Siena sentence example

siena
  • Domenico at Siena, is also by Benedetto.

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  • The cathedral contains other 14th-century and early Renaissance paintings, the former including some Passion scenes, the only certain work of Barna da Siena, and some fine choir stalls.

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  • When Charles of Bourbon stormed Rome in 1527 Paleario went first to Perugia and then to Siena, where he settled as a teacher.

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  • The Elsa and the Era, which join it on its left bank, descending from the hills near Siena and Volterra, are inconsiderable streams; and the Serchio, which flows from the territory of Lucca and the Alpi Apuani, and formerly joined the Arno a few miles from its mouth, now enters the sea by a separate channel.

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  • The most considerable rivers of Tuscany south of the Arno are the Cecina, which flows through the plain below Volterra, and the Ombrone, which rises in the hills near Siena, and enters the sea about 12 m.

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  • After receiving the crown in Rome, he died at Buonconvento, a little walled town south of Siena, on his backward journey in 1313.

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  • The Medici became yearly more indispensable to Florence, the Bentivogli more autocratic in Bologna, the Baglioni in Perugia; and even Siena was ruled by the Petrucci.

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  • Acting as lieutenant for the Spaniards, he subsequently (1555) subdued Siena, and bequeathed to his descendants the grand-duchy of Tuscany.

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  • The pope, Pius VI., was forthwith haled away to Siena and a year later to Valence in the south of France, where he died.

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  • The most magnificent part of the exterior and indeed the finest polychrome monument in existence is the west façade, built of richlysculptured marble from the designs of Lorenzo Maitani of Siena, and divided into three gables with intervening pinnacles, closely resembling the front of Siena cathedral, of which it is a reproduction, with some improvements.

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  • It was begun by Ugolino Vieri of Siena in 1337, and was made to contain the Holy Corporal from Bolsena, which, according to the legend, became miraculously stained with blood during the celebration of mass to convince a sceptical priest of the truth of the doctrine of transubstantiation.

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  • It was under the protection of Siena till 1202, when it declared for Florence and thenceforward passed from one mistress to the other, until early in the 16th century when it finally became Florentine.

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  • The war between France and Spain for the possession of Naples dragged on, and Alexander was ever intriguing, ready to ally himself with whichever power promised at the moment most advantageous terms. He offered to help Louis on condition that Sicily be given to Cesare, and then offered to help Spain in exchange for Siena, Pisa and Bologna.

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  • The public festivals of Siena known as the "Palio delle Contrade" have a European celebrity.

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  • They are held in the public square, the curious and historic Piazza del Campo (now Piazza di Vittorio Emanuele) in shape resembling an ancient theatre, on the 2nd of July and the 16th of August of each year; they date from the middle ages and were instituted in commemoration of victories and in honour of the Virgin Mary (the old title of Siena, as shown by seals and medals, having been "Sena vetus civitas Virginis").

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  • Siena is divided into seventeen contrade (wards), each with a distinct appellation and a chapel and flag of its own; and every year ten of these contrade, chosen by lot, send each one horse to compete for the prize palio or banner.

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  • The aspect of Siena during these meetings is very characteristic, and the whole festivity bears a medieval stamp in harmony with the architecture and history of the town.

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  • Maria di Provenzano, a vast baroque building of some elegance, designed by Schifardini (1594) Sant' Agostino, rebuilt by Vanvitelli in 1755, containing a Crucifixion and Saints by Perugino, a Massacre of the Innocents by Matteo di Giovanni, the Coming of the Magi by Sodoma, and a St Anthony by Spagnoletto (?); the beautiful church of the Servites (15th century), which contains another Massacre of the Innocents by Matteo di Giovanni and other good examples of the Sienese school; San Francesco, designed by Agostino and Agnolo about 1326, and now restored, which once possessed many fine paintings by Duccio Buoninsegna, Lorenzetti, Sodoma and Beccafumi, some of which perished in the great fire of 1655; San Domenico, a fine 13th-century building with a single nave and transept, containing Sodoma's splendid fresco the Swoon of St Catherine, the Madonna of Guido da Siena, 1281, and a crucifix by Sano di Pietro.

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  • The former hall of the grand council, built in 1327, was converted into the chief theatre of Siena by Riccio in 1560, and, after being twice burnt, was rebuilt in 1753 from Bibbiena's designs.

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  • Siena was probably founded by the Etruscans (a few tombs of that period have been found outside Porta Camollia), and then, falling under the Roman rule, became a colony in the reign of Augustus, or a little earlier, and was distinguished by the name of Saena Julia.

