and each word thoroughly and instructively examined.

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  • The decadence of Latin early in the 7th century is exemplified by the fantastic grammarian Virgilius Maro, who also illustrates the transition from Latin to Provencal, and from quantitive to accentual forms of verse.

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  • While Aldhelm is known as "the father of AngloLatin verse," Latin prose was the literary medium used by Bede in his celebrated Ecclesiastical History of England (731).

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  • Discussions on set subjects were held, select passages from the classics learned by heart, while written exercises in prose and verse were founded on the best ancient models.

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  • In that treatise the essential marks of an educated person are, not only ability to write Latin verse, but also, a point of " at least equal importance," " familiarity with the language and literature of Greece."

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  • The claims of verse composition have since been judiciously defended by the Hon.

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  • In the second half of the 17th century the rules of grammar and rhetoric were simplified, and the time withdrawn from the practice of composition (especially verse composition) transferred to the explanation and the study of authors.

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  • A greater originality in the method of teaching the ancient languages was exemplified by Fenelon, whose views were partially reflected by the Abbe Fleury, who also desired the simplification of grammar, the diminution of composition, and even the suppression of Latin verse.

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  • In these schools the subjects of study included mathematics and natural sciences, geography and history, and modern languages (especially French), with riding, fencing and dancing; Latin assumed a subordinate place, and classical composition in prose or verse was not considered a sufficiently courtly accomplishment.

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  • Ludwig Wiese's scheme of 1856 insisted on the retention of Latin verse as well as Latin prose, and showed less favour to natural science, but it awakened little enthusiasm, while the attempt to revive the old humanistic Gymnasium led to a demand for schools of a more modern type, which issued in the recognition of the Realgymnasium (1859).

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  • It would occupy too much space to give here a complete list of the passages belonging to " J "; but examples of his narrative (with the exception here and there of a verse or two belonging to one of the other sources described below) are to be found, for instance, in Gen.

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  • The materials for his biography are very numerous; he was regarded with universal curiosity and admiration in his lifetime; and, besides, he left a garrulous autobiography in verse.

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  • It is a rhyming description of the province of Nordland, its natural features, its trades, its advantages and its drawbacks, given in dancing verse of the most breathless kind, and full of humour, fancy, wit and quaint learning.

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  • The Hystore was turned into verse (alexandrines) by Jacot de Forest (latter part of the 13th century) under the title of Roman de Julius Cesar.

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  • His Works in Verse and Prose (Boston, 1812) contains a biographical sketch.

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  • He wrote a number of works both in prose and verse, of which two are preserved.

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  • In 1781 he was imprisoned for a short time in the Bicetre on an accusation of corrupting the morals of his pupils, his real offence being the writing of satirical verse.

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  • His verse is homely and direct, and marked by religious fervour and simplicity.

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  • He died about fifty years before Abu `Ubaida and al-Asma`i, to whose labours posterity is largely indebted for the arrangement, elucidation and criticism of ancient Arabian verse; and his anthology was put together between fifty and sixty years before the compilation by Abu Tammam of the Ilamasa (q.v.).

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  • The collection, in its present form, contains 126 pieces of verse, long and short; that is the number included in the recension of al-Anbari, who had the text from Abu `Ikrima of Dabba, who read it with Ibn al-A`rabi, the stepson and inheritor of the tradition of al-Mufaddal.

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  • He Is Usually Rather Too Derivative, He Lacks The Saving Grace, ,Of Style, And Even His Best Canadian Poems Hardly Rise Above Fervent Occasional Verse.

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  • The weakest parts of a MS. book were the outer margins; and hence the beginnings and the ends of lines, whether of verse or prose, were specially liable to injury.

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  • We may detect occasional laxity also in his handling of his verse.

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  • In the Daemon of the World (341-2), Shelley himself cancelled a metrical reading for one that makes the verse a syllable too short.

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  • Alvaro too was a master of all the accomplishments the king admired - a fine horseman, a skilful lance and a writer of court verse.

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  • Ruins are also seen of a Franciscan foundation attributed to the 13th century; it was a celebrated seat of learning and an extant memorial of the work of its monks is the Book of Ballymote (c. 1391) in the possession of the Royal Irish Academy, a miscellaneous collection in prose and verse of historical, genealogical and romantic writings.

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  • The words of Wace, the Norman poet who translated the Historia into verse, are here admirably to the point.

