His story was the subject of an old epic and of several tragedies, but none of these has been preserved.
Danae formed the subject of tragedies by Aeschylus, Sophocles, Euripides, Livius Andronicus and Naevius.
It contains also an account of the metres used by Boetius in the Consolatio, and a list of the passages which he has borrowed from the tragedies of Seneca.
Four years afterwards he made his first appearance as an author with an elegy called Fame's Memorial, or the Earl of Devonshire deceased, and dedicated to the widow of the earl (Charles Blount, Lord Mountjoy, "coronized," to use Ford's expression, by King James in 1603 for his services in Ireland) - a lady who would have been no unfitting heroine for one of his own tragedies of lawless passion, the famous Penelope, formerly Lady Rich.
The fortunes of Agamemnon have formed the subject of numerous tragedies, ancient and modern, the most famous being the Oresteia of Aeschylus.
One may notice that the first Ptolemy himself made a contribution of some value to historical literature in his account of Alexander's campaigns; the fourth Ptolemy not only instituted a cult of Homer but himself published tragedies; and even Ptolemy Euergetes II.
Medea is the heroine of extant tragedies of Euripides and Seneca; those of Aeschylus and Ennius (adapted from Euripides) are lost.
The general results of the last fifty years of the first period (130 to 80) may be thus summed up. In poetry we have the satires of Lucilius, the tragedies of Accius and of a few successors among the Roman aristocracy, who thus exemplified the affinity of the Roman stage to Roman oratory; various annalistic poems intended to serve as continuations of the great poem of Ennius; minor poems of an epigrammatic and erotic character, unimportant anticipations of the Alexandrian tendency operative in the following period; works of criticism in trochaic tetrameters by Porcius Licinus and others, forming part of the critical and grammatical movement which almost from the first accompanied the creative movement in Latin literature, and which may be regarded as rude precursors of the didactic epistles that Horace devoted to literary criticism.
The imitative and rhetorical tastes of Rome showed themselves in the composition of exotic tragedies, as remote in spirit and character from Greek as from Roman life, of which the only extant specimens are those attributed to the younger Seneca.
But it is not in the Silvae, nor in the epics and tragedies of the time, nor in the cultivated criticism of Quintilian that the age of Domitian lives for us.
Some: light is thrown upon the lost plays by Dio Chrysostom, who in one of his discourses (52) describes his reading of the three tragedies, and in another (59) gives a prose version of the opening of the Philoctetes of Euripides.
As a dramatist Korner was remarkably prolific, but his comedies hardly touch the level of Kotzebue's and his tragedies, of which the best is Zriny (1814), are rhetorical imitations of Schiller's.
Nicolaus also wrote comedies and tragedies, paraphrased and wrote commentaries on parts of Aristotle, and was himself the author of philosophical treatises.
During his enforced retirement he composed tragedies, which were put on the stage during the reign of Claudius.
Quintilian asserts that he was far superior to any writer of tragedies he had known, and Tacitus expresses a high opinion of his literary abilities.
He continued to write tragedies till the age of eighty, when he exhibited a play in the same year as Accius, who was then thirty years of age.
After his removal to the Piombi at Venice in February 1821, he composed several Cantiche and the tragedies Ester d'Engaddi and Iginia d'Asti.
His writings are defective in virility and breadth of thought, and his tragedies display neither the insight into character nor the constructive power of a great dramatist.
Originally intended for the profession of a painter, he preferred writing tragedies until attracted to science by the influence of Nicolas de Lacaille.
The authors he recommends include " Aesop " and Sallust, the tragedies of Seneca and the epic poets, especially Virgil, whom he interprets in an allegorical sense.
The Latin poets to be studied include Virgil, Lucan, Statius, Ovid's Metamorphoses, and (with certain limitations) Horace, Juvenal and Persius, as well as Plautus, Terence and the tragedies of Seneca; the prose authors recommended are Cicero, Livy and Sallust.
In 1813 he published Ensayos podticos, and between that date and his first exile several of his tragedies (the most notable being Alatar, 1814, and Lanuza, 1822) were put upon the stage.
His tragedies are perhaps less known now than his Fables (1813, 1815 and 1826), which are written in very graceful verse.
His eldest son, Emilien Lucien (1787-1863), wrote several tragedies, the leading roles in which were interpreted by Talma.