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  • We have documentary evidence that in the 7th century in the reign of Rotaris (or Rotari), there was a bishop of Siena named Mauro.

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  • We have written evidence of the consular government of Siena from 1125 to 1212; the number of consuls varied from three to twelve.

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  • During the rule of the nobles and the mixed rule of nobles and popolani the commune of Siena was enlarged by fortunate acquisitions of neighbouring lands and by the submission of feudal lords, such as the Scialenghi, Aldobrandeschi, Pannocchieschi, Visconti di Campiglia, &c.

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  • Before long the reciprocal need of fresh territory and frontier disputes, especially concerning Poggibonsi and Montepulciano, led to an outbreak of hostilities between Florence and Siena.

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  • During the 12th and 13th centuries there were continued disturbances, petty wars, and hasty reconciliations between Florence and Siena, until in1254-1255a more binding peace and alliance was concluded.

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  • But this treaty, in spite of its apparent stability, led in a few years to a fiercer struggle; for in 1258 the Florentines complained that Siena had infringed its terms by giving refuge to the Ghibellines they had expelled, and on the refusal of the Sienese to yield to these just remonstrances both states made extensive preparations for war.

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  • Siena applied to Manfred, obtained from him a strong body of German horse, under the command of Count Giordano, and likewise sought the aid of its Ghibelline allies.

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  • This army, led by the podesta of Florence and twelve burgher captains, set forth gaily on its march towards the enemy's territories in the middle of April 1260, and during its first campaign, ending on the 18th of May, won an insignificant victory at Santa Petronilla, outside the walls of Siena.

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  • For some time Siena remained faithful to the Ghibelline cause; nevertheless Guelf and democratic sentiments began to make head.

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  • The territories of the state were enlarged; a friendly alliance was maintained with Florence; trade flourished; in 1321 the university was founded, or rather revived, by the introduction of Bolognese scholars; the principal buildings now adorning the town were begun; and the charitable institutions, which are the pride of modern Siena, increased and prospered.

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  • Then, however, moved by fear of the emperor, who had passed through Siena two months before on his way to Rome, and who was about to halt there on his return, it tried to conciliate its foes by creating a fresh council of 150 riformatori, who replaced the twelve defenders by a new supreme magistracy of fifteen, consisting of eight popolani, four dodicini, and three noveschi, entitled respectively "people of the greater number," "people of the middle number," and "people of the less number."

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  • The riformatori were ousted from power and expelled the city, and the trade of Siena suffered no little injury by the exile of so many artisan families.

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  • But in 1402 the death of 1 The following are the ordini or monti that held power in Siena for any considerable time - gentiluomini, from the origin of the republic; nove, from about 1285; dodici, from 1355; riformatori, from 1368; popolo, from 1385.

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  • In that year the first plot against the Viscontian rule, hatched by the twelve and the Salimbeni and fomented by the Florentines, was violently repressed, and caused the twelve to be again driven from office; but in the following year a special balia, created in consequence of that riot, annulled the ducal suzerainty and restored the liberties of Siena.

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  • But the great Western schism then agitating the Christian world again brought disturbance to Siena.

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  • In consequence of the decisions of the council of Pisa, Florence and Siena had declared against Gregory XII.

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  • This monarch halted at Siena on his way to Rome to be crowned, and received a most princely welcome.

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  • Siena was next at war for several years with Aldobrandino Orsini, count of Pitigliano, and with Jacopo Piccinini, and suffered many disasters from the treachery of its generals.

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  • Thereupon Alphonso, duke of Calabria, who was fighting in Tuscany on the side of his father Ferdinand, came to an agreement with Siena and, in the same way as his grandfather Alphonso, tried to obtain the lordship of the city and the recall of the exiled rebels in 1456.

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  • The noveschi, being "fat burghers" with powerful connexions, abilities and traditions, gained increased strength and influence in exile; and five years later, on 22nd July 1487, they returned triumphantly to Siena, dispersed the few adherents of the popolo who offered resistance, murdered the captain of the people, reorganized the state, and placed it under the protection of the Virgin Mary.

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  • During the domination of this man (who, like Lorenzo de' Medici, was surnamed "the Magnificent") Siena enjoyed many years of splendour and prosperity.

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  • He successfully withstood all opposition within the state, until he was at last worsted in his struggle with Cesare Borgia, who caused his expulsion from Siena in 1502.

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  • The predominance of his family in Siena did not last long after his decease.