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  • Specimens of Fowler's verses were published in 1803 by John Leyden in his Scottish Descriptive Poems. Fowler contributed a prefatory sonnet to James VI.'s Furies; and James, in return, commended, in verse, Fowler's Triumphs.

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  • In childhood also he began a systematic practice of composition, both in prose and verse.

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  • He began to compose both in prose and verse as soon as he had learned to read and write, both of which arts he taught himself by the eye.

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  • But in the incessant travelling, drawing, collecting specimens and composition in prose and verse he had gained but a very moderate classical and mathematical knowledge when he matriculated at Oxford; nor could he ever learn to write tolerable Latin.

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  • Besides editing the works of John Donne, he published several volumes of his own verse, The School of the Heart (1835), The Abbot of Muchelnaye (1841), and a number of hymns, the best-known of which are "Forward!

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  • To this period belong his exercises in Latin verse, in the loose taste of the day, foolishly published by him as Juvenilia in 1548.

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  • His tragedies are perhaps less known now than his Fables (1813, 1815 and 1826), which are written in very graceful verse.

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  • He published several volumes of sermons, and a book of verse entitled Sabbath Chimes (1867, new edition 1880).

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  • He is said to have written over 4000 lines of verse while a student, but though some of this was published, notably The Highlander (1758), he afterwards tried to suppress it.

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  • This includes many English prose treatises by Rolle, some beautiful examples of his lyric poems, and other treatises in prose and verse from northern MSS., some of which are attributed to Rolle, and others to his followers.

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  • It is probable that Aesop did not commit his fables to writing; Aristophanes (Wasps, 1259) represents Philocleon as having learnt the "absurdities" of Aesop from conversation at banquets, and Socrates whiles away his time in prison by turning some of Aesop's fables "which he knew" into verse (Plato, Phaedo, 61 b).

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  • Next appeared an edition in elegiac verse, often cited by Suidas, but the author's name is unknown.

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  • Lessing's theory of the origin of the epigram is somewhat fanciful, but no other critic has offered so many pregnant hints as to the laws of epigrammatic verse, or defended with so much force and ingenuity the character of Martial.

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  • The play, which is written in blank verse, is too obviously a continuation of Lessing's theological controversy to rank high as poetry, but the representatives of the three religions - the Mahommedan Saladin, the Jew Nathan and the Christian Knight Templar - are finely conceived, and show that Lessing's dramatic instinct had, in spite of other interests, not deserted him.

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  • He wrote in French verse a Chronicle dealing with the history of England from the earliest times to the death of Edward I.

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  • He succeeded more nearly than any of his predecessors in expressing or suggesting ideas and emotions which might have been supposed to be capable of translation only in terms of music. " The unconscious self, or rather the sub-conscious self," says Emile Verhaeren, " recognized in the verse and prose of Maeterlinck its language or rather its stammering attempt at language."

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  • Early in 1789 he had published twenty cantos of licentious verse, in the fashion of the time, under the title of Organt au Vatican.

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  • Owing to the mutilation of the Hebrew by the accidents of time the Greek version retains its place as the chief authority for the text, and references by chapter and verse are usually made to it.

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  • The ancients also attributed to her a considerable power in satire, but in hexameter verse they considered her inferior to her pupil Erinna.

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  • Andromeda is a very successful attempt at naturalizing the hexameter as a form of English verse, and reproduces with great skill the sonorous roll of the Greek original.

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  • He had begun Latin and Greek early, and under Latimer made such progress as to be able to translate the Medea of Euripides into Latin iambic verse before he was fourteen.

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  • The autobiography in Latin verse, with its playful humour, occasional pathos and sublime self-complacency, was thrown off at the age of eighty-four.

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  • Verse 20 anticipates that the exiles from northern Israel will occupy Phoenician territory, whilst those from Jerusalem "which are in Sepharad" will occupy the southern districts in the Messianic restoration.

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  • He had early made himself known by turning Pope's "Messiah" into Latin verse.

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  • He then put forth proposals for publishing by subscription the poems of Politian, with notes containing a history of modern Latin verse; but subscriptions did not come in, and the volume never appeared.

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  • He wrote rude, coarse satires, crude verse, and compositions on the American government, temperance, &c. At the age of seventeen he had attained his full height, and began to be known as a wrestler, runner and lifter of great weights.

