Poems Sentence Examples
His poems and orations were published after his death.
His poems, both secular and religious, contained in his Diwan and scattered in the liturgy, are all in Hebrew, though he employed Arabic metres.
The success of these ventures prompted him to collect his poems in 1722.
Fragments of his poems have been collected by Wilke, De graecorum syllis (Warsaw, 1820), Paul, Dissertatio de syllis (Berlin, 1821), and Wachsmuth, Sillographorum graec. reliquiae (Leipzig, 1885).
Laws were engraved on cypress by the ancients, and objects of value were preserved in receptacles made of it; thus Horace speaks of poems levi servanda cupresso.
Even in the Homeric poems, which belong to an age when the great Minoan civilization was already decadent, the Cretans appear as the only Greek people who attempted to compete with the Phoenicians as bold and adventurous navigators.
His extant works are (a) three poems, "The Praises of Wemen" (224 lines), "On Luve" (10 lines), and "The Miseries of a Pure Scholar" (189 lines), and (b) a Latin account of the Arbuthnot family, Originis et Incrementi Arbuthnoticae Familiae Descriptio Historica (still in MS.), of which an English continuation, by the father of Dr John Arbuthnot, is preserved in the Advocates' Library, Edinburgh.
The poems are printed in Pinkerton's Ancient Scottish Poems (1786), i.
Harrison-Ainsworth in his novel Crichton (new ed., 1892) reprints and translates some documents relating to Crichton, as well as some of his poems.
He also posed as an author and patron of literature; his poems, severely criticized by Philoxenus, were hissed at the Olympic games; but having gained a prize for a tragedy on the Ransom of Hector at the Lenaea at Athens, he was so elated that he engaged in a debauch which proved fatal.
AdvertisementVery often, if not most frequently, it cannot be doubted that the occult religious significance depends on an artificial exegesis; but there are also poems of Hafiz, Saadi, and other writers, religious in their first intentions.
The " Cherubic Wanderer," and other poems, of Johann Scheffier (1624-1677), known as Angelus Silesius, are more closely related in style and thought to Eckhart than to Boehme.
Here Venantius Fortunatus, the Italian poet, found a friendly reception, and two of the poems printed under his name are usually attributed to Radegunda.
Byles, with the title Cornish Ballads and other Poems, appeared in 1904.
His lyrical poems are wanting in spontaneity and individuality, but many of them possess a simple, orderly charm, as of an English country lane.
AdvertisementHis writings, consisting of short poems, philosophical essays, grammatical notes and letters, were published after his death by his pupil Jacob Faber.
A different but essential side of his character is seen in his poems and humorous pieces, such as the Vergleichende Anatomie der Engel (1825), written under the pseudonym of "Dr Mises."
His writings, which include some Latin poems, prove him a man of learning, and he appears to have been acquainted not only with the Latin classics, but also with Greek, and even Hebrew.
His Essais en vers et en prose (1797) contains the Marseillaise, a prose tale of the sentimental kind called Adelaide et Monville, and some occasional poems.
Angilbert, however, was little like the true medieval saint; his poems reveal rather the culture and tastes of a man of the world, enjoying the closest intimacy with the imperial family.
AdvertisementOf the shorter poems, besides the greeting to Pippin on his return from the campaign against the Avars (796), an epistle to David (Charlemagne) incidentally reveals a delightful picture of the poet living with his children in a house surrounded by pleasant gardens near the emperor's palace.
His nephew, Diego, the younger (1586-1660), produced Chauleidos (1628) and other Latin poems, including sacred dramas; a novel, Casamento Perfeito (1630); and shone as a historical critic.
The romantic character of the history of this family has been the subject of poems, dramas and novels.
New poems in abundance dealt with the history of the Crusades, either in a faithful narrative, like that of the Chanson of Ambroise, which narrates the Third Crusade, or in a free and poetical spirit, such as breathes in the Chanson d'Antioche.
Her literary work consists of the Heptameron, of poems entitled Les Marguerites de la marguerite des princesses, and of Letters.
AdvertisementThe poet Marc Antonia Flaminio, for instance, congratulates himself in pretty Latin verses on her singing his poems.
The Homeric poems scarcely mention Attica, and the legends, though numerous, are rarely of direct historical value.
In fact, it does for the Robin Hood cycle what a few years before Sir Thomas Malory had done for the Arthurian romances - what in the 6th century B.C. Peisistratus is said to have done for the Homeric poems.
The best collections of Robin Hood poems are those of Ritson (8vo, 1795) and Gutch (2nd ed., 1847), and of Professor Child in the 5th volume of his invaluable English and Scotch Popular Ballads (Boston, 1888).
Xenophanes in the middle of the 6th century had made the first great attack on the crude mythology of early Greece, including in his onslaught the whole anthropomorphic system enshrined in the poems of Homer and Hesiod.
Among his contemporaries Chastellain acquired a great reputation by his poems and occasional pieces now little considered.
He wrote his lectures at high pressure, and devoted much time to the editing and publication of the numerous poems which he had written at various times during his life.
A few poems by Emmet of little merit are appended to Madden's biography.
The poems of this statesman, though possessing little merit of their own, being for the most part translations from Nevayi, form one of the landmarks in the history of Ottoman literature.
He spent the summer months in Scotland, writing articles, poems, and above all his first romance, The Sea-Cook, afterwards known as Treasure Island; but he was driven back to Davos in October.
In 1885 he published, after long indecision, his volume of poems, A Child's Garden of Verses, an inferior story, The Body Snatcher, and that admirable romance, Prince Otto, in which the peculiar quality of Stevenson's style was displayed at its highest.
In July he published his volume of lyrical poems called Underwoods.
The Works of John Home were collected and published by Henry Mackenzie in 1822 with "An Account of the Life and Writings of Mr John Home," which also appeared separately in the same year, but several of his smaller poems seem to have escaped the editor's observation.
He published his first volume of Poems in 1827, and in 1833 appeared his Poems and Prose Writings, republished in 1850 in two volumes, in which were included practically all of his poems and of his prose contributions to periodical literature.
The cycle of Guillaume has more unity than the other great cycles of Charlemagne or of Doon de Mayence, the various poems which compose it forming branches of the main story rather than independent epic poems. There exist numerous cyclic MSS.
The inconsistencies between the real and the epic Guillaume are often left standing in the poems. The personages associated with Guillaume in his Spanish wars belong to Provence, and have names common in the south.
Le Couronnement Looys, already mentioned, Le Charroi de Nimes (12th century) in which Guillaume, who had been forgotten in the distribution of fiefs, enumerates his services to the terrified Louis, and Aliscans (r2th century), with the earlier Chanrun, are among the finest of the French epic poems. The figure of Vivien is among the most heroic elaborated by the trouveres, and the giant Rainouart has more than a touch of Rabelaisian humour.
The conclusions arrived at by earlier writers are combated by Joseph Bedier in the first volume, "Le Cycle de Guillaume d'Orange" (1908), of his Legendes epiques, in which he constructs a theory that the cycle of Guillaume d'Orange grew up round the various shrines on the pilgrim route to Saint Gilles of Provence and Saint James of Compostella - that the chansons de geste were, in fact, the product of 11th and 12th century trouveres, exploiting local ecclesiastical traditions, and were not developed from earlier poems dating back perhaps to the lifetime of Guillaume of Toulouse, the saint of Gellone.
None of these poems show any very patriotic feeling, though Chartier's prose is evidence that he was not indifferent to the misfortunes of his country.
In the Homeric poems Laconia appears as the realm of an Achaean prince, Menelaus, whose capital was perhaps Therapne on the left bank of the Eurotas, S.E.
He wrote poems of all kinds in a language hitherto employed only for ballads and hymns; he instituted a theatre, and composed a rich collection of comedies for it; he filled the shelves of the citizens with works in their own tongue on history, law, politics, science, philology and philosophy, all written in a true and manly style, and representing the extreme attainment of European culture at the moment.
He brought out also in 1856 a short volume of poems called Vaterleindische Gedichte, and another volume in the following year.
During the latter part of the 16th century and the beginning of the 17th two poets of a higher order appeared in Valentine Balassa, the earliest Magyar lyrical writer, and his contemporary John Rimay, whose poems are of a contemplative and pleasing character.
The lyric and epic poems of Stephen GyongyOsi, who sang the deeds of Maria Szechy, the heroine of Murany, Murdnyi Venus (Kassa, 1664), are samples rather of a general improvement in the style than of the purity of the language.
The most noteworthy follower of Dugonics was Adam Horvath, author of the epic poems Hunniasz (Gyor, 1787) and Rudolphiasz (Vienna, 1817).
The lyric poems of Kolcsey can hardly be surpassed, whilst his orations, and markedly the Emlek beszed Kazinczy felett (Commemorative Speech on Kazinczy), exhibit not only his own powers, but the singular excellence of the Magyar language as an oratorical medium.
Generally less varied and romantic, though easier in style, are the heroic poems Augsburgi iitkozet (Battle of Augsburg) and Aradi gyules (Diet of Arad) of Gregory Czuczor, who was, moreover, very felicitous as an epigrammatist.
His poems, which embody the national genius, have passed into the very life of the people; particularly is he happy in the pieces descriptive of rural life.
The poems of Count Geza Zichy and Victor Dalmady, those of the latter published at Budapest in 1876, are mostly written on subjects, of a domestic nature, but are conceived in a patriotic spirit.
Joseph Kiss in 1876 brought out a few lyric and epic poems of considerable merit.
The Arvizonyv or " Inundation Book," edited by Eotvos (1839-1841), is a collection of narratives and poems by the most celebrated authors of the time.
Among his later poems may be mentioned La Divine Tragedie (1916) and La Quadrature de l'Amour (1920).
Silva is the subject also of several laudatory poems and dramas, one or two of which were composed by Brazilian compatriots.
Many of the psalms are doxologies or the like, expressly written for the Temple; others are made up of extracts from older poems in a way perfectly natural in a hymn-book, but otherwise hardly intelligible.
No canon of literary criticism can treat as valuable external evidence an attestation which first appears so many centuries after the supposed date of the poems.
Nothing can be further removed than this from any possible situation in the life of the David of the books of Samuel, and the case is still worse in the second Davidic collection, especially where we have in the titles definite notes as to the historical occasion on which the poems are supposed to have been written.
We need not suppose that congregations gathered together to worship away from Jerusalem, especially in times of distress, would necessarily sing the religious poems which they had collected, though it is by no means improbable that they would do so.
Perhaps those which were to be sung according to the old Davidic mode formed the nucleus of the collection, and to these were added other poems to be sung according to the more intricate Korahite and Asaphic modes.
