Poets sentence example

poets
  • Having devoted much time to the study of the Latin writers, historians, orators and poets, and filled his mind with stories of the glories and the power of ancient Rome, he turned his thoughts to the task of restoring his native city to its pristine greatness, his zeal for this work being quickened by the desire to avenge his brother, who had been killed by a noble, a member of the ruling class.
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  • Italy had entered on a new phase of her existence, and the great poets De monarchia represented a dream of the past which could not be realized.
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  • Her mind is so filled with the beautiful thoughts and ideals of the great poets that nothing seems commonplace to her; for her imagination colours all life with its own rich hues.
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  • Why all the cities of Greece dispute the honour of being his birthplace is because the Iliad and the Odyssey are not the work of one, but of many popular poets, and a true creation of the Greek people which is in every city of Greece.
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  • Its publication placed him in the first rank of contemporary poets, and amongst other things procured him admission to the literary circle of Maecenas.
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  • It was famous in Greek mythology, and is frequently mentioned by the great poets, especially by Sophocles.
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  • At the age of eight he was taken in charge by an elder brother of his father, Howard Hastings, who held a post in the customs. After spending two years at a private, school at Newington Butts, he was moved to Westminster, where among his contemporaries occur the names of Lord Thurlow and Lord Shelburne, Sir Elijah Impey, and the poets Cowper and Churchill.
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  • The functions of Caesar's Druids we here find distributed amongst Druids, bards and poets (fili), but even in very early times the poet has usurped many of the duties of the Druid and finally supplants him with the spread of Christianity.
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  • Al Mansur loved poetry and was fond of hearing poets repeat their own verses.
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  • Many wise men and poets and musicians had also been invited.
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  • For power and range of imagination, for freshness and vividness of conception, for truth and originality of presentation, few Roman poets can compare with him when he is at his best.
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  • Like Plato, the elder Mill would have put poets under ban as enemies of truth, and he subordinated private to public affections.
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  • This foreign bird's note is celebrated by the poets of all countries along with the notes of their native songsters.
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  • His camp was a school of chivalry, his court a nursery of poets and artists.
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  • Here you find articles in the encyclopedia about Greek poets.
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  • All poets and heroes, like Memnon, are the children of Aurora, and emit their music at sunrise.
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  • Children come a-berrying, railroad men taking a Sunday morning walk in clean shirts, fishermen and hunters, poets and philosophers; in short, all honest pilgrims, who came out to the woods for freedom's sake, and really left the village behind, I was ready to greet with--"Welcome, Englishmen! welcome, Englishmen!" for I had had communication with that race.
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  • While such judgments are naturally exaggerated, there is no doubt that he takes a very high place among modern Latin poets.
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  • In its application it falls into sharp division in the hands of German and French poets.
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  • Plutarch (Pericles) gives many interesting details as to Pericles' personal bearing, home life, and patronage of art, literature and philosophy, derived in part from the old comic poets, Aristophanes, Cratinus, Eupolis, Hermippus, Plato and Teleclides; in part from the contemporary memoirs of Stesimbrotus and Ion of Chios.
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  • The Alexander legend was the theme of poetry in all European languages; six or seven German poets dealt with the subject, and it may be read in French, English, Spanish, Danish, Swedish, Icelandic, Flemish and Bohemian.
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  • Iulis was the birthplace of the lyric poets Simonides and Bacchylides, the philosophers Prodicus and Ariston, and the physician Erasistratus; the excellence of its laws was so generally recognized that the title of Cean Laws passed into a proverb.
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  • He collected curiosities and works of art; he assembled Greek men of letters round him; he gave prizes to the greatest poets and the best eaters.
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  • The fiction of Belisarius wandering as a blind beggar through the streets of Constantinople, which has been adopted by Marmontel in his Belisaire, and by various painters and poets, is first heard of in the 10th century.
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  • At the age of eighteen Moratin won the second prize of the Academy for a heroic poem on the conquest of Granada, and two years afterwards he attracted more general attention with his LecciOn poetica, a satire upon the popular poets of the day.
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  • The Brahman priest (brahma) being thus the recognized head of the sacerdotal order (brahma), which itself is the visible embodiment of sacred writ and the devotional spirit pervading it (brahma), the complete realization of theocratic aspirations required but a single step, which was indeed taken in the theosophic speculations of the later Vedic poets and the authors of the Brahmanas (q.v.), viz.
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  • From the 6th century onwards he was looked upon as one of the chief poets and musicians of antiquity, the inventor or perfecter of the lyre, who by his music and singing was able not only to charm the wild beasts, but even to draw the trees and rocks from their places, and to arrest the rivers in their course.
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  • Applying this principle to the art of poetry, and analysing, line by line and even word by word, the works of great poets, he deduced the law that the beauty of poetry consists in the accuracy, beauty and harmony of individual expression.
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  • He is an especial favourite of Apollo; and later poets even describe him as son of that god.
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  • But no great writer and no great administrator came from Narbonensis; itinerant lecturers and journalists alone were produced in plenty, and at times minor poets.
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  • As a further tribute of national recognition the "college" or "gild" of poets and actors was granted a place of meeting in the temple of Minerva on the Aventine.
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  • All Maoris are natural orators and poets, and a chief was expected to add these accomplishments to his prowess as a warrior or his skill as a seaman.
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  • It has been concluded that in the latter part of his life he gratified the tendency to seclusion for which he was ridiculed in The Time Poets (Choice Drollery, 1656) by withdrawing from business and from literary life in London, to his native place; but nothing is known as to the date of his death.
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  • Symonds that "English poets have given us the right key to the Italian temperament...
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  • A taste for French literature spread rapidly, and the poets and dramatists of Paris found clever imitators in St Petersburg.
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  • The famous pineto or pinewood of Ravenna, which already existed in Odoacer's time, and has been sung by poets since Dante, lies some 5 m.
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  • Her character and these incidents of her life presented an attractive subject to the Greek tragic poets, especially Sophocles in the Antigone and Oedipus at Colonus, and Euripides, whose Antigone, though now lost, is partly known from extracts incidentally preserved in later writers, and from passages in his Phoenissae.
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  • But it is to Spain that we must look for the best of the medieval poets of the synagogue, greatest among them being Ibn Gabirol and Halevi.
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  • French Judaism was thus in a sense more human if less humane than the Spanish variety; the latter produced thinkers, statesmen, poets and scientists; the former, men with whom the Talmud was a passion, men of robuster because of more naïve and concentrated piety.
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  • Small coteries of Jewish minor poets and philosophers were formed, and men like Kalonymos and Immanuel - Dante's friend - shared the versatility and culture of Italy.
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  • The choice of the two names has some significance, when we consider his later literary life as the associate of the Queen Anne poets and as a collector of old Scots poetry.
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  • Its style is mainly Early English, and among those buried here are Gower, Fletcher and Massinger, the poets, and Edmund, brother of William Shakespeare.
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  • Then his interest was aroused by some letters on botany which fell into his hands, and from botany he turned to the study of the classic poets, and to the writing of verses himself.
