Strauss Sentence Examples

Richard Strauss, in his edition of Berlioz's works on Instrumentation, paradoxically characterizes the classical orchestral style as that which was derived from chamber-music. Now it, is true that in Haydn's early days orchestras were small and generally private; and that the styles of orchestral and chamber music were not distinct; but surely nothing is clearer than that the whole history of the rise of classical chamber-music lies in its rapid differentiation from the coarse-grained orchestral style with which it began.

Yet, as Strauss and others have shown, Kant's mind betrayed a decided leaning at times to a more mechanical conception of organic forms as related by descent.

Among his numerous works may be mentioned Introduction a la philosophie d'Hegel (1855; 2nd ed., 1865); Probleme de la certitude (1845); Le Hegelianisme et la philosophie 0860; Mélanges philosophiques (1862); Essais de philosophie Hegelienne (1864); Strauss, l'ancienne et la nouvelle foi (1873), an attack upon Strauss's last "confession," written from the standpoint of an orthodox Hegelian; and a comprehensive work in Italian, Il Problema dell' Assoluto (Naples, 1872-82).

Strauss, the author of the Leben Jesu, and Bruno Bauer, who like Feuerbach himself had passed over from Hegelianism to a form of naturalism.

That stream is sure sooner or later to carry with it every reality that has been reached by side-issues and leaps; and of such things we have important cases in the works of Strauss and Debussy.

Strauss makes a steadily increasing use of avowedly irrational discords, in order to produce an emotionally apt physical sensation.

Debussy has this in common with Strauss, that he too regards harmonies as pure physical sensations; but he differs from Strauss firstly in systematically refusing to regard them as anything else, and secondly in his extreme sensibility to harshness.

The irrational discords of Strauss are also real phenomena in musical aesthetics.

Strauss as the typical "Philistine of culture"; his revolt against the fashion of pessimism to demand a new and more robust affirmation of life, not merely although, but because, it is painful.

Emerson's transcendentalism greatly influenced him, and Strauss's Leben Jesu left its mark upon his thought.

Other notable conductors of the Weimar theatre orchestra were Eduard Lassen and Richard Strauss.

On the other hand, he vigorously attacked David Strauss.

According to Strauss the fulfilments of prophecy in the New Testament arise from the Christians' belief that the Christian Messiah must have fulfilled the predictions of the prophets, and the miracles of Jesus in the New Testament either originate in the same way or are purely mythical embodiments of Christian doctrines.

Granted the philosophical basis, the criticism practised upon the New Testament by Paulus and Strauss follows almost automatically.

For the appearance of the critical writings of Strauss, Feuerbach and Bauer, and the evident disunion in the Hegelian school itself had alienated the sympathies of many from the then dominant philosophy.

Strauss's Leben Jesu, met with fierce opposition.

His early religious doubts, awakened especially by Strauss's Life of Jesus, made him throughout life sympathetic with those who underwent a similar stress.

Strauss has given an exhaustive analysis of the whole work in his book on Reimarus.

In 1841 appeared his Reponse to the Leben Jesu of Strauss.

The theory is further developed in a later work (1835, the year in which David Strauss' Leben Jesu was published), Ober die sogenannte.n Pastoralbriefe.

He was also one of the founders of the Theologische Jahrbilcher, a periodical which acquired great importance as the exponent of the historical method of David Strauss and Christian Baur.

He did not appreciate as sufficiently as David Strauss and the Tubingen critics the difficulties which a natural theory has to surmount, nor did he support his conclusions by such elaborate discussions as they deemed necessary.

He was educated at the gymnasium of Stuttgart, and at the universities of Tubingen, Halle and Berlin, where he was successively influenced by Baur and Schmid, by Tholuck and Julius Muller, by Strauss and, above all, Neander.

In 1825 Strauss passed from school to the university of Tubingen.

In the third edition of the work (1839), and in Zwei friedliche Bleitter, he made important concessions to his critics, which he withdrew, however, in the fourth edition (1840; translated into English by George Eliot, with Latin preface by Strauss, 1846).

In August 1841 he married Agnes Schebest, a cultivated and beautiful opera singer of high repute, but not adapted to be the wife of a scholar and literary man like Strauss.

Strauss resumed his literary activity by the publication of Der Romantiker auf dem Thron der Ciisaren, in which he drew a satirical parallel between Julian the Apostate and Frederick William IV.

It failed to produce an effect comparable with that of the first Life, but the replies to it were many, and Strauss answered them in his pamphlet Die Halben and die Ganzen (1865), directed specially against Schenkel and Hengstenberg.

From 1865 to 1872 Strauss resided in Darmstadt, and in 1870 published his lectures on Voltaire (9th ed., 1907).

Strauss's mind was almost exclusively analytical and critical, without depth of religious feeling or philosophical penetration, or historical sympathy; his work was accordingly rarely constructive.

In 1838 he published a vigorous reply to Strauss's Leben Jesu, and in that year he received the Legion of Honour.

He refused to submit himself to any form of positive orthodoxy, yet when a man like Strauss pushed unorthodoxy to its extreme limits Quinet revolted.

Strauss (q.v.) applied it with explosive effect to the study of the life of Jesus.

C. Baur, assisted by able colleagues, if hardly less revolutionary, was much more in touch;with theology than Strauss had been.