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  • It included also a number of forgeries, circulated under the names of famous Greek authors, verses fathered upon Aeschylus or Sophocles, or books like the false Hecataeus, or above all the pretended prophecies of ancient Sibyls in epic verse.

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  • So, on the other hand, there is no single verse or clause which can be plausibly made out to be an interpolation by Zaid at the instance of Abu Bekr, Omar, or Othman.

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  • In 1888 he was encouraged by Oscar Wilde to try his fortune in London, where he published in 1889 his first volume of verse, The Wanderings of Oisin; its original and romantic touch impressed discerning critics, and started a new interest in the "Celtic" movement.

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  • In 1892 he published another volume of verse, including The Countess Kathleen (a romantic drama), which gave the book its title, and in 1893 The Celtic Twilight, a volume of essays and sketches in prose.

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  • Ellis he edited the Works of William Blake (1893), and also edited A Book of Irish Verse (1895).

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  • A library edition of his collected works in prose and verse was issued by Mr Bullen from the Shakespeare Head Works, Stratford-on-Avon, in 8 vols., 1908.

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  • These consist of episodes in the life of the parish priest "Father Prout," and dialogues after the model of "Christopher North," varied by translations of well-known English songs into Latin, Greek, French and Italian verse, which he humorously represents as being the true originals from which the English authors had merely plagiarized them.

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  • His original verse tends chiefly to show that with all his sarcastic and cynical wit his genius had also its tender, serious and sentimental side.

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  • Since Ewald no one had written Danish lyrical verse so exquisitely as Schack von Staffeldt, and the depth and scientific precision of his thought won him a title which he has preserved, of being the first philosophic poet of Denmark.

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  • His real genius, however, did not lie in the direction of verse; and his first signal success was with a story, A Village Sexton's Diary, in 1824, which was rapidly followed by other tales, descriptive of village life in Jutland, for the next twelve years.

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  • He was a consummate artist in verse, and his impressions are given with the most delicate exactitude of phrase, and in a very fine strain of imagination.

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  • Edvard Lembcke (18r5-1897) made himself famous as the admirable translator of Shakespeare, but the incidents of 1864 produced from him some volumes of direct and manly patriotic verse.

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  • In 1877 he came forward again with one volume of verse, another of fiction, a third of travel; in each he displayed great vigour and freshness of touch, and he rose at one leap to the highest position among men of promise.

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  • The cultivation of verse, which was greatly discouraged in the eighties, returned.

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  • Verse 19 is probably the work of the redactor (R P) who inserted the song.

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  • Originally the latter part of the verse must have run, "That I may give thee the tables of stone which I have written, and may teach thee the law and the commandment."

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  • In one of these the poems with which the original is interspersed are rendered into prose, in the other into alliterating verse.

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  • It is in thirty volumes, of which six contain verse, seven are historical, two philosophical, and three military, twelve being made up of correspondence.

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  • But these "ten words" are called "the words of the covenant," and so can hardly be different from the words mentioned in the preceding verse as those in accordance wherewith the covenant was made with Israel.

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  • His first publication was a volume of metrical experiments, The Ballads and Lyrics of Old France (1872), and this was followed at intervals by other volumes of dainty verse, xxii.

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  • His death was the great calamity of Scotland, and is lamented in a famous fragment of early Scottish verse.

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  • Hutchinson, David Hume, Home and Robertson were assiduous in avoiding Scotticisms as far as they might; even Burns, who summed up the popular past of Scotland in his vernacular poetry, as a rule wrote English in his letters, and when he wrote English verse he often followed the artificial style of the 18th century.

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  • Though his work shows some of the qualities of a poet, which are entirely lacking in the annalistic verse of Wyntoun, he is without literary influence.

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  • The greater portion of this Middle Scots " Chaucerian " literature is courtly in character, in the literary sense, that it continues and echoes the sentiment and method of the verse of the tours d'amour type; and in the personal sense, that it was directly associated with the Scottish court and conditioned by it.

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  • The non-Chaucerian verse of this period is represented by (a) alliterative romance-poems and (b) verse of a rustic, domestic and " popular " character Of the historical romance-poem there is little or nothing beyond Henry the Minstrel's Wallace (supra).

