Psalm Sentence Examples

A great darkness shrouded the scene for three hours, and then, in His native Aramaic, Jesus cried in the words of the Psalm, " My God, My God, why has Thou forsaken Me?"

Although there is no psalm which can be shown with any probability to be pre-exilic, it is not impossible that there are some which date from as early a time as the age of Zerubbabel, by whose appointment national hopes were raised to so high a pitch.

The presence of a late hand is also proved by the psalm in xxii.

In a psalm which has a chiastic structure one would expect also to find a thematic chiasmus.

But one night a young deacon rose and began reading from Psalm 24, " Who shall ascend into the hill of the Lord?

Psalm XXXVII O Lord, rebuke me not in Thy wrath, neither chasten me in Thy hot displeasure.

Laudate Dominum (Psalm 117) Rebelo Laudate Dominum omnes gentes; Laudate eum, omnes populi.

The Psalm seems but the little kirk That sings with its own voice.

Parsons, like William Byrd a Roman Catholic, showed the influence of the psalm motet and votive antiphon in his work.

Perhaps psalm praying means praying the psalms in short, and praying long prayers like the prayers at the root of the psalms.

While Bright deals only with psalm 137, presumably he would also apply this principle of interpretation to the other imprecatory psalms.

Here was read the third psalm for the day.

As a rule the responsorial psalm should be sung.

The Lord is My Shepherd - there are a number of anthem versions of the 23rd psalm.

We had no Psalters to follow the psalm, sung much more melodically here.

Paul discriminates between the Spirit which during these paroxysms both talks and prays to God and the nous or understanding which informs a believer's psalm, teaching, revelation or prophesy, and renders them intelligible, edifying and profitable to the assembly.

Furthermore, the Vulgate rejects 3 and 4 Maccabees and Psalm cli., which generally appear in the Septuagint, while the Septuagint and Luther's Bible reject 4 Ezra, which is found in the Vulgate and the Apocrypha Proper.

But for an individual psalm the usual name is y in??

The compositions belonging to the period of his residence at Weimar comprise two pianoforte concertos, in E flat and in A, the " Todtentanz," the " Concerto pathetique " for two pianos, the solo sonata " An Robert Schumann," sundry " Etudes," fifteen " Rhapsodies Hongroises," twelve orchestral " Poemes symphoniques, " " Eine Faust Symphonie," and " Eine Symphonie zu Dante's ` Divina Commedia,' " the " 13th Psalm " for tenor solo, chorus and orchestra, the choruses to Herder's dramatic scenes " Prometheus," and the " Missa solennis " known as the " Graner Fest' Messe."

Both kinds of acrostic occur side by side in the Psalms. Psalm ex., an acrostic of the same kind as David's elegy, is followed by Psalms cxi.

The sixth verse of the psalm tells us that instruments cannot themselves be a channel of praise.

Reform Jews will recite the Psalm 23 as the body is removed from the funeral home.

Psalm 91 is read and the body is lowered into the grave.

The rabbi will then recite Psalm 91 again, as well as the El Maleh Rachamim.

After the coffin is closed, the chevra kadisha may read a psalm and asks the departed for forgiveness if they have done anything to offend him.

Longfellow wrote "A Psalm of Life" (1839), which was an intimate confession of the religious aspirations of the author.

But it is doubtful whether the psalm, as distinguished from the Hebrew Psalter, can be said to have any independent existence.

He was beheaded on Tower Hill on the 22 nd of June 1535, after saying the Te Deum and the psalm In to Domine speravi.

Of this word '/ aXµos, " psalm," is a translation, and in the Greek Bible the whole book is called 1'aXpoi or 1liaXT17Pcov.

The details of the tradition of authorship show considerable variation; according to the Talmudic view Adam is author of the Sabbath psalm, xcii., and Melchizedek of Ps.

The division into five books was known to Hippolytus, but a closer examination of the doxologies shows that it does not represent the original scheme of the Psalter; for, while the doxologies to the first three books are no part of the psalms to which they are attached, but really mark the end of a book in a pious fashion not uncommon in Eastern literature, that to book IV., with its rubric addressed to the people, plainly belongs to the psalm, or rather to its liturgical execution, and does not therefore really mark the close of a collection once separate.

That this psalm was composed at least as late as the 3rd century B.C. is made probable by the name here given to Egypt, Rahab.

It begins with a psalm (xc.) ascribed in the title to Moses, and seemingly designed to express feelings appropriate to a situation analogous to that of the Israelites when, after the weary march through the wilderness, they stood on the borders of the promised land.

