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shadows

shadows Sentence Examples

  • He'd never blend into the shadows again.

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  • The sun made long shadows of her figure as she walked to the house.

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  • Her surroundings blurred into light and shadows, and she felt the sickening sense of falling off the cliff again.

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  • The darkening shadows sharpened his features and highlighted the crows' feet around his eyes.

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  • "It won't be today," she said, starting to freak out again at the cold shadows and the scary man.

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  • "Sofi … she's safe," Darian said and stepped from the shadows to pace.

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  • Men come tamely home at night only from the next field or street, where their household echoes haunt, and their life pines because it breathes its own breath over again; their shadows, morning and evening, reach farther than their daily steps.

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  • Death didn't live in the shadows as Gabriel had for the majority of his life.

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  • They sat that way for a long time, silently watching the evening shadows grow long and then consume the sky.

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  • The shadows clung to her as she stepped into the hallway.

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  • The other half of his face was stuck in the shadows, giving him a surreal appearance, as if he had one foot in a different world.

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  • Rhyn clenched his fists.  Darkyn said nothing else and walked away, disappearing into the morning shadows of the forest.  Rhyn felt fevered.  His power was leaking out of his body, killing the plants around him.  He grappled to control what he could, aware he would soon not have that option.

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  • The longer they talked, the deeper the clammy shadows sank into her.

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  • He sank into the shadows, at home in the darkness, watching.

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  • The longer they talked, the deeper the clammy shadows sank into her.

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  • The moonlight formed shadows on his muscular chest.

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  • He shrunk further back into the shadows of the dining room.

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  • He hooked the light to his belt where it swung in an eerie arc, casting jumping shadows on the rock-strewn slope and yellow streaks into nothingness.

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  • A form melted from the shadows before her, and she held her breath.

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  • A form melted from the shadows right before she reached it.

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  • The man melted from the shadows, awaiting his orders.

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  • He perched on the edge of the desk, the fire casting shadows across his perfect, chiseled features.

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  • Toby emerged from the early morning shadows of the forest.

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  • She couldn't read his thoughts, but she saw the shadows in his eyes.

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  • The man melted from the shadows, awaiting his orders.

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  • He perched on the edge of the desk, the fire casting shadows across his perfect, chiseled features.

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  • Kiki didn't have a chance to answer before the wooden door to their prison creaked open.  Rhyn's head spun as he was hauled up and dragged into a well-lit hallway.  Light and shadows wreaked havoc on his sense of place and time until he hit the cool stone floor again.

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  • The petite woman who materialized out of the shadows wasn't what he expected.  Her flawless features were unremarkable, her large eyes turning colors faster than his.

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  • The executioner from the corner emerged from the shadows and took her arms.

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  • His death-dealers were fading into the shadows of the forest as the ground shook.

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  • More dark shadows lingered deep within the forest, watching over their leader.

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  • "He did.  He wanted to make the world safer for me, for our …" Katie's throat tightened.  She cleared it.  "He realized he doesn't have to be in the shadows anymore.  And the way he looked at me that last day…" she drifted off again, this time recalling the intensity of emotion on Rhyn's face the last time she'd seen him in the mortal realm.

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  • The trees overhead rustled, and Toby yanked away, staring.  Katie saw shadows but nothing else.  Even so, she doubted these were the freaky underworld birds.

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  • Should not every apartment in which man dwells be lofty enough to create some obscurity overhead, where flickering shadows may play at evening about the rafters?

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  • Rhyn emerged from the shadows near the window, dressed in black with his hair tied back.

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  • Shadows danced in tune with a slight breeze from the inch of open window and a sentinel pine tree beyond.

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  • Weller prodded him further to the shadows beyond before he answered.

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  • Shadows covered half his face, rendering his chiseled features and low brow sinister.

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  • His grandfather had an almost subservient relationship to Tim's, but Brady had left the shadows on many occasions to remind Tim of what really mattered when the politician's ego started to get the best of him.

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  • She sat on a thick log.  He disappeared into the shadows of the jungle, and she pulled her knees to her chest, listening.  He was silent while the branches overhead hissed and rasped against one another and the cries of distant birds drifted to her.

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  • Weller prodded him further to the shadows beyond before he answered.

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  • The shadows of poverty and meanness gather around us, "and lo! creation widens to our view."

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  • The horses showered the fine dry snow on the faces of those in the sleigh--beside them sounded quick ringing bells and they caught confused glimpses of swiftly moving legs and the shadows of the troyka they were passing.

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  • She sat down, leaning her back against the tree, and watched shadows from puffy clouds drift across the surface.

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  • Laughing softly at the matching shadows of her hair and skirt, she imagined it was a Christmas tree.

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  • Shadows chased her up the stairs and flew down the halls, coating the floors and walls in shallow, black fog.

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  • Shadows played across the delicate, pert features.

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  • Often when I dream, thoughts pass through my mind like cowled shadows, silent and remote, and disappear.

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  • And when will all this end? thought Rostov, looking at the changing shadows before him.

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  • While they drove past the garden the shadows of the bare trees often fell across the road and hid the brilliant moonlight, but as soon as they were past the fence, the snowy plain bathed in moonlight and motionless spread out before them glittering like diamonds and dappled with bluish shadows.

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  • They were quietly dropping melted wax into snow and looking at the shadows the wax figures would throw on the wall, when they heard the steps and voices of new arrivals in the vestibule.

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  • Each carrying two canteens, a rifle and a lantern, they started off into the long shadows of the sand dunes.

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  • Darian was in the shadows, dressed in his workout gear, splattered with blood.

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  • Shadows crawled over the world around her, and the tension in the air made it hard to breathe.

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  • Her Gabriel, who spent his life a part of the shadows, radiated the quiet power of a deity that reached her from across the room.

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  • "I'm sorry to bother you," she said again, unable to see his face in the shadows of the dimly lit room.

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  • He needed the reminder of the good in the world, because he saw none of it from the shadows where he spent his life.

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  • Jenn didn't approach, instead sinking into the shadows of one of the many pillars providing support all along the main floor.

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  • "Hey, boss," Jenn purred, emerging from the shadows.

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  • The man with eyes the color of the moss in his room materialized from the shadows.

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  • For the first time, he wasn't lingering in the shadows.

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  • The death dealer didn't challenge her, instead melting back into the forest shadows.

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  • His least favorite demon crept from the shadows.

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  • He scrutinized her for a long moment, eyes narrowing, before he stepped aside to rejoin the shadows.

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  • He was alive after a lifetime banished to the shadows.

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  • He felt the wary eyes of his death-dealers from the shadows.

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  • The death dealer stood at the edge of the shadows as he had across from the doctor's office, waiting.

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  • Keeping along the long wall, she inched her way upward, sticking to the shadows.

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  • Wanting to give his friend, Rhyn, a moment of peace with his dead-dead parents, he waited until Rhyn was gone before withdrawing from the shadows.

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  • She caught her breath, squinting into the shadows.

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  • He moved out of the shadows.

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  • "There was a time when you feared me then a time when I thought you almost loved me," Death said, materializing from the shadows.

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  • As she walked through the screened porch, a tall figure stepped out of the evening shadows.

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  • Something moved up in the trees, but it was impossible to determine what it was in the shadows.