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  • In the tragic poets the tale takes a different form.
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  • With the assistance of neighbouring princes and of many of the influential Dihkans, Mahmud collected a vast amount of materials for the work, and after having searched in vain for a man of sufficient learning and ability to edit them faithfully, and having entrusted various episodes for versification to the numerous poets whom he had gathered round him, he at length made choice of Firdousi.
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  • Being presented to the seven poets who were then engaged on the projected epic, Abu 'I Kasim was admitted to their meetings, and on one occasion improvised a verse, at Mahmud's request, in praise of his favourite Ayaz, with such success that the sultan bestowed upon him the name of Firdousi, saying that he had converted his assemblies into paradise (Firdous).
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  • Three of the seven poets were drinking in a garden when Firdousi approached, and wishing to get rid of him without rudeness, they informed him who they were, and told him that it was their custom to admit none to their society but such as could give proof of poetical talent.
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  • Firdousi accepted the challenge, and the three poets having previously agreed upon three rhyming words to which a fourth could not be found in the Persian language, 'Ansari began "Thy beauty eclipses the light of the sun"; Farrakhi added "The rose with thy cheek would comparison shun"; 'Asjadi continued "Thy glances pierce through the mailed warrior's johsun"; 1 and Firdousi, without a moment's hesitation, completed the quatrain "Like the lance of fierce Giv in his fight with Poshun."
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  • As the main support of his proof of the truth of Christianity appears his detailed demonstration that the prophecies of the old dispensation, which are older than the Pagan poets and philosophers, have found their fulfilment in Christianity.
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  • These instincts and impulses would be at work already among the soldiers during the Crusade, producing a saga all the more readily, as there were poets in the camp; for we know that a certain Richard, who joined the First Crusade, sang its exploits in verse, while still more famous is the princely troubadour, William of Aquitaine, who joined the Crusade of Iloo.
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  • He recognized in the genius of the poets of that time, not only the truest ornament of the court, but a power of reconciling men's minds to the new order of things, and of investing the actual state of affairs with an ideal glory and majesty.
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  • Hadrian was fond of the society of learned men - poets, scholars, rhetoricians and philosophers - whom he alternately humoured and ridiculed.
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  • Although the poets of the time are unwearied in celebrating her charms, she does not, from the portraits which exist, appear to have been regularly beautiful, but as to her sweetness of disposition and strength of mind there is universal consent.
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  • If Athens lost her supremacy in the fields of science and scholarship to Alexandria, she became more than ever the home of philosophy, while Menander and the other poets of the New Comedy made Athenian life and manners known throughout the civilized world.
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  • In 1608 she appeared at court, where her beauty soon attracted admiration and became the theme of the poets, her suitors including the dauphin, Maurice, prince of Orange, Gustavus Adolphus, Philip III.
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  • In addition to th e se residents or natives of the locality, Shelley, Scott, Nathaniel Hawthorne, Clough, Crabb Robinson, Carlyle, Keats, Tennyson, Matthew Arnold, Mrs Hemans, Gerald Massey and others of less reputation made longer or shorter visits, or were bound by ties of friendship with the poets already mentioned.
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  • The most notable instance - indeed it is almost the only instance - of the kind in English literature is the Lake School of Poets.
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  • Nor was it philosophers only who made his court illustrious, but poets like Aratus.
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  • Emerson, the poets Bryant, Longfellow, pre-eminently Whittier and Whitman, have spoken on this theme with no uncertain sound.
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  • They were men of great culture, and many historians, poets and writers belong to this class.
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  • The most noteworthy writers of the Conqueror's reign are, after Ahmed and Sinan, the two lyric poets Nejati and Zati, whose verses show a considerable improvement upon those of Ahmed Pasha, the romantic poets Jemali and Hamdi, and the poetesses Zeyneb and Mihri.
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  • An intense and passionate ardour breathes in his verses, and forms one of the most remarkable as well as one of the most attractive characteristics of his style; for, while few even among Turkish poets are more artificial than he, few seem to write with greater earnestness and sincerity.
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  • A number of poets, of whom Seyyid Vehbi, Raghib Pasha, Rahmi of the Crimea, Kelim and Sand are the most notable, took Nabi for their model.
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  • We now reach the reign of Ahmed III., during which flourished Nedim, the greatest of all the poets of the old school.
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  • Coming now to the post-classical period, we find among poets worthy of mention Beligh, Nevres, Hishmet and Sunbuli-zada Vehbi, each of whom wrote in a style peculiar to himself.
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  • Three poets of note--Pertev, Neshet and Sheikh Ghalib - flourished under Selim III.
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  • The chief poets of the transition are Fazil Bey, Wasif, notable for his not altogether unhappy attempt to write verses in the spoken language of the capital, `Izzet Molla, Pertev Pasha, `Akif Pasha, and the poetesses Fitnet and Leyla.
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  • There is also found that love of alliteration which is a marked feature in all the older Latin poets down even to Lucretius.
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  • He at the same time shows the Greeks that their own greatest philosophers and poets recognized the unity of the divine Being, and had caught glimpses of the true nature of God, but that fuller light had been thrown on this subject by the Hebrew prophets.
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  • He is at home alike in the epic and the lyric, the tragic and the comic poets, and his knowledge of the prose writers is very extensive.
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  • Some, however, of the classic poets he appears to have known only from anthologies; hence he was misled into quoting as from Euripides and others verses which were written by Jewish forgers.
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  • And in all cases it is plain that he not merely read but thought deeply on the questions which the civilization of the Greeks and the various writings of poets, philosophers and heretics raised.
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  • The most popular of the Brazilian poets are Thomaz Antonio Gonzaga, Antonio Gonsalves Dias and Bernardo Guimaraes.
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  • The caverns in the sides of the precipice are said to have afforded Wallace and other heroes (or outlaws) refuge in time of trouble, but the old house is most memorable as the home of the poet William Drummond, who here welcomed Ben Jonson; the tree beneath which the two poets sat still stands.
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  • In the 16th century the latinized form Edina was invented and has been used chiefly by poets, once notably by Burns, whose " Address " begins " Edina!
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  • The poets flourishing at that period were Folcacchiero, Cecco Angiolieri - a humorist of a very high order - and Bindo Bonichi, who belonged also to the following century.
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  • Writers, savants, poets, artists, noble and plebeian, layman and cleric, without any previous concert, or obvious connexion, were working towards that ideal of political liberty which was to unite all the Magyars.
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  • Among the native poets, mostly mere rhyming chroniclers of the 1 6th century, were Csanadi, Tinodi, Nagy-Baczai, Bogâti, Ilosvay, Istvanfi, GOrgei, Temesvari and Valkai.
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  • Csaktornya and Kakony imitated the ancient classical poets, and ErdOsi introduced the hexameter.
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  • During the latter part of the 16th century and the beginning of the 17th two poets of a higher order appeared in Valentine Balassa, the earliest Magyar lyrical writer, and his contemporary John Rimay, whose poems are of a contemplative and pleasing character.