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  • He lacked the lofty intellect of a Cosimo or a Lorenzo, and the atmosphere of libertyloving Siena with its ever-changing factions was in no way suited to his purpose.

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  • The imperial legates and the captains of the Spanish guard in Siena crushed both government and people by continual extortions and by undue interference with the functions of the balia.

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  • Thereupon certain Sienese citizens in Rome, headed by Aeneas Piccolomini (a kinsman of Pius II.), entered into negotiations with the agents of the French king and, having with their help collected men and money, marched on Siena and forced their way in by the new gate (now Porta Romana) on 26th July 1552.

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  • Siena exulted in her recovered freedom; but her sunshine was soon clouded.

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  • First, the emperor's wrath was stirred by the influence of France in the counsels of the republic; then Cosimo, who was no less jealous of the French, conceived the design of annexing Siena to his own dominions.

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  • The first hostilities of the imperial forces in Val di Chiana (1552-1553) did little damage; but when Cosimo took the field with an army commanded by the marquis of Marignano the ruin of Siena was at hand.

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  • On 26th January Marignano captured the forts of Porta Camollia (which the whole population of Siena, including the women, had helped to construct) and invested the city.

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  • Meanwhile Siena was vigorously besieged, and its inhabitants, sacrificing everything for their beloved city, maintained a most heroic defence.

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  • A glorious record of their sufferings is to be found in the Diary of Sozzini, the Sienese historian, and in the Commentaries of Blaise de Monluc, the French representative in Siena.

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  • Thus Siena was annexed to the Florentine state under the same ruler and became an integral part of the grand-duchy of Tuscany.

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  • In 1859 Siena was the first Tuscan city that voted for annexation to Piedmont and the monarchy of Victor Emmanuel II., this decision (voted 26th June) being the initial step towards the unity of Italy.

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  • The literary history of Siena, while recording no gifts to the world equal to those bequeathed by Florence, and without the power and originality by which the latter became the centre of Italian culture, can nevertheless boast of some illustrious names.

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  • As early as the 13th century the vulgar tongue was already well established at Siena, being used in public documents, commercial records and private correspondence.

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  • The year of her death (1380) was that of the birth of St Bernardino Albizzeschi (S Bernardino of Siena), a popular preacher whose sermons in the vulgar tongue are models of style and diction.

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  • In the 13th century we find Guido (da Siena), painter of the wellknown Madonna in the church of S Domenico in Siena.

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  • Siena is indeed unsurpassed for its examples of 13th and 14th century Italian Gothic, whether in stone or in brick.

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  • Attaching himself afterwards to Cardinal de Tournon, he accompanied him in 1554 to Italy, whence he was several times sent on embassies to the king, with reports on the siege of Siena.

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  • But, although greatly strengthened, the Guelphs, who now may be called the democrats as opposed to the Ghibelline aristocrats, were by no means wholly victorious, and in 1251 they had to defend themselves against a league of Ghibelline cities (Siena, Pisa and Pistoia) assisted by Florentine Ghibellines; the Florentine Uberti, who had been driven into exile after their plot of 1258, took refuge in Siena and encouraged that city in its hostility to Florence.

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  • A Florentine army assisted by Guelphs of other towns was cunningly induced to believe that Siena would surrender at the first summons; but it was met by a Sienese army reinforced by Florentine exiles, including Farinata degli Uberti and other Ghibellines, and by the cavalry of Manfred of Sicily, led by Count Giordano and the count of Arras, with the result that the Florentines were - totally routed at Montaperti on the 4th of September 1260.

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  • Treaties with Pisa, Siena, Arezzo and Cortona were concluded, and soon no less than 80 towns, including Bologna, had thrown off the papal yoke.

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  • By 1378 peace was made, partly through the mediation of St Catherine of Siena, and the interdict was removed in consideration of the republic's paying a fine of 200,000 florins to the pope.

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  • In 1390 Gian Galeazzo Visconti, having made himself master of a large part of northern Italy, intrigued to gain possession of Pisa and Siena.

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  • In 1397-1398 Florence had two more wars with Gian Galeazzo Visconti, who, aspiring to the conquest of Tuscany, acquired the lordship of Pisa, Siena and Perugia.

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  • But Ladislas still occupied the papal states, and Florence, alarmed at his growing power and ambition, formed a league with Siena, Bologna and Louis of Anjou who laid claim to the Neapolitan throne, to drive Ladislas from Rome.