The former was the author of a good many poems; the longest - which is however by some attributed to Ephraim8 - is the work in 12 books on the history of Joseph, of which a complete edition was published by Bedjan in 1901.
Ephraemi Syri, &c., opera selecta, pp. 2 5 1 -33 6; and these have since been supplemented by Zettersteen's edition of a large number of his religious poems or metrical prayers (Beitrdge zur Kenntniss der religiosen Dichtung Balais, Leipzig, 1902).
Many of his poems have now been published.'
His teaching found expression in poems, which he recited rhapsodically in the course of his travels.
Some of his poems have been translated with great success by Arthur Symons in Images of Good and Evil; the most convenient edition of his works, which have been frequently reprinted, is that contained in vol.
But inasmuch as the De nugis is undoubtedly, and certain satirical poems directed against the loose life of the clergy of the day most probably, his work, the speech must not be taken too literally.
The two narrative poems which succeeded the early lyrics, Jocelyn and the Chute d'un ange, were, according to Lamartine's original plan, parts of a vast "Epic of the Ages," some further fragments of which survive.
All that is known of him from this date to his death about 1520 is derived from the poems or from entries in the royal registers of payments of pension and grants of livery.
In his allegorical poems reminiscences of the master's style and literary habit are most frequent.
One hundred and one poems have been ascribed to Dunbar.
Dunbar's chief allegorical poems are The Goldyn Targe and The Thrissil and the Rois.
This strain runs throughout many of the occasional poems, and is not wanting in odd passages in Dunbar's contemporaries; and it has the additional interest of showing a direct historical relationship with the work of later Scottish poets, and chiefly with that of Robert Burns.
If further selection be made from the large body of miscellaneous poems, the comic poem on the physician Andro Kennedy may stand out as one of the best contributions to medieval Goliardic literature; The Two Mariit Wemen and the Wedo, as one of the richest and most effective pastiches in the older alliterative style, then used by the Scottish Chaucerians for burlesque purposes; Done is a battell on the Dragon Blak, for religious feeling expressed in melodious verse; and the well-known Lament for the Makaris.
Selections have been frequently reprinted since Ramsay's Ever-Green (1724) and Hailes's Ancient Scottish Poems (1817).
Professor Schipper's William Dunbar, sein Leben and seine Gedichte (with German translations of several of the poems), appeared at Berlin in 1884.
History Of Medicine Medicine a Portrayed in the Homeric Poems. - In the state of society pictured by Homer it is clear that medicine has already had a history.
There is no sign in the Homeric poems of the subordination of medicine to religion which is seen in ancient Egypt and India, nor are priests charged, as they were in those countries, with medical functions - all circumstances which throw grave doubts on the commonly received opinion that medicine derived its origin in all countries from religious observances.
The rise of speculative philosophy in Greece was coincident with the beginning of prose composition, and many of the earliest philosophers wrote in the prose of the Ionic dialect; others, however, and especially the writers of the Greek colonies in Italy and Sicily, expounded their systems in continuous poems composed in the epic hexameter.
His literary capacity was early shown in the remarkable fiction of his Memoirs of Arthur Hamilton (1886) under the pseudonym of "Christopher Carr," and his Poems (1893) and Lyrics (1895) established his reputation as a writer of verse.
Voltaire, who had been sent home, submitted, and for a time pretended to work in a Parisian lawyer's office; but he again manifested a faculty for getting into trouble - this time in the still more dangerous way of writing libellous poems - so that his father was glad to send him to stay for nearly a year (1714-15) with Louis de Caumartin, marquis de Saint-Ange, in the country.
An excuse was provided in the fact that the poet had a copy of some unpublished poems of Frederick's, and as soon as Voltaire arrived hands were laid on him, at first with courtesy enough.
As regards his poems proper, of which there are two long ones, the Henriade and the Pucelle, besides smaller pieces, of which a bare catalogue fills fourteen royal octavo columns, their value is very unequal.
The minor poems are as much above the Pucelle as the Pucelle is above the Henriade.
The romantic side of Jacobitism was stimulated by Sir Walter Scott's Waverley, and many Jacobite poems were written during the 19th century.
His poems are his best work, and afford us a vivid picture of the times.
He was also known as the author of sacred poems. Gottfried Arnold has rightly been classed with the pietistic section of Protestant historians (Bibliotheca Sacra, 1850).
Most of Nasir's lyrical poems - were composed in his retirement, and their chief topics are - an enthusiastic praise of `Ali, his descendants, and Mostansir in particular; passionate outcries against Khorasan and its rulers, who had driven him from house and home; the highest satisfaction with the quiet solitude of Yumgan; and utter despondency again in seeing himself despised by his former associates and for ever excluded from participation in the glorious contest of life.
The inhabitants of Ethiopia, partly perhaps owing to their honourable mention in the Homeric poems, attracted the attention of many Greek researchers, from Democritus onwards.
Sievers has shown that considerable use was made of the two Latin poems by Alcimus Avitus, De initio mundi and De peccato originali.
The two poems give evidence of genius and trained skill, though the poet was no doubt hampered by the necessity of not deviating too widely from the sacred originals.
The Versus practically reproduce in outline Bwda's account of Ca dmon's dream, without mentioning the dream, but describing the poet as a herdsman, and adding that his poems, beginning with the creation, relate the history of the five ages of the world down to the coming of Christ.
It is usually maintained that this work was written before the Old Testament poems. The arguments for this view are that the Heliand contains no allusion to any foregoing poetical treatment of the antecedent history, and that the Genesis fragments exhibit a higher degree of poetic skill.
In his childhood Gaston Paris learned to appreciate the Old French romances as poems and stories, and this early impulse to the study of Romance literature was placed on a solid basis by courses of study at Bonn (1856-1857) under Friedrich Diez, at Göttingen (1857-1858) and finally at the Ecole des Chartes (1858-1861).
There are references to the Ghassanid Nu'man in the poems of Nabigha.
Many of the reciters were slain in battle, and it was not till the 8th to the 10th centuries and even later that the earliest collections of these poems were made.
One poet, a younger contemporary of Mahomet, has attracted much attention because his poems were religious and he was a monotheist.
C. aandberg's Primeurs arabes, 1, aeiden, 1886), and Jarwal ibn Aus, known as al-IIutai`a, a wandering poet whose keen satires led to his imprisonment by Omar (Poems, ed.
His poems were very popular throughout Arabia.
Yet Abu-l-`Ala, ul-Ma'arri (q.v.) was original alike in his use of rhymes and in the philosophical nature of his poems. Ibn Farid is the greatest of the mystic poets, and Busiri (q.v.) wrote the most famous poem extant in praise of the Prophet.
They were published in shorter form with the omission of the names of authorities and of most of the poems cited; some passages quoted by later writers are not found even in the aeiden edition.
Edwards also wrote some poems and some other works relating to the history of the West Indies.
He was educated at the monastery of Reichenau, near Constance, where he had for his teachers Tatto and Wettin, to whose visions he devotes one of his poems. Then he went on to Fulda, where he studied for some time under Hrabanus Maurus before returning to Reichenau, of which monastery he was made abbot in 838.
Many of Walafrid's other poems are, or include, short addresses to kings and queens (Lothair, Charles, Louis, Pippin, Judith, &c.) and to friends (Einhard, Grimald, Hrabanus Maurus, Tatto, Ebbo, archbishop of Reims, Drogo, bishop of Metz, &c.).
Pedro Paz Soldan was a classical scholar who published three volumes of poems. Carlos Augusto Salaverry is known as one of Peru's best lyrical poets, and Luis Benjamin Cisneros for his two novels, Julia and Edgardo.
In his youth Ricardo Palma published three books of poems, entitled Armonias, Verbos y Gerundios and Pasionarias, and then, since 1870, devoted his great literary talents to writing the historical traditions of Peru, of which six volumes were published.
Feeling strongly the necessity that Peru had for repose, and the guilt of civil dissension, he wrote patriotic poems which became very popular.
His earlier volumes of poems, dealing with romantic themes, received little but unfriendly comment.
In 1833-1835 he published The Splendid Village; Corn-Law Rhymes, and other Poems (3 vols.), which included "The Village Patriarch" (1829), "The Ranter," an unsuccessful drama, "Keronah," and other pieces.
The poems and letters are edited in the Vienna Corpus script.
The second cycle contains the epics of Finn (Fionn, Fingal) mac Cumhail, and his son Oisin (Ossian), the bard and warrior, chiefly known from the supposed Ossianic poems of Macpherson.
He is first spoken of in Nennius's History of the Britons (9th century), and at greater length in Geoffrey of Monmouth's History of the Kings of Britain (12th century), at the end of which the French Breton cycle attained its fullest development in the poems of Chretien de Troyes and others.
He passed six quiet years in the convent, but his poems written during that period are expressive of burning indignation against the corruptions of the church and profoundest sorrow for the calamities of his country.
In 1827 Frederick Tennyson (1807-1898), the eldest surviving brother, uniting with his younger brothers Charles and Alfred, published at Louth an anonymous collection of Poems by Two Brothers.
The results of this enthusiasm and this labour of the artist appeared in the volume of Poems, chiefly Lyrical, published in 1830.
The poetical work of these three years, mainly spent at Somersby, was given to the world in the volume of Poems which (dated 1833) appeared at the end of 1832.
In 1842 the two-volume edition of his Poems broke the ten years' silence which he had enforced himself to keep. Here, with many pieces already known to all lovers of modern verse, were found rich and copious additions to his work.
In his absent-minded way Tennyson was very apt to mislay objects; in earlier life he had lost the MS. of Poems, chiefly Lyrical, and had been obliged to restore the whole from scraps and memory.
The sale of Tennyson's poems now made it safe for him to settle, and on the 13th of June 1850 he was married at Shiplake to Emily Sarah Sellwood (1813-1896).
In 1857 two Arthurian poems had been tentatively and privately printed, as Enid and Nimue, or the True and the False, to see how the idyllic form would be liked by the inner circle of Tennyson's friends.
In 1880 he published the earliest of six important collections of lyrics, this being entitled Ballads and other Poems, and containing the sombre and magnificent "Rizpah."
In 1885 was published another interesting miscellany, Tiresias and other Poems, with a posthumous dedication to Edward FitzGerald.
He was past eighty when he published the collection of new verses entitled Demeter and other Poems (1889), which appeared almost simultaneously with the death of Browning, an event which left Tennyson a solitary figure indeed in poetic literature.
His first published writings were occasional poems and reviews contributed to the Konigsbergische Zeitung.
For some time he had been greatly interested by the poetry of the north, more particularly Percy's Reliques, the poems of " Ossian" (in the genuineness of which he like many others believed) and the works of Shakespeare.