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  • Among the didactic poets may be mentioned Lewis Nagy, George Kalmar, John Illey and Paul Bertalanfi, especially noted for his rhymed " Life of St Stephen, first Hungarian king," DicsOseges Sz.
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  • Other precursors of the modern school were the poet and philologist Francis Verseghy, whose works extend to nearly forty volumes; the gifted didactic prose writer, Joseph 'Carman; the metrical rhymster, Gideon Raday; the lyric poets, Ssentjebi Szabo, Janos Bacsanyi, and the short-lived Gabriel Dayka, whose posthumous " Verses " were published in 1813 by Kazinczy.
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  • Foremost among epic poets, though not equally successful as a dramatist, was Mihaly Vorbsmarty (q.v.), who, belonging also to the close of the last period, combines great power of imagination with elegance of language.
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  • Several of the already mentioned lyric and epic poets were occasional writers also for the drama.
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  • Julius Reviczky (1855-1899) also inclined to the Occidental rather than to the specifically Magyar type of poets; his lyrics are highly finished, aristocratic and pessimistic (Pan halala, " The Death of Pan ").
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  • Ivan Gundulic and the brilliant group of poets that gathered round him at Ragusa in the early 17th century, reflected in their writings the little Slav Republic's intimate connexion with its kinsmen of Serbia and Bosnia.
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  • Thus, for example, the numerous psalms in which the poets, though speaking perhaps, not as individuals but as members of a class, describe themselves as poor and afflicted at the hands of certain ungodly men, who appear to be Jews, can hardly have been originally collected by the Temple choirs.
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  • Terence justifies this practice by that of the older poets, Naevius, Plautus, Ennius, whose careless freedom he follows in preference to the "obscura diligentia" of his detractor.
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  • Here you find articles in the encyclopedia about poets.
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  • But it is difficult to believe that Lamartine can ever permanently take rank among the first order of poets.
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  • He is named in Lyndsay's Testament and Complaynt of the Papyngo (1530) with poets then dead, and the reference precedes that to Douglas who had died in 1522.
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  • This strain runs throughout many of the occasional poems, and is not wanting in odd passages in Dunbar's contemporaries; and it has the additional interest of showing a direct historical relationship with the work of later Scottish poets, and chiefly with that of Robert Burns.
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  • The elaborate collections made by Daremberg of medical notices in the poets and historians illustrate the relations of the profession to society, but do little to prepare us for the Hippocratic period.
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  • The poets of the Augustan age, who were deeply interested both in his philosophy and in his poetry, are entirely silent about the tragical story of his life.
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  • Cicero, by his professed antagonism to the doctrines of Epicurus, by his inadequate appreciation of Lucretius himself and by the indifference which he shows to other contemporary poets, seems to have been neither fitted for the task of correcting the unfinished work of a writer whose genius was so distinct from his own, nor likely to have cordially undertaken such a task.
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  • Of other Greek prose writers he knew Thucydides and Hippocrates; while of the poets he expresses in more than one passage the highest admiration of Homer, whom he imitated in several places.
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  • But his poetical sympathy was not limited to the poets of Greece.
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  • He greatly admired, or professed to admire, the genius of the early Roman poets, while he shows indifference to the poetical genius of his younger contemporaries.
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  • The abbe de Chateauneuf died before his godson left school, but he had already introduced him to the famous and dissipated coterie of the Temple, of which the grand prior Vendome was the head, and the poets Chaulieu and La Fare the chief literary stars.
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  • Voltaire was not humble enough to be a mere butt, as many of Frederick's led poets were; he was not enough of a gentleman to hold his own place with dignity and discretion; he was constantly jealous both of his equals in age and reputation, such as Maupertuis, and of his juniors and inferiors, such as Baculard D'Arnaud.
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  • Both countries had their artisans, money-lenders, poets and musicians.
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  • These singers, who, for the most part, belonged to the artisan and trading classes of the German towns, regarded as their masters and the founders of their gild twelve poets of the Middle High German period, among whom were Wolfram von Eschenbach, Konrad von Wurzburg, Reinmar von Zweter and Frauenlob.
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  • His waters were said to pass beneath the sea and rise again in the fountain Arethusa at Syracuse; such is the earlier version from which later mythologists and poets evolved the familiar myth of the loves of Alpheus and Arethusa.
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  • The study of Arabic was taken up by lexicographers, grammarians and poets (mostly of foreign origin) with a zeal rarely shown elsewhere.
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  • Thus poetry became more and more artificial, until in the Abbasid period poets arose who felt themselves strong enough to give up the worn-out forms and adopt others more suitable.
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  • Among many minor poets one woman is conspicuous.
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  • Two poets of the Koreish attained celebrity in Arabia itself at this time.
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  • As a dweller in the town he was independent of the old forms of poetry, which controlled all others, but his influence among poets was not great enough to perpetuate the new style.
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  • In the 7th and 8th centuries, however, a group of poets employed them more seriously.
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  • One of the earliest of these poets, Muti' ibn Ayas, shows the new depth of personal feeling and refinement of expression.
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  • Many Arabian writers count Motanabbi the last of the great poets.
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  • Yet Abu-l-`Ala, ul-Ma'arri (q.v.) was original alike in his use of rhymes and in the philosophical nature of his poems. Ibn Farid is the greatest of the mystic poets, and Busiri (q.v.) wrote the most famous poem extant in praise of the Prophet.
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  • In the provinces of the caliphate there were many poets, who, however, seldom produced original work.
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  • A third class of Arabian geographical works were those written to explain the names of places which occur in the older poets.
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  • The education which he provided consisted of rhetoric, grammar, style and the interpretation of the poets.
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  • Cedrus Libani, the far-famed Cedar of Lebanon, is a tree which, on account of its beauty, stateliness and strength, has always been a favourite with poets and painters, and which, in the figurative language of prophecy, is frequently employed in the Scriptures as a symbol of power, prosperity and longevity.
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  • Pedro Paz Soldan was a classical scholar who published three volumes of poems. Carlos Augusto Salaverry is known as one of Peru's best lyrical poets, and Luis Benjamin Cisneros for his two novels, Julia and Edgardo.
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  • Trinidad Fernandez and Constantino Carrasco were two poets of merit who died young, the principal work of the latter being his metrical version of the Quichua drama, 011antay.
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  • To the men of the middle ages, in any case, St Catherine was very real; she was ranked with the fourteen most helpful saints in heaven, and was the constant theme of preachers and of poets.
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  • In addition to persons of high rank, poets, legendary and others (Linus, Orpheus, Homer, Aeschylus and Sophocles), legislators and physicians (Lycurgus, Hippocrates), the patrons of various trades or handicrafts (artists, cooks, bakers, potters), the heads of philosophical schools (Plato, Democritus, Epicurus) received the honours of a cult.
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  • However this may be, remnants of their primitive superhuman qualities cling to the Celtic heroes long after they have been transfigured, under the influence of Christianity and chivalry, into the heroes of the medieval Arthurian romance, types - for the most part - of the knightly virtues as these were conceived by the middle ages; while shadowy memories of early myths live on, strangely disguised, in certain of the episodes repeated uncritically by the medieval poets.