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  • The hollows in her sides were deep shadows.

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  • Jenn watched him until he was gone then glanced at a vamp lurking in the shadows.

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  • His magic filled the space around them, bending light and shadows in a way she found as mesmerizing as flames or the falling snow.

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  • He sensed by scent and sound several more men in the shadows of the room.

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  • He moved into the shadows of the chamber and pushed up his eye-band to see her.

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  • The sun pushed aside the shadows as it emerged from the depths of the distant sea until it sat on the horizon, casting long shadows and brilliant bars of light into the walled city.

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  • Shadows made his appearance sinister.

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  • The fire provided the only light in the large, airy chamber, its glow and shadows flickering across the room.

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  • She could not see his face in the shadows but felt his anger.

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  • His face was still hidden in shadows, but there was little mistaking the tension in his frame.

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  • It was past nightfall, and shadows and light from the hearth danced around him.

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  • Shadows rose from the pits littering the meadow as men spilled out of hiding into the meadow.

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  • The evening was already casting long shadows when he leaned down from the saddle and opened the gate to the south pasture.

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  • You are happy having nothing and living alone in the shadows.

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  • He was accompanied by his brother, the Grey God, Darian, whose unusual power bent the air around him in a mix of light and shadows.

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  • Eyes glued to Xander, she lost track of him in the shadows and returned her attention to Darian, who was tangling with three more Others.

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  • No one chased her, and she stopped to hide in the shadows of the stone wall at the end of the drive to catch her breath.

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  • In her self-revelations she followed Rousseau, her first master in style, but while Rousseau in his Confessions darkened all the shadows, George Sand is the heroine of her story, often frail and faulty, but always a woman more sinned against than sinning.

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  • Pure knowledge, for man, moves among a world of shadows; duty is certain.

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  • The technique of himself and his followers is characterized by the strongly marked forms of the design, and by the oblique formal hatchings of the shadows.

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  • Shadows were used as indices of the sun's position, in combination with angular divisions.

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  • Flatness and lack of deep shadows, owing to the impossibility of obtaining heavy cornices in that material, mark the style.

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  • The freshness of the new field which was opened up to the imagination - so full of vivid lights and shadows, light-hearted fun, grinding hardship, stirring adventure, heroic action, warm friendships, bitter hatreds - was in exhilarating contrast to the world of the historical romancer and the fashionable novelist, to which the mind of the general reader was at that date given over.

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  • Shadows.

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  • - In the infancy of the undulatory theory the objection most frequently urged against it was the difficulty of explaining the very existence of shadows.

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  • The general explanation of the formation of shadows may also be conveniently based upon Fresnel's zones.

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  • It was now intended to re-establish the government on the basis of the old republican institutions, but it was found that sixty years of Medici rule had reduced them to mere shadows, and the condition of the government, largely controlled by a balia of 20 accoppiatori and frequently disturbed by the summoning of the parlamento, was utterly chaotic. Consequently men talked of nothing save of changing the constitution, but unfortunately there was no longer an upper class accustomed to public affairs, while the lower class was thoroughly demoralized.

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  • Shadows and reflections were ignored, and perspective, approximately correct for landscape distances, was isometrical for near objects, while the introduction of a symbolic sun or moon lent the sole distinction between a day and a night scene.

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  • ~Vhen the pattern is lightly traced, he uses his knife delicately; when the lines are strong and the shadows heavy, he makes the point pierce deeply.

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  • These notions were shadows of the ideas, and the Ars Magna furnished him with a general scheme, according to which their relations and correspondences should be exhibited.

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  • Fractional portions of time were gauged by shadows, and time of day indicated by the position of the sun with reference to natural features.

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  • Lang's character, as can be gathered especially from a consideration of his behaviour at Munich, is darkened by many shadows.

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  • Signs of this change first appeared publicly in his Shadows of the Clouds, a volume containing two stories of a religious sort, which he published in 1847 under the pseudonym of "Zeta," and his complete.

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  • Among these phenomena are: trance and unconsciousness, sickness, death, clairvoyance, dreams, apparitions of the dead, wraiths, hallucinations, echoes, shadows and reflections.

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  • Readers of Dante know the idea that the dead have no shadows; this was no invention of the poet's but a piece of traditionary lore; at the present day among the Basutos it is held that a man walking by the brink of a river may lose his life if his shadow falls on the water, for a crocodile may seize it and draw him in; in Tasmania, North and South America and classical Europe is found the conception that the soul - o-tab., umbra - is somehow identical with the shadow of a man.

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  • But the appearance of Home's Lights and Shadows of Spiritualism (1877) had a prejudicial effect upon the propaganda, and Heliona P. Blavatsky (as she began to style herself) retired to India.

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  • Are the things which surround me in what I call the environment, - the men, the animals, the plants, the ground, the stones, the water, the air, the moon, the sun, the stars and God - are they shadows, unsubstantial things, as formerly Platonism made all things to be except the supernatural world of forms, gods and souls?

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  • It was said that no shadows fell within the precincts; and that any who entered it died within the year.

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  • On the other hand, as the speculative systems of noumenal idealism, starting from Fichte, succeeded one another, like ghosts who " come like shadows, so depart," without producing.

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  • M ` Taggart, who closes his acute Studies in Hegelian Cosmology (rigor) with " the possibility of finding, above all knowledge and volition, one all-embracing unity, which is only not true, only not good, because all truth and all goodness are but distorted shadows of its absolute perfection- ` das Unbegreifliche, weil es der Begriff selbst ist.'

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  • This was the ideal, but to give the reader a clear view of the actual features of knightly society in their contrast with that of our own day, it is necessary to bring out one or two very significant shadows.

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  • The effect of the light falling upon them is to produce along the midrib of each a number of short white streaks of light, which contrast most strongly with the shadows cast by the leaves themselves, and with the general twilight gloom of the forest.

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  • The dark shadows of this picture of the future alone could impress their minds, but a week later three of them were allowed a momentary vision of the light which shoula overcome the darkness.

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  • It is a phantasmagory; a drama the actors in which are not creatures of flesh and blood, but the shadows of an unreal world of allegory.

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  • Yet behind these unconvincing shadows of an imperial court with its financial difficulties, of the classical Walpurgisnacht, of the fantastic creation of the Homunculus, the noble Helena episode and the impressive mystery-scene of the close, where the centenarian Faust finally triumphs over the powers of evil, there lies a philosophy of life, a ripe wisdom born of experience, such as no European poet had given to the world since the Renaissance.

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  • More mechanical in execution, though still very rich in effect, is that sort of iron tracery work produced by cutting out patterns in plate, and superimposing one plate over the other, so as to give richness of effect by the shadows produced by these varying planes.

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  • Notwithstanding this difference in the brightness of the objects, we were able with this reflecting telescope to see whatever we have hitherto discovered with the Huygenian, particularly the transits of Jupiter's satellites and their shadows over his disk, the black list in Saturn's ring, and the edge of his shadow cast on his ring.

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  • But a deviation, termed diffraction, does occur, and consequently the complete theory of shadows involves considerations based on the nature of the rays themselves; this aspect is treated in Diffraction Of Light.

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  • Hints in projection may be obtained by observing the shadows of bodies of various forms cast in this way by rays which virtually diverge from one point: e.g.

