Glaze sentence example

glaze
  • It's ham with a maple syrup and brown sugar glaze on it.
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  • Salt-glaze and green and yellow glaze seem to have been his first staples.
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  • Brush the pastry case with the egg yolk mixture to glaze the pastry.
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  • The use of glaze on ridge tiles varies from type to type.
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  • It is apparent that a vitrified enamel may be made to perform, in part at any rate, the function of a porcelain glaze.
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  • The piece is then fired again in a raku kiln to a point where the glaze has melted enough to form a brittle skin.
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  • The glaze has been slightly misfired on the foot.
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  • Lead glaze made opaque by the addition of tin ashes.
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  • Serve with the roasted parsnips and onions, any remaining glaze and a fresh green salad.
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  • These were made at the Lambeth factory, in salt glaze stoneware, seven inches high, colored blue and stone.
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  • But even if I take a stick and trouble the glaze with my name ripples remain unintelligible.
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  • I am sure you never saw finer workmanship or a richer glaze.
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  • Destined chiefly for private use or for presents, their decoration was delicate rather than rich, the color chiefly employed being brown, or reddish brown, under the glaze, and the decoration over the glaze being sparse and chaste.
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  • Moreover, the workmen of Kaga did not follow the Arita precedent of massing blue under the glaze.
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  • Roast in a hot oven for 10 minutes for the carrots to take on a shiny glaze.
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  • The sodium in the salt combines with the silicates in the clay to produce a glossy ' orange peel ' textured glaze surface.
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  • Break edges color filled with Fynebond resin bulked with fumed silica and tinted with dry powder pigments to tone with the original glaze.
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  • Underglaze colors are protected from wear by the glaze layer on top of them.
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  • Underglaze Decoration applied to pots which are subsequently glazed with a transparent glaze.
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  • Stoneware is a highly fired and almost vitrified ceramic composed of clay and sand coated with a salt glaze.
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  • In addition, tin glaze will not withstand boiling water, so there may be original damage on tea and coffee wares.
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  • When fully dry, in a well ventilated area, spray the outer areas of pot and saucer with the Clearcote hi-shine glaze.
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  • Allow project to dry for several hours, and apply one more coat of the Clearcote hi-shine glaze to the pot and charms.
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  • When you're purchasing a glazed pet bowl, it is very important to inquire if the glaze that was used contains lead or any other toxic heavy metals.
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  • Glaze a bit of strawberry syrup on top and garnish the beverage with a couple of fresh strawberries on a cocktail pick.
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  • The effect can be subtle or dramatic depending on the base paint color and glaze chosen.
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  • Once the glaze is up, use a brush that is at least 3 inches in diameter and paint little "x" marks in the glaze.
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  • The "x" marks will create dots that allow the base coat to shine through the glaze.
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  • Consider using a paint glaze or a faux finish to add warmth and texture to your primary color.
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  • Further, remember that mixing a dark glaze with a light base coat will make your room look dark.
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  • The more glaze you add, the darker the sponge color will be.
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  • A general rule of thumb is four parts glaze to one part paint, but you can adjust that to get the richness and depth you desire.
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  • Take your sponge, dip into your paint and glaze mixture, and start sponging the walls.
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  • Start with a can of flat finish latex paint, stir in unsanded tile grout and glaze medium, and you're ready to go!
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  • If your mural requires some kind glaze, this is also usually included.
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  • Some companies, such as Pratt & Larson of Portland, Oregon, spray a base glaze onto each tile.
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  • Other companies, such as Brittany and Coggs of New Hampshire paint their tiles in layers, rubbing off the top layer of glaze from the relief portion of the tiles to allow the base layer to show through.
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  • These tiles are hand dipped in vats of glaze, one by one to give you a tile with a very personal touch.
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  • Since each artist will have a different touch with the brush, taking up more or less glaze at a time, each tile will be subtly different and unique.
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  • You may also decide to go with a light hue of red as in a soft pale blush or as a faux finish with a dark glaze for a dramatic effect.
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  • Select a ceramic floor tile with a varying colored glaze.
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  • The glaze keeps the walls easy to clean, while providing beauty and style to the bathroom design.
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  • Top this tile with a lighter color border and finish off with a plain tile with a soft, old fashioned glaze on top.
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  • Nothing's better than a great beauty bargain, and e.l.f Plumping Lips Glaze passes the test for a real beauty steal.
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  • The Plumping Lips Glaze from e.l.f comes in a double ended tube with individual lip wands on each end.