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  • The idea of the god of love in Roman poetry is due to the influence of Alexandrian poets and artists, in whose hands he degenerated into a mischievous boy with essentially human characteristics.
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  • This is the expedition of the "Seven against Thebes," which the poets have made nearly as famous as the siege of Troy.
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  • After he had acquired what he considered to be a sufficient stock of material, and this happened before he had completed the Positive Philosophy, he abstained from reading newspapers, reviews, scientific transactions and everything else, except two or three poets (notably Dante) and the Imitatio Christi.
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  • If Tennyson had died of the savage article which presently appeared in the Quarterly Review, literature would have sustained terrible losses, but his name would have lived for ever among those of the great English poets.
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  • In the summer of 1859 the first series of Idylls of the King was at length given to the world, and achieved a popular success far beyond anything experienced before by any English poets, save perhaps Byron and Scott.
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  • Hence, among all the English poets, it is Tennyson who presents the least percentage of entirely unattractive poetry.
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  • It should be added that he was a very deep and original student of literature of every description, and that the comparatively few specimens which have been preserved of his conversation contain some of the finest fragments of modern appreciation of the great poets which we possess.
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  • This fact of the idiosyncrasy of national poetry he illustrated with great fulness and richness in the case of Homer, the nature of whose works he was one of the first to elucidate, the Hebrew poets, and the poetry of the north as typified in ' ` Ossian."
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  • Lessing had done much to make Shakespeare known to Germany, but he had regarded him in contrast to the French dramatists with whom he also contrasted the Greek dramatic poets, and accordingly did not bring out his essentially modern and Teutonic character.
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  • Thus his theoretic opposition to the Kantian aesthetics is but the reflection of his practical opposition to the form-idolatry of the Weimar poets.
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  • If to these we add the Hyaku-ninshu (Hundred Odes by a Hundred Poets) brought together by Teika KyO in the 13th century, we have all the classics of Japanese poetry.
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  • Messina was the birthplace of Dicaearchus, the historian (c. 322 B.C.); Aristocles, the Peripatetic; Euhemerus, the rationalist (c. 316 B.C.); Stefano Protonotario, Mazzeo di Ricco and Tommaso di Sasso, poets of the court of Frederick II.
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  • The most prominent members of the family were Mircea (1386-1418), who accepted Turkish suzerainty; Neagoe, the founder of the famous cathedral at Curtea de Argesh; Michael, surnamed the Brave (1592-1601); and Petru Cercel, famous for his profound learning, who spoke twelve languages and carried on friendly correspondence with the greater scholars and poets of Italy.
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  • Among the poems written or at least sketched during this period were L'Oaristys, L'Aveugle, La Jeune Malade, Bacchus,Euphrosine and Ld Jeune Tarentine, the last a synthesis of his purest manner, mosaic though it is of reminiscences of at least a dozen classical poets.
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  • He was not only the first in point of time, and according to ancient testimony one of the first in point of merit, among the comic poets of Rome, and in spirit, though not in form, the earliest of the line of Roman satirists, but he was also the oldest of the national poets.
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  • Catulus in the preceding generation, was a kind of dilettante poet and a precursor of the poetry of pleasure, which attained such prominence in the elegiac poets of the Augustan age.
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  • While we recognize in the De Rerum Natura some of the most powerful poetry in any language and feel that few poets have penetrated with such passionate sincerity and courage into the secret of nature and some of the deeper truths of human life, we must acknowledge that, as compared with the great didactic poem of Virgil, it is crude and unformed in artistic design, and often rough and unequal in artistic execution.
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  • Of this small group of poets one only has survived, fortunately the man of most genius among them, the bosomfriend of Calvus, C. Valerius Catullus (84-54).
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  • He has the interest of being the last poet of the free republic. In his life and in his art he was the precursor of those poets who used their genius as the interpreter and minister of pleasure; but he rises above them in the spirit of personal independence, in his affection for his friends, in his keen enjoyment of natural and simple pleasures, and in his power of giving vital expression to these feelings.
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  • The earliest in the order of time of the poets who adorn this age - P. Vergilius Maro or Virgil (70-19) - is also the greatest in genius, the most richly cultivated, and the most perfect in art.
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  • The greatest masters of this kind of poetry are the elegiac poets of the Augustan age - Tibullus, Propertius and Ovid.
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  • The idealizing poetry of passion, which found a genuine voice in Catullus and the elegiac poets, could not prolong itself through the exhausting licence of successive generations.
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  • Of the Christian "poets" only Aurelius Prudentius Clemens (c. 348-410) need be mentioned.
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  • Lebanon was included within the ideal boundaries of the land of Israel, and the whole region was well known to the Hebrews, by whose poets its many excellences are often praised.
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  • Before his death the Historia Britonum had already become a model and a quarry for poets and chroniclers.
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  • The knowledge of Greek mythology, to which they were thus introduced, set poets and antiquarians at work in a field wholly foreign to the Roman religious spirit, the task of creating a Roman anthropomorphic mythology.
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  • In this way grew up the "religion of the poets," whose falseness and shallowness was patent even to contemporary thinkers.
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  • The importance of the fountain is attested by the fact that the Greek poets and the Delphic oracle instead of saying Corinth said, "the city of Pirene."
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  • Donatus taught him grammar and explained the Latin poets.
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  • He was probably the first to attempt a serious prose history and to employ critical method to distinguish myth from historical fact, though he accepts Homer and the other poets as trustworthy authority.
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  • Bowden, to the south of the hills, was the birthplace of the poets Thomas Aird (1802-1876) and James Thomson, and its parish church contains the burial-place of the dukes of Roxburghe.
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  • The legendary element crept even into the Latin panegyrics produced by the court poets.
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  • The account in the Chanson de Roland of the trial of Ganelon after the battle of Roncesvalles must have been adopted almost intact from earlier poets, and provides a striking example of the value of the chansons de geste to the historian of manners and customs.
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  • In these he made those criticisms on the older tragic and epic poets of which Horace and other ancient writers speak.
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  • The most renowned poets were at the same time men of culture and science, critics, archaeologists, astronomers or physicians.
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  • The earliest of the elegiac poets was Philetas, the sweet singer of Cos.
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  • But the most distinguished was Callimachus, undoubtedly the greatest of the Alexandrian poets.
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  • Other lyric poets were Phanocles, Hermesianax, Alexander of Aetolia and Lycophron.
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  • Some of the best productions of the school were their epigrams. Of these we have several specimens, and the art of composing them seems to have been assiduously cultivated, as might naturally be expected from the court life of the poets, and their constant endeavours after terseness and neatness of expression.
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  • Here you find articles in the encyclopedia about Italian poets.
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  • The opinions of scholars, and the fantasies of poets, became an enthusiastic belief in the mind of Columbus.
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  • Weimar owes its importance not to any industrial development, which the grand-dukes discourage within the limits of their Residenz, but to its intimate association with the classical period of German literature, which earned for it the title of the "poets' city" and "the German Athens."
