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models

models Sentence Examples

  • "Omigod. So I'm going to a planet of models and body builders," Kiera said.

  • There were hundreds, maybe thousands, of cheerfully clothed giants and models lining a petal-strewn pathway.

  • She hid in the room most of the day to prevent any more run-ins with cats or models and to think.

  • Half the cars down there have USA license plates, and the models are so new they practically still have the family pet in the back seat.

  • Nowadays, not even the models looked alike, altered by porches and additions and a variety of landscaping tastes.

  • If popular models were an accurate indication, people preferred tall women.

  • Her cheeks were flushed, her body unlike those of the models he normally took to bed.

  • We have not had an opportunity of testing this, nor Grubb's more recent models; but, should it be found possible to produce such images satisfactorily, without distortion and with an apparatus convenient and rigid in form, such micrometers may possibly supersede the filar micrometer.

  • In the Queen Anne range is the Royal Naval Museum, containing models, relics of Nelson and of Franklin, and other objects.

  • A fine collection of mechanical models is connected with the polytechnic school.

  • It contains models of the principal dockyards and fortifications of the British empire, naval models of all dates, and numerous specimens of weapons of war from the remotest times to the present day.

  • Among the relics were three hundred small golden models of bees.

  • Wren apparently did not himself approve of this second design, for he got the king to give him permission to alter it as much as he liked, without showing models or drawings to any one, and the actual building bears little resemblance to the approved design, to which it is very superior in almost every possible point.

  • His draperies are tight and closely folded, being studied (as it is said) from models draped in paper and woven fabrics gummed.

  • of the Norman kings at Palermo and Monreale and Cefalu and Messina are in style simply Saracenic; they were most likely the work of Saracen builders; they were beyond doubt built after Saracenic models.

  • Of this system - except so far as the confusion of the laws is -concerned - the reform of 1864 made a clean sweep. The new system established - based partly on English, partly on French models - was built up on certain broad 1864.

  • but his eclogues were, like his Italian models, also satires on social evils.

  • those on the Germanic mark and on the allodium and beneficium) were models of learning and sagacity, all were dominated by his general idea and characterized by a total disregard for the results of such historical disciplines as diplomatic. From this crucible issued an entirely new work, less well arranged than the original, but richer in facts and critical comments.

  • Hebrew religious poetry was revived for synagogue hymnology, and, partly in imitation of Arabian models, a secular Hebrew poetry was developed in metre and rhyme.

  • This third Late Minoan period - the beginning of which may be fixed about 1400 - is an age of stagnation and decline, but the point of departure continued to be the models supplied by the age that had preceded it.

  • A new geometrical style of decoration like that of contemporary Greece largely supplants the Minoan models.

  • Mill was earnestly opposed to the transfer, and the documents in which he substantiated the proud boast for the Company that "few governments, even under far more favourable circumstances, have attempted so much for the good of their subjects or carried so many of their attempts to a beneficial issue," and exposed the defects of the proposed new government, are models of trenchant and dignified pleading.

  • (b) Sacred, such as models or actual examples of ritual objects; of these we have also numerous pictorial representations.

  • The art of all the area gives evidence of one spirit and common models; in religious representations it shows the same anthropomorphic personification and the same ritual furniture.

  • It cried Crusade when there was no Crusade; and the long Crusade against the Hohenstaufen, if it gave the papacy an apparent victory, only served in the long run to lower its a It is difficult to decide how far Arabic models influenced ecclesiastical architecture in the West as a result of the Crusades.

  • The high degree of civilization then prevailing in the country is proved by its architectural remains dating from the early Christian centuries; the investigations of De Vogue, Butler and others, have shown that from the 1st to the 7th century there prevailed in north Syria and the Hauran a special style of architecture - partly, no doubt, following Graeco-Roman models, but also showing a great deal of originality in details.

  • These two works, and especially the latter, were the models followed by Thenard, Liebig, Strecker, Wohler and many others, including Thomas Graham, upon whose Elements of Chemistry was founded Otto's famous Lehrbuch der Chemie, to which H.

  • The formula has the advantage that it may be constructed from tetrahedral models of the carbon atom; but it involves the assumption that the molecule has within it a mechanism, equivalent in a measure to a system of railway points, which can readily close up and pass into that characteristic of benzene.

