Despite her increasing ill-health she returned to Paris for the winter of 1816-1817, and her salon was much frequented.
Here he occupied himself with literature, but Madame Necker pined for her Paris salon and died in 1794.
Ethel was not attractive in spite of spending more money in the beauty salon and boutique than Dean's entire salary.
In 1859 lie won a medal of the second class at the Paris Salon, and at the Exposition Universelle of 1889 a gold medal.
His first Salon picture, "Hamlet et le Roi," was hung in 1869, and he became at once one of the recognized modern masters in France.
It was followed by others, painted on the same principles, but with greater perfection of art: "The Grief of Andromache" (1783), "The Oath of the Horatii" (Salon, 1785), "The Death of Socrates," "Love of Paris and Helen" (1788), "Brutus" (1789).
Rod.) See further Sainte-Beuve, Portraits contemporains, ii.; Antoine Guillois, Le Salon de Mme Helvetius (1894) and La Marquise de Condorcet (1897); O'Meara, Un Salon a Paris: Mme Mohl (undated); and J.
She was then living in Paris, a few doors from her friend Mme d'Agoult, and the two set up a common salon in the Hotel de France.
Spies in every salon in Paris and every court in Europe kept the grim courtier informed of every change in his.
The Salon (1868) followed more closely the type of the English magazine.
The salon of Mme de Condorcet was throughout the Consulate and the first Empire a rallying point for the dissentient republicans.
In each of the years immediately following his arrival in Paris he collected and published a volume of his articles, the first on the salon of 1822, the second on a tour in the Pyrenees.
In Italy Houdon had lived in the presence of that second Renaissance with which the name of Winckelmann is associated, and the direct and simple treatment of the Morpheus which he sent to the Salon of 1771 bore witness to its influence.
In 1779 his bust of Moliere, at the Theatre Frangais, won universal praise, and the celebrated draped statue of Voltaire, in the vestibule of the same theatre, was exhibited at the Salon of 1781, to which Houdon also sent a statue of Marshal de Tourville, commissioned by the king, and the Diana executed for Catharine II.
So long as she lived, her small salon in the attic storey of the great house was a centre of attraction for many of the most illustrious personages in Europe.
The Salon of 1850 found him triumphant with the "Burial at Ornans," the "Stone-Breakers" and the "Peasants of Flazey."
A pupil of the Fcole des Beaux Arts he won the Prix de Rome in 1859; he was awarded the medal of honour at the Salon in 1868 and was appointed officer of the Legion of Honour in 1878.
Constant, who had met Madame de Stael at Lausanne in 1794, followed her in the next year to Paris, where he rapidly became a personage in the moderate republican circle which met in her salon; and by 1796 he had established with her intimate relations, which, in spite of many storms, endured for ten years.
The newly married couple took a lease of Lansdowne House, which for several years was a salon for the Liberal party and a centre of hospitality for a much wider circle.
On his return to France he studied at the ecole centrale des travaux publics, and his social education was accomplished in the salon of Pauline de Beaumont, the friend of Chateaubriand and Joubert.
His first success was obtained in 1844, when his "Milkwoman" and "Lesson in Riding" (pastel) attracted notice at the Salon, and friendly artists presented themselves at his lodgings only to learn that his wife had just died, and that he himself had disappeared.
Millet was at Cherbourg; there he remarried, but having amassed a few hundred francs he went back to Paris and presented his "St Jerome" at the Salon of 1845.
Jules Breton has coloured the days of toil with sentiment; others, like Courbet, whose eccentric "Funeral at Ornans" attracted more notice at the Salon of 1850 than Millet's "Sowers and Binders," have treated similar subjects as a vehicle for protest against social misery; Millet alone, a peasant and a miserable one himself, saw true, neither softening nor exaggerating what he saw.
Among other works he painted his own portrait with his dog, and "The Man with a Pipe," both of which were rejected by the jury of the Salon; but the younger school of critics, the neo-romantics and realists, loudly sang the praises of Courbet, who by 1849 began to be famous, producing such pictures as "After Dinner at Ornans" and "The Valley of the Loire."
In 1810 Guerin made his first appearance at the Salon with some portraits, which had a certain success.
One of these experiments was an unhappy marriage - undertaken merely that he might have a salon - which, after a year's duration, was dissolved by mutual consent.
He retired from political life in 1868, but he and his wife, whose salon was a great Liberal centre, were for many years very influential in society.
In 1824 Constable's pictures were shown in the Salon, and confirmed the younger men in their resolution to abandon the lifeless pedantry of the schools and to seek inspiration from nature.
The following year she returned to Sceaux, where she resumed her salon and gathered round her a brilliant company of wits and poets.
In London, where he had taken up his abode, together with Arese, Fialin (says Persigny), Doctor Conneau and Vaudrey, he was at first well received in society, being on friendly terms with Count d'Orsay and Disraeli, and frequenting the salon of Lady Blessington.
See also Le Salon de Madame Necker, by the Vicomte d'Haussonville (2 vols., 1882), compiled from the papers at Coppet; Ch.
Guillois, Le Salon de Madame Helvetius (1894); A.
To be received in the Countess Bezukhova's salon was regarded as a diploma of intellect.
Young men read books before attending Helene's evenings, to have something to say in her salon, and secretaries of the embassy, and even ambassadors, confided diplomatic secrets to her, so that in a way Helene was a power.
JEAN ALEXANDRE BUCHON (1791-1849), French scholar, was born on the 21st of May 1791 at Menetou-Salon (Cher), and died on the 29th of August 1849.
During his life at Paris he had opportunities of mixing in the circles of the philosophers and of others who frequented the salon of Madame de Geniis, and he there formed those ideas in favour of political and social reform which he retained through life.
Between these dates Houdon had not been idle; busts of Catharine II., Diderot and Prince Galitzin were remarked at the Salon of 1773, and at that of 1775 he produced, not only his Morpheus in marble, but busts of Turgot, Gluck (in which the marks of small-pox in the face were reproduced with striking effect) and Sophie Arnould as Iphigeneia (now in the Wallace Collection, London), together with his well-known marble relief, "Grive suspendue par les pattes."
To every Salon Houdon was a chief contributor; most of the leading men of the day were his sitters; his busts of d'Alembert, Prince Henry of Prussia, Gerbier, Buffon (for Catharine of Russia) and Mirabeau are remarkable portraits; and in 1778, when the news of Rousseau's death reached him, Houdon started at once for Ermenonville, and there took a cast of the dead man's face, from which he produced the grand and life-like head now in the Louvre.
Of Russia, and resumed his old place in the Liberal salon of Madame de Stael.
He returned to Paris before the end of the year, was well received by his family, and mixed in the cultivated circle which frequented the salon of his mother, among them Lebrun-Pindare, Lavoisier, Lesueur, Dorat, Parmy, and a little later the painter David.