Besides the poems, we have also two prose Perceval romances, the relative position of which has not yet been satisfactorily determined.
Thus it results that Japanese poems are, for the most part, impressionist; they suggest a great deal more than they actually express.
Some Christian poems under the name of Victorinus are probably not his.
Among the poems written or at least sketched during this period were L'Oaristys, L'Aveugle, La Jeune Malade, Bacchus,Euphrosine and Ld Jeune Tarentine, the last a synthesis of his purest manner, mosaic though it is of reminiscences of at least a dozen classical poets.
There he wrote the poems inspired by Fanny (Mme Laurent Lecoulteux), including the exquisite Ode a Versailles, one of his freshest, noblest and most varied poems.
Since the appearance of the editio princeps of Chenier's poems in La Touche's volume, many additional poems and fragments have been discovered, and an edition of the complete works of the poet, collated with the MSS.
He settled in Leipzig as a journalist; but the democratic views expressed in some essays and the volumes of poems Glocke and Kanone (1481) and Irdische Phantasien (1842) led to his expulsion from Saxony in 1846.
His Opera posthuma latina, including his will, his Latin poems, and his orations while public orator, with memoirs of his life, appeared in 1717.
The metre was also employed in commemorative poems, accompanied with music, which were sung at funeral banquets in celebration of the exploits and virtues of distinguished men.
The general results of the last fifty years of the first period (130 to 80) may be thus summed up. In poetry we have the satires of Lucilius, the tragedies of Accius and of a few successors among the Roman aristocracy, who thus exemplified the affinity of the Roman stage to Roman oratory; various annalistic poems intended to serve as continuations of the great poem of Ennius; minor poems of an epigrammatic and erotic character, unimportant anticipations of the Alexandrian tendency operative in the following period; works of criticism in trochaic tetrameters by Porcius Licinus and others, forming part of the critical and grammatical movement which almost from the first accompanied the creative movement in Latin literature, and which may be regarded as rude precursors of the didactic epistles that Horace devoted to literary criticism.
The earliest efforts of his art (the Eclogues) reproduce the cadences, the diction and the pastoral fancies of Theocritus; but even in these imitative poems of his youth Virgil shows a perfect mastery of his materials.
If we ask what that time provided to stir the fancy and move the mood of imaginative reflection, it is in the lyrical poems of Horace that we shall find the most varied and trustworthy answer.
The national love of works of large compass shows itself in the production of long epic poems, both of the historic and of the imitative Alexandrian type.
A little better is his contemporary, Rufius Festus Avienus, who made some free translations of astronomical and geographical poems in Greek.
The Homeric poems (12th - 10th centuries) know of Dorians only in Crete, with the obscure epithet TpexaiKes, and no hint of their origin.
But in proportion as an earlier date has become more probable for Homer, the hypothesis of Ionic origin has become less tenable, and the belief better founded (I) that the poems represent accurately a welldefined phase of culture in prehistoric Greece, and (2) that this " Homeric " or " Achaean " phase was closed by some such general catastrophe as is presumed by the legends.
His own literary work, nearly all of which originally appeared in its pages - sermons, stories, travels, poems - was only a byproduct of a busy life.
Although in prose, they were regarded as poems; in any case they were not intended for stage representation.
The latter part of the Perceval is indeed devoted to the recital of his adventures at the Chastel Merveilleus, but of none of Chretien's poems is he the protagonist.
At the same time the majority of the short episodic poems connected with the cycle have Gawain for their hero.
Recent discoveries have made it practically certain that there existed, prior to the extant romances, a collection of short episodic poems, devoted to the glorification of Arthur's famous nephew and his immediate kin (his brother Ghaeris, or Gareth, and his son Guinglain), the authorship of which was attributed to a Welshman, Bleheris; fragments of this collection have been preserved to us alike in the first continuation of Chretien de Troyes Perceval, due to Wauchier de Denain, and in our vernacular Gawain poems. Among these "Bleheris" poems was one dealing with Gawain's adventures at the Grail castle,where the Grail is represented as non-Christian, and present s features strongly reminiscent of the ancient Nature mysteries.
His principal published work was an edition of Shakespeare's Poems (1898); but he wrote also on North's Plutarch and Ronsard.
In the Homeric poems Corinth is a mere dependency of Mycenae; nor does it figure prominently in the tradition of the Dorian migrations.
The doubts thus cast upon the age when the Homeric poems first assumed the fixed form of writing were closely associated with the universal scepticism as to the historical accuracy of any traditions whatever regarding the early history of Greece.
They included bucolic poems in Greek.
Of Machiavelli's minor poems, sonnets, capitoli and carnival songs there is not much to say.
The early poems of the cycle sometimes contain curious information on the Frankish methods in war, in council and in judicial procedure, which had no parallels in contemporary institutions.
The earliest poems of the cycle are naturally the closest to historical truth.
But it chanced to find as its exponent a poet whose genius established a model for his successors, and definitely fixed the type of later heroic poems. The other early chansons to which reference is made in Roland - Aspremont, Enfances Ogier, Guiteclin, Balan, relating to Charlemagne's wars in Italy and Saxony - are not preserved in their original form, and only the first in an early recension.
Mainet (12th century) and the kindred poems in German and Italian are perhaps based on the adventures of Charles Martel, who after his father's death had to flee to the Ardennes.
The Latin chronicle, wrongly ascribed to Turpin (Tilpinus), bishop of Reims from 753 to Boo, was in reality later than the earlier poems of the French cycle, and the first properly authenticated mention of it is in 1165.
This forms a consecutive legendary history of Charles, and is apparently based on earlier versions of the French Charlemagne poems than those which we possess.
None of Herbert's English poems was published during his lifetime.
The Temple is a collection of religious poems connected by unity of sentiment and inspiration.
No book is fuller of devotion to the Church of England than The Temple, and no poems in our language exhibit more of the spirit of true Christianity.
These poems are in a sense valuable as repertoires of antiquities; but their style is on the whole bad, and infinite patience is required to clear up their numerous and obscure allusions.
Of kindred character were the parodies and satirical poems, of which the best examples were the Silli of Timon and the Cinaedi of Sotades.
The name of these poems preserves their original idea; they were pictures of fresh country life.
About twelve fragments (three of them complete poems) are preserved in Strabo, Lycurgus, Stobaeus and others.
All these meanings existed and exist, especially "bureau, tribunal," "book of poems" and "seat" 1; but the order of derivation may have been slightly different.
From 1838 to 1863 he lived in Breslau, where he organized the reform movement in Judaism and wrote some of his most important works, including Lehrand Lesebuch zur Sprache der Mischna (1845), Studien from Maimonides (1850), translation into German of the poems of Juda ha-Levi (1851), and Urschrift and Obersetzungen der Bibel in ihrer Abhangigkeit von der innern Entwickelung des Judentums (1857).
According to Diogenes Laertius, who credits him with an undoubtedly spurious letter to Croesus (with whom his connexion was probably legendary), Pittacus was a writer of elegiac poems, from which he quotes five lines.
They have been celebrated as the birthplace of King Arthur, or as the stronghold of King Mark, in a host of medieval romances, and in the poems of Tennyson and Swinburne.
In combining these two and using them as a framework for the poems, the compilers have altered, added and omitted.
The remaining poems are usually regarded as later additions; thus the Oxford Hexateuch on Num.
Her first literary efforts were historical romances in verse in the style of Walter Scott - Worcester Field (published without date), Demetrius and other Poems (1833).
He is acquainted with the poems of the epic cycle, the Cypria, the Epigoni, &c. He quotes or otherwise shows familiarity with the writings of Hesiod, Olen, Musaeus, Bacis, Lysistratus, Archilochus of Paros, Alcaeus, Sappho, Solon, Aesop, Aristeas of Proconnesus, Simonides of Ceos, Phrynichus, Aeschylus and Pindar.
His poems, novels and comedies are full of wit and exuberant vitality.
While incumbent of Curdridge Chapel near Bishops Waltham in Hampshire, he published (1835) The Story of Justin Martyr and Other Poems, which was favourably received, and was followed in 1838 by Sabbation, Honor Neale, and other Poems, and in 1842 by Poems from Eastern Sources.
He next published (1833) a volume of Poems, chiefly Religious, and in 1834 a.
At the age of ten he composed a tragedy under the inspiration of Caesarotti's translation of the Ossianic poems. On the marriage of his twin sister Rosina with a maternal cousin at Lyons he went to reside in that city, devoting himself during four years to the study of French literature.
On first coming to live at Montaigne he edited the works of his deceased friend Etienne de la Boetie, who had been the comrade of his youth, who died early, and who, with poems of real promise, had composed a declamatory and school-boyish theme on republicanism, entitled the Contr' un, which is one of the most over-estimated books in literature.
His exploits and adventures form the theme of a number of the Eddaic poems, and also of several stories in the prose Edda.
Several Irish poems are ascribed to Columba, but they are manifestly compositions of a later age.
He turned to literature and published some mediocre poems. In January 1870 a violent incident brought him again into prominence.
His materials are borrowed from the cyclic poems from which Virgil (with whose works he was probably acquainted) also drew, in particular the Aethiopis of Arctinus and the Little Iliad of Lesches.
The number of poems in one or other of these two metres is very great, and includes verses on almost every theme.
He is also said to have been a writer of erotic poems. It is as a jurist, however, that Sulpicius was chiefly distinguished.
He at once introduced himself to the distingu13hed French historian and diplomatist Robert Gaguin (1425-1502) and published a small volume of poems; and he became intimate with Johann Mauburnus (Mombaer), the leader of a mission summoned from Windesheim in 1496 to reform the abbey of Chateau-Landon.
For instance, there are no bilinf or legendary poems, such as are found among the Russians, although many passages in the ancient chroniclers from their poetical colouring seem to be borrowed from old songs or legends, and the first verses of some of these compositions have been preserved.
Besides poems in Polish, he also wrote some in Latin.
His poems are elegant and free from the conceits and pedantry of the earlier writers.
He served under Napoleon in the Polish legion, and has left a small collection of poems, the most important being the idyl Wieslaw, in which the manners of the peasants of the district of Cracow are faithfully portrayed.
His most celebrated pieces are Hugo; Mnich (" The Monk"); Lambro, a Greek corsair, quite in the style of Byron; Anhelli, a very Dantesque poem expressing under the form of an allegory the sufferings of Poland; Krol duck (" The Spirit King"), another mysterious and allegorical poem; Waclaw, on the same subject as the Marya of Malczewski, to be afterwards noticed; Beniowski, a long poem in ottava rima on this strange adventurer, something in the style of Byron's humorous poems; Kordyan, of the same school as the English poet's Manfred; Lilla Weneda, a poem dealing with the early period of Slavonic history.