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  • Strong as the Chaucerian influence was, it was too artificial to change the native habit of Scots verse; and though it helps to explain much in the later history of Scots literature, it offers no key to the main process of that literature in succeeding centuries.

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  • The reading of 15thand 16thcentury verse in the light of these will bring home the critical error of treating such poems as Burns's Collar's Saturday Night, the Address to the Deil, and Scotch Drink as entirely expressions of the later poet's personal predilection.

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  • Of the more serious, or " ethical " or " theological " mood which counts for so much in the modern estimate of Scottish literature, there is but little evidence in the popular verse of the middle period.

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  • The convivial verse, at its best in Dunbar's Testament of Mr Andrew Kennedy, may be studied in Quhy sould nocht Allane honorit be, one of the many eulogies of John Barleycorn anticipatory of Burns's well-known piece.

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  • Of historical and patriotic verse there are few specimens, but some of the lyrics and love-songs, more or less medieval in timbre and form, are of importance.

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  • Of the prose books named the Complaynt of Scotlande is the most remarkable example of aureate Middle Scots, the prose analogue of the verse of the " Chaucerians."

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  • So far in our treatment of the Middle Period we have taken account of the " Chaucerian " and more popular verse and of the prose.

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  • The interesting philological tractate Of the Orthographie and Congruitie of the Britan Tongue by Alexander Hume (not the verse writer, u.s.) is in its language a medley; and William Lithgow had travelled too widely to retain his native speech in purity, even in his indifferent verse.

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  • We are attracted to Beltrees and his kinsmen less by their craftsmanship than by the fact that they supplied the leaders of the vernacular revival of the 18th century with many subjects and versemodels, and that by their treatment of these subjects and models, based on the practice of an earlier day, they complete the evidence of the continuity of the domestic popular type of Scots verse.

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  • The adherents of the new view of life found pleasure in putting into appropriate verse the feelings of enthusiasm and of ecstasy which the reforming doctrines inspired.

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  • It is only in the very latest books included in the canon that the narrative part is also regularly in verse, so that a whole work consists of a collection of ballads.

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  • But this book, like all the ancient books, was composed, not in the north, in Nepal, but in the valley of the Ganges, and it is partly in prose, partly in verse.

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  • The later one is entirely in verse, and shows off the author's mastery of the artificial rules of prosody and poetics, according to which a poem, a maha-kavya, ought, according to the later writers on the Ars poetica, to be composed.

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  • He also contributed to the history of the Synagogue liturgy, and enjoys with Geiger (q.v.) and Zunz (q.v.) the honour of reviving interest in the medieval Hebrew hymnology and secular verse.

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  • Although Schiller failed to win an established position in Mannheim, he added to his literary reputation by his address on Die Schaubiihne als eine moralische Anstalt betrachtet (1784), and by the publication of the beginning of Don Carlos (in blank verse) in his journal, Die rheinische Thalia (1785).

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  • In adopting verse instead of prose as a medium of expression, Schiller showed that he was prepared to challenge comparison with the great dramatic poets of other times and other lands; but in seeking a model for this higher type of tragedy he unfortunately turned rather to the classic theatre of France than to the English drama which Lessing, a little earlier, had pronounced more congenial to the German temperament.

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  • The epic mood had possessed Morris very strongly, and, in addition to his work upon the sagas, he had actually finished and (in 1875) published a verse translation of the Aeneid, which is interesting rather for its individuality than for any fidelity to the spirit of the original.

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  • The critic has also to remember the historical value of Morris's literary influence, following upon the prim domesticities of early Victorian verse, and breaking in upon Tennyson's least happy phase of natural homeliness.

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  • A prophecy in verse, adorned with pictures, which is ascribed to Leo VI.

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  • He also published sympathetic monographs on Cowper and Jane Austen, and attempted verse in Bay Leaves and Specimens of Greek Tragedy.

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  • Their form is not described, but they have not only six wings (verse 2), but hands (verse 6) and feet (verse 2).

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  • He wrote much devotional verse, including the well-known hymn "Eternal Light!

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  • But it shows that the enthusiasm which in his days of courtship moved him to verse had blossomed into a later age of domestic bliss.

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  • In his disgust at the crude conceptions of the enthusiasts, who had hoped that the war of liberation might end in a realm of internal liberty, Hegel had forgotten his own youthful vows recorded in verse to HBlderlin, " never, never to live in peace with the ordinance which regulates feeling and opinion."