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  • The interior is very fine, and in one of the wings is a series of rooms dedicated to the poets Goethe, Schiller, Herder and Wieland, with appropriate mural paintings.
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  • Nor had he any taste for rule; his days were spent in the society of musicians, buffoons and poets, and he himself dabbled in verse-making of a mystic tendency.
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  • In the interval between the death of Ennius (169) and the advent of Accius, the youngest and most productive of the tragic poets, he alone maintained the continuity of the serious drama, and perpetuated the character first imparted to it by Ennius.
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  • Cicero, who frequently quotes from him with great admiration, appears (De optimo genere oratorum, i.) to rank him first among the Roman tragic poets, as Ennius among the epic, and Caecilius among the comic poets.
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  • So far too as the Romans were capable of taking interest in speculative questions, the tragic poets contributed to stimulate curiosity on such subjects, and they anticipated Lucretius in using the conclusions of speculative philosophy as well as of common sense to assail some of the prevailing forms of superstition.
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  • These poets aided also in developing that capacity which the Roman language subsequently displayed of being an organ of oratory, history and moral disquisition.
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  • The forget-me-not, a favourite with poets, and the symbol of constancy, is a frequent ornament of brooks, rivers and ditches, and, according to an old German tradition, received its name from the last words of a knight who was drowned in the attempt to procure the flower for his lady.
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  • He read the poets less for their verses than for such scholia as supplied historical notices.
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  • The last ten years of his life were given up to the imitation of Greek poets of the Alexandrian school.
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  • The word Libitina then came to be used for the business of an undertaker, funeral requisites, and (in the poets) for death itself.
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  • Euripides was the first among the tragic poets to speak of it as a sea, but Herodotus before him ridiculed the notion of Oceanus as a river as an invention of the poets and described it as the great world sea.
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  • It is impossible to adopt the view that the Homeric poets turned the rude shepherd-god of Arcadia into a messenger, in order to provide him with a place in the Olympian circle.
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  • Poetry is a very ancient art in Siam and has always been held in high honour, some of the best-known poets being, indeed, members of the royal family.
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  • Among their contemporaries were Heyduk and Sladek, two poets both belonging in form and in matter to the national school.
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  • In all, Stobaeus quotes more than five hundred writers, generally beginning with the poets, and then proceeding to the historians, orators, philosophers and physicians.
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  • Jan Kochanowski 1 (1530-1584), called the prince of Polish poets, came of a poetical family, having a brother, a cousin and a nephew who all enriched the literature of their country with some productions.
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  • The former was now mixed with Latin and classical expressions; much of the literature consists of fulsome panegyric, verses written on the marriages and funerals of nobles, with conceits and fantastic ideas, devoid of all taste, drawn from their coats of arms. The poets of this period are, as may be imagined, in most cases mere rhymesters; there are, however, a few whose names are worth recapitulating, such as Waclaw Potocki (c. 1622 - c. 1696), now known to have been the author of the Wojna Chocimska, or "War of Khotin," the same campaign which afterwards formed the subject of the epic of Krasicki.
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  • His estimates of various great poets are not very accurate.
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  • Among the smaller poets of this period may be mentioned Karpifiski (1741-1828), a writer of sentimental elegies in the style then so very much in fashion, and Franciszek Dyonizy Kniaanin (1750-1807), who nourished his muse on classical themes and wrote several plays.
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  • Julian Ursin Niemcewicz (1758-1841) was one of the most popular of Polish poets at the commencement of the present century (see NiEMcEwIcz).
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  • He is justly considered one of the greatest of the modern poets of Poland.
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  • His friend Slowacki answered them in some taunting verses, and this led to a quarrel between the poets.
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  • Other poets of the romantic school of considerable merit were Gorecki, Witwicki, Odyniec, and Gaszynski; the last-named wrote many exquisite sonnets, which ought alone to embalm his name.
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  • A further development of romanticism was the so-called Ukraine school of poets, such as Malczewski, Goszczynski, and Zaleski.
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  • Other poets of the so-called Ukraine school, which has been so well inspired by the romantic legends of that part of Russia, are Thomas or Timko Padoura (who also wrote in the Malo-Russian, or Little-Russian, language), Alexander Groza, and Thomas Olizarowski.
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  • As lyrical poets may also be mentioned Jachowicz; Jaskowski, author of a fine poem, The Beginning of Winter; Edmund.
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  • Other poets worthy of mention are Zagorski, Czerwienski, and Maria Konopnicka, who has published two volumes of poems that have been very favourably noticed.
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  • Among the latest poets we may mention Wyspianski, Kisiliewski, Reymont, Mme Zapolska; the latter is the author of some powerful realistic novels and plays, and she has been called the Polish Zola.
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  • It is this kind of poetry and traces of the decadent school which we find in the later Polish poets.
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  • One episode, in especial, has been most charmingly treated by the poets.
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  • Boisrobert became one of the five poets who carried out Richelieu's dramatic ideas.
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  • He also drew up select lists of epic and lyric poets.
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  • He also composed commentaries on the lyric and comic poets and on Thucydides and Demosthenes; part of his commentary on this last author was first published in 1904.
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  • The poets of that age, including Callimachus and Theocritus, were subsequently expounded by Theon, who flourished under Tiberius, and has been well described as " the Didymus of the Alexandrian poets."
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  • The latest name in the above list is that of Polybius, who died about 123 B.C. Apollonius Rhodius, Aratus and Theocritus were subsequently added to the " epic " poets.
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  • The lives of Roman poets and scholars were among the many subjects that exercised the literary skill of Hadrian's private secretary, Suetonius.
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  • In the time of Photius the poets usually studied at school were Homer, Hesiod, Pindar; certain select plays of Aeschylus (Prometheus, Septem and Persae), Sophocles (Ajax, Electra and Oedipus Tyrannus), and Euripides (Hecuba, Orestes, Phoenissae, and, next to these, Alcestis, Andromache, Hippolytus, Medea, Rhesus, Troades,) also Aristophanes (beginning with the Plutus), Theocritus, Lycophron, and Dionysius Periegetes.
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  • His five great pagan poets are Homer, Virgil, Horace, Ovid, Lucan; Statius he regards as a " Christian " converted by Virgil's Fourth Eclogue.
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  • The authors he recommends include " Aesop " and Sallust, the tragedies of Seneca and the epic poets, especially Virgil, whom he interprets in an allegorical sense.
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  • The Latin poets to be studied include Virgil, Lucan, Statius, Ovid's Metamorphoses, and (with certain limitations) Horace, Juvenal and Persius, as well as Plautus, Terence and the tragedies of Seneca; the prose authors recommended are Cicero, Livy and Sallust.
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  • Poets of a later generation invented the story of the secret marriage of his sister Ximena with Sancho, count of Saldana, and the feats of their son Bernardo del Carpio.
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  • Some of the marble has the rich purple veins in which poets saw the blood of Atys.
