Holbein sentence example

holbein
  • The Holbein society issued a facsimile of Sir Teuerdank (London, 1884) and Triumphwagen (London, 1883).
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  • In the museum is a fine collection of works of art by Holbein (who lived in Basel from 1528 to 1531), while the historical museum (in the old Franciscan church) contains many treasures, and among them the fragments of the famous Dance of Death, wrongly attributed to Holbein.
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  • The public picture gallery in the Saalhof possesses works by Hans Holbein, Grunewald, Van Dyck, Teniers, Van der Neer, Hans von Kulmbach, Lucas Cranach and other masters.
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  • Erasmus's features are familiar to all, from Holbein's many portraits or their copies.
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  • There is also a special room for the "Madonna" of the younger Holbein.
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  • In the interior of the church are some beautiful stained glass windows, both ancient and modern, the tombstones of several of the dukes of Zahringen, statues of archbishops of Freiburg, and paintings by Holbein and by Hans Baldung (c. 1 47 0 - 1 545), commonly called Griin.
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  • interior Erasmus has drawn a charming picture, which may vie with Holbein's celebrated canvas, " The Household of Sir Thomas More."
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  • He was an intimate friend of Holbein, whose first introduction to England was as a visitor to More in his house at Chelsea, where the painter is said to have remained for three years, and where he probably first met Henry VIII.
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  • Holbein painted portraits of Sir Thomas and his family.
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  • From the school at Rottweil, on the Neckar, he went (1510) to the university of Basel, and became a good classic. From 1514 he obtained schoolmaster posts at Basel, where he married, and made the acquaintance of Erasmus and of Holbein, the painter.
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  • Of the numerous paintings of Henry none is by Holbein, who, however, executed the striking chalk-drawing of Henry's head, now at Munich, and the famous but decaying cartoon at Devonshire House.
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  • The well-known threequarter length at Windsor, usually attributed to Holbein, is by an inferior artist.
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  • The cities of Strassburg, Nuremberg, Augsburg, Basel, became centres of learned coteries, which gathered round scholars like Wimpheling, Brant, Peutinger, Schedel, and Pirckheimer, artists like Darer and Holbein, printers of the eminence of Froben.
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  • Such work as that of Diirer, Vischer, Cranach, Schlingauer, Holbein, consummate as it was in technical excellence, did not assume Italian forms of loveliness, did not display the paganism of the Latin races.
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  • The note of Renaissance work in Germany was still Gothic. This we feel in the penetrative earnestness of Darer, in the homeliness of Hans Sachs, in the grotesque humour of Eulenspiegel and the Narrenschiff, the sombre pregnancy of the Faust legend, the almost stolid mastery of Holbein.
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  • Sculpture was represented in London for a brief space by Torrigiani; painting by Holbein and Antonio More; music by Italians and Frenchmen of the Chapel Royal.
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  • It includes a picture-gallery, principally of German works of the 15th and 16th centuries, including masterpieces by Holbein, Dürer, Wohlgemuth and others.
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  • Nevertheless her picture, painted by Holbein by the king's command (now in the Louvre, a modern copy at Windsor), pleased Henry and the marriage was arranged, the treaty being signed on the 24th of September 1539.
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  • acquired and reconstructed it, employed Holbein in its decoration, and made it his principal residence.
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  • draughtsmans a highly accomplished draftsman, whose precise detail was influenced by Hans Holbein.
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  • lifelike portrait by Hans Holbein hangs in the museum of the same city.
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  • Among the portraits of the archbishops here are examples by Holbein, Van Dyck, Hogarth and Reynolds.
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  • It includes a picture-gallery, principally of German works of the 15th and 16th centuries, including masterpieces by Holbein, Dürer, Wohlgemuth and others.
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