Overture Sentence Examples

It is an overture for peace.

While some signs like to take the romantic lead, like Leo, other signs, like Cancer, don't necessarily mind if someone else makes an overture.

The second volume, consisting of the Italian Concerto and the French overture, duly appeared in 1735.

It is dominated by the dotted rhythms characteristic of a French overture.

As Arne 's examples show, the Italian sinfonia was markedly more modern in musical style than the French overture.

The date of this famous letter was 1767, but after Alceste Gluck was still able to use material from earlier work; and the overture to Armide is adapted from that of Telemacco, written in the year of Bach's death (1750).

Produced at Paris in 1828, it rapidly became a European favourite, and its overture, songs and choruses were everywhere heard.

But, brilliant as was this overture, it is the second stage of the battle that gives it its epic interest.

In 1697 the Barrier Act was passed, which provides that any act which is to be binding on the church is to come before the assembly as an overture and to be transmitted to presbyteries for their approval.

After Jena Napoleon attempted to win over Sweden, but Gustavus rejected every overture.

Copland's rousing Fanfare for the Common Man prefaces the overture to Gershwin's satirical operetta Strike up the Band.

It was pointed out to me a week or two later that I had written overture to The Marriage of Figaro!

Had she, I wondered, suspected that an unwelcome or over friendly overture was about to be made by the older woman?

In Messiah we heard a sonorous interpretation of the Overture from Nigel Allcoat who also gave us a rather ponderous version of Pastoral.

As Arne's examples show, the Italian sinfonia was markedly more modern in musical style than the French overture.

In the Assembly of that year, his friend, Mr. Carment, had almost single-handed supported an overture on that subject.

This is unexpectedly placed in C major, the remotest key reached in the overture, and one that had already appeared in an impressive passage in the introduction which foreshadows the reference in the first act to the hero in his dungeon ("Der kaum mehr lebt and wie ein Schatten schwebt").

The wonderful overture is more highly organized and less unequal than that of Tannhduser; and although Wagner uses less L eit-motif than Weber (see Opera, ad fin.) and divides the piece into " numbers " of classical size, the effect is so continuous that the divisions could hardly be guessed by ear.

The important small published works are Eine Faust Overture (1839-1840; rewritten, 1855); the Siegfried Idylle (an exquisite serenade for small orchestra on themes from the finale of Siegfried, written as a surprise for Frau Wagner in 1870); the Kaisermarsch (1871), the Huldigungsmarsch (1864) for military band (the scoring of the concert-version finished by Raff); Fiinf Gedichte (1862), a set of songs containing two studies for Tristan; and the early quasi-oratorio scene for male-voice chorus and full orchestra, Das Liebesmahl der Apostel (1843).

Beethoven's Nine Symphonies; Berlioz's " Symphonie fantastique," " Harold en Italie "; Benediction et Serment (Benvenuto Cellini); Danse des Sylphes (Damnation de Faust); Weber's overtures, Der Freischiitz, Euryanthe, Oberon, Jubilee; Beethoven's and Hummel's Septets; Schubert's Divertissement a la Hongroise; Beethoven's Concertos in C minor, G and E flat (orchestra for a second piano); Wagner's Tannhauser overture, march, romance, chorus of pilgrims; Lohengrin, Festzug and Brautlied, Elsa's Brautgang, Elsa's Traum, Lohengrin's Verweiss an Elsa; Fliegender Hollander, Spinnlied; Rienzi, Gebet; Rheingold, Walhall; Meistersinger, " Am stillen Herd "; Tristan, Isolde's Liebestod; Chopin's six Chants Polonais; Meyerbeer's Schillermarsch; Bach's six organ Preludes and Fugues; Prelude and Fugue in G minor; Beethoven, Adelaide; 6 miscellaneous and 6 Geistliche Lieder; Liederkreis; Rossini's Les Soirees musicales; Schubert, 59 songs; Schumann, 13 songs; Mendelssohn, 8 songs; Robert Franz, 13 songs.

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Most will return a lick for a friendly overture but will remain on guard until you earn its trust.

While one rejection of a sexual overture may be put down to exhaustion, stress or other reason, regular rejections are more suspicious.

The song is set to the William Tell Overture, and was her first successful release.

Try playing the William tell overture by tapping on the bottom of your chin.

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No contemporary, unaided by personal knowledge, could be expected to trust in Wagner's purity of ideal on the strength of Tannhauser, which actually achieved popularity by such coarse methods of climax as the revivalistic end of the overture, by such maudlin pathos as 0 du mein holder Abendstern, and by the amiably childish grand-opera skill with which half the action is achieved by processions and a considerable fraction of the music is represented by fanfares.

Acid was firm but accented a slighly tin overture.

Though Meyerbeer wrote much that is intrinsically more dull and vulgar than the overture to Rienzi, he never combined such serious efforts with a technique so like that of a military bandmaster.

An instance of this characteristic function, specially remarkable because the composer has taken exceptional measures for it, is Beethoven's overture to Fidelio.

His first music master was Gottlieb Muller, who thought him self-willed and eccentric; and his first production as a composer was an overture, performed at the Leipzig theatre in 1830.

In the orchestral ballad, La Belle Dame sans Merci, he touches the note of weird pathos, and in the nautical overture Britannia his sense of humour stands revealed.

The weakest passages in Der fliegende Hollander are not so helpless as the original recitatives of Venus in the first act; or Tannhauser's song, which was too far involved in the whole scheme to be ousted by the mature " New Venusberg music " with which Wagner fifteen years later got rid both of the end of the overture and what he called his " Palais-Royal " Venus.

The most important compositions of this period of Mackenzie's life were the Quartette in E flat for piano and strings, Op. 11, and an overture, Cervantes, which owed its first performance to the encouragement and help of von Billow.

Among the works produced for the first time or rehearsed with a view to the furtherance of musical art were Wagner's Tannhduser, Der fliegende Hollander, Das Liebesmahl der Apostel, and Eine Faust Overture, Berlioz's Benvenuto Cellini, the Symphonie Fantastique, Harold en Italie, Romeo et Juliette, La Damnation de Faust, and L'Enfance du Christ - the last two conducted by the composer - Schumann's Genoveva, Paradise and the the music to Manfred and to Faust, Weber's Euryanthe, Schubert's Alfonso and Estrella, Raff's Kanig Alfred, Cornelius's Der Barbier von Baghdad and many more.