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  • Among his avowed antagonists in literary warfare the most distinguished were Malone and Steevens, the Shakespeare editors; Mathias, the author of the Pursuits of Literature; Dr Jamieson, the Scottish lexicographer; Pinkerton, the historian; Dr Irving, the biographer of the Scottish poets; and Dr Currie of Liverpool.
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  • Their creative religious ideas had become the common property of religious-minded Jews, at least in the somewhat imperfect shape in which they were embodied in the law, and their work on this side was carried on by the great religious, poets.
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  • To reconcile the contradictory aspects of his character, two kings of the name of Minos were assumed by later poets and mythologists.
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  • Here you find articles in the encyclopedia about American poets.
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  • To say nothing of his other great qualities, he is certainly the most artistic of all the Magyar poets.
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  • Aneau pointed out the obvious inconsistency of inculcating imitation of the ancients and depreciating native poets in a work professing to be a defence of the French language.
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  • In Kufa and Basra were gathered representatives of all the Arabian tribes who formed the fighting force of the Islamic Empire, and from these al-Mufaddal was able to collect and record the compositions of the poets who had celebrated the fortunes and exploits of their forefathers.
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  • He, no doubt, like al-Asma`i and Abu `Ubaida, also himself visited the areas occupied by the tribes for their camping grounds in the neighbouring desert; and adjacent to Kufa was al-IIIra, the ancient capital of the Lakhmid kings, whose court was the most celebrated centre in pre-Islamic Arabia, where, in the century before the preaching of the Prophet, poets from the whole of the northern half of the peninsula were wont to assemble.
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  • There is indeed a tradition that a written collection (diwan) existed in the family of an-Nu ` man, the last Lakhmid king, containing a number of poems by the Fuhul, or most eminent poets of the pagan time, and especially by those who had praised the princes of the house, and that this collection passed into the possession of the Omayyad caliphs of the house of Marwan; to this, if the tradition is to be believed, al-Mufaddal probably had access.
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  • Not more than five or six of the 126 poems appear to have been composed by poets who I l iad been born in Islam.
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  • The 126 pieces are distributed between 68 poets, and the work represents a gathering from the compositions of those who were called al-Mugillun, " authors of whom little has survived," in contrast to the famous poets whose works had been collected into diwans.
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  • An interesting feature of the work is the treatment in it of the two poets of Bakr ibn Wa'il, uncle and nephew, called al-Muraqqish, who are perhaps the most ancient in the collection.
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  • Indeed, throughout his writings he shows a constant wish to avail himself of what is true in the opinions of others, whether they are philosophers, or poets or ordinary people expressing their thoughts in sayings and proverbs.
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  • There are two Italian marble monuments in honour of Confederate soldiers, and monuments to the Southern poets, Paul Hamilton Hayne and Richard Henry Wilde (1789-1847).
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  • The Beni-abbad were not of ancient descent, though the poets, whom they paid largely, made an illustrious pedigree for them when they had become powerful.
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  • Like him he was a poet, and a favourer of poets.
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  • At court much time was given to poetic recitation, often accompanied by music, and accomplished poets received liberal rewards.
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  • Aemilius Macer must be distinguished from the Macer called Iliacus in the Ovidian catalogue of poets, the author of an epic poem on the events preceding the opening of the Iliad.
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  • But, though illuminated by the rays of art, and loaded with the exuberant panegyrics of humanists and poets, the reign of the first Medicean pontiff, by its unbounded devotion to purely secular tendencies and its comparative neglect of the Church herself proved disastrous for the See of St Peter.
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  • If he be the author of the five or six long poems which have been ascribed to him by different writers, he adds to his importance as the father of Scots poetry the reputation of being one of the most voluminous writers in Middle English, certainly the most voluminous of all Scots poets.
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  • The Letters breathe the spirit of the New Comedy and the Alexandrine poets; portions of Letter 33 are almost literally translated in Ben Jonson's Song to Celia, " Drink to me only with thine eyes."
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  • After his father's death he instituted splendid funeral games in his honour, which were celebrated by artists and poets, such as Stesichorus.
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  • As a man of education and refinement, fond of music, the fine arts, and polite literature, he was unintelligible to the szlachta, who regarded all artists and poets as either mechanics or adventurers.
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  • He was succeeded by poets and philosophers who gave Germany for a time the first place in the intellectual life of the world, and it was Lessing, as they themselves acknowledged, who prepared the way for their achievements.
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  • He next put together a kind of anthology, containing epigrams by earlier and contemporary poets and himself, under the title of a Cycle of New Epigrams. About a hundred epigrams by Agathias have been preserved in the Greek Anthology and show considerable taste and elegance.
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  • Here you find articles in the encyclopedia about French poets.
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  • Here you find articles in the encyclopedia about English poets.
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  • A burst of literary and artistic activity followed the Revolution; and van Hasselt's house became a centre of poets, artists and musicians of the romantic school.
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  • The most powerful of the Belgian poets, Emile Verhaeren, is the most daring in his technical methods of expressing bizarre sensation, and has been called the " poet of paroxysm."
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  • The poets, and the poetically minded authors of the sagas, who are the only authorities, have told the story with many circumstances of romance.
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  • Bergen is the birthplace of the poets Ludvig Holberg (1684-1754) and Johan Welhaven (1807-1873), of Johan Dahl the painter (1788-1857), of Ole Bull (1810-1880) and Edvard Grieg the musicians.
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  • Athenaeus himself states that he was the author of a treatise on the thratta - a kind of fish mentioned by Archippus and other comic poets - and of a history of the Syrian kings, both of which works are lost.
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  • The conversation ranges from the dishes before the guests to literary matters of every description, including points of grammar and criticism; and they are expected to bring with them extracts from the poets, which are read aloud and discussed at table.
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  • Klopstock and other poets have used his exploits as material for dramas.
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  • Critics again are agreed that Suidas was simply gulled by the comic poets when he tells of her husband, Cercolas of Andros.
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  • Both the aspersions which these poets cast on her character and the embellishments with which they garnished her life passed for centuries as undoubted history.
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  • During these Wanderjahre he made the acquaintance of the poets Gellert and Jacobi, the learned Jean-Jacques Barthelemy, the duc de Choiseul, and Gottfried Achenwall, the statistician.
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  • The poem is evidently intended to display the writer's knowledge of obscure names and uncommon myths; it is full of unusual words of doubtful meaning gathered from the older poets, and many long-winded compounds coined by the author.
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  • The definitions show so much acuteness of thought and command of language, and the passages quoted from poets, divines and philosophers are so skilfully selected, that a leisure hour may always be very agreeably spent in turning over the pages.
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  • They came to inform him that a new edition of the English poets, from Cowley downwards, was in contemplation, and to ask him to furnish short biographical prefaces.
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  • The Lives of the Poets are, on the whole, the best of Johnson's works.
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  • The improvement may be discerned by a skilful critic in the Journey to the Hebrides, and in the Lives of the Poets is so obvious that it cannot escape the notice of the most careless reader.
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  • Matthew Arnold, who edited six selected Lives of the poets, regarded it as one of Macaulay's happiest and ripest efforts.