They are powerful poems written with great vigour of language, but enveloped in clouds of mysticism.
Witwicki (1800-1847) was son of a professor at Krzemieniec. He was a writer of ballads and poems dealing with rural life,.
Besides the longer poem previously mentioned, he is the author of many charming lyrics in the style of the Little Russian poems, such as Shevchenko has written in that language.
Maurice Goslawski also won fame by his Poems of a Polish Outlaw in the struggle of 1830-1831.
One of his most remarkable poems is his Jan Deborog, in which, like Mickiewicz, he has well described the scenery of his native Lithuania.
Wasilewski (1814-1846), the author of many popular songs; and Holowinski, archbishop of Mogilev (1807-1855), author of religious poems. The style of poetry in vogue in the Polish parts of Europe at the present time is chiefly lyrical.
Szujski commenced his literary career in 1859 with poems and dramas; in 1860 appeared his first historical production, Rzut oka na Historye Polski (" A Glance at Polish History ."), which attracted universal attention; and in 1862 he commenced the publication in parts of his work Dzieje Polski (" The History of Poland"), the printing of which ceased in 1866.
Other poets worthy of mention are Zagorski, Czerwienski, and Maria Konopnicka, who has published two volumes of poems that have been very favourably noticed.
In the poems, Mark is, as a rule, represented in a favourable light, a gentle, kindly man, deeply attached to both Tristan and Iseult, and only too ready to allow his suspicions to be dispelled by any plausible explanation they may choose to offer.
The "Gerbert" continuation of the Perceval contains the working over of one of two short Tristan poems, called by him the Luite Tristran; the latter part, probably a distinct poem, shows Tristan, in the disguise of a minstrel, visiting the court of Mark.
Besides the poems, we possess the prose Tristan, an enormous compilation, akin to the prose Lancelot, where the original story, though still to be traced, is obscured by a mass of later Arthurian adventures.
Michel in his Tristan (1835), a collection of all the extant fragments of Tristan poems; "Tristan Menestrel" from the Perceval, ed.
His poetry is over-decorated, and his plays are grandiose historical poems in dramatic form.
There he remained for four years, learning something of the art of poetry from his patron; some of the poems he contributed later (1557) to Songes and Sonettes may well date from this early period.
A few of her voluminous writings, which include poems, plays, novels, short stories, essays, collections of aphorisms, &c., may be singled out for special mention.
Her earliest publications were Sappho and Hammerstein, two poems which appeared at Leipzig in 1880.
Several of the works of "Carmen Sylva" were written in collaboration with Mite Kremnitz, one of her maids of honour, who was born at Greifswald in 1857, and married Dr Kremnitz of Bucharest; these were published between 1881 and 1888, in some cases under the pseudonyms Dito et Idem, and includes the novel Aus zwei Welten (Leipzig, 1884), Anna Boleyn (Bonn, 1886), a tragedy, In der Irre (Bonn, 1888), a collection of short stories, &c. Edleen Vaughan, or Paths of Peril, a novel (London, 1894), and Sweet Hours, poems (London, 1904), were written in English.
Haverhill was the birthplace of Whittier, who lived here in 1807-1836, and who in his poem Haverhill, written for the 250th anniversary of the town in 1890, and in many of his other poems, gave the poet's touch to the history, the legends and the scenery of his native city.
He also wrote two poems, not in any way remarkable, viz.
He published one or two volumes of poetry and contributed several poems to Blackwood's Magazine, one of which, "A Christmas Hymn," attracted much admiring attention.
Their own poems soon became the theme of criticism and of comment; and, by the time of Quintilian and Juvenal, they shared the fate (which Horace had feared) of becoming textbooks for use in schools.
In the case of poetry, this imitative spirit is apparent in Petrarch's Africa, and in the Latin poems of Politian, Pontano, Sannazaro, Vida and many others.
These poems, which are older, and in most cases considerably older, than the narratives in which they are now embedded, if they were collected into books, must have been fairly numerous, and we could wish that more examples of them had been preserved.
He found time, even during the campaign, to translate part of Horace and to compose two poems, the Poeme des Alpes and the Chant de guerre.
The other poems of Petter Dass are less universally read; they abound, however, in queer turns of thought, and fine homely fancies.
In his poems he frequently mentions Tibur with enthusiasm.
Catullus and Statius, too, have rendered it famous by their poems. The abundance of water from aqueducts and springs and the falls of the Anio were among its chief attractions.
The list of his works given in the preface mentions the hymns, poems against the Priscillianists and against Symmachus and Peristephanon.
Zoilus appears to have been at one time a follower of Isocrates, but subsequently a pupil of Polycrates, whom he heard at Athens, where he was a teacher of rhetoric. Zoilus was chiefly known for the acerbity of his attacks on Homer (which gained him the name of Homeromastix, "scourge of Homer"), chiefly directed against the fabulous element in the Homeric poems. Zoilus also wrote against Isocrates and Plato, who had attacked the style of Lysias of which he approved.
We have but few fragments of Caesar's other works, whether political pamphlets such as the Anticato, grammatical treatises (De Analogia) or poems. All authorities agree in describing him as a consummate orator.
The of tencited poems attributed to Nezahualcoyotl may not be quite genuine, but at any rate poetry had risen above the barbaric level, while the mention of ballads among the people, court odes, and the chants of temple choirs would indicate a vocal cultivation above that of the instrumental music of drums and horns, pipes and whistles, the latter often of pottery.
Although much of his literary work consisted of political journalism, he yet found time to write a large number of essays, poems and tales.
Du Bellay replied to his various assailants in a preface to the second edition (1550) of his sonnet sequence Olive, with which he also published two polemical poems, the Musagnaeomachie, and an ode addressed to Ronsard, Contre les envieux poetes.
Olive has been supposed to be an anagram for the name of a Mlle Viole, but there is little evidence of real passion in the poems, and they may perhaps be regarded as a Petrarcan exercise, especially as, in the second edition, the dedication to his lady is exchanged for one to Marguerite de Valois, sister of Henry II.
This passion finds its clearest expression in the Latin poems. Faustine was guarded by an old and jealous husband, and du Bellay's eventual conquest may have had something to do with his departure for Paris at the end of August 1557.
In the next year he published the poems he had brought back with him from Rome, the Latin Poemata, the Antiquités de Rome, the Jeux rustiques, and the 191 sonnets of the Regrets, the greater number of which were written in Italy.
His more important books, of which English translations have been published, are the poems Gitanjali (Song Offerings) (1913), The Crescent Moon (1913), The Gardener (1913), Songs of Kabir (1915), Fruit Gathering (1916), Stray Birds (1917), The Lover's Gift and the Crossing (1918); the plays Chitra (1914), The King of the Dark Chamber (1914), The Post Office (1914),.
A number of miscellaneous poems, a few letters and Four Orations to the Cross complete the list of Grazzini's extant works.
In 1856 he published his first book, Within and Without, a dramatic poem; following it in 1857 with a volume of Poems, and in 1858 by the delightful " faerie romance Phantastes.
His critical principles are explained in the preface, where he dwells on the necessity of starting as much as possible from trustworthy contemporary sources, or at least from those nearest to antiquity - the touchstone by which verbal traditions can be tested being contemporary poems. He inclines to rationalism, rejecting the marvellous and recasting legends containing it in a more historical spirit; but he makes an exception in the accounts of the introduction of Christianity into Norway and of the national saint St Olaf.
His great work is his Commentarii in Organum Logicum Aristotelis (Bordeaux, 1618); the copy in the British Museum contains a number of highlyeulogistic poems in honour of Balfour, who is described as Graium aemulus acer.
From 1821 to 1826 he published many separate poems of great beauty in the Aurora, Hebe, Aspasia, and other magazines of polite literature.
Al-Mufaddal was a careful and trustworthy collector both of texts and traditions, and is praised by all authorities on Arabian history and literature as in this respect greatly the superior of Hammad and Khalaf, who are accused (especially the latter) of unscrupulous fabrication of poems in the style of the ancients.
There is indeed a tradition that a written collection (diwan) existed in the family of an-Nu ` man, the last Lakhmid king, containing a number of poems by the Fuhul, or most eminent poets of the pagan time, and especially by those who had praised the princes of the house, and that this collection passed into the possession of the Omayyad caliphs of the house of Marwan; to this, if the tradition is to be believed, al-Mufaddal probably had access.
The rival school of Basra, on the other hand, has given currency to a story that the original collection made by al-Mufaddal included a much smaller number of poems. The Berlin MS. of al-Marzugi's commentary states that the number was thirty, but a better reading of the passage, found elsewhere,' mentions eighty; and that al-Asma`i and his school added to this nucleus poems which increased the number to a hundred and twenty.
There is no mention of it in al-Anbari's work, and it is in itself somewhat improbable, as in al-Asma`i's time the schools of Kufa and Basra were in sharp opposition one to the other, and Ibn al-A`rabi in particular was in the habit of censuring al-Asma`i's interpretations of the ancient poems. It is scarcely likely that he would have accepted his rival's additions to the work of his step-father, and have handed them on to Abu `Ikrima with his annotations.
Not more than five or six of the 126 poems appear to have been composed by poets who I l iad been born in Islam.
It is of course not the case that all the poems of al-Mufaddal's collection are complete.
A very ancient fragment (dated 1080) of al-Anbari's recension, containing five poems in whole or part, is in the Royal Library at Leipzig.
It purports to be the second part of a combination of two anthologies, the Mufaddaliyat of al-Mufaeldal and the Asma`ayat of al-Asma`i, but contains many more poems than are in either of these collections as found elsewhere.
In 1885 Professor Heinrich Thorbeckebegan an edition of the text based on the Berlin codex, but only the first fasciculus, containing forty-two poems, had appeared when his work was cut short by death.
Garneau Is Also Remembered For His Poems, And He Was Followed By His Son Alfred Garneau (1836-1904).
He Is Usually Rather Too Derivative, He Lacks The Saving Grace, ,Of Style, And Even His Best Canadian Poems Hardly Rise Above Fervent Occasional Verse.
He published in 1910 The Prevention of Malaria, and also produced Psychologies, a volume of poems (1919), and a romance, The Revels of Orsera (1920).
This is the case with the Homeric poems, the ascertainment of the original form of which is a task beyond the powers of criticism.
Some examples from Shelley's poems are Prometheus, ii.
Certain lapses from grammatical correctness and metrical regularity that we find in the poems of Shelley are undoubtedly due to the author, though the number of these has been reduced (as Mr Buxton Forman has pointed out) with our improved knowledge of the sources of the text.
