Mozart Sentence Examples

Wagner's earlier works have too long been treated as if they represented the pure and healthy childhood of his later ideal; as if Lohengrin stood to Parsifal as Haydn, Mozart and early Beethoven stand to Beethoven's last quartets.

With Mozart there is no temptation to do so.

The most celebrated Requiem Masses are those of Palestrina, Mozart and Cherubini.

The house in which Mozart was born has been transformed into a museum, which contains many interesting relics.

Thus Mozart's most perfect as well as most ecclesiastical example is his extremely terse Mass in F, written at the age of seventeen, which is scored simply for fourpart chorus and solo voices accompanied by the organ with a largely independent bass and by two violins mostly in independent real parts.

To Thackeray her diction recalled the sound of village bells falling sweetly and softly on the ear, and it sent a shiver through John Stuart Mill, like a symphony of Haydn or Mozart.

Stein tuned Mozart's piano to a fork a' 421.6, and the Broadwood pianos used at the London Philharmonic Society in its first concerts (1813) were tuned to a fork c 2 506.8, which gives a mean tone a' 423.7.

In the treatment of the orchestra volumes might be written about Haydn's and Mozart's sense of fitness, as shown in Haydn's experiments and Mozart's settled methods.

Magnificent examples are Mozart's trio for pianoforte, clarinet and viola, his quintet for pianoforte, oboe, clarinet, horn and bassoon (imitated by Beethoven), his quintet for clarinet and strings, Brahms's clarinet-quintet for the same combination, and his trio for pianoforte, violin and horn.

In Tannhauser and Lohengrin Wagner's intellectual power develops far more rapidly in the drama than in the music. The Sangerkrieg, with its disastrous conflict between the sincere but unnatural asceticism of the orthodox Minnesingers and the irrepressible human passion of Tannhauser, is a conception the vitality of which would reduce Tannhauser's repentance to the level of Robert le Diable, were it not that the music of the Sangerkrieg has no structural power, and little distinction beyond a certain poetic value in the tones of violas which had long ago been fully exploited by Mozart and Mehul, while the music of Tannhauser's pilgrimage ranks with the Vorspiel to Lohengrin as a wonderful foreshadowing of Wagner's mature style.

In the development of instrumental polyphony Haydn's work was almost as important as that of Mozart.

Most contemporary musicians speak of Martini with admiration, and Mozart's father consulted him with regard to the talents of his son.

So unfavourable were the conditions of 18th-century music for the formation of a good ecclesiastical style that only a very small proportion of Mozart's and Haydn's Mass music may be said to represent their ideas of religious music at all.

He was luxuriating in the quiet of the day listening to Mozart and trying unsuccessfully to get Martha off his mind when once again the phone rang.

Barth recently published a little volume in German in which he renders homage to the "secret of Mozart."

I sing alto in a local choral society where we are currently learning Mozart's Requiem.

For Mozart I would use Bach alto, small bore tenor, large bore tenor.

Mark Knight has also published his own cadenzas for violin concertos by Mozart and viola concertos by Stamitz and Hoffmeister.

In 1983 he was appointed principal cello with the London Mozart Players.

Mozart had produced nothing remotely comparable by the same age.

I'm interested in theories of musical analysis as well, and have even dabbled in Mozart studies.

Mozart composed this divertimento, or sextet for strings and two horns, eight days after his pet starling dies.

Mozart therefore omits formal closing fugues for the Gloria and Credo.

The inspiration for this piece is Mozart's arrangements of several bach fugues for string trio.

His version, like Mozart's, is mostly homophonic.

There's fog horns, there's a piece of the Mozart Requiem, you name it.

A brilliant melodist, colourist and miniaturist, Bizet instinctively composed with the dramatic concision of his heroes Beethoven, Mozart and Mendelssohn.

Contrary to postmodern critique, Mozart's contemporaries rejected disembodied metaphysics.

Mozart, for one, was extremely skilled at using the oboe to its full advantage in an ensemble.

Mozart's satirical opera is staged by ENO in celebration of the 250th anniversary of the composer's birth.

His concert work is equally prestigious, and he has featured in recordings of Haydn, Schumann, Brahms and Mozart.

We do not know why Mozart returned to the string quintet at this particular time.

Brass contributes greatly to the effect and the highly expressive recitatives that follow set a standard for Mozart and others to follow.

Mozart becomes obsessed with writing a Requiem as his friends, family, health, and resources waste away.

Learn and perform Mozart's wonderful Requiem in a day!

It's true that Mozart never lowered his standards, even when writing background music; the two preceding wind serenades are proof of that.

Did you know that Mozart had a pet starling?

Amadeus (pictured) reinforced some unhelpful stereotypes How do we know what we think we know about Mozart?

This could mean engaging in deep conversation or debate, as well as sharing a good book or listening to Mozart.

For example, the Amadeus line was introduced in 1983 and was named for the movie of the same name based on the life of the composer Wolfgang Amadeus Mozart.

Mozart's Piano Concerto No. 20 in D Minor might not have the same appeal to someone who likes Bob Dylan.

Classical - These are compositions by the great masters such as Mozart, Beethoven, and Bach.

The summer musical events, aside from traditional performances of the works of such composers as Mozart, Beethoven, Mahler, Strauss and others, also often include works and performances by more recent composers.

To many, a Mozart biography is important to learn about, as the man is so well known in the world of classical music.

Known better to some as Johannes Chrysostomus Wolfgangus Theophillus Mozart, or Wolfgang Amadeus Mozart, the man was a famed classical music composer.