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  • When there are more luminous points than one, we have only to draw separately the geometrical shadows due to each of the sources, and then superpose them.

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  • There will be, in general, portions of all the separate geometrical shadows which overlap one another in some particular regions of the screen.

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  • the disk being large enough to admit of a free overlapping of the separate shadows.

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  • The separate shadows are circular, if the disk is parallel to the screen.

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  • Thus we see at once why the shadows cast by the sun or moon are in general so much less sharp than those cast by the electric arc. For, practically, at moderate distances the arc appears as a mere luminous point.

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  • When detached clouds are drifting rapidly across the sun, we often see the shadows of the bars of the window on the walls or floor suddenly shifted by an inch or two, and for a moment very much more sharply defined.

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  • They are, in fact, shadows cast by a small portion of the sun's limb, from opposite sides alternately.

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  • To them at best theology with its cosmology and its logic is only a shadow of shadows, for God reveals himself to the pure in heart, and it matters not what science may say of the material and fleeting world.

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  • During the war he published The Wine Press (1914); A Salute from the Fleet (1915); Rada, a play (1915); and a volume of stories, Walking Shadows (1917).

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  • Hittorf made in 1869 the discovery that solid objects could cast shadows or intercept this cathode discharge.

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  • And if it be larger and wider, we must observe whether, by indicating to us new particulars, it confirm that wideness and largeness as by a collateral security, that we may not either stick fast in things already known, or loosely grasp at shadows and abstract forms, not at things solid and realized in matter."

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  • In matters of the heart, if any consoling or any disturbing passion played a great part in his life, we do not know it; we know only (apart from a few passing shadows cast by calumny and envy) of affectionate and dignified relations with friends, patrons and pupils, of public and private regard mixed in the days of his youth with dazzled admiration, and in those of his age with something of reverential awe.

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  • What he would have been as a poet, if, instead of visiting Europe in early life and drinking in the spirit of the middle ages under the shadows of cathedral towers, he had, like Whittier, grown old amid American scenery and life, we can only guess from his earlier poems, which are as naturalistic, fresh and unmystical as could be desired; but certain it is that, from his long familiarity with the medieval view of nature, and its semi-pagan offspring, the romantic view, he was brought, for the greater part of his life, to look upon the world of men and things either as the middle scene of a miracle play, with a heaven of rewarding happiness above and a purgatory of purifying pain below, or else as a garment concealing, while it revealed, spiritual forms of unfathomed mystery.

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  • A riot in 1845, the revolutionary movement of 1848 and the Prussian occupation of 1866 were merely passing shadows.

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  • By reflection on dreams, in which the self, or " spirit," of the savage seems to wander free from the bounds of time and space, to see things remote, and to meet and recognize dead friends or foes; by speculation on the experiences of trance and of phantasms of the dead or living, beheld with waking eyes; by pondering on the phenomena of shadows, of breath, of death and life, the savage evolved the idea of a separable soul or spirit capable of surviving bodily death.

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  • Moreover, with such exceptionally narrow pencils shadows are formed on the retina of the observer's eye, from the irregularities in the eye itself.

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  • The waters of the Katwe lake have a beautiful rose colour which becomes crimson in the shadows.

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  • Laughing softly at the matching shadows of her hair and skirt, she imagined it was a Christmas tree.

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  • Shielding her eyes from the bright sun, she peered into the shadows, gasping.

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  • The sun made long shadows of her figure as she walked to the house.

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  • The moonlight formed shadows on his muscular chest.

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  • As he joined her they squinted into the heat waves, shielding their eyes against the bright sun - trying to discern something of the shadows below the plume.

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  • The firelight flickered weakly; creating shadows on his face that made his expression hard to discern.

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  • Each carrying two canteens, a rifle and a lantern, they started off into the long shadows of the sand dunes.

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  • The darkening shadows sharpened his features and highlighted the crows' feet around his eyes.

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  • "Hey, boss," Jenn purred, emerging from the shadows.

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  • Darian was in the shadows, dressed in his workout gear, splattered with blood.

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  • "Sofi … she's safe," Darian said and stepped from the shadows to pace.

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  • The Grey God didn't follow, but Speck-- who'd been lingering in the shadows-- did.

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  • Jenn didn't approach, instead sinking into the shadows of one of the many pillars providing support all along the main floor.

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  • "I'm sorry to bother you," she said again, unable to see his face in the shadows of the dimly lit room.

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  • The lights were on, but shadows crawled from the corners and choked the lights until they were shriveled, glowing orbs.

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  • The shadows clung to her as she stepped into the hallway.

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  • Shadows chased her up the stairs and flew down the halls, coating the floors and walls in shallow, black fog.

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  • Shadows crawled over the world around her, and the tension in the air made it hard to breathe.

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  • She felt the tension within him melt, and the restless shadows wrap around her, cocooning them before retreating.

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  • "Brother, come out of the shadows," he said, weariness in his voice.

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  • The man with eyes the color of the moss in his room materialized from the shadows.

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  • For the first time, he wasn't lingering in the shadows.

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  • The executioner from the corner emerged from the shadows and took her arms.

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  • He hooked the light to his belt where it swung in an eerie arc, casting jumping shadows on the rock-strewn slope and yellow streaks into nothingness.

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  • The two demons lurking in the shadows weren't opening the only way out of Hell for an Immortal.

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  • Her Gabriel, who spent his life a part of the shadows, radiated the quiet power of a deity that reached her from across the room.

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  • He'd never blend into the shadows again.

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  • Shadows played across the delicate, pert features.

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  • He needed the reminder of the good in the world, because he saw none of it from the shadows where he spent his life.

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  • The death dealer didn't challenge her, instead melting back into the forest shadows.

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  • Dusk had caused shadows to darken the forest.

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  • The other half of his face was stuck in the shadows, giving him a surreal appearance, as if he had one foot in a different world.

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  • He faded in and out of shadows, as if he was part of them, the heavy trench coat making him look like some sort of sinister Batman.

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  • His least favorite demon crept from the shadows.

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  • "It won't be today," she said, starting to freak out again at the cold shadows and the scary man.

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  • A form melted from the shadows before her, and she held her breath.

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  • He scrutinized her for a long moment, eyes narrowing, before he stepped aside to rejoin the shadows.

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  • A form melted from the shadows right before she reached it.

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  • Death didn't live in the shadows as Gabriel had for the majority of his life.

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  • His death-dealers were fading into the shadows of the forest as the ground shook.

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  • He was alive after a lifetime banished to the shadows.

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  • He felt the wary eyes of his death-dealers from the shadows.

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  • The death dealer stood at the edge of the shadows as he had across from the doctor's office, waiting.

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  • He sank into the shadows, at home in the darkness, watching.

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  • His features were chiseled, the firelight casting harsh shadows across the planes of his face.

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  • Keeping along the long wall, she inched her way upward, sticking to the shadows.

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  • Rhyn emerged from the shadows near the window, dressed in black with his hair tied back.

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  • From the shadows of the crypt, Gabriel waited until the half-brothers were gone to dump the contents of the velvet dice pouch into his palm.

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  • Wanting to give his friend, Rhyn, a moment of peace with his dead-dead parents, he waited until Rhyn was gone before withdrawing from the shadows.