Some who were writers were driven to publish by the occasion; and after the orders of government, which were occasionally published to be obeyed, occasional poems, such as the poems of Solon, the odes of Pindar and the plays of the dramatists, which all had a political significance, were probably the first writings to be published or, rather, recited and acted, from written copies.
With them came philosophical poems, such as those of Xenophanes and Empedocles; the epical history of Herodotus; the dramatic philosophy of Plato.
In the earlier poems he is practically a lay figure, his court the point of departure and return for the knights whose adventures are related in detail, but he himself a passive spectator.
Two other volumes of his manuscript notes, scrolls of poems, &c., are preserved among the Drummond MSS., now in the library of the Society of Antiquaries of Scotland.
Specimens of Fowler's verses were published in 1803 by John Leyden in his Scottish Descriptive Poems. Fowler contributed a prefatory sonnet to James VI.'s Furies; and James, in return, commended, in verse, Fowler's Triumphs.
St Peter's Complaint with other Poems was published in April 595 without the author's name, and was reprinted thirteen times during the next forty years.
Ben Jonson told Drummond of Hawthornden that he would willingly have destroyed many of his own poems to be able to claim as his own Southwell's "Burning Babe," an extreme but beautiful example of his fantastic treatment of sacred subjects.
Shortly after his father's death in 1740, some of Blacklock's poems began to be handed about among his acquaintances and friends, who arranged for his education at the grammar-school, and subsequently at the university of Edinburgh, where he was a student of divinity.
His first volume of Poems was published in 1746.
An edition of his poems in 1793 contains a life byHenry Mackenzie.
The young poet wooed the girl with poems, romances, dramas and mute worship, but received nothing except chilling indifference and lively ridicule.
Wace and Benoit de Sainte-More compiled their histories at his bidding, and it was in his reign that Marie de France composed her poems. An event with which he was closely connected, viz.
In spite of the many calls upon his time he produced a considerable amount of literary work, usually on classical or Scottish subjects, including some poems and songs of no mean order.
It is curious that Avenarius should have brought forward this artificial hypothesis as the natural view of the world, without reflecting that on the one hand the majority of mankind believes that the environment (R) exists, has existed, and will exist, without being a counterpart of any living being as central part (C); and that on the other hand it is so far from being natural to man to believe that sensation and thought (E) are different from, and merely dependent on, his body (C), that throughout the Homeric poems, though soul is required for other purposes, all thinking as well as sensation is regarded as a purely bodily operation.
The relation of the palace at Tiryns to those described in the Homeric poems has given rise to much discussion.
The Historiated Bible, the Letter from Heaven, the Wanderings through Heaven and Hell, the numerous Adam and Cross legends, the religious poems of the "Kaleki perehozhie" and other similar productions owe their dissemination to a large extent to the activity of the Bogomils of Bulgaria, and their successors in other lands.
For our knowledge of this subject we are indebted chiefly to Icelandic literary men of the 12th and 13th centuries, who gave accounts of many legends which had come down to them by oral tradition, besides committing to writing a number of ancient poems. Unfortunately Icelandic history is quite unique in this respect.
Fresh material having come to light, a new edition of the poems (Die Gedichte des Paulus Diaconus) has been edited by Karl Neff (Munich, 1908).
If he be the author of the five or six long poems which have been ascribed to him by different writers, he adds to his importance as the father of Scots poetry the reputation of being one of the most voluminous writers in Middle English, certainly the most voluminous of all Scots poets.
He was a traveller, a linguist, well versed in Scandinavian literature and philology, the author of mystical poems entitled Improvisations from the Spirit (1857), a social and medical reformer, and a convinced opponent of vivisection and also of vaccination.
There are a number of poems written in an elevated style, also dramatic works chiefly of the character of mystery plays, and collections of fairy tales and fables.
He also contributed to a volume of Poems upon Divine and Moral Subjects (1719).
His collection of over five hundred Basque proverbs, Atsotizac edo Refravac, included in a volume of his poems O Ce " Gastaroa Nevrthizetan, printed in Paris in 1657, was supplemented by a second collection, Atsotizen Vrrhenquina.
His works (collected edition, Venice, 1729) include a History of Venice (1551) from 1487 to 1513, dialogues, poems, and what we would now call essays.
The edition of Petrarch's Italian Poems, published by Aldus in 1501, and the Terzerime, which issued from the same press in 1502, were edited by Bembo, who was on intimate terms with the great typographer.
Dr Hugh Blair, who was a firm believer in the authenticity of the poems, got up a subscription to allow Macpherson to pursue his Gaelic researches.
In 1761 he announced the discovery of an epic on the subject of Fingal, and in December he published Fingal, an Ancient Epic Poem in Six Books, together with Several Other Poems composed by Ossian, the Son of Fingal, translated from the Gaelic Language, written in the musical measured prose of which he had made use in his earlier volume.
The genuineness of these so-called translations from the works of a 3rd-century bard was immediately challenged in England, and Dr Johnson, after some local investigation, asserted (Journey to the Western Islands of Scotland, 1775) that Macpherson had only found fragments of ancient poems and stories, which he had woven into a romance of his own composition.
After Macpherson's death, Malcolm Laing, in an appendix to his History of Scotland (1800), propounded the extreme view that the so-called Ossianic poems were altogether modern in origin, and that Macpherson's authorities were practically non-existent.
The antiquity of the Ossianic poems was defended in the introduction by Archibald Clerk to his edition of the Poems of Ossian (1870).
This includes many English prose treatises by Rolle, some beautiful examples of his lyric poems, and other treatises in prose and verse from northern MSS., some of which are attributed to Rolle, and others to his followers.
The original Digenes epic is lost, but four poems are extant, in which the different incidents of the legend have been worked up by different hands.
It seems to be much more prominent than iron in the Homeric poems; but they tell us only of one region at one age.
The poems of Valere Gille (born at Brussels in 1867), whose Cithare was crowned by the French Academy in 1898, belong to the same group. Emile van Arenberghe (born at Louvain in 1854) is the author of some exquisite sonnets.
Maeterlinck was a native of Ghent, and the first poems of two of his fellow-townsmen also appeared in the Pleiade.
Several poems of a didactic character are also ascribed to him.
The best known of these poems is The Friendly Epistle addressed to King Udayana.
Delavigne, inspired by the catastrophe of 1815, wrote two impassioned poems, the first entitled Waterloo, the second, Devastation du musee, both written in the heat of patriotic enthusiasm, and teeming with popular political allusions.
Here in 1784 he published Elements de mythologie and some poems, which brought him into notice.
Nicephorus was also the author of lists of the emperors and patriarchs of Constantinople, of a poem on the capture of Jerusalem, and of a synopsis of the Scriptures, all in iambics; and of commentaries on liturgical poems.
Her poems were arranged in nine books, on what principle is uncertain; she is said to have sung them to the Mixo-Lydian mode, which she herself invented.
Besides his lyrical and satirical poems, he contributed many of the finest compositions to the liturgy (some of them with the acrostic "Shelomoh ha-gaton"), which are widely different from the artificial manner of the earlier payyetanim.
He is chiefly known as a writer of hymns and poems, including "Rock of Ages," and the collections entitled Poems on Sacred Subjects (Dublin, 1759) and Psalms and Hymns for Public and Private Worship (London, 1776).
One of his poems, Alexandra or Cassandra, containing 1474 iambic lines, has been preserved entire.
It is doubtfully referred to in the book of ancient poems edited by Confucius, all of which are previous in date to 550 B.C. A tradition exists in China that a knowledge of tea travelled eastward to and in China, having been introduced S43 A.D.
In his poems he mystically utilizes the connexion of the name with the same word meaning "wine-cup."
His three diwans (1479-1491) contain his lyrical poems and odes; among his prose writings the chief is his Baharistan (" Spring-garden") (1487); and his collection of romantic poems, Haft Aurang (" Seven Thrones"), contains the Salaman wa Absal and his Yusuf wa Zalikha (Joseph and Potiphar's wife).
He then put forth proposals for publishing by subscription the poems of Politian, with notes containing a history of modern Latin verse; but subscriptions did not come in, and the volume never appeared.
The Poems and Rasselas have been reprinted times without number.
He divided the Homeric poems into books (with capitals for the Iliad, and small letters for the Odyssey), and possibly was the author of the calculation of the days of the Iliad in the Tabula Iliaca.
Of the sacred poems attributed to him, there is only one short prayer, contained in the hymnal of Sharakan, which can really claim him as its author.
On his return his father contemplated the publication of some of these youthful poems; but in the meanwhile Coventry had evinced a passion for science and the poetry was set aside.
He soon, however, returned to literary interests, moved towards them by the sudden success of Tennyson; and in 1844 he published a small volume of Poems, which was not without individuality, but marred by inequalities of workmanship. It was widely criticized, both in praise and blame; and Patmore, distressed at its reception, bought up the remainder of the edition and caused it to be destroyed.
In the next year he republished, in Tamerton Church Tower, the more successful pieces from the Poems of 1844, adding several new poems which showed distinct advance, both in conception and treatment; and in the following year (1854) appeared the first part of his best known poem, "The Angel in the House," which was continued in "The Espousals" (1856), "Faithful for Ever" (1860), and "The Victories of Love" (1862).
A collected edition of his poems appeared in two volumes in 1886, with a characteristic preface which might serve as the author's epitaph.
His best work is found in the volume of odes called The Unknown Eros, which is full not only of passages but of entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody.
He wrote, at his best, in the grand manner, melody and thought according with perfection of expression, and his finest poems have that indefinable air of the inevitable which is after all the touchstone of the poetic quality.
His son, Henry John Patmore (1860-1883), left a number of poems posthumously printed at Mr Daniell's Oxford Press, which show an unmistakable lyrical quality.
He was also the author of rhetorical exercises on hackneyed sophistical themes; of a Quadrivium (Arithmetic, Music, Geometry, Astronomy), valuable for the history of music and astronomy in the middle ages; a general sketch of Aristotelian philosophy; a paraphrase of the speeches and letters of Dionysius Areopagita; poems, including an autobiography; and a description of the Augusteum, the column erected by Justinian in the church of St Sophia to commemorate his victories over the Persians.
Our earlier notices of Sicily, of Sicels and Sicans, in the Homeric poems and elsewhere, are vague and legendary.
The dithyrambic poet Philoxenus, by birth of Cythera, won his fame in Sicily, and other authors of lost poems are mentioned in various Siceliot cities.
In 1843 a small volume of his Sonnets and other Poems was published, and in 1852 appeared a volume of Selections from his Writings and Speeches.
