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inlaying

inlaying Sentence Examples

  • Both these compounds afford delicate, unobtrusive and effective grounds for inlaying with gold, silver and other metals, as well as for sculpture, whether incised or in relief.

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  • There are two principal kinds of inlaying: the first called hon-zogan (true inlaying), the second nunome-zogan (linen-mesh inlaying).

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  • A third kind of inlaying, peculiar to Japan, is sumi-zogan (ink-inlaying), so called because the inlaid design gives the impression of having been painted with Indian ink beneath the transparent surface of the metal.

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  • Suzukis kiribame process is not to be confounded with the kiribame-zagan (inserted inlaying) of Toyoda KokO, also a modern artist.

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  • The plate thus obtained shows accidental clouding, or massing of dark tones, and these patches are taken as the basis of a pictorial design to which final character is given by inlaying with gold and silver, and by kata-kiri sculpture.

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  • It is called togi-dashi-zogan (ground-out inlaying).

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  • The principal industries are tilework, inlaying with silver wire, and the manufacture of thick-soled yellow slippers, much-esteemed flintlocks, and artistic "towels" used as cape and skirt by Moorish country girls.

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  • There in the 19th century Senor Zuloaga successfully revived the artistic inlaying of gold and silver in steel and iron.

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  • A valuable product is a species of clam, the shell of which furnishes a specially iridescent mothero'-pearl, which the natives barter with the Japanese for inlaying lacquer.

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  • There is at Cairo and in other towns a considerable industry in ornamental wood and metal work, inlaying with ivory and pearl, brass trays, copper vessels, gold and silver ornaments, &c. At Cairo and in the Fayum, attar of roses and other perfumes are manufactured.

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  • The whole was then heated until it perfectly adhered, and the mass was drawn out lengthways so as to render the design far more minute, and to increase the total length for cutting up. The rod was then sliced across, and the pieces used for inlaying.

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  • Another use of colored glass was for cutting in the shapes of hieroglyphs for inlaying in wooden.

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  • The wood of the tree was very precious, and was brought from Ophir (probably some part of India), along with gold and precious stones, by Hiram, and was used in the formation of pillars for the temple at Jerusalem, and for the king's house; also for the inlaying of stairs, as well as for harps and psalteries.

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  • Inlaying >>

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  • It need scarcely be said that tiles have rather increased in value than deteriorated in the eyes of the connoisseur, that the ornamentation of metal-work, wood carving and inlaying, gem and seal engraving, are exquisite of their kind, and that the carpets manufactured by skilled workmen, when left to themselves and their native patterns, are to a great extent unrivalled.

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  • It is much prized by wheelwrights, cabinet-makers, sculptors, &c., on the Continent; while knotted roots are used for inlaying.

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  • Like the curled maple, it is used for inlaying mahogany.

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  • In his History of Architecture, Fergusson says of it: "This building is an early example of that system of inlaying with precious stones which became the great characteristic of the style of the Moghals after the death of Akbar.

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  • The fine red fragrant heart-wood takes a high polish, and is much used in cabinet-work and inlaying, but the small size of the planks prevents its more extended use.

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  • Both these compounds afford delicate, unobtrusive and effective grounds for inlaying with gold, silver and other metals, as well as for sculpture, whether incised or in relief.

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    0
  • Inlaying with gold or silver was among the early forms of decoration in Japan.

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    0
  • There are two principal kinds of inlaying: the first called hon-zogan (true inlaying), the second nunome-zogan (linen-mesh inlaying).

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    0
  • A third kind of inlaying, peculiar to Japan, is sumi-zogan (ink-inlaying), so called because the inlaid design gives the impression of having been painted with Indian ink beneath the transparent surface of the metal.

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    0
  • The difference between this process and ordinary inlaying is that for sumi-zogan the design to be inlaid is fully chiselled out of an independent block of metal with sides sloping so as to be broader at the base than at the top. The object which is to receive the decoration is then channelled in dimensions corresponding to those of the design block, and the latter having been fixed in the channels, the surface is ground and polished until an intimate union is obtained between the inlaid design and the metal forming its field.

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  • Suzukis kiribame process is not to be confounded with the kiribame-zagan (inserted inlaying) of Toyoda KokO, also a modern artist.

    0
    0
  • The plate thus obtained shows accidental clouding, or massing of dark tones, and these patches are taken as the basis of a pictorial design to which final character is given by inlaying with gold and silver, and by kata-kiri sculpture.

    0
    0
  • It is called togi-dashi-zogan (ground-out inlaying).

    0
    0
  • The principal industries are tilework, inlaying with silver wire, and the manufacture of thick-soled yellow slippers, much-esteemed flintlocks, and artistic "towels" used as cape and skirt by Moorish country girls.

    0
    0
  • There in the 19th century Senor Zuloaga successfully revived the artistic inlaying of gold and silver in steel and iron.

    0
    0
  • A valuable product is a species of clam, the shell of which furnishes a specially iridescent mothero'-pearl, which the natives barter with the Japanese for inlaying lacquer.

    0
    0
  • There is at Cairo and in other towns a considerable industry in ornamental wood and metal work, inlaying with ivory and pearl, brass trays, copper vessels, gold and silver ornaments, &c. At Cairo and in the Fayum, attar of roses and other perfumes are manufactured.

    0
    0
  • The whole was then heated until it perfectly adhered, and the mass was drawn out lengthways so as to render the design far more minute, and to increase the total length for cutting up. The rod was then sliced across, and the pieces used for inlaying.

    0
    0
  • Another use of colored glass was for cutting in the shapes of hieroglyphs for inlaying in wooden.

    0
    0
  • The wood of the tree was very precious, and was brought from Ophir (probably some part of India), along with gold and precious stones, by Hiram, and was used in the formation of pillars for the temple at Jerusalem, and for the king's house; also for the inlaying of stairs, as well as for harps and psalteries.

    0
    0
  • It need scarcely be said that tiles have rather increased in value than deteriorated in the eyes of the connoisseur, that the ornamentation of metal-work, wood carving and inlaying, gem and seal engraving, are exquisite of their kind, and that the carpets manufactured by skilled workmen, when left to themselves and their native patterns, are to a great extent unrivalled.

    0
    0
  • It is much prized by wheelwrights, cabinet-makers, sculptors, &c., on the Continent; while knotted roots are used for inlaying.

    0
    0
  • Like the curled maple, it is used for inlaying mahogany.

    0
    0
  • In his History of Architecture, Fergusson says of it: "This building is an early example of that system of inlaying with precious stones which became the great characteristic of the style of the Moghals after the death of Akbar.

    0
    0
  • The fine red fragrant heart-wood takes a high polish, and is much used in cabinet-work and inlaying, but the small size of the planks prevents its more extended use.

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  • Consider inlaying carpet tiles in sections in front of the tub or sink, and covering the rest of the bathroom floor in easier-to-maintain hard tiles.

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  • The same goes for installing a tile or wood pattern or inlaying two materials.

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  • A number of methods are used to create the paw print on the silver, including engraving it onto the silver and inlaying enamel in the silver.

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  • Inlaying with gold or silver was among the early forms of decoration in Japan.

    0
    1
  • The difference between this process and ordinary inlaying is that for sumi-zogan the design to be inlaid is fully chiselled out of an independent block of metal with sides sloping so as to be broader at the base than at the top. The object which is to receive the decoration is then channelled in dimensions corresponding to those of the design block, and the latter having been fixed in the channels, the surface is ground and polished until an intimate union is obtained between the inlaid design and the metal forming its field.

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    1
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