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  • More dark shadows lingered deep within the forest, watching over their leader.

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  • Ne'Rin was closer to the door, and Kiera remained in the shadows inside the house, watching.

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  • Shadows danced in tune with a slight breeze from the inch of open window and a sentinel pine tree beyond.

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  • He shrunk further back into the shadows of the dining room.

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  • She caught her breath, squinting into the shadows.

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  • He moved out of the shadows.

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  • Her surroundings blurred into light and shadows, and she felt the sickening sense of falling off the cliff again.

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  • She recalled her night with a jolt and sat, expecting men to leap from the shadows to rape her.

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  • Shadows covered half his face, rendering his chiseled features and low brow sinister.

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  • His grandfather had an almost subservient relationship to Tim's, but Brady had left the shadows on many occasions to remind Tim of what really mattered when the politician's ego started to get the best of him.

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  • "There was a time when you feared me then a time when I thought you almost loved me," Death said, materializing from the shadows.

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  • "He did.  He wanted to make the world safer for me, for our …" Katie's throat tightened.  She cleared it.  "He realized he doesn't have to be in the shadows anymore.  And the way he looked at me that last day…" she drifted off again, this time recalling the intensity of emotion on Rhyn's face the last time she'd seen him in the mortal realm.

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  • She sat on a thick log.  He disappeared into the shadows of the jungle, and she pulled her knees to her chest, listening.  He was silent while the branches overhead hissed and rasped against one another and the cries of distant birds drifted to her.

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  • Toby emerged from the early morning shadows of the forest.

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  • Rhyn clenched his fists.  Darkyn said nothing else and walked away, disappearing into the morning shadows of the forest.  Rhyn felt fevered.  His power was leaking out of his body, killing the plants around him.  He grappled to control what he could, aware he would soon not have that option.

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  • Kiki didn't have a chance to answer before the wooden door to their prison creaked open.  Rhyn's head spun as he was hauled up and dragged into a well-lit hallway.  Light and shadows wreaked havoc on his sense of place and time until he hit the cool stone floor again.

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  • The petite woman who materialized out of the shadows wasn't what he expected.  Her flawless features were unremarkable, her large eyes turning colors faster than his.

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  • The trees overhead rustled, and Toby yanked away, staring.  Katie saw shadows but nothing else.  Even so, she doubted these were the freaky underworld birds.

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  • As fast as Kris ran, he couldn't catch her.  He grew more baffled when she seemed to pull ahead of him without any sign of the exhaustion she'd showed when they stopped.  Desperation could motivate, and so could fear for her sister.  He pushed himself harder to catch her.  Thunder boomed overhead.  Forms he assumed were demons swooped above the canopy, casting shadows.  He caught glimpses of fur and wings through leaves and ran until his chest was heaving.  Hannah remained ahead of him, though he realized he was beginning to gain on her.  He had to reach her before the demons did and swept her away, as they had Kiki.

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  • As she walked through the screened porch, a tall figure stepped out of the evening shadows.

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  • They sat that way for a long time, silently watching the evening shadows grow long and then consume the sky.

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  • She sat down, leaning her back against the tree, and watched shadows from puffy clouds drift across the surface.

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  • Something moved up in the trees, but it was impossible to determine what it was in the shadows.

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  • The hollows in her sides were deep shadows.

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  • The old Apple tree leaned from its perch on a mound of earth to throw shadows on the pond.

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  • She rested her hands on his arms and they gazed out the window, watching the shadows darken on the farmstead.

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  • Claire twisted to see who spoke and was struck by the tall, slender man who stepped from the shadows of the forest.

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  • Dawn had come an hour earlier but only just managed to push away the shadows of night from the cloudy mountain hiding place that had become her home.

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  • Jenn watched him until he was gone then glanced at a vamp lurking in the shadows.

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  • She couldn't read his thoughts, but she saw the shadows in his eyes.

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  • He did look beat, though still wary of the vamps lingering in the shadows of the great room.

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  • His magic filled the space around them, bending light and shadows in a way she found as mesmerizing as flames or the falling snow.

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  • He sensed by scent and sound several more men in the shadows of the room.

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  • He moved into the shadows of the chamber and pushed up his eye-band to see her.

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  • He followed at a distance, keeping to the shadows in order to lift his eye-band and peer at the world around him.

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  • The sun pushed aside the shadows as it emerged from the depths of the distant sea until it sat on the horizon, casting long shadows and brilliant bars of light into the walled city.

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  • Shadows made his appearance sinister.

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  • The fire provided the only light in the large, airy chamber, its glow and shadows flickering across the room.

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  • She could not see his face in the shadows but felt his anger.

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  • His face was still hidden in shadows, but there was little mistaking the tension in his frame.

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  • It was past nightfall, and shadows and light from the hearth danced around him.

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  • Shadows rose from the pits littering the meadow as men spilled out of hiding into the meadow.

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  • The evening was already casting long shadows when he leaned down from the saddle and opened the gate to the south pasture.

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  • You are happy having nothing and living alone in the shadows.

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  • He was accompanied by his brother, the Grey God, Darian, whose unusual power bent the air around him in a mix of light and shadows.

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  • Eyes glued to Xander, she lost track of him in the shadows and returned her attention to Darian, who was tangling with three more Others.

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  • Darian blocked lightening aimed at the vampire, who disappeared once more into the shadows.

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  • Jenn's eyes were roving the apartment, as if she expected vampires to leap from the shadows.

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  • No one chased her, and she stopped to hide in the shadows of the stone wall at the end of the drive to catch her breath.

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  • Marking the wall with more blood, she kept to the shadows and hurried down the road.

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  • Modern graphical Apis and hardware now support lighting and shadows.

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  • Like strange mechanical grotesques, making fantastic arabesques, The shadows raced across the blind.

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  • The original suffered because they were confined to the shadows for the most and were almost making cameos.

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  • casting pale shadows among the ruins of the village.

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  • chaseth were chasing shadows, and despite playing a good hard game, began to leak goals.

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  • Due to the dark coloration of his fur, he can blend into deep shadows.

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  • When Lady Sheba was initiated into her first coven, she hand-copied The Book of Shadows.

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  • The first image shows a heavily cratered highland terrain with very long shadows cast by cratered highland terrain with very long shadows cast by crater rims.

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  • Slowly the shadows darkened over the long, somber face of the old house.

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  • Moving through the shadows in the forest, roe and sika deer are readily seen.

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  • emerged from the shadows.

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  • The rock between us was as finely etched as her face with wrinkles, shadows, clefts, and scars.

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  • explain simple phenomena for example, the formation of shadows, sounds being heard through a variety of materials.

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  • faded into the shadows of the hospital room like mist in the morning sun while the antibiotics were poured down my veins.

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  • flakecertain lights, minute shadows are cast against the surface of the trunk from myriad curls of flaking outer bark.

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  • fleeting shadows you see from the corner of your eye leading you to the horrors of the restless dead?

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  • flickering shadows, invited the audience to share their fears.

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  • shadows flicker over the old photographs of this young boy who never came down to earth again.

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  • gnomons of a giant dial the shadows of the Standing Stones crept into the east.

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  • graviton absorption model would inevitably involve the formation of gravitational shadows.

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  • Emerging from the shadows a city guardsman raised a lantern and stared at Trimus and the others.