  • 1 During the twelve years that followed Morse was engaged in a painful struggle to perfect his invention and secure for it a proper presentation to the public. In poverty he pursued his new enterprise, making his own models, moulds and castings, denying himself the common necessaries of life.

  • For the subjects under this heading see the articles CONIC SECTIONS; CIRCLE; CURVE; GEOMETRICAL CONTINUITY; GEOMETRY, Axioms of; GEOMETRY, Euclidean; GEOMETRY, Projective; GEOMETRY, Analytical; GEOMETRY, Line; KNOTS, MATHEMATICAL THEORY OF; MENSURATION; MODELS; PROJECTION; Surface; Trigonometry.

  • The following table shows the war strength of battalions, and the total war strength of the infantry arm: - The troops are armed principally with Mauser repeating rifles (models 1887 and 1890) of which there are 1,120,000 issued and in store; there are also 510,000 Martini-Henry rifles in reserve.

  • about 460 B.C. The sculptor Timotheus - one of those who collaborated in the Mausoleum - is mentioned as undertaking to make the acroteria that stood on the ends of the pediments, and also models for the sculpture that filled one of them.

  • A man of great oratorical power, Anthim delivered a series of sermons (Didahii), and some of his pastoral letters are models of style and of language as well as of exact and beautiful printing.

  • The highest educational establishments are to be found in Belgrade: the Velika Shkola (a small university with three faculties), the military academy, the theological seminary, the high school for girls, a commercial academy, and several schools for secondary education on German models.

  • Clear and forcible in style and arrangement, they are models of Puritan exposition and of appeal through the emotions to the individual conscience, illuminated by frequent flashes of spontaneous and often highly unconventional humour.

  • The Latin sermons of St Augustine, of which 384 are extant, have been taken as their models by all sensible subsequent divines, for it was he who rejected the formal arrangement of the divisions of his theme, and insisted that simplicity and familiarity of style were not incompatible with dignity and religion.

  • His strategy at Dundee and Inverlochy, his tactics at Aberdeen, Auldearn and Kilsyth furnished models of the military art, but above all his daring and constancy marked him out as the greatest soldier of the war, Cromwell alone excepted.

  • The year of her death (1380) was that of the birth of St Bernardino Albizzeschi (S Bernardino of Siena), a popular preacher whose sermons in the vulgar tongue are models of style and diction.

  • The chief representatives of the strictly " classical " school, which adopted the ancient Greek and Latin authors as its models, were David Baroti Szabo, Nicholas Revai, Joseph Rajnis and Benedict Virag.

  • We know but little of Isaiah's predecessors and models in the prophetic art (it were fanaticism to exclude the element of human preparation); but certainly even the acknowledged prophecies of Isaiah (and much more the disputed ones) could no more have come into existence suddenly and without warning than the masterpieces of Shakespeare.

  • It is drawn in imitation of European models, and makes military service compulsory for all Venezuelans between 21 and 50 years.

  • The authors of the Augustan age are unduly depreciated, while Ennius, Plautus, Laberius, Sallust are held up as models of imitation.

  • Like many other French histories, it was a pamphlet as well as a chronicle, and the subjects of Lamartine's pen became his models in politics.

  • The standard of excellence in the ancient writers was indeed far above the level of the 16th century; but the fatal habit of taking at second hand what should have been acquired by direct observation retarded progress more than the possession of better models assisted it, so that the fundamental faults of medieval science remained uncorrected.

  • and Peter the Great are indeed models of clear narrative and ingenious if somewhat superficial grasp and arrangement.

  • Almost all his more substantive works, whether in verse or prose, are preceded by prefaces of one sort or another, which are models of his own light pungent causerie; and in a vast variety of nondescript pamphlets and writings he shows himself a perfect journalist.

  • The Low Country glasses are closely copied from Venetian models, but generally are heavier and less elegant.

  • The author of the Atlante espanol, writing at the end of the 18th century, says that excellent glass was still made at Barcelona on Venetian models.

  • The Opera del Duomo contains models and pieces of sculpture connected with the cathedral; the Etruscan and Egyptian museum, the gallery of tapestries, the Michelangelo museum, the museum of natural history and other collections are all important in different ways.