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  • He flourished about 625 B.C. Several of the ancients ascribe to him the invention of the dithyramb and of dithyrambic poetry; it is probable, however, that his real service was confined to the organization of that verse, and the conversion of it from a mere drunken song, used in the Dionysiac revels, to a measured antistrophic hymn, sung by a trained body of performers.

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  • Goethe could fill his prose with rich wisdom, but he was only the perfect artist in verse.

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  • He pretended to some literary culture, and was the author of some halting verse.

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  • Sylvester was a good linguist, and a diligent composer of verse, both in English and Latin, but the opinion he cherished that his poems were on a level with his mathematical achievements has not met with general acceptance.

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  • In verse his main achievements were Lazarus (1864), and Master and Scholar (1866).

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  • He had for schoolmaster an Englishman who held by the traditions of English schools, so that before he entered Harvard College he had a more familiar acquaintance with Latin verse than most of his fellows - a familiarity which showed itself later in his mock-pedantic accompaniment to The Biglow Papers and his macaronic poetry.

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  • The literary refinement which marks his essays in prose is not conspicuous in his verse, which is of a more simple character.

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  • As it was, his reforms helped to elaborate the kind of verse necessary for the classical tragedy, and that is the most that can be said for him.

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  • Other frequent clausulae, which he terms licitae (L), are those in which a long syllable is resolved, as in verse, into two shorts, e.g.

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  • Thus the figure represents a section the (ideally simplified) uni verse cut perpendicular to C P' D the planes AB and CD between which the stars are contained, 1 This number is the 3/2th power of the ratio of the brightness of stars differing by a unit magnitude.

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  • A witty man, being asked his opinion about Abu Ja`far (Mansur) and Abu Moslim, said, alluding to the Koran 21, verse 22, "if there were two Gods, the universe would be ruined."

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  • In 1876 he published a thin volume, called Two Rivulets, made up of prose and verse.

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  • A final and complete edition of his works, including both prose and verse, was published in Philadelphia in 1889.

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  • Stevenson's various occasional sallies in verse and prose - his Fables for Grown Gentlemen (1761-1770), his Crazy Tales (1762), and his numerous skits at the political opponents of Wilkes, among whose "macaronies" he numbered himself - were collected after his death, and it is impossible to read them without being struck with their close family resemblance in spirit and turn of thought to Sterne's work, inferior as they are in literary genius.

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  • Boece's History of Scotland was translated into Scottish prose by John Bellenden, and into verse by William Stewart.

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  • This story had doubtless been told at greater length in verse, but its insertion in its present place is the work of a poet, not of a mere redactor.

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  • Their chief value consists in the curious short poems or fragments of verse which they have preserved - the so-called Epigrams, which used to be printed at the end of editions of Homer.

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  • The fact that they were all ascribed to Homer merely means that they belong to a period in the history of the Ionian and Aeolian colonies when " Homer " was a name which drew to itself all ancient and popular verse.

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  • Probably the poets of the Homeric school - that which dealt with war and adventure - were the genuine descendants of minstrels whose " lays " or " ballads " were the amusement of the feasts in an earlier heroic age; whereas the Hesiodic compositions were non-lyrical from the first, and were only in verse because that was the universal form of literature.

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  • Arguments have been founded upon the descriptions of the blind singers in the Odyssey, with their songs inspired directly by the Muse; upon the appeals of the poet to the Muses, especially in such a place as the opening of the Catalogue; upon the Catalogue itself, which is a kind of historical document put into verse to help the memory; upon the shipowner in the Odyssey, who has " a good memory for his cargo," &c. It may be answered, however, that much of this is traditional, handed down from the time when all poetry was unwritten.

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  • If it was found necessary to transpose the Aeolic Homer, why did the Aeolic lyric verse escape?

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  • The peculiar rapidity of Homer is due in great measure to his use of the hexameter verse.

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  • It is characteristic of early literature that the evolution of the thought - that is, the grammatical form of the sentence - is guided by the structure of the verse; and the correspondence which consequently obtains between the rhythm and the grammar - the thought being given out in lengths, as it were, and these again divided by tolerably uniform pauses - produces a swift flowing movement, such as is rarely found when the periods have been constructed without direct reference to the metre.

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  • Even the metre - the hexameter verse - may be assigned to them.