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  • hiding in the shadows is essential to survival.

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  • ignite a single flame, shadows form, let light remain.

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  • languish in the shadows of the ' real ' professions.

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  • As the shadows lengthened, they settled down to sleep after a long day's running.

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  • lingering in the familial shadows, Linda Gail Lewis is finally achieving a measure of fame as a solo artist.

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  • His reputation was made by his early novel, The Shadows, an allusive and highly literary evocation of the Holocaust.

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  • loading bay seemed to swallow him; the lights were dim, casting huge shadows.

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  • Among the kelp forests and the rock lobsters and the nudibranchs, spectral hulks cast eerie shadows.

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  • lumbered out of the shadows, leaping the wall, landing next to me.

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  • The flickering green luminescence sent sickly shadows flowing over the decaying metal walls.

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  • lurking in the nearby shadows.

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  • Their instrumental sound twinkles with light casting the shadows in which Maclure's gasps, exhalations and vocal melismas can be found.

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  • A light breeze had dispersed the mist and there was a full moon, casting chill shadows of himself and his still companion.

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  • Detail is generally improved, while the richer color palette means that the shadows no longer seem quite so murky.

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  • offbeat films are at the SHADOWS FILM FESTIVAL.

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  • pale shadows among the ruins of the village.

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  • Pre-Raphaelite painting, all swollen purple flesh tones and black, black shadows.

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  • The question now is whether the American psyche has the balls to look into its internal shadows its deeply riven social unity.

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  • In shadow puppetry, the audience only sees the shadows of the puppets, thrown onto a screen by a light or a fire.

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  • purgatorial shadows, (2) we read.

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  • Various body tissues absorb the radiation at different rates, causing various shadows to appear on the plate.

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  • The shadows were getting longer and the wind getting more ragged with stronger gusts.

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  • rays of the morning sunlight streamed through the floral blinds making shadows like prison bars on the dusty carpet.

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  • Following in the shadows of the originals, Tekken and Streetfighter, this game has a great sense realism to it.

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  • red anting in the shadows passing mixtures of unknown plants, Receiving sudden pain when attacked by red biting ants.

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  • In order to get good detail out of the shadows the exposure has just clipped the specular reflections.

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  • sauntered slowly over to the door, staying near the house, keeping in the shadows.

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  • scuttle>Scuttling away from their glowing light gems numerous rats made for whatever shadows they could find.

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  • The moon was up casting pale shadows among the ruins of the village.

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  • South were chasing shadows, and despite playing a good hard game, began to leak goals.

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  • Performers in black masks, dwarfed by flickering shadows, invited the audience to share their fears.

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  • The moon on the breast of the uncaring snow Threw ominous shadows on objects below.

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  • Starfall a world on the edge, where crooks and smugglers hide in the gloomy shadows and modern technology refuses to work.

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  • skulking off in the shadows somewhere, obviously eager not to catch a glimpse of my angered face.

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  • Time is running out for many who still skulk unwillingly in the shadows of HIV awareness.

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  • skulking in the shadows.

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  • slink behind the shadows, But secretly you care.

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  • slink vampire slunk back into the shadows, pulling his idiot companion along.

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  • Dot Howard is lurking in the shadows to turn the spotlight on you.

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  • stimulus an unusual response to sensory stimuli â i.e. sound, light, smell, shadows.

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  • stippled areas in the shadows.

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  • subtlety of tones in skin, highlights, and shadows is well rendered.

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  • The deep yellow rays of the morning sunlight streamed through the floral blinds making shadows like prison bars on the dusty carpet.

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  • Mirriam goes to speak with the mommy which she finds quite talkative in the Shadows.

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  • theme tune was Man Of Mystery by The Shadows.

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  • The Scherzo is rhythmically alive, the rhythms punctuated by timpani thwacks; shadows hang over the Lento.

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  • timpani thwacks; shadows hang over the Lento.

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  • Shadows for text annotation boxes are now translucent rather than solid black.

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  • Depending on your perspective, they cover or reveal; depending on the time of day, they cast shadows or seem transparent.

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  • Simple Calculation of Shadows Shadow length can be calculated quite simply using trigonometry.

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  • His theme tune was Man Of Mystery by The Shadows.

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  • Display is a three-dimensional art, and fluorescents tend to reduce the shadows and make it look two-dimensional.

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  • Blake reveals the dark underbelly where danger and murder lurk in the shadows.

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  • We'll also read about big underpants, dancing, shadows and ' feedback sessions ' .

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  • Why is he being left in the shadows when all around him bland, talentless wannabes are ending up on Top Of The Pops?

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  • Bright green fields stretch back as if they were the mountains ' shadows on the land, dotted with the occasional water buffalo.

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  • When Sarah gets to the fountain she vanishes leaving only a small whirlwind in the Shadows.

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  • In her self-revelations she followed Rousseau, her first master in style, but while Rousseau in his Confessions darkened all the shadows, George Sand is the heroine of her story, often frail and faulty, but always a woman more sinned against than sinning.

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  • Pure knowledge, for man, moves among a world of shadows; duty is certain.

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  • The technique of himself and his followers is characterized by the strongly marked forms of the design, and by the oblique formal hatchings of the shadows.

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  • Home's Lights and Shadows of Spiritualism (2nd ed., 1877-1878), and also in Hereward Carrington's The Physical Phenomena of Spiritualism, Fraudulent and Genuine (Boston 1907).

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  • Shadows were used as indices of the sun's position, in combination with angular divisions.

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  • Flatness and lack of deep shadows, owing to the impossibility of obtaining heavy cornices in that material, mark the style.

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  • The freshness of the new field which was opened up to the imagination - so full of vivid lights and shadows, light-hearted fun, grinding hardship, stirring adventure, heroic action, warm friendships, bitter hatreds - was in exhilarating contrast to the world of the historical romancer and the fashionable novelist, to which the mind of the general reader was at that date given over.

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  • - In the infancy of the undulatory theory the objection most frequently urged against it was the difficulty of explaining the very existence of shadows.

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  • The general explanation of the formation of shadows may also be conveniently based upon Fresnel's zones.

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  • It was now intended to re-establish the government on the basis of the old republican institutions, but it was found that sixty years of Medici rule had reduced them to mere shadows, and the condition of the government, largely controlled by a balia of 20 accoppiatori and frequently disturbed by the summoning of the parlamento, was utterly chaotic. Consequently men talked of nothing save of changing the constitution, but unfortunately there was no longer an upper class accustomed to public affairs, while the lower class was thoroughly demoralized.

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  • He did not obey the laws of I linear perspective as they are formulated in the Occident, nor did he show cast shadows, but his aerial perspective and his foreshortening left nothing to be desired.

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  • Shadows and reflections were ignored, and perspective, approximately correct for landscape distances, was isometrical for near objects, while the introduction of a symbolic sun or moon lent the sole distinction between a day and a night scene.

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  • ~Vhen the pattern is lightly traced, he uses his knife delicately; when the lines are strong and the shadows heavy, he makes the point pierce deeply.

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  • These notions were shadows of the ideas, and the Ars Magna furnished him with a general scheme, according to which their relations and correspondences should be exhibited.

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  • Fractional portions of time were gauged by shadows, and time of day indicated by the position of the sun with reference to natural features.