  • Havana cigars are, as regards form, classification, method of putting up and nomenclature, the models followed by manufacturers of all classes of the goods.

  • Except for the absence of wings, the young are miniature models of the adult.

  • In the Heliand the Saviour and His Apostles are conceived as a king and his faithful warriors, and the use of the traditional epic phrases appears to be not, as with Cynewulf or the author of Andreas, a mere following of accepted models, but the spontaneous mode of expression of one accustomed to sing of heroic themes.

  • In working from early Dorian models they introduced refinements of their own, with the result that they produced beautiful, but somewhat vapid and academic types.

  • The overthrow of the Wahhabis in 1817 restored Sultan Said to independence; he equipped and armed on Western models a fleet built in Indian ports, and took possession of Sokotra and Zanzibar, as well as the Persian coast north of the straits of Hormuz as far east as Gwadur, while by his liberal policy at home Sohar, Barka and Muscat became prosperous commercial ports.

  • The types show late Greek and perhaps also late Punic influence, but approximate later to Roman models.

  • The Schwanthaler museum contains models of most of the great sculptor's works.

  • The prohibition of the exportation from England of machinery, models or drawings retarded mechanical improvement, but in 1790 an industrial company was formed at Providence to carry on cotton spinning, and in December of that year there was established at Pawtucket a factory equipped with Arkwright machines constructed by Samuel Slater.

  • Some of the most exquisite and most ingenious of these earlier productions, such as the magnificent iron eagle in the south Kensington Museum, the wonderful articulated models of crayfish, dragons, serpents, birds, that are found in many European collections, came from the studios of the MiyOchins; but these were the play of giants, and were not made as articles of commerce.

  • Hence the skill undoubtedly possessed by several graduates of the defunct art school has to be devoted chiefly to a subordinate purpose, namely, the fashioning of models for metal-casters.

  • The latter sometimes made his own models in wax, carving In sometimes chiselled them in wood, and sometimes had Wood and recourse to a specialist in wood-carving.

  • Such as it was in Buddhist outline when first erected in accordance with Chinese Temple models, such it virtually remained, though in later A,vhitecture.

  • On the slopes called Kiyomizu-zaka and Goj-zaka lived a number of ceramists, all following virtually the same models with variations due to individual genius.

  • Taking the Eiraku porcelains of Kioto as models, Hachiroemon employed red grounds with designs traced on them in gold.

  • He took for his models the raku faience of KiOto, the masterpieces of Ninsei and Kenzan, the rococc wares of Korea, the enamelled porcelain of China, and the blue-andwhite ware of Delft.

  • The extraordinary Models.

  • Seifu YOhei, however, has the special faculty of manufacturing monochromatic and jewelled porcelain and faience, which differ essentially from the traditional Kioto types, their models being taken directly from China.

  • Takemoto and KatO of Tokyo entered the field subsequently to ShOzan, but followed the same models approximately.

  • Its potters took fiamb glazes for models, and their pieces possessed an air of novelty that attracted connoisseurs.

  • Yet it is remarkable that China, at the close of the Ioth century, should have again furnished models to Japanese eclecticism.

  • He suggested the use of experimental tanks for testing the powers of ship models, invented an ear-trumpet for the deaf, improved the common house-stove of his native land, cured smoky chimneys, took a lively interest in machine-guns and even sketched a flying machine.

  • It was also his habit to make sketch models in wax for the figures in his pictures, many of which are in the possession of the Royal Academy.

  • While the imaginative and emotional side of Roman poetry was so powerfully represented by Lucretius, attention was directed to its artistic side by a younger genera tion, who moulded themselves in a great degree on Alexandrian models.

  • Aurelius, broke away from the traditional Latin of the Silver and Golden ages, and took as his models the pre-classical authors.

  • Many of these reforms were followed as models by other states.

  • The Gothic cathedral, consecrated in 1222, on the site of another ruined by an earthquake in 1184, goes back to French models in Champagne, and is indeed unique in Italy.

  • He takes as his models Cicero and Tacitus (vii.

  • The Letters are models of graceful thought and refined expression, each of them dealing with a single topic and generally ending with an epigrammatic point.

  • Savary expresses preference for this second plan, and makes the pertinent remark that in both these models " the rays of red light in the two solar images will be next to each other, which will render the sun's disk more easy to be observed than the violet ones."