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  • These popular recitals from the Ramayan are done into Gujarati in easy, flowing narrative verse.

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  • Kewan is probably the old Babylonian Ka(y)awanu, the planet Saturn, another (the Akkadian) name for which is Sakkut, which appears as Siccuth in the earlier part of the verse.

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  • At the Scandinavian sacrificial feasts a horn consecrated to Bragi was used as a drinkingcup by the guests, who then vowed to do some great deed which would be worthy of being immortalized in verse.

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  • Yet even the most defective poems commonly have, at least, a single verse, expressing some profound thought or tender shade of feeling, for which the sympathetic reader willingly pardons artistic imperfections in the rest.

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  • Meanwhile the Provencal poets had developed their modern language with incomparable richness and dexterity, creating forms of verse and modes of emotional expression which determined the latest medieval phase of literature in Europe.

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  • Meanwhile the languages of Greece and Rome had been so thoroughly appropriated that a final race of scholars, headed by Politian, Pontano, Valla, handled once again in verse and prose both antique dialects, and thrilled the ears of Europe with new-made pagan melodies.

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  • They learned portions of the best authors by heart, exercised themselves in translation from one language to another, and practised composition in prose and verse.

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  • It was their professed object to raise French to a level with the classics, and to acclimatize Italian species of verse.

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  • They introduced the sonnet and blank verse.

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  • His most original compositions in verse, however, are elegiac and hendecasyllabic pieces on personal topics - the De conjugali amore, Eridanus, Tumuli, Naeniae, Baiae, &c. - in which he uttered his vehemently passionate emotions with a warmth of southern colouring, an evident sincerity, and a truth of painting from reality which excuse their erotic freedom.

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  • The abbess Hild and her monks recognized that the illiterate herdsman had received a gift from heaven, and, in order to test his powers, proposed to him that he should try to render into verse a portion of sacred history which they explained to him.

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  • But the form of the sentences in B eeda's prose shows a close adherence to the parallelistic structure of Old English verse, and the alliterating words in the poem are in nearly every case the most obvious and almost the inevitable equivalents of those used by Bwda.

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  • As the Genesis begins with a line identical in meaning, though not in wording, with the opening of Cmdmon's Hymn, we may perhaps infer that the writer knew and used Cmdmon's genuine poems. Some of the more poetical passages may possibly echo Cmdmon's expressions; but when, after treating of the creation of the angels and the revolt of Lucifer, the paraphrast comes to the Biblical part of the story, he follows the sacred text with servile fidelity, omitting no detail, however prosaic. The ages of the antediluvian patriarchs, for instance, are accurately rendered into verse.

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  • The borrowed portion ends with verse 3 of the canticle, the remainder of which follows in a version for the most part independent, though containing here and there a line from Azarias.

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  • Reifzenstein (Der Anfang des Lexikons des Photius, 1907) has published a hitherto unedited MS. containing numerous fragments from various verse and prose authors.

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  • His Collected Poems, containing some beautiful verse, had been issued in 1892.

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  • With verse 3 " Judah migrated from oppression; From greatness of servitude; She settled among the nations, Without finding a resting-place," cf.

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  • In verse the earliest Swedish productions were probably the folk-song.'

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  • Each wrote copiously in verse, but Johan (1640-1684), who was professor of poetry at Upsala, almost entirely in Latin, while Samuel (1642-1679), especially in his Odae sveticae, showed himself an apt and fervid imitator of the Swedish hexameters of Stjernhjelm, to whom he was at one time secretary, and whose Hercules he dramatized.

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  • The writers of verse in this period were also exceedingly numerous.

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  • Anna Maria Lenngren (1754-1817) was a very popular sentimental writer of graceful domestic verse, chiefly between 1792 and 1798.

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  • The two great lights of the Gothic school are Geijer, mainly in prose, and Tegner, in his splendid and copious verse.

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  • He started authorship with a book of verse in 1888, after which time he led a reaction against realism and pessimism, and has turned back to a rich romantic idealism in his novels of Endymion (1889) and Hans Alienus (1892), and in his stories (1897) of the time of Charles XII.

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  • Some writers, both in prose and verse, turned from the exhausted fields of the national glory of Persia, and chose their subjects from the chivalrous times of their own Bedouin conquerors, or even from the Jewish legends of the Koran.