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  • Lang's character, as can be gathered especially from a consideration of his behaviour at Munich, is darkened by many shadows.

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  • Signs of this change first appeared publicly in his Shadows of the Clouds, a volume containing two stories of a religious sort, which he published in 1847 under the pseudonym of "Zeta," and his complete.

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  • Among these phenomena are: trance and unconsciousness, sickness, death, clairvoyance, dreams, apparitions of the dead, wraiths, hallucinations, echoes, shadows and reflections.

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  • Readers of Dante know the idea that the dead have no shadows; this was no invention of the poet's but a piece of traditionary lore; at the present day among the Basutos it is held that a man walking by the brink of a river may lose his life if his shadow falls on the water, for a crocodile may seize it and draw him in; in Tasmania, North and South America and classical Europe is found the conception that the soul - o-tab., umbra - is somehow identical with the shadow of a man.

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  • But the appearance of Home's Lights and Shadows of Spiritualism (1877) had a prejudicial effect upon the propaganda, and Heliona P. Blavatsky (as she began to style herself) retired to India.

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  • Are the things which surround me in what I call the environment, - the men, the animals, the plants, the ground, the stones, the water, the air, the moon, the sun, the stars and God - are they shadows, unsubstantial things, as formerly Platonism made all things to be except the supernatural world of forms, gods and souls?

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  • It was said that no shadows fell within the precincts; and that any who entered it died within the year.

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  • On the other hand, as the speculative systems of noumenal idealism, starting from Fichte, succeeded one another, like ghosts who " come like shadows, so depart," without producing.

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  • M ` Taggart, who closes his acute Studies in Hegelian Cosmology (rigor) with " the possibility of finding, above all knowledge and volition, one all-embracing unity, which is only not true, only not good, because all truth and all goodness are but distorted shadows of its absolute perfection- ` das Unbegreifliche, weil es der Begriff selbst ist.'

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  • This was the ideal, but to give the reader a clear view of the actual features of knightly society in their contrast with that of our own day, it is necessary to bring out one or two very significant shadows.

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  • The effect of the light falling upon them is to produce along the midrib of each a number of short white streaks of light, which contrast most strongly with the shadows cast by the leaves themselves, and with the general twilight gloom of the forest.

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  • The dark shadows of this picture of the future alone could impress their minds, but a week later three of them were allowed a momentary vision of the light which shoula overcome the darkness.

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  • It is a phantasmagory; a drama the actors in which are not creatures of flesh and blood, but the shadows of an unreal world of allegory.

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  • Yet behind these unconvincing shadows of an imperial court with its financial difficulties, of the classical Walpurgisnacht, of the fantastic creation of the Homunculus, the noble Helena episode and the impressive mystery-scene of the close, where the centenarian Faust finally triumphs over the powers of evil, there lies a philosophy of life, a ripe wisdom born of experience, such as no European poet had given to the world since the Renaissance.

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  • (See Diffraction Of Light.) Other meteorological phenomena caused by the diffraction of light include the anthelia, and the chromatic rings seen encircling shadows thrown on a bank of clouds, mist or fog.

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  • More mechanical in execution, though still very rich in effect, is that sort of iron tracery work produced by cutting out patterns in plate, and superimposing one plate over the other, so as to give richness of effect by the shadows produced by these varying planes.

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  • Notwithstanding this difference in the brightness of the objects, we were able with this reflecting telescope to see whatever we have hitherto discovered with the Huygenian, particularly the transits of Jupiter's satellites and their shadows over his disk, the black list in Saturn's ring, and the edge of his shadow cast on his ring.

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  • But a deviation, termed diffraction, does occur, and consequently the complete theory of shadows involves considerations based on the nature of the rays themselves; this aspect is treated in Diffraction Of Light.

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  • Hints in projection may be obtained by observing the shadows of bodies of various forms cast in this way by rays which virtually diverge from one point: e.g.

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  • When there are more luminous points than one, we have only to draw separately the geometrical shadows due to each of the sources, and then superpose them.

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  • There will be, in general, portions of all the separate geometrical shadows which overlap one another in some particular regions of the screen.

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  • the disk being large enough to admit of a free overlapping of the separate shadows.

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  • The separate shadows are circular, if the disk is parallel to the screen.

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  • Thus we see at once why the shadows cast by the sun or moon are in general so much less sharp than those cast by the electric arc. For, practically, at moderate distances the arc appears as a mere luminous point.

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  • When detached clouds are drifting rapidly across the sun, we often see the shadows of the bars of the window on the walls or floor suddenly shifted by an inch or two, and for a moment very much more sharply defined.

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  • They are, in fact, shadows cast by a small portion of the sun's limb, from opposite sides alternately.

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  • To them at best theology with its cosmology and its logic is only a shadow of shadows, for God reveals himself to the pure in heart, and it matters not what science may say of the material and fleeting world.

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  • During the war he published The Wine Press (1914); A Salute from the Fleet (1915); Rada, a play (1915); and a volume of stories, Walking Shadows (1917).

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  • Hittorf made in 1869 the discovery that solid objects could cast shadows or intercept this cathode discharge.

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  • And if it be larger and wider, we must observe whether, by indicating to us new particulars, it confirm that wideness and largeness as by a collateral security, that we may not either stick fast in things already known, or loosely grasp at shadows and abstract forms, not at things solid and realized in matter."

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  • as to its execution; the conception and style are essentially Florentine, carried out by Leonardo to a point of intense and almost glittering finish, of quintessential, almost overstrained, refinement in design and expression, and invested with a new element of romance by the landscape in which the scene is set - a strange watered country of basaltic caves and arches, with the lights and shadows striking sharply and yet mysteriously among rocks, some upright, some jutting, some pendent, all tufted here and there with exquisite growths of shrub and flower.

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  • In matters of the heart, if any consoling or any disturbing passion played a great part in his life, we do not know it; we know only (apart from a few passing shadows cast by calumny and envy) of affectionate and dignified relations with friends, patrons and pupils, of public and private regard mixed in the days of his youth with dazzled admiration, and in those of his age with something of reverential awe.

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  • What he would have been as a poet, if, instead of visiting Europe in early life and drinking in the spirit of the middle ages under the shadows of cathedral towers, he had, like Whittier, grown old amid American scenery and life, we can only guess from his earlier poems, which are as naturalistic, fresh and unmystical as could be desired; but certain it is that, from his long familiarity with the medieval view of nature, and its semi-pagan offspring, the romantic view, he was brought, for the greater part of his life, to look upon the world of men and things either as the middle scene of a miracle play, with a heaven of rewarding happiness above and a purgatory of purifying pain below, or else as a garment concealing, while it revealed, spiritual forms of unfathomed mystery.

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  • The divergent parabolas are of five species which respectively belong to and determine the five kinds of cubic curves; Newton gives (in two short paragraphs without any development) the remarkable theorem that the five divergent parabolas by their shadows generate and exhibit all the cubic curves.

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  • A riot in 1845, the revolutionary movement of 1848 and the Prussian occupation of 1866 were merely passing shadows.