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  • His colleagues in the librarianship were Alexander of Aetolia and Lycophron of Chalcis, to whom were allotted the tragic and comic writers respectively, Homer and other epic poets being assigned to Zenodotus.
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  • Patmore is one of the few Victorian poets of whom it may confidently be predicted that the memory of his greater achievements will outlive all consideration of occasional lapses from taste and dignity.
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  • To say nothing of lawgivers like Charondas, the line of Siceliot poets began early, and the circumstances of the island, the adoption of many of its local traditions and beliefs - perhaps a certain intermingling of native blood - gave the intellectual life of Sicily a character in some things distinct from that of old Hellas.
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  • Stesichorus of Himera (c. 632-556 B.C.) holds a great place among the lyric poets of Greece, and some place in the political history of Sicily as the opponent of Phalaris.
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  • The great Latin poets were imitators indeed, but mere imitators they were no more than Petrarch or Milton.
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  • His best-known work is the dictionary of geographical names which occur in the poets, with an introduction on the seats of the Arabian tribes.
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  • Mahomet, who could not fully express his new ideas in the common language of his countrymen, but had frequently to find out new terms for himself, made free use of such Jewish and Christian words, as was done, though perhaps to a smaller extent, by certain thinkers and poets of that age who had more or less risen above the level of heathenism.
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  • Sprenger has rightly observed that Mahomet makes a certain parade of these foreign terms, as of other peculiarly constructed expressions; in this he followed a favourite practice of contemporary poets.
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  • He attempted comedy, but with so little success that in the canon of Volcacius Sedigitus he is mentioned, solely as a mark of respect "for his antiquity," tenth and last in the list of comic poets.
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  • And although it took several generations of poets to beat their music out to the perfection of the Virgilian cadences, yet in the rude adaptation of Ennius the secret of what ultimately became one of the grandest organs of literary expression was first discovered and revealed.
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  • Whatever may have been the origin of Hera, to the historic Greeks (except a few poets or philosophers) she was a purely anthropomorphic goddess, and had no close relation to any province of nature.
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  • This character of the offended wife was borrowed by later poets from the Greek epic; but it belongs to literature rather than to cult, in which the dignity and power of the goddess is naturally more emphasized.
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  • Poets distinguished for special lines are atllakim b.
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  • His court at Iannina was the centre of a sort of barbarous culture, in which astrologers, alchemists and Greek poets played their part, and was often visited by travellers.
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  • In two spiritual poets the advancement of the literature of Denmark took a further step. Thomas Kingo 6 (1634-1703) was the first who wrote Danish with perfect ease and grace.
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  • Of the other poets of the revival the most important were born in Norway.
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  • There arose in Denmark a school of poets who created for themselves a reputation in all parts of Europe, and would have done honour to any nation or any age.
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  • The youngest of the great poets born during the last twenty years of the 8th century was Henrik Hertz (q.v.; 1797-1870).
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  • It is noticeable that all the great poets of the romantic period lived to an advanced age.
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  • The poets completely ruled the literature of Denmark during this period.
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  • Among novelists who were not also poets was Andreas Nikolai de Saint-Aubain (1798-1865), who, under the pseudonym of Carl Bernhard, wrote a series of charming romances.
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  • The romantic movement culminated in several poets of great eminence, whose deaths prepared the way for a new school.
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  • Drachmann was supported by excellent younger poets of his school.
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  • The first edition of his Specimens of the Early English Poets appeared in 1790; and this was followed by Specimens of Early English Metrical Romances (1805).
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  • The five mathnawis, from the Makhzan to the Haft Paikar, form Nizami's so-called "Quintuple" (Khamsa) or "Five Treasures" (Panj Ganj), and have been taken as pattern by all the later epic poets in the Persian, Turkish, Chaghatai and Hindustani languages.
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  • The winter, though short, is often intensely cold, especially in the Danubian plain and in Thrace, the rigorous climate of which is frequently alluded to by the Latin poets.
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  • Moorish poets describe it as " a pearl set in emeralds," in allusion to the brilliant colour of its buildings, and the luxuriant woods round them.
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  • In the cantar de gesta of the Cid he plays the part attributed by medieval poets to the greatest kings, to Charlemagne himself.
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  • The former is represented by the group known as the Scottish Chaucerians, by the 17thcentury Court poets, by the " English " writings of literary Edinburgh of the 18th century; the latter by the domestic and " rustic " muse from Christis Kirk on the Grene to the work of xxl y.
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  • The greater poets who represent this type are Robert Henryson, William Dunbar, Gavin Douglas, and, to a large extent, Sir David Lyndsay - whose united genius has given high literary reputation to the so-called Golden Age.
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  • Even Henryson, perhaps the most original of these poets, is in his most original pieces strongly " Chaucerian " in method, notably in his remarkable series of Fables, and his Testament of Cresseid, a continuation of the story left untold by Chaucer.
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  • Even in the deliberately religious and moral work of the more academic poets this seriousness is never more exclusive or oppressive than it is in any other literature of the time.
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  • If the work begun by Allan Ramsay, continued by Fergusson and completed by Burns, were matter for separate treatment, it would be necessary to show not only that the editorial zeal which turned these writers to the forgotten vernacular and to " popular " themes was inspired by the general conditions of reaction against the artificiality of the century; but that it was because these poets were Scots, and in Scotland, that they chose this line of return to nature and naturalness, and did honour, partly by protest, to the slighted efforts of the " vulgar " muse.
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  • The date of the Cimmerian invasion is fixed by the concurrent testimony of the contemporary poets Archilochus and Callinus, of the late chronologists Eusebius, &c., and of the inscriptions of the Assyrian king Esar-haddon.
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  • The comic poets satirized them, and Plato and Demosthenes inveighed against them; but they continued to spread, with all their fervid enthusiasm, their superstition and their obscene practices, wide among the people, whose religious cravings were not satisfied with the purely external religions of Hellenism.
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  • But the Buddha, while rejecting the sacrifices and the ritualistic magic of the brahmin schools, the animistic superstitions of the people, the asceticism and soultheory of the Jains, and the pantheistic speculations of the poets of the pre-Buddhistic Upanishads, still retained the belief in transmigration.
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  • In adopting verse instead of prose as a medium of expression, Schiller showed that he was prepared to challenge comparison with the great dramatic poets of other times and other lands; but in seeking a model for this higher type of tragedy he unfortunately turned rather to the classic theatre of France than to the English drama which Lessing, a little earlier, had pronounced more congenial to the German temperament.
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  • The two poets had first met in 1788, but at that time Goethe, fresh from Italy, felt little inclination towards the author of the turbulent dramas Die Rduber, Kabale and Liebe and Don Carlos.
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  • This splendid burst of poetic activity, however, had raised him to a place among the first poets of his time; and in 1877 an attempt was made to induce him to accept the professorship of poetry at Oxford.
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  • Here you find articles in the encyclopedia about Latin poets.
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  • An end had already come to the brilliant epoch at Jena, when the romantic poets, Tieck, Novalis and the Schlegels made it the headquarters of their fantastic mysticism, and Fichte turned the results of Kant into the banner of revolutionary ideas.