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  • Examples of the work in this direction of Ovid, Claudian, Ausonius and other late Latin poets have been preserved, but it is particularly those of Horace which have given this character to the epistles in verse which form so very characteristic a section of French poetry.

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  • We pass the witty epistles of Scarron and Voiture, to reach those of Boileau, whose epistles, twelve in number, are the classic examples of this form of verse in French literature; they were composed at different dates between 1668 and 1695.

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  • Henry Vaughan (1622-1695) addressed a fine epistle in verse to the French romance-writer Gombauld (1570-1666).

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  • But the great writer of epistles in English is Pope himself, to whom the glory of this kind of verse belongs.

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  • This type, in English literature, is commonly, though not at all universally, cast in heroic verse.

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  • But Daniel employs rime royal and terza rima, while some modern epistles have been cast in short iambic rhymed measures or in blank verse.

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  • In 1722 he published a small volume of Latin verse entitled Lusus poetici.

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  • He wrote, besides, biographies, catechisms and hymnals for children, manuals of religious verse, lectures and essays on Dante, &c.

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  • The orations were followed by a prodigious quantity of Latin verse, which appeared in successive volumes in 1 533, 1 534, 1 539, 1 54 6 and 1547; of these, a friendly critic, Mark Pattison, is obliged to approve the judgment of Huet, who says, "par ses poesies brutes et informes Scaliger a deshonore le Parnasse"; yet their numerous editions show that they commended themselves not only to his contemporaries, but to succeeding scholars.

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  • The composition of Latin verse was the chief amusement of Julius in his later years, and he daily dictated to his son from eighty to a hundred lines, and sometimes more.

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  • There is a curious richness in this prose, so full of rhythm and harmony, that breaks at every moment into verse, as it drags itself along its slow and weary way, halffainting under an overload of epithets.

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  • But some of his methods were remarkably erratic; he was anxious, for instance, to abolish verse, as unsuited tO the genius of the French.

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  • The verse is most carefully constructed, and is also most effective, but it is so with the rhetorical effectiveness of Lucan, not with the musical charm of Virgil.

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  • It is, indeed, impossible to say what motives of personal chagrin, of love of detraction, of the mere literary passion for effective writing, may have contributed to the indignation which inspired his verse.

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  • There are no recent translations of Juvenal into English verse.

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  • Even the men and women who till the soil are capable of improvizing verse of real merit, and sometimes excel in the ancient and difficult art of composing extempore amoebean rhymes.

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  • Portuguese literature is distinguished by the wealth and variety of its lyric poetry, by its primacy in bucolic verse and prose, by the number of its epics and historical books, by the relative slightness of the epistolary element, and by the almost complete absence of the memoir.

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  • But notwithstanding all its dependence on classical and foreign authors, Portuguese literature has a distinct individuality which appears in the romanceiro, in the songs named cantares de amigo of the cancioneiros, in the Chronicles of Fernao Lopes, in the Historia tragico-maritima, in the plays of Gil Vicente, in the bucolic verse and prose of the early 16th century, in the Letters of Marianna Alcoforado and, above all, in The Lusiads.

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  • The preAlphonsine period to which these men belong runs from 1200 to 1245 and produced little of moment, but in 1248 the accession of King Alphonso III., who had lived thirteen years in France, inaugurated a time of active and rich production which is illustrated in the Cancioneiro da Ajuda, the oldest collection of Peninsular verse.

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  • Maria, contains the choicest religious verse of the age.

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  • The Portuguese troubadours belonged to all social classes, and even included a few priests, and though love was their favourite topic they used every kind of verse, and in satire they hold the palm.

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  • The death of King Diniz proved a severe blow to troubadour verse, and the reign of his successor Alphonso IV.

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  • It was to the constable that the marquis de Santillana addressed his historic letter dealing with the origins of Peninsular verse.

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  • His Amphitryons is a free imitation of the Latin, yet thoroughly national in spirit and cast in the popular redondilha; the dialogue is spirited, the situations comic. King Seleucus derives from Plutarch and has a prose prologue of real interest for the history of the stage, while Filodemo is a clever tragi-comedy in verse with prose dialogues interspersed.

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  • He found the stage occupied mainly by religious plays in which there appeared no trace of the Greek or Roman theatre, and, admiring what he had seen in Italy, he and his followers protested against the name auto, restored that of comedy, and substituted prose for verse.

