Schumann sentence example

schumann
  • It was so early recognized as characteristic of Chopin that a magnificent example may be seen at the end of Schumann's little tone-portrait of him in the Carnaval: a very advanced Wagnerian passage on another principle constitutes the bulk of the development in the first movement of Beethoven's sonata Les Adieux; while even in the " Golden Age " of music, and within the limits of pure diatonic concord, the unexpectedness of many of Palestrina's chords is hardly less Wagnerian than the perfect smoothness of the melodic lines which combine to produce them.
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  • See Lindau, Geschichte der Hauptand Residenzstadt Dresden (2 vols., Dresden, 1884-1885); Prblss, Geschichte des Hoftheaters in Dresden (Dresden, 1877); Schumann, Fuhrer durch die konigl.
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  • Among the works produced for the first time or rehearsed with a view to the furtherance of musical art were Wagner's Tannhduser, Der fliegende Hollander, Das Liebesmahl der Apostel, and Eine Faust Overture, Berlioz's Benvenuto Cellini, the Symphonie Fantastique, Harold en Italie, Romeo et Juliette, La Damnation de Faust, and L'Enfance du Christ - the last two conducted by the composer - Schumann's Genoveva, Paradise and the the music to Manfred and to Faust, Weber's Euryanthe, Schubert's Alfonso and Estrella, Raff's Kanig Alfred, Cornelius's Der Barbier von Baghdad and many more.
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  • They are now included, together with articles on Schumann and Schubert, and the elaborate and rather highflown essays on Chopin and Des Bohemiens et de leur musique en Hongrie (the latter certainly, and the former probably, written in collaboration with Madame de Wittgenstein), in his Gesammelte Schriften (6 vols., Leipzig).
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  • Since then all manned spacecraft have had artificial Schumann Wave generators built into them.
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  • The Schumann Resonance's are quasi standing wave electromagnetic waves that exist in this cavity.
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  • Nearest metro is Schumann (see 8 on map ).
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  • His concert work is equally prestigious, and he has featured in recordings of Haydn, Schumann, Brahms and Mozart.
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  • His historical interests run from early romanticism (particularly Schumann and the relation of music and literature) through to contemporary music.
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  • It is really very difficult to understand Schumann's impression that the musical technique of Tannhauser shows a remarkable improvement.
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  • The compositions belonging to the period of his residence at Weimar comprise two pianoforte concertos, in E flat and in A, the " Todtentanz," the " Concerto pathetique " for two pianos, the solo sonata " An Robert Schumann," sundry " Etudes," fifteen " Rhapsodies Hongroises," twelve orchestral " Poemes symphoniques, " " Eine Faust Symphonie," and " Eine Symphonie zu Dante's ` Divina Commedia,' " the " 13th Psalm " for tenor solo, chorus and orchestra, the choruses to Herder's dramatic scenes " Prometheus," and the " Missa solennis " known as the " Graner Fest' Messe."
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  • Beethoven's Nine Symphonies; Berlioz's " Symphonie fantastique," " Harold en Italie "; Benediction et Serment (Benvenuto Cellini); Danse des Sylphes (Damnation de Faust); Weber's overtures, Der Freischiitz, Euryanthe, Oberon, Jubilee; Beethoven's and Hummel's Septets; Schubert's Divertissement a la Hongroise; Beethoven's Concertos in C minor, G and E flat (orchestra for a second piano); Wagner's Tannhauser overture, march, romance, chorus of pilgrims; Lohengrin, Festzug and Brautlied, Elsa's Brautgang, Elsa's Traum, Lohengrin's Verweiss an Elsa; Fliegender Hollander, Spinnlied; Rienzi, Gebet; Rheingold, Walhall; Meistersinger, " Am stillen Herd "; Tristan, Isolde's Liebestod; Chopin's six Chants Polonais; Meyerbeer's Schillermarsch; Bach's six organ Preludes and Fugues; Prelude and Fugue in G minor; Beethoven, Adelaide; 6 miscellaneous and 6 Geistliche Lieder; Liederkreis; Rossini's Les Soirees musicales; Schubert, 59 songs; Schumann, 13 songs; Mendelssohn, 8 songs; Robert Franz, 13 songs.
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  • It is amusing to read in one of the magazines of 1895 that Miss Keller "has a just and intelligent appreciation of different composers from having literally felt their music, Schumann being her favourite."
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  • If she knows the difference between Schumann and Beethoven, it is because she has read it, and if she has read it, she remembers it and can tell any one who asks her.
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