While the two groups both originated on the planet Cybertron, the Transformer mythos explains that the Autobots originated from a slave robot line, and they are the ones who discovered the power to transform first.
Created by one person who goes by the name "pixel", Cave Story (Doukutsu Monogotari) is a very deep game with a heart-tugging story steeped in a made-up mythos, gorgeous music, and very rewarding gameplay.
When first released, it opened to mixed reviews, yet is now commonly thought to be the most mature work of the six-movie series, and a more fully-formed reflection of Lucas' overarching mythos.
The game combines all of the intricacies of the mobster mythos - families, big bosses, wars, missions - with a game play that is easy enough to occupy both the casual user and the game addict.
In 2009, Wonder Woman was released as an animated feature film that focused on the "Gods and Mortals" arc of storyline as told by George Perez in his reboot of the Wonder Woman mythos.
One of the most enduring artifacts of the Pokemon mythos are the action figures depicting some of children's favorite Pokemon trainers, villains, and cuddly Pokemon themselves.
Decker, Die griechische Helena in Mythos and Epos (1894); Andrew Lang, Helen of Troy (1883); P. Paris in Daremberg and Saglio's Dictionnaire des antiquites; the exhaustive article by R.
Others attach chief importance to the slaying of Neoptolemus (Pyrrhus) by Orestes at Delphi; according to Radermacher (Das Jenseits im Mythos der Hellenen, 1903), Orestes is an hypostasis of Apollo, Pyrrhus the principle of evil, which is overcome by the god; on the other hand, Usener (Archiv fur Religionswesen, vii., 1899, 334) takes Orestes for a god of winter and the underworld, a double of the Phocian Dionysus the "mountain" god (among the Ionians a summer-god, but in this case corresponding to Dionysus j Xavaiyis), who subdues Pyrrhus "the light," the double of Apollo, the whole being a form of the well-known myths of the expulsion of summer by winter.
See Dissel, Der Mythos von Admetus and Alkestis, 1882.
His subsequent works were dissertations on the origin of alphabetical writing (Die Erfindung der Buchstabenschrift, 1801), on the antiquity of the Codex Vaticanus (1810), and on ancient mythology (Ober den Mythos der alten Volker, 1812); a new interpretation of the Song of Solomon (Das hohe Lied in einer noch unversuchten Deutung, 1813), to the effect that the lover represents King Hezekiah, while by his beloved is intended the remnant left in Israel after the deportation of the ten tribes; and treatises on the indissoluble character of the matrimonial bond (De conjugii christiani vinculo indissolubili commentatio exegetica, 1816) and on the Alexandrian version of the Pentateuch (1818).