  • Here, in order to fulfil the purposes of the previous models, the distance of the centres of the lenses from each other should only slightly exceed the tangent of sun's diameter X focal length of lenses.

  • For both there can be found Jewish models, if necessary.

  • The choir-stalls and screen (1510) are finely carved, and of further interest are the ancient pulpit sounding-board (1432), some old stained glass, and the small models of ships, copies dating from 1638 of yet earlier models originally presented by the Dutch-Swedish Trading Company.

  • Although the Latin in some instances differs from that of the purest models, the work was for a long time a favourite elementary school-book.

  • pp. 1-28.) These timber framed structures served as models for the earlier metal trusses which began to be used soon after 1850, and which, except in a few localities where iron is costly, have quite superseded them.

  • The same critic, however, thought Erasmus would have done better "if he had kept more closely to the classical models."

  • The Musee Rath contains pictures and sculptures; the Musee Fol, antiquities of various dates; the Musee des Arts Decoratifs, inter alia, a fine collection of prints; the Musee Industriel, industrial objects and models; the Musee Archeologique, prehistoric and archaeological remains; the Musee d'Histoire Naturelle, scientific collections; and the Musee Epigraphique, a considerable number of inscriptions.

  • Greek models were diligently studied by Virgil and Horace.

  • He also encouraged the transcription of Latin MSS., which became models of style to Widukind of Corvey, the imitator of Sallust and Livy.

  • Discussions on set subjects were held, select passages from the classics learned by heart, while written exercises in prose and verse were founded on the best ancient models.

  • In the study of Latin the principal aim of the Italian humanists was the imitation of the style of their classical models.

  • They opened the doors of their schools to the Greek and Latin classics, but they represented the ancient masterpieces dissevered from their original historic environment, as impersonal models of taste, as isolated standards of style.

  • (a) During the first twenty years of the 16th century the reform of Latin instruction was carried out by setting aside the old medieval grammars, by introducing new manuals of classical literature, and by prescribing the study of classical authors and the imitation of classical models.

  • While Ronsard and Antoine de Bail were most influenced by Greek models, du Bellay was more especially a Latinist, and perhaps his preference for a language so nearly connected with his own had some part in determining the more national and familiar note of his poetry.

  • In 1548 appeared the Art poetique of Thomas Sibilet, who enunciated many of the ideas that Ronsard and his followers had at heart, though with essential differences in the point of view, since he held up as models Clement Marot and his disciples.

  • by 750, in the south-eastern part of the town; within it was a square tower or fort; a portico of entrance and an avenue of rows of sphinxes was added in Ptolemaic times, as is shown by the foundation deposits found at the corners of the portico; these consisted of models of the tools and materials used in the buildings, models of instruments for sacrifice or ceremonies, and cartouches of King Ptolemy Philadelphus.

  • without supernatural forms, which are models of individuals,.

  • The creator, or the divine intellect, with a view to the form of the good, and taking all forms as models, creates in a receptacle (vir080x i, Plato, Timaeus, 49 A) individual impressions which are called things but really change and become without attaining the permanence of being.

  • Her models are Thucydides, Polybius and Xenophon, and her style exhibits the striving after Atticism characteristic of the period, with the result that the language is highly artificial.

  • The term " industrial property " covers patents, trade marks, merchandise marks, trade names, designs and models.

  • Brand-new institutions on Western models were gradually growing up among the cumbrous, antiquated, wornout machinery of old Muscovy; and new men, like Menshikov, Goloykin, Apraksin, Osterman, Kurakin, Tolstoy, Shafirov, Prokopovich, Yaguszhinsky, Yavorsky, all capable, audacious, and brimful of new ideas, were being trained under the eye of the great regenerator to help him to carry on his herculean task.

  • This is, of course, more true of the middle ages than of the times that preceded and followed them; the Church under the Roman empire hardly as yet realized the possibilities of " sermons in stones," and took over, with little change, the model of the secular and religious buildings of pagan Rome; the Renaissance, essentially a neo-pagan movement, introduced disturbing factors from outside, and, though developing a style very characteristic of the age that produced it, started that archaeological movement which has tended in modern times to substitute mere imitations of old models for any attempt to express in church architecture the religious spirit of the age.

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