Mozart was born to parents Leopold and Anna Maria in modern day Austria.

Mozart grew up in a musical family, with father Leopold a small composer who taught and published textbooks on the topic.

Mozart began his relationship with music through his father, who began to give the children piano lessons.

Mozart soon began to out shadow his father's talent and sought to gain increased education in music.

The Mozart children were looked at as musical prodigies and often performed at exhibitions across Europe.

These trips were often difficult on the family and on one trip to Italy, Mozart attended only with his father.

On this trip, Mozart was accepted into the Accademia Filarmonica, a famed achievement at the time.

During trips to Italy and beyond, Mozart began to compose many of his most famed tunes like Exultate, Jubilate K 165.

These were mainly composed during the time Mozart was the court musician of the ruler of Salzburg.

Mozart was soon to quit the position to begin a tour of major European cities like Mannheim and Paris in search of new employment.

Though it is often rumored that Mozart found love with another musician among this time, he was unable to secure employment and fell into debt.

After several failed opportunities, Mozart returned to Salzburg to a position his father acquired for him.

Mozart's mother died around the same time period.

Continually frustrated with family relations, Mozart left the city soon in route to Vienna.

There, Mozart began to perform his works and composed large numbers.

Mozart married Constanze, a women whose sister he is rumored to have had an affair with while looking for employment years prior.

During this period, Mozart began to perform as a soloist that provided a comfortable amount of money for the couple and their children.

When the Mozart family moved to Alsegrund, the family was already beginning another bout of debt.

Mozart was struck with illness (and as is rumored by many, depression) shortly after and began to compose heavily.

Donations from local royalty helped the Mozart family rebound their finances slightly but Mozart's health continued to decline.

On the 5th of December 1791, Mozart died with his wife at hand.

As one of the best known composers in the modern world, Mozart lived a life and legacy that will last much longer than his life ever did.

Many of his most famed works are still routinely played and numerous musicians aspire to becoming the level of musician that Mozart was.

This legacy is perhaps Mozart's greatest.

For Mozart there never was any such embarras de richesse in any combination of instruments.

This was in many cases true, and it is equally true that Mozart and Haydn often had no scruple in following the customs of very bad composers.

Already Mozart divides his violas into two parts quite as often as he makes them play with the basses.

Similar principles apply in infinite detail to the treatment of wind instruments, and we must never lose sight of them in speculating as to the reasons why the genius of Beethoven was able to carry instrumentation into worlds of which Haydn and Mozart never dreamt, or why, having gone so far, it left anything unexplored.

Now Wagner's excellent teacher Weinlig did certainly, as Wagner himself testifies, teach him more of good music than Beethoven, Haydn and Mozart could have seen in their youth; for he showed him Beethoven.

Genuinely dramatic music, even if it seem as purely musical as Mozart's, must always be approached through its drama; and Wagner's masterpieces demand that we shall use this approach; but, as with Mozart, we must not stop on the threshold.

In 1769 Mozart heard it and wrote it down, and in 1771 a copy was procured and published in England by Dr Burney.

He was a man of singularly handsome presence, not without mental qualities of a high order; he was devoted to the arts - Beethoven and Mozart enjoyed his patronage and his private orchestra had a European reputation.

But the most important fact of biography during these thirty years was his friendship with Mozart, whose acquaintance he made at Vienna in the winter of 1781-1782.

There can have been little personal intercourse between them, for Haydn was rarely in the capital, and Mozart seems never to have visited Eisenstadt; but the cordiality of their relations and the mutual influence which they exercised upon one another are of the highest moment in the history of 18th-century music. " It was from Haydn that I first learned to write a quartet," said Mozart; it was from Mozart that Haydn learned the richer style and the fuller mastery of orchestral effect by which his later symphonies are distinguished.

The fruit of their efforts came to maturity in the Masses of Mozart and Haydn.

Bach's method is to treat each clause of his text as a separate movement, alternating choruses with groups of arias; a method which was independently adopted by Mozart in those larger masses in which he transcends the Neapolitan type, such as the great unfinished Mass in,C minor.

About Liszt's pianoforte technique in general it may be said that it derives its efficiency from the teaching of Czerny, who brought up his pupil on Mozart, a little Bach and Beethoven, a good deal of Clementi and Hummel, and a good deal of his (Czerny's) own work.

In the Mozart-Platz is a statue of Mozart by Schwanthaler erected in 1842.

It was the birthplace of Mozart and of the painter Hans Makart (1840-1884).

Shelby says " Mozart is a cat who is better traveled than most humans.

With modern orchestral conditions the text seems positively to demand an unecclesiastical, not to say sensational, style, and probably the only instrumental Requiem Masses which can be said to be great church music are the sublime unfinished work of Mozart (the antecedents of which would be a very interesting subject) and the two beautiful works by Cherubini.

Learn and perform Mozart 's wonderful Requiem in a day !

Wherever Mozart found the inspiration for his sublime melodies for the 40th symphony, they were immediate hits.

There are ethnic styles and even a " Mozart " style with tremolo strings that works great o­n classical music !

Mozart was popularly supposed to dislike the flute as an instrument, but you would never know it from this spirited and tuneful piece.

It is more common to find sheet music for classical music from composers such as Bach, Mozart and Beethoven, and traditional music, such as American and Celtic folk music.

Saying "video games are bad" is a lot like saying "music is bad", lumping Korn and Britney Spears right in there with Bach and Mozart.

Don't say you love Mozart when you really prefer Metallica.