In the Homeric poems (1000 B.C.) the Achaeans are the master race in Greece; they are represented both in Homer and in all later traditions as having come into Greece about three generations before the Trojan war (1184 B.C.), i.e.
Ibn Hisham is said to have written a work explaining the difficult words which occur in poems on the life of the Apostle, and another on the genealogies of the Himyarites and their princes.
In the earliest existing monument of the Hellenic genius, the Homeric poems, one may already observe that regulative sense of form and proportion, which shaped the later achievements of the race in the intellectual and artistic spheres.
Beside the other canonical books of the Old Testament, translated in many cases with modifications or additions, it included translations of other Hebrew books (Ecclesiasticus, Judith, &c.), works composed originally in Greek but imitating to some extent the Hebraic style (like Wisdom), works modelled more closely on the Greek literary tradition, either historical, like 2 Maccabees, or philosophical, like the productions of the Alexandrian school, represented for us by Aristobulus and Philo, in which style and thought are almost wholly Greek and the reference to the Old Testament a mere pretext; or Greek poems on Jewish subjects, like the epic of the elder Philo and Ezechiel's tragedy, Exagoge.
We possess about thirty fragments of his poems, none of them longer than six lines.
Stesichorus completed the form of the choral ode by adding the epode to the strophe and antistrophe; and "you do not even know Stesichorus's three" passed into a proverbial expression for unpardonable ignorance (unless the words simply mean, "you do not even know three lines, or poems, of Stesichorus").
Later he studied painting for a short time at the Royal Dublin Society, but soon turned to literature, contributing poems and articles to the Dublin University Review and other Irish periodicals.
He now submitted his earlier poetical work to careful revision, and it was in the revised versions of The Wanderings of Usheen and The Countess Kathleen, and the lyrics given in his collected Poems of 1895 that his authentic poetical note found adequate expression and was recognized as marking the rise of a new Irish school.
From 925 to 975 all the chronicles are very fragmentary; a few obits, three or four poems, among them the famous ballad on the battle of Brunanburh, make up the meagre tale of their common materials, which each has tried to supplement in its own way.
The new dogmas were known as the Teaching, and their tenets, as revealed in the poems composed in honor of the Aton, breathe the purest and most exalted monotheistic spirit.
He also produced masterly translations of the popular Slovenic songs current in Carniola (Volkslieder aus Krain, 1850), and of the English poems relating to "Robin Hood" (1864) .
We know nothing of the authors of these poems, which treat of the heroic adventures of the great warriors and lovely ladies of the chivalric age in strains of artless but often exquisite beauty.
Mikkel, priest of St Alban's Church in Odense, wrote three sacred poems, The Rose-Garland of Maiden Mary, The Creation and 1 Collected as Samling af gamle danske Love (5 vols., Copenhagen, 1821-1827).
Ambrosius Stub (1705-1758) was a lyrist of great sweetness, born before his due time, whose poems, not published till 1771, belong to a later age than their author.
Two intimate friends, Jonas Rein (1760-1821) and Jens Zetlitz (1761-1821), attempted, with indifferent success, to continue the tradition of the Norwegian group. Thomas Thaarup (1749-1821) was a fluent and eloquent writer of occasional poems, and of homely dramatic idylls.
After a struggling youth of great poverty, he published, in 1807-1809, a translation of Ossian; in 181 4 a volume of lyrical poems; and in 1817 he attracted considerable attention by his descriptive poem of The Tour in Jutland.
He possessed, however, a strong and fluent genius, which eventually made itself heard in a multitude of volumes, poems, dramas and novels.
Ludvig Adolf Bbdtcher (1793-1874) wrote a single volume of lyrical poems, which he gradually enlarged in succeeding editions.
Most of Bodtcher's poems deal with Italian life, which he learned to know thoroughly during a long residence in Rome.
Holger Drachmann (q.v.; 1846-1908) began life as a marine painter; and a first little volume of poems, which he published in 1872, attracted slight attention.
Bandello wrote a number of poems, but his fame rests entirely upon his extensive collection of Novelle, or tales (1 554, 1 573), which have been extremely popular.
His hymns and poems, which have frequently been published, are evidence of his literary taste and ability.
His best work, the Valesiana (1694), was inspired by filial affection; in it he collected a number of historical and critical observations, anecdotes and Latin poems of his father.
In one of these the poems with which the original is interspersed are rendered into prose, in the other into alliterating verse.
It shows, moreover, a strong resemblance to Nasir Khosrau's ethical poems and Sana'i's Hadikat-ulhakikat, or "Garden of Truth."
Dunbar often, and at times deliberately, recalls the older verse-habit, even in his vigorous shorter poems; and Douglas, in his Palice of Honour and King Hart, and even in his translation of Virgil, is unequivocally medieval.
The outstanding type is shown in such pieces as Holland's (q.v.) Buke of the Howlat, and in the anonymous poems Golagros and Gawane, The Awntyrs of Arthur at the Terne Wathelyne, Rauf Coil3ear and The Pistill of Susan.
The reading of 15thand 16thcentury verse in the light of these will bring home the critical error of treating such poems as Burns's Collar's Saturday Night, the Address to the Deil, and Scotch Drink as entirely expressions of the later poet's personal predilection.
It is then natural that the Homeric poems refer to Phrygia in the terms above described, and make Priam's wife a Phrygian woman.
For that is simply a few of the most beautiful poems to be found in the Buddhist scriptures..
Many of these stories and fables have wandered to Europe, and are found in medieval homilies, poems and story-books.
The last of these poetical works which it is necessary to mention is the Sutta Nipata, containing fifty-five poems, all except the last merely short lyrics, many of great beauty.
A very ancient commentary on the bulk of these poems has been included in the canon as a separate work.
The poems themselves have been translated by Professor Fausboll in the Sacred Books of the East.
Two other works, the Lalita Vistara and the Buddha Carita, give us - but this, of course, is later - Sanskrit poems, epics, on the same subject.
By degrees, however, Schiller's historical publications, and, in a higher degree, the magnificent poems, Die Gotter Griechenlands (1788) and Die Kiinstler (1789), awakened Goethe's respect, and in 1794, when the younger poet invited Goethe to become a collaborator in the Horen, the latter responded with alacrity.
These poems appeared in the Musenalmanach, a new publication which Schiller began in 1796, the Horen, which had never met with the success it merited, coming to an end in 1797.
So Morris decided to become an architect, and for the better propagation of the views of the new brotherhood a magazine was at the same time projected, which was to make a speciality of social articles, besides poems and short stories.
In 1872 appeared Love is Enough, structurally the most elaborate of his poems for its combination of the epic and dramatic spirits; and in the autumn he began to translate the shorter Icelandic sagas, to which his enthusiasm had been directed by two inspiring journeys to Iceland..
Harith Ibn Hilliza Ul-Yashkuri, pre-Islamic Arabian poet of the tribe of Bakr, famous as the author of one of the poems generally received among the Mo 'allakat (q.v.).
He had himself strong artistic tendencies, though his numerous poems show but little proof of this, and as a patron of the arts he proved himself as great as any who had ever occupied a German throne, and more than a mere dilettante.
Meanwhile the literary instinct had begun to show itself; we hear of a novel in letters - a kind of linguistic exercise, in which the characters carried on the correspondence in different languages - of a prose epic on the subject of Joseph, and various religious poems of which one, Die Hollenfahrt Christi, found its way in a revised form into the poet's complete works.
But in 1798 appeared Hermann and Dorothea, one of Goethe's most perfect poems. It is indeed remarkable - when we consider by how much reflection and theoretic discussion the composition of the poem was preceded and accompanied - that it should make upon the reader so simple and "naive" an impression; in this respect it is the triumph of an art that conceals art.
Hardly less imposing in their calm, placid perfection are the poems with which, in friendly rivalry, Goethe seconded the more popular ballads of his friend; Der Zauberlehrling, Der Gott and die Bayadere, Die Braut von Korintli, Alexis and Dora, Der neue Pausias and Die schone Miillerin - a cycle of poems in the style of the Volkslied - are among the masterpieces of Goethe's poetry.
He is a great figure in Servian poetry, and his deeds are also told in the epic poems of the Rumanians and the Bulgarians.
The Servian poems about him were published in 1878; a German translation by Grdber (Marko, der Konigssohn) appeared at Vienna in 1883.
Sylvester was a good linguist, and a diligent composer of verse, both in English and Latin, but the opinion he cherished that his poems were on a level with his mathematical achievements has not met with general acceptance.
The poems of Homer are full of descriptions of elaborate works in bronze, gold and silver, which, even when full allowance is made for poetic fancy, show clearly enough very advanced skill in the working and ornamenting of these metals.
His renown was, however, not acquired by his writings in that language, but by his Icelandic poems and short stories.
The great Danish philologist and friend of Iceland, Rasmus Rask, and the poet Bjarni Thorarensen had done much to purify the language, but Jonas Hallgrimsson completed their work by his poems and tales, in a purer language than ever had been written in Iceland since the days of Snorri Sturlason.
Most of the principal poems, tales and essays of JOnas Hallgrimsson appeared in the periodical Fj olnir, which he began publishing at Copenhagen in 183 5, together with Konr65 Gislason, a well-known philologist, and the patriotic Thomas Saemundsson.
While studying for his profession, however, he contributed poems and prose articles to various magazines.
The first-fruits of this passion was a volume of poems, published in 1841, entitled A Year's Life, which was inscribed by Lowell in a veiled dedication to his future wife, and was a record of his new emotions with a backward glance at the preceding period of depression and irresolution.
Lowell himself had already turned his studies in dramatic and early poetic literature to account in another magazine, and continued the series in The Pioneer, besides contributing poems; but after the issue of three monthly numbers, beginning in January 1843, the magazine came to an end, partly because of a sudden disaster which befell Lowell's eyes, partly through the inexperience of the conductors and unfortunate business connexions.
At the close of 1843 he published a collection of his poems, and a year later he gathered up certain material which he had printed, sifted and added to it, and produced Conversations on some of the Old Poets.
He contributed poems to the daily press, called out by the Slavery question; he was, early in 1846, a correspondent of the London Daily News, and in the spring of 1848 he formed a connexion with the National Anti-Slavery Standard of New York, by which he agreed to furnish weekly either a poem or a prose article.
The poems were most frequently works of art, occasionally they were tracts; but the prose was almost exclusively concerned with the public men and questions of the day, and forms a series of incisive, witty and sometimes prophetic diatribes.
In 1868 he issued the next collection in Under the Willows and other Poems, but in 1865 he had delivered his "Ode recited at the Harvard Commemoration," and the successive centennial historical anniversaries drew from him a series of stately odes.