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  • Plumping Lips Glaze, but on any shopping trip I have a tendency to wander to the makeup and skincare aisles to check out new products and attempt to have the willpower to refrain from grabbing all the delicious new beauty finds.
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  • Plumping Lips Glaze is that it can be used in different ways.
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  • I would give the e.l.f Plumping Lip Glaze five stars - the price combined with the great product it delivers makes this a beauty bag essential.
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  • For those that are looking for enhancing the lips in a more subtle way and are already addicted to lip gloss application throughout the day, this is an outstanding lip glaze.
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  • Fun variations include making a glaze to coat your turkey.
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  • Brush your turkey with this glaze just after removing it from the oven.
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  • Beat until smooth, wait until the cookies are cool, and spread one teaspoon of glaze on each cookie.
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  • Ham with Bourbon, Molasses and Pecan Glaze - this recipe is surprisingly simple because you're cooking an already prepared ham.
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  • Simmer the ingredients, stirring, until it has thickened into a glaze.
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  • Flip the filets over and brush the flesh with the maple/soy glaze.
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  • Brush with more glaze and flip the filets again, this time placing on the low heat half of the grill.
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  • Once you've picked the type of wood and the stain you want, a layer of glaze adds depth and another layer of beauty to your bathroom cabinets.
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  • An application of white or colored glaze adheres to the exterior and interior surfaces and fuses to the clays body in the same firing method.
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  • Smalti is the Italian word for glass paste or glaze and defines the chemical make-up of the substance.
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  • After being heat-cured, the tiles retain their natural color and are porous, which means that they have the ability to absorb water.To make them non-porous, they need to have a sealant or glaze applied to them.
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  • Pigments are usually added to the glaze to change the color of the tile to something more vibrant.
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  • This second round of heat exposure cures the glaze; when the tiles are removed, they are colorful, shiny and resistant to water.
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  • Scratch Resistant - The baked-on glaze is highly scratch resistant which keeps your countertop looking like new for many years after installation.
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  • Companies like Pratt & Larson produce ceramic tiles with a metal glaze.
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  • Real copper, iron and bronze are used in the glaze to give the tiles a truly authentic metallic look.
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  • The frame is a bold one shaped in a tortoise brown glaze, while the lenses are done in the S11 light smoke colors.
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  • Paint should be bright, although some crazing or hairline cracks in the glaze of most jars is acceptable.
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  • China doll heads are made from porcelain that is finished by coating it with a shiny glaze.
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  • A ham covered in glaze can be an enticing entrée, but I prefer to celebrate Easter with a nice leg of lamb.
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  • Frieda's Glaze gives loads of shine--a definite must for today's popular straight looks.
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  • Glaze is a creamy formula that you use in the shower.
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  • This line also includes the Technician Glaze, a powerful high-shine product that employs silicone to protect and accentuate your hair.
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  • Try the Frederic Fekkai Technician Glaze to complete your look.
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  • Redken hair color can be used to glaze, refresh, or correct natural or color-treated hair.
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  • My favorite dish in The Tonga Room is Peppered Beef Tenderloin served with baby bok choy, oyster mushrooms and a black pepper-soy glaze.
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  • Doctors believe the ceramic glaze used on the container contained lead, common in some imported ceramic items, and the lead leached out from the heat and acids of the black tea.
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  • Decorate the cookies simply with purchased decorating icing or brush the cookies with a glaze made by mixing confectioner's sugar with milk or water.
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  • Sprinkle colored sugar or other edible decorations on the wet glaze.
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  • When that coat is dry, apply a finish such as a crackle glaze if you want.
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  • Zinsser, a company that makes faux finishing glaze, offers a handful of projects that are easy to follow and complete in your home.
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  • Let one coat dry before moving on to the next step, whether that's adding a second color or doing a faux finishing technique like a crackle glaze or sponge painting.
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  • They also involve a finishing glaze that is mixed with the paint to make the finish you want.
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  • Plaid glaze faux painting is a great way to add new life to your home décor.
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  • Glaze is a common supply for many faux painting techniques.
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  • In painting, the term glaze refers to paint that is somewhat transparent and can be used to change the color or texture of a surface.
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  • Plaid Decorator Glaze is a water-based, non-toxic glaze that can be used for a number of craft projects, including faux finishing and stamping.
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  • Plaid Decorator Glaze is sold in two ounce bottles.
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  • Plaid Decorator Glaze can be used with Plaid's line of faux finishing tools.