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  • By reflection on dreams, in which the self, or " spirit," of the savage seems to wander free from the bounds of time and space, to see things remote, and to meet and recognize dead friends or foes; by speculation on the experiences of trance and of phantasms of the dead or living, beheld with waking eyes; by pondering on the phenomena of shadows, of breath, of death and life, the savage evolved the idea of a separable soul or spirit capable of surviving bodily death.

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  • Moreover, with such exceptionally narrow pencils shadows are formed on the retina of the observer's eye, from the irregularities in the eye itself.

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  • The waters of the Katwe lake have a beautiful rose colour which becomes crimson in the shadows.

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  • Everything was stone-still, like the moon and its light and the shadows.

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  • But here was a fairy forest with black moving shadows, and a glitter of diamonds and a flight of marble steps and the silver roofs of fairy buildings and the shrill yells of some animals.

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  • Halfway lay some snow-covered piles of firewood and across and along them a network of shadows from the bare old lime trees fell on the snow and on the path.

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  • With wide-open eyes she gazed at the moonlight and the shadows, expecting every moment to see his dead face, and she felt that the silence brooding over the house and within it held her fast.

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  • It was the same panorama he had admired from that spot the day before, but now the whole place was full of troops and covered by smoke clouds from the guns, and the slanting rays of the bright sun, rising slightly to the left behind Pierre, cast upon it through the clear morning air penetrating streaks of rosy, golden-tinted light and long dark shadows.

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  • Pierre lay leaning on his elbow for a long time, gazing at the shadows that moved past him in the darkness.

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  • The sick soldier, Sokolov, pale and thin with dark shadows round his eyes, alone sat in his place barefoot and not dressed.

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  • "Do you take vodka, Count?" asked Princess Mary, and those words suddenly banished the shadows of the past.

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  • In shadow puppetry, the audience only sees the shadows of the puppets, thrown onto a screen by a light or a fire.

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  • Wherefore rock they, purgatorial shadows, ( 2) we read.

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    0
  • Various body tissues absorb the radiation at different rates, causing various shadows to appear on the plate.

    0
    0
  • The shadows were getting longer and the wind getting more ragged with stronger gusts.

    0
    0
  • The deep yellow rays of the morning sunlight streamed through the floral blinds making shadows like prison bars on the dusty carpet.

    0
    0
  • Following in the shadows of the originals, Tekken and Streetfighter, this game has a great sense realism to it.

    0
    0
  • Blending in the shadows passing mixtures of unknown plants, Receiving sudden pain when attacked by red biting ants.

    0
    0
  • In order to get good detail out of the shadows the exposure has just clipped the specular reflections.

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    0
  • Residents move in and out of shot, shadows fall and leaves rustle in the trees.

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  • Paddy sauntered slowly over to the door, staying near the house, keeping in the shadows.

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    0
  • Scuttling away from their glowing light gems numerous rats made for whatever shadows they could find.

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    0
  • The moon on the breast of the uncaring snow Threw ominous shadows on objects below.

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    0
  • Starfall a world on the edge, where crooks and smugglers hide in the gloomy shadows and modern technology refuses to work.

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  • His brows cast deep shadows over the sightless eyes below.

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  • Will was skulking off in the shadows somewhere, obviously eager not to catch a glimpse of my angered face.

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  • Time is running out for many who still skulk unwillingly in the shadows of HIV awareness.

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  • On the walk home I saw Tim-Tom skulking in the shadows.

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  • You hide among the bushes, You fly with the air, You slink behind the shadows, But secretly you care.

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  • The vampire slunk back into the shadows, pulling his idiot companion along.

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  • Dot Howard is lurking in the shadows to turn the spotlight on you.

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  • Dynamic Lighting and Shadow System - Every character and object casts realistic, dynamic shadows that effect stealth gameplay.

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  • Having an unusual response to sensory stimuli â i.e. sound, light, smell, shadows.

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  • It picks up the texture of the fairly smooth cartridge paper I 'm using, creating a stippled areas in the shadows.

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  • Detail is excellent and subtlety of tones in skin, highlights, and shadows is well rendered.

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  • Mirriam goes to speak with the mommy which she finds quite talkative in the Shadows.

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  • With shadows now tending to infinity, the sun teetered just above the horizon as the train worked slowly round the curve.

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  • His theme tune was Man Of Mystery by The Shadows.

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  • The Scherzo is rhythmically alive, the rhythms punctuated by timpani thwacks; shadows hang over the Lento.

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  • Shadows for text annotation boxes are now translucent rather than solid black.

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  • Depending on your perspective, they cover or reveal; depending on the time of day, they cast shadows or seem transparent.

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  • Simple Calculation of Shadows Shadow length can be calculated quite simply using trigonometry.

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  • Display is a three-dimensional art, and fluorescents tend to reduce the shadows and make it look two-dimensional.

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  • Blake reveals the dark underbelly where danger and murder lurk in the shadows.

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  • We'll also read about big underpants, dancing, shadows and ' feedback sessions '.

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  • And no spectacle, but a great vague danger, unsympathetic shadows and veils of darkness.

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  • Why is he being left in the shadows when all around him bland, talentless wannabes are ending up on Top Of The Pops?

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  • Bright green fields stretch back as if they were the mountains ' shadows on the land, dotted with the occasional water buffalo.

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  • When Sarah gets to the fountain she vanishes leaving only a small whirlwind in the Shadows.

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  • The small aperture in the wall let in enough of the outside light to create shadows all around the room.

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  • Turn the lights out: Use candles to provide soft illumination, or only let the reader hold a flashlight (bonus points for shining it upward on the face, casting ominous shadows all around the room).

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  • If it's in shadows, or if the room is generally dark, consider a lighter wood that will more efficiently highlight your beautiful china and other knick-knacks.

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  • The low winter sun may catch buildings and trees and cast shadows that won't exist during the summer.

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  • The low-grade noise of the turning wind turbines and the shadows created by the rotation of the blades can potentially cause negative human health effects.

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  • This should not be a color that factors largely into the painting, such as a blue sky, but a more subtle shade like the color of small flowers placed in the foreground, or the shadows at the base of the clouds.

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  • Lyndhurst may be familiar to 1970s television fans, as it was the backdrop for the popular cult series "Dark Shadows."

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  • Think of the way the sun and shadows interact when you are in the country and let that inspire you.

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  • Remember that they should be functional as well, so avoid lights that may cast odd shadows over the island while you work.

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  • Let the light and shadows hit the paint from different angles to see how they are affected before you paint the whole space.

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  • Light banishes shadows, those dark spots that can make a space look smaller, dingier and less inviting.

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  • BG: Lighting is extremely important, because in a small space shadows can make the room look even smaller.

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  • Shadesticks/Paints: These can be worn on their own or used as primers for other powder shadows.

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  • Shadows: MAC Cosmetics is most known for their selection of eye shadow.

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  • Return six plastic packages from your empty MAC lipsticks, lip glosses, eye shadows and foundations/powders and receive a free lipstick.

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  • Matte finishes are perfect for every day wear, while pearlized, shimmer, or glitter shadows are best reserved for wearing on evenings or special occasions.

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  • Pressed eye shadows are the most popular shadow form, but you can also purchase eye shadow sticks as well (these typically have a creamier concistency than pressed powder shadow).

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  • Loose shadows can often be used wet or dry.

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  • Alima Cosmetics: This brand has a wide selection of face makeup, shadows, and more.