Since this last collection includes a psalm (cx.) which can scarcely refer to any one earlier than Simon the Maccabee, and cannot well be later than his time, we are justified in assigning the compilation of this collection to about the year 140 B.C. But by this time a great change had taken place in the aims and aspirations of the Jews.

From this blow the emperor never recovered; and when on the 13th of December 1250 he died Innocent greeted the news by quoting from Psalm xcvi.

Introit, or as it is always called in the Sarum rite, " Office," a Psalm or part of a Psalm sung at the entry of the priest, or clergy and choir.

Round the circlet is the singularly inappropriate text from Psalm li., "Miserere mei Deus secundum magnam misericordiam tuam."

In the Western Church the Gloria Patri is repeated at the close of every psalm, in the Eastern Church at the close of the last psalm.

Filled with joy at their rescue from this attack, the citizens crowded to their cathedral, where Beza (then 83 years of age) bid them to sing the 124th Psalm which has ever since been sung.

The date of the manuscript appears to be the middle of the 14th century, and probably in its present form it is only a copy of a much older text; there is also a translation of the fiftieth psalm belonging to the 13th century.'

Similarly Pompey, in the second psalm of Solomon, is obviously represented as the dragon of chaos, and his figure exalted into myth.

One relates to the psalm in ch.

At first the president of the local church (bishop) or the leader of the choir chose a particular psalm as he thought appropriate.

The psalms have already been dealt with, but it may be noted again how the multiplication of saints' festivals, with practically the same special psalms, tends in practice to constant repetition of about one-third of the Psalter, and correspondingly rare recital of the remaining two-thirds, whereas the Proprium de Tempore, could it be adhered to, would provide equal opportunities for every psalm.

The antiphons are short liturgical forms, sometimes of biblical, sometimes of patristic origin, used to introduce a psalm, The term originally signified a chant by alternate choirs, but has quite lost this meaning in the Breviary.

The responsories are similar in form to the antiphons, but come at the end of the psalm, being originally the reply of the choir or congregation to the precentor who recited the psalm.

The word was early applied by the Protestants to the Romanists, with an allusion to the "congregation of evil doers" (Vulgate Ecclesiam malignantium) of Psalm xxvi.

His mode of treatment is subjective and lyric. No matter what form his works assume, whether the epic, as in Evangeline, The Courtship of Miles Standish and Hiawatha, the dramatic, as in The Spanish Student, The Golden Legend and The Mask of Pandora, or the didactic, as in The Psalm of Life and many of the minor poems; they are all subjective.

A knightly celibate, his stainless life, his ardour, caused him to be termed a Yankee Galahad; a pure and simple heart was laid bare to those who loved him in " My Psalm," " My Triumph " and " An Autograph."

As regards the date, Fritzsche, Ball and Ryssel agree in assigning this psalm to the Maccabean period.

Now it is no mere hypothesis that beginning 1 Enarratio in Psalm civ.

If desired, a psalm or other canticle of praise or a hymn may also be sung by the entire congregation.

Again in Psalm chapter 118, verse 22, " The stone the builders rejected has become the capstone.

Once in a while we sat together on the pond, he at one end of the boat, and I at the other; but not many words passed between us, for he had grown deaf in his later years, but he occasionally hummed a psalm, which harmonized well enough with my philosophy.

There are such words as joy and sorrow, but they are only the burden of a psalm, sung with a nasal twang, while we believe in the ordinary and mean.

But if we remove them we get a continuous body of Levitical Elohim psalms, or rather two collections, the first Korahitic and the second Asaphic, to which there have been added by way of appendix by a non-Elohistic editor a supplementary group of Korahite psalms and one psalm (certainly late) ascribed to David.

And the Greek Psalter, though it contains one apocryphal psalm at the close, is essentially the same as the Hebrew; there is nothing to suggest that the Greek was first translated from a less complete Psalter and afterwards extended to agree with the extant Hebrew.

Cape Ann was too bleak, but Naumkeag was a "pleasant and fruitful neck of land," which they named Salem in June 1629, probably in allusion to Psalm lxxvi.

But there is no difficulty in supposing that each division of the Levitical musicians had its own traditional music, certain instruments being peculiar to the one and certain to the other, in which case the assignment of a psalm to the Asaphites or Korahites will merely denote the sort of music to which it is set.

On the other hand, in a collection intended for synagogue use - and the second collection of psalms is as a whole far more suitable to a synagogue than to the Temple - where there would not be a large choir and orchestra of skilled musicians, it would obviously be desirable to state whether the psalm was to be sung to a Davidic, Asaphic or Korahite tone, or to give the name of a melody appropriate to it.

The words "Touch not mine anointed," he declared in the Vindication of Psalm cv.