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  • Plaid glaze faux painting products are available for purchase at larger craft stores such as Hobby Lobby and Michaels Crafts.
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  • When you're completing a Plaid glaze faux painting project, try not to obsess over small mistakes.
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  • In addition to the number of Plaid glaze faux painting techniques available, Plaid Decorator Glaze can also be used as a wood stain.
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  • To stain wood using Plaid Decorator Glaze, apply the product with a moist sponge or the Plaid Decorator Tools French Brush.
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  • If you prefer, you can leave your cream puffs naked - with no powdered sugar or glaze.
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  • Some recipes call for a whipped texture while others call for a smooth glaze.
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  • Creating a smooth chocolate glaze couldn't be simpler.
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  • This chocolate ganache glaze recipe shows how to create a stellar topping using equal parts cream and chocolate.
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  • The instructions include helpful ideas for using the finished product, and you can easily learn how to apply the glaze on a cake.
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  • At a warm temperature, ganache is commonly used as a glaze over cakes.
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  • In this triple chocolate cake recipe, the different types of chocolate ganache are created to fill the cake batter, create a glaze, a chocolate ganache filling and whipped frosting.
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  • Pour the barely warm ganache glaze over the entire cake, using a spatula to spread the glaze evenly.
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  • Be sure to test out the latex glaze on your skin in case of allergic reaction.
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  • Marinade the tuna steaks for up to four hours before the party and brush with glaze during the grilling process.
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  • Some of the signature dishes here include the "guava glaze ribs" and the "caribe red snapper".
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  • It must be remembered that the Romans possessed no fine procelain decorated with lively colours and a beautiful glaze; Samian ware was the most decorative kind of pottery which was then made.
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  • In 1520 a potter named Gorodayu Goshonzui (known to posterity as Shonzui) made his way to Fuchow and thence to King-te-chen, where, after five years study, he acquired the art of manufacturing porcelain, as distinguished from pottery, together with the art of applying decoration in blue under the glaze.
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  • The decoration was confined to blue under the glaze, and as an object of art the ware possessed no special merit.
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  • They wen decorated with blue under the glaze, but some were pure whit with exquisitely chiselled designs incised or in relief.
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  • The staple type has black glaze showing little lustre, and in choice varieties this is curiously speckled and pitted with red.
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  • There is evidence to show that the art of decoration with enamels over the glaze reached Kieto from Hizen in Awata.
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  • One curious variety, called same-yaki, had glaze chagrined like the skin of a shark.
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  • Many of the pieces are distinguished by a peculiar creamy whiteness of glaze, suggesting the idea that they were intended to imitate the soft-paste wares of China.
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  • For many years after Tamikichis processes had begun to be practised, the only decoration employed was blue under the glaze.
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  • Decoration with vitrifiable enamels over the glaze, though it began to be practised at Owari about the year 1840, never became a speciality of tile place.
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  • This Bizen-yaki was red stoneware, with this diaphanous glaze.
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  • The chief of the former is faience, having light grey, close Izumc pate and yellow or straw-colored glaze, with or without erwle to which is applied decoration in gold and green enamel.
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  • Another variety has chocolate glaze, clouded with amber and flecked with gold dust.
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  • Its diaphanous, pearl-grey glaze, uniform, lustrous and finely crackled, overlying encaustic decoration in white slip, the fineness of its warm reddish pate, and the general excellence of its technique, have always commanded admiration.
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  • So, too, the blue-and-white porcelain of Hirado, though assisted by exceptional tenderness of sous-pdte color, by milk-white glaze, by great beauty of decorative design, and often by an admirable use of the modelling or graving tool, represents a ceramic achievement palpably below the soft paste kai-pien-yao of King-te-chen.
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  • In the eyes of a Chinese connoisseur, no blue-and-white porcelain worthy of consideration exists, or ever has existed, except the kai-pien-yao, with its imponderable pdle, its wax-like surface, and its rich, glowing blue, entirely free from superficiality or garishness and broken into a thousand tints by the microscopic crackle of the glaze.
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  • It is this, that whereas the latter produce their chromatic effects by mixing the coloring matter with the glaze, Seif 6 paints the biscuit with a pigment over which he runs a translucid colorless glaze.
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  • From this judgment must be excepted, however, his ivory-white and cladon wares, as well as his porcelains decorated with blue, or blue and red sous couverte, and with vitrifiable enamels over the glaze.
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  • As for his ivory-white, it distinctly surpasses the Chinese Ming Chen-yao in every quality except an indescribable intimacy of glaze and p&e which probably can never be obtained by either Japanese or European methods.
