At Vespers from the first psalm to the Magnificat, at mass from the end of the Kyrie to the canon.
Vespers or Evensong consists of five varying psalms, a hymn, the Magnificat (Luke i.
Some of the chief points of difference between this and subsequent Prayer Books were the following: Matins and Evensong began with the Lord's Prayer, and ended with the third collect; there were no alternative Psalm-canticles for Benedictus, Magnificat and Nunc Dimittis; the Athanasian Creed was introduced after the Benedictus on six festivals only, and in addition to the Apostles' Creed; the Litany was placed after the Communion service, for which an alternative title was given, viz.: " commonly called the Mass."
They are as follows: (i.) The Calendar; (ii.) The names of the Faires of Scotland; (iii.) The Confession of Faith used at Geneva and received by the Church of Scotland; (iv.-vii.) Concerning the election and duties of Ministers, Elders and Deacons, and Superintendent; (viii.) An order of Ecclesiastical Discipline; (ix.) The Order of Excommunication and of Public Repentance; (x.) The Visitation of the Sick; (xi.) The Manner of Burial; (xii.) The Order of Public Worship - Forms of Confession and Prayer after Sermon; (xiii.) Other Public Prayers; (xiv.) The Administration of the Lord's Supper; (xv.) The Form of Marriage; (xvi.) The Order of Baptism; (xvii.) A Treatise on Fasting with the order thereof; (xviii.) The Psalms of David; (xix.) Conclusions or Doxologies; (xx.) Hymns - metrical versions of the Decalogue, Magnificat, Apostles' Creed, &c.; (xxi.) Calvin's Catechism; (xxii.
In it the Pater Noster, Ave Maria, Deus in Adjutorium, &c., are followed by five psalms and five antiphons, after which come the "little chapter," the hymn and the verse, which vary according to the season, the Magnificat and its antiphon, and the appropriate collect.
R-io) - the prototype of the " Magnificat " - a postexilic passage, " probably composed in celebration of some national success " (Driver), the present suitability of which rests upon the interpretation placed on verse 5.
Round its top run balustrades formed of Gothic letters, which read as part of the Magnificat.