For him, as for Strauss, the unity of God and man is the central truth, of which Christ's atoning death is a sort of pictorial symbol.

David Strauss in his Life of Jesus had accounted for the Gospel narratives as half-conscious products of the mythic instinct in the early Christian communities.

Bauer ridiculed Strauss's notion that a community could produce a connected narrative.

In May 1957, Defense Minister Strauss secured parliamentary support for a policy of nuclear armament by the Federal Republic.

Well, Duncan Fletcher is a predictable man - he won't look past Strauss and Flintoff for his stand-in captains.

Leo Strauss thought hoi polloi could justifiable be kept docile by lies, and the biggest one is religion.

But then he produces a real snorter, which Ponting can only fend to third slip, where Andrew Strauss takes a simple catch.

The first denim jeans were made by Levi Strauss from hemp.

Strauss thought the libretto ' The born comic opera - more suited to music than either Figaro or The Barber of Seville ' .

Strauss is widely revered as the King of the Waltz, tho he also composed many fine operettas.

The next ball is tipped off outside edge but drops inches short of Strauss's outstretched paws.

Josef Strauss died young - in 1870, aged 42, after collapsing on the conductor's rostrum.

William through lochs playing strauss draw.

When he takes a single, Strauss is almost Yorked, the ball just going past the outside edge and off stump.

The crucial example of this is what Richard Strauss has ingeniously called the "al fresco" treatment of instruments in large orchestral masses (Berlioz-Strauss, Instrumentationslehre, edition Peters)..

In Das neue Wissen and der neue Glaube (1873) he showed himself as vigorous an opponent of the materialism of Strauss as of the doctrine of papal infallibility.

In the great division of the Hegelian school, he, in company with Michelet and others, formed the "centre," midway between Erdmann and Gabler on the one hand, and the "extreme left" represented by Strauss, Feuerbach and Bruno Bauer.

Josef Strauss died young - in 1870, aged 42, after collapsing on the conductor 's rostrum.

The referee had no hesitation in awarding a penalty try when the move was stopped and Strauss was also sent to the sin bin.

Strauss ' men halted a trot of four straight limited-overs series defeats with a tenacious attitude in the NatWest Series finale.

Strauss went undercover in this glamorous world, and learned the secrets of these top-drawer seducers.

Or call the elegant suite on who 's also an from the days. At the beach william through lochs playing strauss draw.

When he takes a single, Strauss is almost yorked, the ball just going past the outside edge and off stump.

Levi Strauss & Company is known worldwide for its famous Levi jeans.

Leading American jeans companies have worked vigorously throughout the years to capitalize on the casual wear trend, and the long-established Levi Strauss had a winner indeed with Dockers denim shorts.

Their combined market share may have been a precipitating factor in Levi Strauss's decision to discontinue manufacturing their extremely popular Dockers denim shorts.

Levi Strauss arrived in San Francisco in 1853 and sold tent canvas to the gold rushers.

Strauss began fashioning pants out of canvas and later added a durable French cloth called serge de Nimes, known now as denim.

Levi Strauss knew when he had a good thing!

Utility garments like army and carpenter's pants inspired the design, and the first such garments, called bush jeans, were the brainchild of Levi Strauss Company.

The story was also the subject of a play by Oscar Wilde (with brief notes for the "dance" section) and an entire opera by Strauss.

It's hard to believe today with our computer models and 3D graphics, but it took engineer Joseph Strauss a decade to convince the city's commissioners that his mathematics were sound and that his plan for the bridge was feasible.

A small statue of Joseph Strauss was added near the foot of the bridge in 1955, a reminder of Mr. Strauss' work in creating the bridge.

Joseph Baerman Strauss, a designer of over 400 spans, was convinced that the bridge could be constructed for about $30 million.

The district hired Joseph Baerman Strauss as the Chief Engineer to design the bridge.

Strauss mandated the use of a safety net.

Strauss was selected from a pool of eleven engineers to design and construct the bridge.

While Strauss played the role of Chief Engineer on the project and oversaw all final construction decisions, his relative inexperience with suspension bridges called for him to bring in an expert.

Strauss also enlisted the help of engineer Charles Alton Ellis, who contributed much of the technical work that assured the bridge could withstand the turbulant Golden Gate weather.

One of Strauss' most significant contributions to history is in his introduction of worksite safety measures that are still used today.

Perhaps most significant was Strauss' creation of a special safety net that ran the length of the bridge and was designed to catch workers who slipped and fell.

Although Joseph Strauss is credited as being the Chief Engineer, he received notable help from Irving Morrow, Charles Alton Ellis, and many other engineers and technicians who helped create this beautiful national landmark.

Daughter Abby looks for designer jeans at thrift shops, finding American Eagle, Abercrombie & Fitch, and Levi Strauss for $8 or less.

The summer musical events, aside from traditional performances of the works of such composers as Mozart, Beethoven, Mahler, Strauss and others, also often include works and performances by more recent composers.

Tracy Strauss - Ali Larter plays the role of Tracy, a Washington lobbyist who discovers that she has the ability to freeze any object or person.

In 1933, when the famous Golden Gate Bridge was being built, these hats were required by structural engineer Joseph Strauss.