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  • The proper field for the application of these is the biscuit, in which position the covering glaze serves at once to soften and to preserve the pigment.
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  • It can scarcely be doubted that the true instincts of the ceramist will ultimately counsel him to confine his decoration over the glaze to vitrifiable enamels, with which the Chinese and Japanese potters of former times obtained such brilliant results.
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  • Dr Wagener conceived the idea of developing the art of decoration under the glaze, as applied to faience.
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  • By careful selection and preparation of pate, glaze and pigments, Dr Wagener proved not only that the manufacture was reasonably feasible, but also that decoration thus applied to pottery possesses unique delicacy and softness.
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  • The decorative color chiefly employed is chocolate brown, which harmonizes excellently with the glaze.
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  • But the ware has never found favor in Japanese eyes, an element of unpleasant garishness being imparted to it by the vitreous appearance of the glaze, which is manufactured according to European methods.
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  • The modern faience of Ito TOzan of KiOto, decorated with color under the glaze, is incomparably more artistic than the Tokyo asahi-yaki, from which, nevertheless, the KiOto master doubtless borrowed some ideas.
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  • All students of the ceramic art know that the monochrome porceMonochro- lains of China owe their beauty to the fact that the;afic t color is in the glaze, not under it.
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  • The color is fixed and the glaze set by secondary firing at a lower temperature than that necessary for hardening the p4te.
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  • Such porcelains, however, lack the velvet-like softness and depth of tone so justly prized in the genuine monochrome, where the glaze itself contains the coloring matter, pte and glaze being tired simultaneously at the same high temperature.
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  • It is sent to England, and used largely in the manufacture of pottery glaze.
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  • Further, besides thus using glaze on a large scale, differently colored glazes were used, and even fused together.
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  • A piece of a large tile, and part of a glazed vase, have the royal titles and name of Menes, originally in violet inlay in green glaze.
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  • In the XIIth Dynasty a very thin smooth glaze was used, which became rather thicker in the XVIIIth.
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  • The Roman glaze is thick and coarse, but usually of a brilliant Prussian blue, with dark purple and apple-green; and high reliefs of wreaths, and sometimes figures, are common.
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  • Though glaze begins so early, the use of the glassy matter by itself does not occur till the XVIIIth Dynasty; the earlier reputed examples are of stone or frit.
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  • A vase of Menes with purple inlaid hieroglyphs in green glaze and the tiles with relief figures are the most important pieces.
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  • Dr Thomas Wedgwood of Burslem was one of the best of the early salt - glaze potters.
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  • In both cases the colours are the same, - turquoise blue, copper green, dark purple or golden brown, under an exquisitely transparent glaze.
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  • In the true sense of the word, a glaze is a pure polish that does not contain any abrasives or cleaning agents.
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  • The coconut was barely detectable, the glaze a little thin and weedy, and the biscuits on the side seemed a bland afterthought.
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  • Next the modeling is rather crude - especially the face, and the glaze colors are rather brash and garish.
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  • Use a pastry brush to brush this glaze over the toasted bread.
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  • A great English chamber pot, in pale Green glaze, produced by Sadler pottery.
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  • Crazing - this is where the surface of a pottery glaze developes very light crackling, over time.
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  • The next stage was to fill in the missing colors by hand using a cold epoxy glaze colored with artists ' pigments.
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  • If they use one part of [brayed] lajvard to forty parts of glaze frit it becomes transparent blue like a sapphire.
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  • It has an under glaze blue tin mark on the base.
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  • The generous glaze accretions of his pots are echoed by the thick impasto 's of many of his paintings.
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  • One of his best finds was a 13th century green glaze jug.
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  • In this area there is also a large splotch of black glaze -- a clumsy mistake on an otherwise attractive vessel.
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  • The glaze is applied to the tiles, which go back under the heat.
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  • Their material is of pale yellow clay with shining black glaze, and they are decorated with skilfully drawn red figures.
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  • From that time forward the Arita factories turned out large quantities of porcelain profusely decorated with blue under the glaze and colored enamels over it.
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  • The glossy surface of a porcelain glaze is ill fitted for rendering artistic effects with ordinary colors.
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  • In other respects the Hirado factories do not produce wares nearly so beautiful as those manufactured there between 1759 and 1840, when the Hirado-yakz stood at the head of all Japanese porcelain on account of its pure, close-grained pate, its lustrous milk-white glaze, and the soft clear blue of its carefully executed decoration.
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