He issued another collection of his poems, Heartsease and Rue, in 1888, and occupied himself with revising and rearranging his works, which were published in ten volumes in 1890.
After his death his literary executor, Charles Eliot Norton, published a brief collection of his poems, and two volumes of added prose, besides editing his letters.
In the Homeric poems eastern Messenia is represented as under the rule of Menelaus of Sparta, while the western coast is under the Neleids of Pylos, but after Menelaus's death the Messenian frontier was pushed eastwards as far as Taygetus.
It was in the year parting the two centuries (1600) that he presented to Marie de' Medici an ode of welcome, the first of his remarkable poems. But four or five years more passed before his fortune, which had hitherto been indifferent, turned.
Of the poems only, there is an excellent and handsome little issue in the Nouvelle collection Jannet (Paris, 1874).
Though essentially a soldier, he took considerable interest in literature, wrote epic poems, tragedies and annals, and translated plays of Sophocles.
Her poems were edited by Maurice Roy for the Societe des anciens Textes fran9ais (1886, &c.), and her Livre du chemin du long estude, by Puschel (Berlin, 1887).
For about ten years the Syrian and Mesopotamian deserts were the scene of a series of raids, often marked by great cruelty, and which have been the subject of a great many poems. Abdalmalik had need of all his tact and energy to pacify ultimately the zealous sectaries, but the antagonism between Yemenites (Kalb and Azd) and Madarites (Qais and Tamim) had been increased by these struggles, and even in the far east and the far west had fatal consequences.
But in 1604 he entered the service of the Baron von Hohensax, then the possessor of the precious MS. volume of old German poems, now in the national library in Paris, and partially published by Goldast.
He frequently stopped his carpentering to work at his poems. He left voluminous manuscript notes, showing the preparatory studies and reflections that preceded the Leaves; many of them, under the title of Notes and Fragments, were privately printed by his literary executor, Dr Richard Maurice Bucke, in 1899.
The mother-idea of his poems, he says, is democracy, and democracy "carried far beyond politics into the region of taste, the standards of manners and beauty, and even into philosophy and theology" His Leaves certainly radiates democracy as no other modern literary work does, and brings the reader into intimate and enlarged relations with fundamental human qualities - with sex, manly love, charity, faith, self-esteem, candour, purity of body, sanity of mind.
Tried by current standards his poems lack form and structure, but they undoubtedly have in full measure the qualities and merits that the poet sought to give them.
She is not mentioned in Homer, although the hearth is recognized as a place of refuge for suppliants; this seems to show that her worship was not universally acknowledged at the time of the Homeric poems. In post-Homeric religion she is one of the twelve Olympian deities, but, as the abiding goddess of the household, she never leaves Olympus.
James was the author of two poems, the Kingis Quair and Good Counsel (a short piece of three stanzas).
His efforts resulted in their liberation; he went himself to Brest in search of them; and a civic feast was decreed on his behalf and theirs, which gave occasion for one of the few poems published during his life by Andre Chenier.
He also wrote many poems, and several dramas and romances, and translated into German various English works, including the Letters of Junius and Buckle's History of Civilization.
An Idyl of Work (1875) describes the life of the mills and A New England Girlhood (1889) is autobiographical; she wrote many stories and poems, of which Hannah Binding Shoes is best known.
Their chief value consists in the curious short poems or fragments of verse which they have preserved - the so-called Epigrams, which used to be printed at the end of editions of Homer.
These indications render it probable that the stories connecting Homer with different cities and islands grew up after his poems had become known and famous, especially in the new and flourishing colonies of Aeolis and Ionia.
His Aethiopis was composed as a sequel to the Iliad; and the structure and general character of his poems show that he took the Iliad as his model.
The most obvious account of the matter is that Arctinus was never so far forgotten that his poems became the subject of dispute.
The incident shows that the poems of the Ionic Homer had gained in the 6th century B.C., and in the Doric parts of the Peloponnesus, the ascendancy, the national importance and the almost canonical character which they ever afterwards retained.
At Athens there was a law that the Homeric poems should be recited (1 5446a-eat) on every occasion of the Panathenaea.
On the one hand, it seemed to follow from the existence of such a family that Homer was a mere " eponymus," or mythical ancestor; on the other hand, it became easy to imagine the Homeric poems handed down orally in a family whose hereditary occupation it was to recite them, possibly to add new episodes from time to time, or to combine their materials in new ways, as their poetical gifts permitted.
On this a scholiast says that the name "Homeridae " denoted originally descendants of Homer, who sang his poems in succession, but afterwards was applied to rhapsodists who did not claim descent from him.
And although we hear of " descendants of Creophylus " as in possession of the Homeric poems, there is no similar story about descendants of Homer himself.
Let us now compare these data with the account given in the Homeric poems. The word " rhapsode " does not yet exist; we hear only of the singer " (aoc56s), who does not carry a wand or laurel-branch, but the lyre (40pyry), with which he accompanies his "song."
The recitation of the Hesiodic poems was from the first unaccompanied by the lyre.
For it is difficult to believe that the Homeric poems were ever " sung " in the strict sense of the word.
Failing external testimony, the time and place of the Homeric poems can only be determined (if at all) by internal evidence.
In this case we have to consider not merely the indications of the poems, but also the external evidence which we possess regarding the use of writing in Greece.
But the question is - From what time are we to suppose that the preservation of long poems was generally secured by the existence of written copies?
Now, without counting the Homeric poems - which doubtless had exceptional advantages in their fame and popularity - we find a body of literature dating from the 8th century B.C. to which the theory of oral transmission is surely inapplicable.
It seems probable therefore that the introduction of the alphabet is not later than the composition of the Homeric poems.
And so far as we can draw any conclusion as to the author (or authors) of the two poems, it is that the whole debate between the cities of Aeolis and Ionia was wide of the mark.
This is perhaps the place to consider whether the poems are to be regarded as possessing in any degree the character'of historical record.
This letter, however, died out earlier in Ionic than in most dialects, and there is no proof that the Homeric poems were ever written with it.
The fact that there are so many traces of it in Homer is a strong proof of the antiquity of the poems, but no proof of admixture with Aeolic.
The use of that dialect (instead of Aeolic) by the Boeotian poet Hesiod, in a kind of poetry which was not of the Homeric type, tends to the conclusion that the literary ascendancy of the epic dialect was anterior to the Iliad and Odyssey, and independent of the influence exercised by these poems.
If the same cannot be said of the ancient epic poems, that is because of the extreme scantiness of the existing fragments.
It will be observed that the two poems of Arctinus are remarkable for the proportion of new matter of the latter kind.
His remarks on Homer (in the Poetics and elsewhere) show that he had made a careful study of the structure and leading ideas of the poems, but do not throw much light on the text.
In the same spirit he looked upon the ideas and beliefs of Homer as a consistent whole, which might be determined from the evidence of the poems. He noticed especially the difference between the stories known to Homer and those given by later poets, and made many comparisons between Homeric and later manners, arts and institutions.
Not that the " Wolfian theory " of the Homeric poems is directly supported by anything in the Scholia; the immediate object of the Prolegomena was not to put forward that theory, but to elucidate the new and remarkable conditions under which the text of Homer had to be settled, viz.
The supposed discovery of the poems of Ossian fell in with this train of sentiment, and created an enthusiasm for the study of early popular poetry.
The part of the Prolegomena which deals with the original form of the Homeric poems occupies pp. xl.
This conclusion he then supports by the character attributed to the " Cyclic " poems (whose want of unity showed that the structure of the Iliad and Odyssey must be the work of a later time), by one or two indications of imperfect connexion, and by the doubts of ancient critics as to the genuineness of certain parts.
The voice of antiquity is unanimous in declaring that " Peisistratus first committed the poems of Homer to writing, and reduced them to the order in which we now read them."
Plutarch in his Life of Lycurgus (c. 4) repeats this story, with the addition that there was already a faint report of the poems in Greece, and that certain detached fragments were in the possession of a few persons.
Again, the Platonic dialogue Hip parchus (which though not genuine is probably earlier than the Alexandrian times) asserts that Hipparchus, son of Peisistratus, first brought the poems to Athens, and obliged the rhapsodists at the Panathenaea to follow the order of the text, " as they still do," instead of reciting portions chosen at will.
The passage is unfortunately corrupt, but it is at least clear that in the time of Solon, according to Diogenes, there were complete copies of the poems, such as could be used to control the recitations.
In the first place, the statement that Lycurgus obtained the poems from descendants of Creophylus must be admitted to be purely mythical.
The other statements repeat these words with various minor additions, chiefly intended to explain how the poems had been reduced to this fragmentary condition, and how Peisistratus set to work to restore them.
In the later part of the same series of discussions (1837), and in his chief work (Die Sagenpoesie der Griechen, 1852), he investigated the structure of the Homeric poems, and their relation to the other epics of the Trojan cycle.
Wolf had argued that if the cyclic writers had known the Iliad and Odyssey which we possess, they would have imitated the unity of structure which distinguishes these two poems. The result of Welcker's labours was to show that the Homeric poems had influenced both the form and the substance of epic poetry.
Feeling the difficulty of supposing that all the ancient minstrels sang of the " wrath of Achilles " or the " return of Ulysses " (leaving out even the capture of Troy itself), he was led to assume that two poems of no great compass dealing with these two themes became so famous at an early period as to throw other parts of the Trojan story into the background, and were then enlarged by successive generations of rhapsodists.
When we are satisfied that each of the great Homeric poems is either wholly or mainly the work of a single poet, a question remains which has been matter of controversy in ancient as well as modern times - Are they the work of the same poet?
The difference of subject between the two poems is so great that it leads to the most striking differences of detail, especially in the vocabulary.
A few words remain to be said on the style and general character of the Homeric poems, and on the comparisons which may be made between Homer and analogous poetry in other countries.
The proof that Homer does not belong to that school - that his poetry is not in any true sense " ballad-poetry " - is furnished by the higher artistic structure of his poems (already discussed), and as regards style by the fourth of the qualities distinguished by Arnold - the quality of nobleness.
But between these lays and Homer we must place the cultivation of epic poetry as an art.2 The pre-Homeric lays doubtless furnished the elements of such a poetry - the alphabet, so to speak, of the art; but they must have been refined and transmuted before they formed poems like the Iliad and Odyssey.
It seems clear, however, that the hypothesis of epics such as the Iliad and Odyssey having been formed by putting together or even by working up shorter poems finds no support from analogy.
These poems are traced back with much probability to the 10th century.