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  • Summoning Siena, Pistoia and the Florentine exiles to their aid, they boldly faced their foe, but were defeated in 1254.

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  • Thereupon the Florentines obtained Porto Talamone from Siena and established a navy of their own.

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  • Of two of these saints, St Catherine of Alexandria, the St Catherine par excellence, and St Catherine of Siena, something st more must be said.

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  • St Catherine of Siena was the youngest of the twenty-five children of Giacomo di Benincasa, a dyer, and was born, with a twin-sister who did not survive her birth, on the st 25th of March 1347.

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  • Her peculiarities excited suspicion, and charges seem to have been brought against her by some of the Dominicans to answer which she went to Florence in 1374, soon returning to Siena to tend the plague-stricken.

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  • Peace was signed with the new pope, Urban VI., and Catherine, having thus accomplished her second great political task, went home again to Siena.

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  • Catherine of Siena lived on not only in her writings but in her disciples.

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  • The work is declared to have been dictated by the saint in her father's house in Siena, a little before she went to Rome, and to have been completed on the 13th of October 1378.

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  • Gardner's Saint Catherine of Siena (London, 1907), a monumental study dealing with the religion, history and literature of the 14th century in Italy as they centre "in the work and personality of one of the most wonderful women that have ever lived."

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  • Catherine of Siena is said to have saved Father Matthew from dying of the plague, but in this case it is rather the healer than the healed who was strong in faith.

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  • In Italy Bernardino of Siena on the scholastic side, Robert of Lecce and Gabriel Barletta on the popular, are the chief names; in Germany these phases are represented by John Gritsch and John Geiler of Kaiserburg respectively.

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  • Maria del Calcinaio, a fine early Renaissance building by Francesco di Giorgio Martini of Siena, with fine stained glass windows.

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  • The collapse of the Borgias threw Central Italy into confusion; and Machiavelli had, in 1505, to visit the Baglioni at Perugia and the Petrucci at Siena.

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  • The decree Frequens was not wholly neglected; though the next council, at Siena, came to naught, the council at Basel, whose chief business was to put an end to the terrible religious war that neatly, as if we were mere barbarians.

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  • The family owns large estates at Siena.

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  • They went together to Siena and Rome and then on to Campania, thirsty under the summer sun.

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  • He entered the Celestine order and came into prominence during the pontificate of his uncle, Gregory XII., by whom he was appointed bishop of Siena, papal treasurer, protonotary, cardinal-priest of St Marco e St Clemente, and later cardinal-priest of Sta Maria in Trastevere.

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  • In1428-1429he attended the councils of Pavia and Siena, and in the presence of the pope, Martin V., made an eloquent speech in vindication of his native country, and in eulogy of the papacy.

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  • The citadel of the 15th century, constructed by Francesco di Giorgio Martini of Siena, is on the S.E.

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  • His energy was stimulated by the stirring words of Catherine of Siena, to whom in particular the transference of the papal see back to Italy (17th of January 1377) was almost entirely due.

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  • The feud between Italian and Frenchman broke out in a violent form; and it was in vain that St Catherine of Siena proffered her mediation in the bloody strife betwixt the pope and the Florentine republic. The letters that she addressed to the pontiff, on this and other occasions, are documents, which are, perhaps, unique in their kind, and of great literary beauty.

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  • A special point of attaction in this jubilee of 1450 was the canonization of Bernardino of Siena; and, in spite of the plague which broke out in Rome, the celebrations ran a brilliant course.

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  • At the age of forty, when the leading man in Siena, he retired along with two companions to live a hermit's life at Accona, a desert place fifteen miles to the south of Siena, 1313.

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  • Of about the same date are the almost equally magnificent screens in Sta Trinita, Florence, and at Siena across the chapel in the Palazzo Pubblico.

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  • The Strozzi palace in Florence and the Palazzo del Magnifico at Siena have fine specimens of these - the former of wrought iron, the latter in cast bronze.

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  • He set to work to restore some of these ruins, to reconstitute and pacify the Papal State, to put an end to the Schism, which showed signs of continuing in Aragon and certain parts of southern France; to enter into negotiations, unfortunately unfruitful, with the Greek Church also with a view to a return to unity, to organize the struggle against heresy in Bohemia; to interpose his pacific mediation between France and England, as well as between the parties which were rending France; and, finally, to welcome and act as patron to saintly reformers like Bernardino of Siena and Francesca Romana, foundress of the nursing sisterhood of the Oblate di Tor de' Specchi (1425).