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  • He was also the god of music, the special preserver of poets, and to him the lyre was sacred.
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  • But for the literary life of both poets the gain was incommensurable.
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  • The intrinsic value of his poetic work, regarded apart from his personality, is smaller in proportion to its bulk than is the case with many lesser German poets and with the greatest poets of other literatures.
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  • For, as an interpreter of human character in the drama, Goethe is without a rival among modern poets, and there is not one of his plays that does not contain a few scenes or characters which bear indisputable testimony to his mastery.
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  • As an ornamental feature in landscapes, it is worthy of notice; and the pleasing shelter it affords and the beauty of its blossoms have frequently been alluded to by poets.
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  • Chroniclers lavish on him the titles of "archipirata," "vir flagitiosissimus et nequissimus," and poets made him an associate of the devil.
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  • Many other members of his family were poets also.
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  • He introduced foreign thoughts and metres, but at the same time revived the metres of the Icelandic classical poets.
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  • When Protagoras included in his course grammar, style, interpretation of the poets, and oratory, supplementing his own continuous expositions by disputations in which he and his pupils took part, he showed a not inadequate appreciation of the requisites of a literary education; and it may be conjectured that his comprehensive programme, which Prodicus and others extended, had something to do with the development of that versatility which was the most notable element in the Athenian character.
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  • At the close of 1843 he published a collection of his poems, and a year later he gathered up certain material which he had printed, sifted and added to it, and produced Conversations on some of the Old Poets.
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  • The dialogue form was used merely to secure an undress manner of approach to his subject; there was no attempt at the dramatic. The book reflects curiously Lowell's mind at this time, for the conversations relate only partly to the poets and dramatists of the.
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  • He took some part also in the editing of an American edition of the British Poets, but the low state of his wife's health kept him in an uneasy condition, and when her death (27th October 1853) released him from the strain of anxiety, there came with the grief a readjustment of his nature and a new intellectual activity.
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  • At the invitation of his cousin, he delivered a course of lectures on English poets before the Lowell Institute in Boston in the winter of 1855.
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  • In his fondness for mythological subjects (Hercules, Theseus) and his introduction on the stage (by a bold anachronism) of the poets Archilochus and Hipponax as rivals of Sappho, he approximates to the spirit of the latter.
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  • In 1399 she began to study the Latin poets, and between that time and 1405, as she herself declares, she composed some fifteen important works, chiefly in prose, besides minor pieces.
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  • His court was crowded with poets, whom he loaded with favours, even if they were Christians like Akhtal.
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  • Thus, " Some existing men are poets," " All existing men are mortal," " Some conceivable centaurs are human in their forequarters," " All conceivable centaurs are equine in their hindquarters," are all categorical judgments, while the two first are also categorical judgments of existence.
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  • From his youth he stored up in his memory the sacred words of the Koran, the traditions of the Prophet, the verses of the old poets and the stories of the ancient wars of the Arabs.
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  • For his zeal he was confined for five years in the fortress of Kolberg, where he studied Plato and the Greek poets.
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  • Or, they symbolize the magic power of beauty, eloquence and song; hence their images are placed over the graves of beautiful women and maidens, of poets and orators (Sophocles, Isocrates).
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  • There are, indeed, some reasons for suspecting that the blending of the stories of the mythic Beaw and the historical Beowulf may have been the work of Scandinavian and not of English poets.
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  • For all we know, the intercourse of the Angles with Scandinavia, which enabled their poets to obtain new knowledge of the legends of Danes, Gautar and Swedes, may not have ceased until their conversion to Christianity in the 7th century.
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  • It is probable that down to the end of the 7th century, if not still later, the court poets of Northumbria and Mercia continued to celebrate the deeds of Beowulf and of many another hero of ancient days.
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  • The same line of argument may be extended to the Hymns, and even to some of the lost works of the post-Homeric or so-called " Cyclic " poets.
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  • Yet Arctinus of Miletus was said to have been a " disciple of Homer," and was certainly one of the earliest and most considerable of the " Cyclic " poets.
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  • Probably the poets of the Homeric school - that which dealt with war and adventure - were the genuine descendants of minstrels whose " lays " or " ballads " were the amusement of the feasts in an earlier heroic age; whereas the Hesiodic compositions were non-lyrical from the first, and were only in verse because that was the universal form of literature.
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  • The apple of discord, the arrows of Philoctetes, the invulnerability of Achilles, and similar fancies, are the additions of later poets.
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  • In Attic poets, it is true, the number of such aorists is much larger than in prose.
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  • There were doubtless poets before Homer, as well as brave men before Agamemnon; and indeed the formation of a poetical dialect such as the Homeric must have been the work of several generations.
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  • Thessaly, Boeotia and Mycenae have equal claims. It seems clearer that when once this local variety of Achaean had been used by poets of eminence as their vehicle for national history, it established its right to be considered the one poetical language of Hellas.
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  • It will be enough to observe that in the earliest elegiac poets, such as Archilochus, Tyrtaeus and Theognis, reminiscences of Homeric language and thought meet us on every page.
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  • The later poets sought to complete the story of the Trojan war by supplying the parts which did not fall within the Iliad and Odyssey - the so-called ante-homerica and post-homerica.
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  • In the same spirit he looked upon the ideas and beliefs of Homer as a consistent whole, which might be determined from the evidence of the poems. He noticed especially the difference between the stories known to Homer and those given by later poets, and made many comparisons between Homeric and later manners, arts and institutions.
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  • The confusion which previous scholars had made between the ancient post-Homeric poets (Arctinus, Lesches, &c.) and the learned mythological writers (such as the " scriptor cyclicus " of Horace) was first cleared up by Welcker.
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  • Such is the " action " (7rpa cs) which in Aristotle's opinion showed the superiority of Homer to all later epic poets.
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  • The tendency to amplify and complete the story shows itself still more in the Cyclic poets.
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  • Between the Iliad and these poets the Odyssey often occupies an intermediate position.
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  • Rapidity or ease of movement, plainness of expression and plainness of thought, these are not the distinguishing qualities of the great epic poets - Virgil, Dante, Milton.
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  • Like the French epics, Homeric poetry is indigenous, and is distinguished by this fact, and by the ease of movement and the simplicity which result from it, from poets such as Virgil, Dante and Milton.
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  • Indeed, it would be hard to find anything less consonant with godliness and divine perfection than the pranks of this juvenile god; and if poets and thinkers try to explain them away by dint of allegorical interpretation, the plain man will not for all their refinements take these amusing adventures any the less au pied de la lettre.
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  • Hence also frequent allusion is made by poets to the anxious care caused to the Fathers by the possibility of the living head of the family being afflicted with failure of offspring; this dire prospect compelling them to use but sparingly their little store of provisions, in case the supply should shortly cease altogether.
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  • This suggested to him a distinction between what he called primary and secondary poets - the first employing poetry to relieve their own hearts, the second, poetic artists, composing poetry from some other and less impulsive motive.
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