The literary documents, both in Sanskrit and Pali, dating from about the time of Buddha onwards - particularly the two epic poems, the Mahabharata and Ramayana - still show us in the main the personnel of the old pantheon; but the character of the gods has changed; they have become anthropomorphized and almost purely mythological figures.
Seeing that the epic poems, as repeated by professional reciters, either in their original Sanskrit text, or in their vernacular versions, as well as dramatic compositions based on them, form to this day the chief source of intellectual enjoyment for most Hindus, the legendary matter contained in these heroic poems, however marvellous and incredible it may appear, still enters largely into the religious convictions of the people."
In the epic poems which may be assumed to have taken their final shape in the early centuries before and after the Christian era, their popular character, so strikingly illustrated by their inclusion in the Brahmanical triad, appears in full force; whilst their cult is likewise attested by the coins and inscriptions of the early centuries of our era.
As regards Vishnu, the epic poems, including the supplement to the Mahabharata, the Harivamsa, supply practically the entire framework of legendary matter on which the later Vaishnava creeds are based.
And accordingly it is exactly in connexion with these two incarnations of Vishnu, especially that of Krishna, that a new spirit was infused into the religious life of the people by the sentiment of fervent devotion to the deity, as it found expression in certain portions of the epic poems, especially the Bhagavadgita, and in the Bhagavatapurana (as against the more orthodox Vaishnava works of this class such as the Vishnupurana), and was formulated into a regular doctrine of faith in the Sandilya-sutra, and ultimately translated into practice by the Vaishnava reformers.
The king's habit of mingling with the peasantry secured for him a large amount of popularity, and probably led many to ascribe to him the authorship of poems describing scenes in peasant life, Christis Kirk on the Grene, The Gaberlunzie Man and The Jolly Beggar.
There is no proof that he was the author of any of these poems, but from expressions in the poems of Sir David Lindsay, who was on terms of intimacy with him, it appears that occasionally he wrote verses.
In summer he sometimes took clerical work, sometimes made tours on foot through various English counties, during which he was composing poems, which afterwards took their place in the Christian Year.
The poems which make up that book had been the silent gathering of years.
This resolution was at length overcome by the importunities of his friends, and above all by the strong desire of his father to see his son's poems in print before he died.
It was because he knew that in these poems he had painted his own heart, the best part of it; and he doubted whether it was right thus to exhibit himself, and by the revelation of only his better self, to win the good opinion of the world.
Keble also published A Metrical Version of the Psalter (1839), Lyra Innocentium (1846), and a volume of poems was published posthumously.
One thing which gives these poems their strangely unique power is the sentiment to which they appeal, and the saintly character of the poet who makes the appeal, illumining more or less every poem.
Some of the poems are faultless, after their kind, flowing from the first stage to the last, lucid in thought, vivid in diction, harmonious in their pensive melody.
Yet even the most defective poems commonly have, at least, a single verse, expressing some profound thought or tender shade of feeling, for which the sympathetic reader willingly pardons artistic imperfections in the rest.
His first volume of poems, The Loom of Years, appeared in 1902, and his Collected Poems in 1910.
In 1920 he issued a new volume of poems, The Elfin Artist.
Nigra was a sound classical scholar, and published translations of many Greek and Latin poems with valuable comments; he was also a poet and the author of several works of folk-lore and popular poetry, of which the most important is his Canti popolari del Piemonte.
His family name was Johann Scheffler, but he is generally known by the pseudonym Angelus Silesius, under which he published his poems and which marks the country of his birth.
Pontano's prose and poems were printed by the Aldi at Venice.
The so-called Cadmon poems are contained 1 It is a significant fact that the Alfredian version, instead of translating this sentence, introduces the verses with the words, "This is the order of the words."
They consist of paraphrases of parts of Genesis, Exodus and Daniel, and three separate poems, the first on the lamentations of the fallen angels, the second on the "Harrowing of Hell," the resurrection, ascension and second coming of Christ, and the third (a mere fragment) on the temptation.
The subjects correspond so well with those of Cmdmon's poetry as described by B2eda that it is not surprising that Junius, in his edition, published in 1655, unhesitatingly attributed the poems to him.
Since, however, we learn from Bmda that already in his time Cadmon had had many imitators, the abstract probability is rather unfavourable than otherwise to the assumption that a collection of poems contained in a late 10th century MS. contains any of his work.
As the Genesis begins with a line identical in meaning, though not in wording, with the opening of Cmdmon's Hymn, we may perhaps infer that the writer knew and used Cmdmon's genuine poems. Some of the more poetical passages may possibly echo Cmdmon's expressions; but when, after treating of the creation of the angels and the revolt of Lucifer, the paraphrast comes to the Biblical part of the story, he follows the sacred text with servile fidelity, omitting no detail, however prosaic. The ages of the antediluvian patriarchs, for instance, are accurately rendered into verse.
The three other poems, designated as "Book II" in the Junius MS., are characterized by considerable imaginative power and vigour of expression, but they show an absence of literary culture and are somewhat rambling, full of repetitions and generally lacking in finish.
At the age of twenty he was received advocate, and about the same time he gained some reputation as a writer of piquant and delicate poems. In 1810 he received from Napoleon I.
This appears, on the one hand, in the use of expressions having a Modalistic ring about them - see especially the poems of Commodian, written about the time of Valerian - and, on the other hand, in the rejection of the doctrine that the Son is subordinate to the Father and is a creature (witness the controversy between Dionysius of Alexandria and Dionysius of Rome), as well as in the readiness of the West to accept the formula of Athanasius, that the Father and the Son are one and the same in substance (O,uoou6coc).
When only sixteen years old she had begun to contribute poems to New York periodicals.
He had already published in 1881 a selection of his poems, which, however, only attracted admiration in a limited circle.
His Collected Poems, containing some beautiful verse, had been issued in 1892.
The statements of his biographer to this effect accord with the impression we derive from his own poems (Carmina Nisibena, 1-2 1).
Lamy has estimated that, in this class of poems, there are as many as 66 different varieties of metres to be found in the works of Ephraim.
These strophic poems were set to music, and sung by alternating choirs of girls.
The subject-matter of Ephraim's poems covers all departments of theology.
The edition of Lamy has added many other poems, largely connected with church festivals.
It must be confessed that, judged by Western standards, the poems of Ephraim are prolix and wearisome in the extreme, and are distinguished by few striking poetic beauties.
The first 20 poems were written at Nisibis between 350 and 363 during the Persian invasions; the remaining 52 at Edessa between 363 and 373.
In both these poems, the language of which was so obscure that they required special commentaries, his model appears to have been Parthenius of Nicaea.
Otto Ribbeck attributes to him one of the shorter poems usually assigned to Virgil.
External features and poetical structure.-These poems exhibit a peculiar metre, the so-called " limping verse," of which Am.
The truth is that the break is as great as between any two of these poems. Chapter ii.
If, however, as is generally recognized, these poems are not the spontaneous and unstudied outpourings of passionate grief, but compositions of calculated art and studied effects, written for a purpose, it is obvious that they need not be contemporary.
They have a decided love of poetry, and exhibit great facility in improvising verses and poems on all occasions, and they sing, everywhere, from morning to night.
Almost the only positive clue we hold to the date of these poems is the fact that one of the most characteristic of them, " Engelbrekt," was written by Thomas, bishop of Strengnas, who died in 1443.
Bishop Thomas, who died in 1443, wrote many political songs; and a number of narrative poems date from the close of the century.
Psalms and didactic spiritual poems were the main products of Swedish letters in the 16th century.
His poems were posthumously collected as Flowers of Helicon, Plucked and Distributed on various occasions by Lucidor the Unfortunate.
Jacob Frese (169 2 ?-1 728 ?), a Finn, whose poems were published in 1726, was an elegiacal writer of much grace, who foreshadowed the idyllic manner of Creutz.
Count Gustaf Philip Creutz (q.v.; 1731-1785) was a Finlander who achieved an extraordinary success with his idyllic poems, and in particular with the beautiful pastoral of Atis och Camilla, long the most popular of all Swedish poems. His friend Count Gustaf Fredrik Gyllenborg.
His poems appeared in 1788.
A volume of his poems appeared in 1820; they are few in number and all brief.
A volume of elegies, Angelika (1840), established his fame, and two volumes of poems published in 1845 and 1847 contain a number of ballads, romances and lyrics which keep their hold on Swedish literature.
He published his Lyrical Poems in 1876; New Lyrical Poems in 1880; Songs and Sketches in 1885.
He became gloomily religious, and in a new volume of poems he denounced all that he valued and enjoyed before his conversion.
The writer of the panegyric must be distinguished from Drepanius Florus, deacon of Lyons (c. 850), author of some Christian poems and prose theological works.
Here the poems of the prophet and fragments of ancient religious literature survived, understood by the Magians and rendered accessible to the faithful laity by versions in the modern dialect (Pahlavi).
But all these poems are surpassed in length by the 33,000 distichs of the Shakinsha/mnama by the poet-laureate of Fatly All Shah of Persia (1797-1834), and the 40,000 distichs of the Georgenama, a poetical history of India from its discovery by the Portuguese to the conquest of Poona by the English in 1817.
But Pope excelled, not only in the voluptuous and in the didactic epistle, but in that of compliment as well, and there is no more graceful example of this in literature than is afforded by the letter about the poems of Parnell addressed, in 1721, to Robert, earl of Oxford.
The hymns are short poems going back in part to the days of Prudentius, Synesius, Gregory of Nazianzus and Ambrose (4th and 5th centuries), but mainly the work of medieval authors.
The term is supposed to be a corruption of Mahomet, who in several medieval Latin poems seems to be called by this name.
From very early times the Homeric poems found a home and admirers there; and to Ephesus belong the earliest elegiac poems of Greece, the war songs of Callinus, who flourished in the 7th century B.C. and was the model of Tyrtaeus.
Some compositions in English poetry, written at sixteen, and not without a touch of genius, give evidence of the influence which Bowles, whose poems were then in vogue, had over his mind at this time.
At Bristol Coleridge formed the acquaintance of Joseph Cottle, the bookseller, who offered him thirty guineas for a volume of poems. In October of 1795 Coleridge married Sarah Fricker, and took up his residence at Clevedon on the Bristol Channel.
The first volume of Poems was published by Cottle early in 1796.
During these years Coleridge wrote many newspaper articles and some poems, among them "Fire, Famine and Slaughter," for the Morning Post (January 8, 1798).
In his early poems may be found traces of the fierce struggle of his youth.
His poems, including " Afar in the desert I love to ride," depict the scenes of those early days in glowing lines.
His first work in philosophy (he was already the author of numerous poems) was a defence of Telesio, Philosophia sensibus demonstrata (1 591).