Reference is there made to Philostratus as the son of Verus, a rhetorician in Nero's time, who wrote tragedies, comedies and treatises.
In 1690 Giovanni Francesco Savaro published a play La Maria Stuarda, and since then the story of the Queen of Scots has been the subject of numerous poems and dramas, of which the most celebrated are Schiller's Maria Stuart, and three tragedies by A.
German novels also exist on the subject, by Franz Horn, Oeklers, Laun and Schucking, tragedies by Klinemann, Haushofer and Zedlitz.
When he entered upon this office he intended to have prelected upon the tragedies of Sophocles; but he altered his intention and made choice of Aristotle's rhetoric. His lectures on this subject, having been lent to a friend who never returned them, are irrecoverably lost.
The first folio of Shakespeare's Comedies, Histories and Tragedies, On the field of battle he was as energetic in attack as he was followed in 1902 and 1904 by supplementary volumes giving constant in defence, and his personal influence over the men details of extant copies, and in 1906 by a complete edition of Shakespeare's Works.
His own compositions, however, chiefly consisted of tragedies (Suidas gives the titles of twenty, of which very few fragments have been preserved), which secured him a place in the Pleiad of Alexandrian tragedians.
A few well-turned lines which have been preserved from Lycophron's tragedies show a much better style; they are said to have been much admired by Menedemus of Eretria, although the poet had ridiculed him in a satyric drama.
The story formed the subject of lost tragedies by Aeschylus, Sophocles, Euripides and other Greek and Latin dramatists.
Artavasdes, king of Armenia (54?-34 B.C.) composed Greek tragedies and histories (Plut.
Some of his finest tragedies were written for her, but her repertoire was not confined to them, and many an indifferent play - like Thomas Corneille's Ariane and Comte d'Essex - owed its success to "her natural manner of acting, and her pathetic rendering of the hapless heroine."
He wrote tragedies also, which Virgil (Ed.
The verse shows great facility of metrical composition, but a considerable portion of it is transferred from the tragedies of Seneca.
Hers was one of the most touching tragedies of the Revolution; she perished because she was the sister of the king.
Even Iranian kings in the last century B.C. found pleasure in composing, or listening to, Greek tragedies, and Herod the Great kept Greek men of letters beside him and had spasmodic ambitions to make his mark as an orator or author (Nicol.
But there was no end to the Vatican tragedies, and in July the duke of Bisceglie, whose existence was no longer advantageous, was murdered by Cesare's orders; this left Lucrezia free to contract another marriage.
Among the titles of his tragedies are Aegisthus, Lycurgus, Andromache or Hector Proficiscens, Equus Trojanus, the last named being performed at the opening of Pompey's theatre (55).
Aeschylus and Sophocles wrote tragedies upon it; Ovid has described it at length in his Metamorphoses.
A less prolific but more classical writer appeared in Charles Obernyik, whose George Brankovics is, next to Katona's Bank Bdn, one of the best historical tragedies in the language.
It is at first sight remarkable that Voltaire, whose comic power was undoubtedly far in excess of his tragic, should have written many tragedies of no small excellence in their way, but only one fair second-class comedy, Nanine.
His tragedies, on the other hand, are works of extraordinary merit in their own way.
Philoctetes was also the subject of tragedies by Achaeus of Eretria, Euphorion of Chalcis and the Roman tragedian Accius.
He published in 1810 a translation of the Parthenais of the Danish poet Baggesen, with a preface on the various kinds of poetry; in 1823 translations of two tragedies of Manzoni, with a preface "Sur la the orie de l'art dramatique"; and in 1824-1825 his translation of the popular songs of modern Greece, with a "Discours preliminaire" on popular poetry.
Edouard Smits (1789-1852) showed romantic tendencies in his tragedies of Marie de Bourgogne (1823), Elfrida (1825), and Jeanne de Flandre (1828).
The titles of about twenty-five of his tragedies are known to us, and a considerable number of fragments, varying in length from a few words to about fifteen lines, have been preserved.
These tragedies were for the most part adaptations and, in some cases, translations from Euripides.
In these remains of the tragedies of Ennius we can trace indications of strong sympathy with the nobler and bolder elements of character, of vivid realization of impassioned situations, and of sagacious observation of life.