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  • In accordance with the decree Frequens, and the promises which he had made, Martin V., after an interval of five years, summoned a new council, which was almost immediately transferred from Pavia to Siena, in consequence of an epidemic (1423).

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  • The wines of Chianti, near Siena, are often described as being of the claret type, but actually they are somewhat similar to the growths of Beaujolais.

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  • At this point a road branched off to Saena (Siena).

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  • Empoli is on the main railway line from Florence to Pisa, and is the point of divergence of a line to Siena.

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  • On the death of his brother Giacopo, one of the most powerful men in the city, Pandolfo succeeded to all the latter's offices and emoluments (1497), thus becoming in fact if not in name master of Siena.

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  • The Sienese tyrant, however, did not fall into the trap, and although Borgia in 1 502 obliged him to quit Siena, he returned two months later, more powerful than before.

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  • His chief feat was the famous defence of Siena (1555), which he has told so admirably.

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  • Regulus and the tomb of Ilaria del Carretto by Jacopo della Quercia of Siena (described by Ruskin in Modern Painters, ii.), the earliest of his extant works (1406), and one of the earliest decorative works of the Renaissance.

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  • A Roman colony was established at Sena, called Sena Gallica to distinguish it from Sena Julia (Siena) in Etruria.

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  • Federicus Petrucius of Siena is said to have been the master under whom he studied canon law.

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  • His life, he asserted, had been already once attempted by a cut-throat in the pay of the Medici; and now he readily accepted an invitation from the state of Siena.

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  • In Siena, however, he was not destined to remain more than four years.

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  • Siena stands on a branch leaving the Florence-Pisa line at Empoli and running through the centre of Tuscany to Chiusi, where it joins the Florence-Rome railway.

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  • There are universities at Pisa and Siena.

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  • The main art centres of Tuscany are Florence, Pisa and Siena, the headquarters of the chief schools of painting and sculpture from the r3th century onwards.

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  • Siena, too, never accepted the Renaissance to the full, and its art retained an individual character without making much progress.

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  • The most important of these Tuscan republics were Florence, Pisa, Siena, Arezzo, Pistoia and Lucca.

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  • Thence, on the 6th of July, he was permitted to depart for Siena, where he spent several months in the house of the archbishop, Ascanio Piccolomini, one of his numerous and trusty friends.

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  • Alarmed by the number of the sectaries and the extent of their influence, Pope Martin V., who had encouraged the Observants, and particularly Bernardine of Siena, fulminated two bulls (1418 and 1421) against the heretics, and entrusted different legates with the task of hunting them down.

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  • This organization, at least in so far as concerns the heretical church, had already been observed among the Fraticelli in Sicily, and in 1423 the general council of Siena affirmed with horror that at Peniscola there was an heretical pope surrounded with a college of cardinals who made no attempt at concealment.

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  • In addition to painting altarpieces and frescoes, he designed much of the inlaid marble floor of Siena Cathedral.

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  • Siena is located in the heart of the olive groves and vineyards of the Chianti countryside.

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  • Married to a canon of Westminster, she was deeply devotional woman who modeled her life on Catherine of Siena.

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  • This walk takes you from Volterra through the Chianti vineyards and San Gimignano to the Sienese hills and magnificent Siena itself.

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  • At Siena in July 1408 he and Sir John Cheyne, as English envoys, were received by Gregory XII.

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  • In the council chamber of the town-hall (1288-1323) is a fresco by Lippo Memmi of the Madonna enthroned of 1317, copied closely from the similar fresco (the "Majestas") by his master Simone di Martino in the Palazzo Pubblico at Siena; there is also a curious frescoed frieze of 1291, with knights in armour.

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  • In Siena he wrote his Actio in pontifices romanos et eorum asseclas, a vigorous indictment, in twenty "testimonia," against what he now believed to be the fundamental error of the Roman Church in subordinating Scripture to tradition, as well as against various particular doctrines, such as that of ' P. Orsi in Notizie degli Scavi (1899), 45 2 -47 1; Romische Quartalschrift (1898), 624-631.

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  • All we know for certain is that1 at this epoch, Rome attempts to ruin Tivoli, and Venice Pisa; Milan fights with Cremona, Cremona with Crema, Pavia with Verona, Verona with Padua, Piacenza with Parma, Modena and Reggio with Bologna, Bologna and Faenza with Ravenna and Imola, Florence and Pisa with Lucca and Siena, and so on through the whole list of cities.