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  • Applying your foundation, concealer, and any highlights and contours you'd like to add will set the stage for your colorful products, like blush, shadows, and lip color.

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  • To accomplish this mission, the brand uses natural ingredients in a range of products, including foundations, eye shadows, blush and all-over powder.

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  • The company offers a selection of loose powder eye shadows along with shadow liners and pencils that can be used to complete any eye look.

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  • The Well-Rested Eye Shadows are basically an eye shadow and concealer in one.

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  • Basic Eye Shadows: The bareMineral makeup shadow is a loose mineral powder that blends particularly well because of its fluidity.

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  • Glimmers: These shadows are similar to the basic eye shadow, but have added glimmer.

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  • Glimpses: These shadows are a less-shiny, lightweight cousin of the Glimmer product.

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  • To remove your eye makeup, use a cotton ball and an eye makeup cleanser that is specially formulated to dissolve shadows, liner and mascara.

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  • Iman Cosmetics line of luxury eye shadows is silky and long lasting.

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  • She felt those on the market didn't do enough to minimize the wrinkles and shadows women tend to accumulate as they get older.

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  • The light concealer brings certain areas out of the shadows.

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  • This concealer helps to achieve a more youthful appearance by minimizing shadows.

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  • These shadows are similar to the basic eye shadow, but have added glimmer.

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  • The Jewelry Box is a fun makeup kit from Too Faced that features everything from eye shadows to lip glosses.

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  • Drama is allowed on your lookers as the dark liners and shadows come out to play.

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  • In a sharp contrast to the pale expectations of the majority of the face, gothic makeup eye shadows come in fun hues of purple, blue, and brown to name a few.

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  • The gothic scene is also crazy about shimmering eye shadows, which is where purples, dark blues, greens, and whites often come into play.

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  • Pale, iridescent eye shadows or those in pastel tones can create a beautiful eye without the intensity of a darker shade.

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  • Choose eye shadows in navy, plum or grey (crease) and champagne, soft pink or pewter (highlighter).

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  • For example, what powder or cream blushes, foundations and eye shadows should I use?

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  • Eyeshadows: Frosted eye shadows can actually make you look younger but be sure that you are good at handling them properly.

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  • Colors: Blends of pink and gray eye shadows soften graying hair.

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  • What color eye shadows and eyeliners should I use for my light brown eyes?

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  • For basic shadows, I like using earth tones, like yellow, taupe, and orange bases....

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  • Really, when mixed and used in the appropriate areas, you can have fun with your shadows.

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  • Eye Shadows come in cream, powder or pencil.

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  • Matte eye shadows have a flat finish and absorb light.

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  • Frost eye shadows reflect the light and may look sparkly or shiny.

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  • Try lighter shadows and avoid lining your upper lid.

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  • Generally, dark eye colors look best with eye shadows in grays, blues, purples or greens.

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  • Light eye colors look best with shadows in browns, taupes or bronze.

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  • Even in well lit areas, shadows and lack of direct light can create difficulty in applying cosmetics.

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  • Magic Focus "Big Eyes" Two-Option Mirror: Like the enormous collection of lipsticks and eye shadows you proudly own, this mirror similarly offers plenty of options.

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  • The 70s was all about pearlescent shadows, and if you're looking for a subtle eye shimmer then no one does it better than Paul & Joe.

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  • If you prefer the easy application of liquid shadows, Paul & Joe manufactures several shades of Eye Gloss that are guaranteed not to streak but to shimmer all day and night long!

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  • Being used to pressed eye shadows, it was an entertaining experience playing with these shadows.

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  • Makeup fanatics will lose themselves in this enormous collection of matte, shimmery and creamy shadows.

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  • Colorscope: Find both classic and eclectic shades in this group of powder shadows.

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  • Again, it doesn't have to be Dior or even Lancome, but chalky shadows won't do anything but frustrate you (and look bad no matter what kind of skills you develop!).

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  • Consider using eye shadows in concert with your eyeliner.

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  • Another use is to put it on top of matte shadows to give them a hint of shimmer without being over the top.

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  • The first thing to consider when choosing the eye shadows you want to work with when creating the "smoky eye" look is what type of eye shadows you usually prefer.

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  • You can choose from matte eye shadows, shimmer eye shadows or sometimes an eye shadow will have little pieces of glitter infused into the pigment (color).

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  • The eye shadow colors very popular for the Fall 2007 season are shimmer or glitter infused eye shadows in colors like Black Tied or Gentle Fume, from MAC Cosmetics.

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  • One product I've found after trying so many on the market that really combats creasing eye shadows without fail from MAC Cosmetics is called Paints, and the shade I prefer because it works on almost every skin-tone is, "Untitled."

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  • My newly discovered blending brush from MAC Cosmetics called #217, is so soft and fine it makes blending your eye shadows almost too easy to believe.

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  • Always start with a small amount of eye shadow when applying your dark (contour) eye shadow as it's much easier to add more color than it is to remove color when you're working with darker eye shadows.

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  • It's thick and softly rounded at the top, great for blending and softening eye shadows together seamlessly.

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  • This will soften any harsh lines in your eye shadows.

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  • Complete the "smoky eye" look by taking your highlight eye shadow from the lash line at the inner corner of the eyelid up towards your brow line while also blending down from the brow into the other eye shadows.

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  • You can make brown eye shadows more fun by using shimmer eye shadows to recreate a "smoky eye".

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  • You want to keep your eye shadows soft yet defined and the easiest way to achieve this effect is by using matte eye shadows instead of using shimmer eye shadows.

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  • My top choices for very user friendly eye shadows come from Makeup Forever Cosmetics USA because they allow you to create personalized "trio palettes" you fill with eye shadow colors you can choose for yourself.

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  • Then take your light shadow as a the highlight from the inner corner of the eyelid, blending toward the brow line while blending your highlight down into your other eye shadows to soften the look.

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  • Again I choose to use matte eye shadows because they create much "softer" finished looks for the eyes, which will compliment your darker lip color much better.

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  • Bobbi Brown's eye shadows are some of the most luxurious, affordable and wearable cosmetics available on the makeup market today!

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  • Thankfully, this is not the case with Bobbi Brown's eye shadows.

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  • In response to this, eye shadows tend to "sit" on top of them.

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  • Need to use the right tools: Unfortunately, it really does seem as if you need to use Bobbi Brown's specifically designed eye makeup brushes for their eye shadows.

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  • As with other types of eye shadows, mineral shadow takes on an intense, deep look when worn wet.

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  • High quality lip glosses, pigmented blushes and their signature hook up line of portable cream eye shadows, mascara and gloss wands, make creating a personal palette packable, interchangeable and affordable.

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  • Whether you own a tube of Lipglass or pride yourself on your massive collection of limited edition eye shadows, you know all about what makes MAC so addictive.

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  • The Stylish Girl Look in a Box kit is the most versatile of the kits, and includes two eye shadows, bronzer, lip glass and MAC's Zoom Lash mascara.

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  • From my childhood obsession with sparkly lip gloss to my grownup infatuation with gleaming eye shadows, I've always had a thing for the glittering stuff.

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  • The two darkest shades in brownie are stellar eye shadows - use the darkest in the crease and dust the other all over the lid for a gorgeous holiday look.

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