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  • His first decade undoubtedly influenced Camoens, and together the two men fixed the Portuguese written tongue, the one by his prose, the other by his verse.

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  • The most considered poets of the day joined the Arcadia and Lyric individually wrote much excellent verse, but they Latin authors were the models they chose, and Gargao, the most prominent Arcadian, composed the Cantata de Dido, a gem of ancient art, as well as some charming sonnets to friends and elegant odes and epistles.

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  • The bucolic verse of Quita, a hairdresser, has a tenderness and simplicity which challenge comparison with Bernardim Ribeiro, and the Marilia of Gonzaga contains a celebrated collection of bucolic-erotic verse.

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  • No Portuguese satirist possessed such a complete equipment for his office as Nicolao Tolentino, and though a dependent position depressed his muse, he painted the customs and follies of the time with almost photographic accuracy, and distributed his attacks or begged for favours in sparkling verse.

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  • The task of purifying and enriching the language and restoring the cult of the Quinhentistas was perseveringly carried out by Francisco Manoel de Nascimento (q.v.) in numerous compositions in prose and verse, both original and translated.

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  • Luiz divided his attention between heroic comedies and comedies de capa y espada, but of the fifty-one ascribed to him, all in verse, only one bears his name, the rest appeared anonymously.

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  • Gargao (q.v.) led the way with the Theatro Novo, a bright little comedy in blank verse, and followed it up with another, Assemblea ou partida; but he did not persevere.

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  • Figueiredo felt he had a mission to restore the drama, and wrote thirteen volumes of plays in prose and verse, but, though he chose national subjects, and could invent plots and draw characters, he could not make them live.

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  • Antonio Feijo and Jose de Sousa Monteiro have written verse remarkable by its form, while perhaps the most considered of the later poets are Antonio Correa de Oliveira and Lopes Vieira.

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  • In the next year a new edition appeared, with the addition of some licentious verse, and the inscription par le sieur Theophile on the title-page.

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  • Besides Pyrame et Thisbe, his works include a paraphrase, half verse, half prose, of the Phaedo.

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  • His last published volume contains a series of sonnets of singular beauty, addressed to the river, resembling Wordsworth's "Sonnets to the Duddon," but more perfect in form; and a blank verse idyll, "Ii Pettirosso" ("The Redbreast"), bearing an equally strong, though equally accidental, resemblance to the similar compositions of Coleridge.

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  • He flouted life and all philosophies but the Cynic in light compositions, partly in prose and partly in verse.

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  • At any rate, in passing from Rutilius to Sidonius no reader can fail to feel that he has left the region of Latin poetry for the region of Latin verse.

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  • The former is legendary work, partly in verse, on the life of Gotama, the historical Buddha; and the latter, also partly in verse, is devoted to proving the essential identity of the Great and the Little Vehicles, and the equal authenticity of both as doctrines enunciated by the master himself.

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  • Julius Zeyer (1841-1901) also wrote much both in prose and in verse.

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  • It is, however, remarkable that those who hold this opinion never give chapter and verse for it, and it may be said confidently that chapter and verse cannot be given.

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  • Her best-known story, Mrs Keith's Crime (1885), was followed by several other volumes, the best of which is Aunt Anne (1893); and the literary talent in the family was inherited by her daughter Ethel (Mrs Fisher Dilke), a writer of some charming verse.

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  • In July 1600 he sent home to the In Liefde bloeiende a very fine letter in verse, expressing his aspirations for the development of Dutch poetry.

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  • During his school days at the grammar schools of Penzance and Truro he showed few signs of a taste for scientific pursuits or indeed of any special zeal for knowledge or of ability beyond a certain skill in making verse translations from the classics and in story-telling.

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  • He regarded the orator and the poet as teachers, bound to complete themselves by education, and to exhibit to the world an image of perfected personality in prose and verse of studied beauty.

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  • As an author Petrarch must be considered from two points of view - first as a writer of Latin verse and prose, secondly as an Italian lyrist.

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  • Twelve Eclogues and three books of Epistles in verse close the list.

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  • An epitaph written by Charlemagne in verse, in which he styles Adrian "father," is still to be seen at the door of the Vatican basilica.

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  • Genealogies also pass from the bald verse, which was the vehicle for oral transmission, to such elaborate tables as those in which Manetho has preserved the dynasties of Egyptian Pharaohs.

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