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  • The most magnificent part of the exterior and indeed the finest polychrome monument in existence is the west façade, built of richlysculptured marble from the designs of Lorenzo Maitani of Siena, and divided into three gables with intervening pinnacles, closely resembling the front of Siena cathedral, of which it is a reproduction, with some improvements.

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  • The cathedral built by Bartolommeo Ammanati (1S70), modified by Ippolito Scalza, and completed in 1680 (with the exception of the facade, which is still unfinished) contains a large altar-piece by Taddeo di Bartolo of Siena, and the fragments of an imposing monument erected in1427-1436by the Florentine architect Michelozzo in honour of Bartolommeo Aragazzi, secretary of Pope Martin V., which was taken down in the 18th century.

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  • Ghibelline Siena soon felt the effects of the change in the defeat of its army at Colle di Valdelsa (1269) by the united forces of the Guelf exiles, Florentines and French, and the death in that battle of her powerful citizen Provenzano Salvani (mentioned by Dante), who had been the leading spirit of the government at the time of the victory of Montaperti.

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  • On 11th April peace was made with the Florentines and Siena enjoyed several years of tranquil prosperity.

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  • When in 1549 Don Diego announced the emperor's purpose of erecting a fortress in Siena to keep the citizens in order, the general hatred found vent in indignant remonstrance.

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  • Consequently Sienese art seemed almost stationary amid the general progress and development of the other Italian schools, and preserved its medieval character down to the end of the 15th century, when the influence of the Umbrian and - to a slighter degree - of the Florentine schools began to penetrate into Siena, followed a little later by that of the Lombard.

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  • The 16th century boasts the names of Bernardino Fungai, Guidoccio Cossarelli, Giacomo Pacchiarotto, Girolamo del Pacchia and especially Baldassare Peruzzi (1481-1537), who while especially celebrated for his frescoes and studies in perspective and chiaroscuro was also an architect of considerable attainments (see Rome); Giovanni Antonio Bazzi, otherwise known as 11 Sodoma (1477-1549), who, born at Vercelli in Piedmont, and trained at Milan in the school of Leonardo da Vinci, came to Siena in 1504 and there produced some of his finest works, while his influence on the art of the place was considerable; Domenico Beccafumi, otherwise known as Micharino (1486-1550), noted for the Michelangelesque daring of his designs; and Francesco Vanni.

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  • According to the well-known law, however, the Renaissance, made for the people of the plains, never fully took root in Siena, as in other parts of Tuscany, and the loss of its independence and power in 1555 led to a suspension of building activity, which to the taste of the present day is most fortunate, inasmuch as the baroque of the 17th and the false classicism of the 18th centuries have had hardly any effect here; and few towns of Italy are so unspoilt by restoration or the addition of incongruous modern buildings, or preserve so many characteristics and so much of the real spirit (manifested to-day in the grave and pleasing courtesy of the inhabitants) of the middle ages, which its narrow and picturesque streets seem to retain.

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  • The dialogue is entitled, The Book of Divine Doctrine, given in person by God the Father, speaking to the mind of the most glorious and holy virgin Catherine of Siena, and written down as she dictated it in the vulgar tongue, she being the while entranced, and actually hearing what God spoke in her.

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  • Bernardino di Siena (1472) has a fine Renaissance facade by Nicolo Filotesio (commonly called Cola dell' Amatrice), and contains the monumental tomb of the saint, decorated with beautiful sculptures, and executed by Silvestro Ariscola in 1480.

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  • Starting with a visit to Piombino, on the coast opposite Elba, he went by way of Siena to Urbino, where he made drawings and began works; was thence hastily summoned by way of Pesaro and Rimini to Cesena; spent two months between there and Cesenatico, projecting and directing canal and harbour works, and planning the restoration of the palace of Frederic II.; thence hurriedly joined his master, momentarily besieged by enemies at Imola; followed him probably to Sinigaglia and Perugia, through the whirl of storms and surprises, vengeances and treasons, which marked his course that winter, and finally, by way of Chiusi and Acquapendente, as far as Orvieto and probably to Rome, where Caesar arrived on the 14th of February 1503.

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  • It consists of eight provinces, Arezzo, Firenze (Florence), Grosseto, Livorno (Leghorn), Lucca, Massa-Carrara, Pisa and Siena, and has an area of 9304 sq.

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  • The hall had 8 " Siena " scagliola columns; the dining-room was in Louis XIV style.

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  • The art of Siena developed its own unique style, typified by the exquisite work of Simone Martini, pupil of Duccio.

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  • You can easily get lost in the warren of streets of Siena !

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