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dramatists

dramatists Sentence Examples

  • Here you find articles in the encyclopedia about dramatists and playwrights.

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  • After the revival of learning Plautus was reinstated, and took rank as one of the great dramatists of antiquity; cf.

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  • he wrote the article Drama, and biographies of Ben Jonson and other dramatists; and he became an important contributor to the present work.

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  • 4) contains an implied protest against the absolute system of government generally accepted by the dramatists of the early Stuart reigns.

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  • Ford owes his position among English dramatists to the intensity of his passion, in particular scenes and passages where the character, the author and the reader are alike lost in the situation and in the sentiment evoked by it; and this gift is a supreme dramatic gift.

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  • A taste for French literature spread rapidly, and the poets and dramatists of Paris found clever imitators in St Petersburg.

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  • He worked with other dramatists in a long series of plays, with an interval of six years on the National, until the revolution of 1848.

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  • His artistic taste was shown by his patronage of Velasquez, and his love of letters by his favour to Lope de Vega, Calderon, and other dramatists.

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  • Among the dramatists and novelists may be mentioned Joaquim Manoel de Macedo, Jose Martiniano de Alencar, Bernardo Guimaraes, A.

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  • The next group of Hungarian dramatists is dominated by the master spirit of Gregor Csiky.

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  • The greatest of these dramatists has so far been Edward Toth (Toloncz, " The Ousted Pauper ").

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  • During the i 7th century the inhabitants of Banbury seem to have been zealous Puritans, and are frequently satirized by contemporary dramatists.

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  • These places are frequently referred to by the old dramatists; Justice Shallow boasts of his doings at Mile End Green when he was Dagonet in Arthur's Show.

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  • Their several histories were fused by the Elizabethan dramatists, and associated with the Maid Marian of the morris dance, who up to that time had probably only a vague connexion with Robin Hood.

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  • Lessing had done much to make Shakespeare known to Germany, but he had regarded him in contrast to the French dramatists with whom he also contrasted the Greek dramatic poets, and accordingly did not bring out his essentially modern and Teutonic character.

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  • Euergetes (247-222) largely increased the library by seizing on the original editions of the dramatists laid up in the Athenian archives, and by compelling all travellers who arrived in Alexandria to leave a copy of any work they possessed.

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  • There are still extant three or four varying lists of the seven great dramatists who composed the Pleiad of Alexandria.

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  • Here you find articles in the encyclopedia about French dramatists and playwrights.

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  • It is to him that we owe many of our most important fragments of the dramatists, particularly of Euripides.

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  • Soon afterwards a classified catalogue of dramatists, epic and lyric poets, legislators, philosophers, historians, orators and rhetoricians, and miscellaneous writers, with a brief biography of each, was produced by the scholar and poet Callimachus (fl.

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  • The Greek authors were Homer, Hesiod, Pindar and the dramatists, with Herodotus, Xenophon and Plato, Isocrates and Demosthenes, Plutarch and Arrian.

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  • Here you find articles in the encyclopedia about British dramatists and playwrights.

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  • Some who were writers were driven to publish by the occasion; and after the orders of government, which were occasionally published to be obeyed, occasional poems, such as the poems of Solon, the odes of Pindar and the plays of the dramatists, which all had a political significance, were probably the first writings to be published or, rather, recited and acted, from written copies.

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  • The work contains a large amount of information, and shows that its compilers were men of great industry; but its chief interest lies in the fact that it was largely used by Shakespeare and other Elizabethan dramatists; Shakespeare, who probably used the edition of 1587, obtaining from the Chronicles material for most of his historical plays, and also for Macbeth, King Lear and part of Cymbeline.

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  • By his original interpretation of Aristotle's theory of tragedy, he delivered German dramatists from the yoke of the classic tragedy of France, and directed them to the Greek dramatists and to Shakespeare.

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  • That knowledge he had derived partly from books, and partly from sources which had long been closed: from old Grub Street traditions; from the talk of forgotten poetasters and pamphleteers, who had long been lying in parish vaults; from the recollections of such men as Gilbert Walmesley, who had conversed with the wits of Button, Cibber, who had mutilated the plays of two generations of dramatists, Orrery, who had been admitted to the society of Swift and Savage, who had rendered services of no very honourable kind to Pope.

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  • The story formed the subject of lost tragedies by Aeschylus, Sophocles, Euripides and other Greek and Latin dramatists.

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  • Study of the Elizabethan dramatists led to the production in 1800 of the Tragedy of Antonio.

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  • Mention must also be made of two dramatists, Peter Thun Feorsom (1777-1817), who produced an excellent translation of Shakespeare (1807-1816), and Thomas Overskou (1798-1873), author of a long series of successful comedies, and of a history of the Danish theatre (5 vols., Copenhagen, 18J4-1864).

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  • The success of Wallenstein, with which Schiller passed at once into the front rank of European dramatists, was so encouraging that the poet resolved to devote himself with redoubled ardour to dramatic poetry.

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  • Hale (Dramatists of To-Day, London, 1906), &c.; "The Plays of Mr Bernard Shaw," in the Edinburgh Review (April 1905); "Mr Bernard Shaw's Counterfeit Presentment of Women," in the Fortnightly Review (March 1906); "Bernard Shaw as Critic," in the Fortnightly Review (June 1907); and an appreciation by Holbrook Jackson, Bernard Shaw (1907).

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  • The dialogue form was used merely to secure an undress manner of approach to his subject; there was no attempt at the dramatic. The book reflects curiously Lowell's mind at this time, for the conversations relate only partly to the poets and dramatists of the.

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  • (1904); Latest Literary Essays and Addresses (1891); The Old English Dramatists (1892); Conversations on some of the Old Poets (Philadelphia, David M`Kay; reprint of the volume published in 1843 and subsequently abandoned by its author, 18 93); The Power of Sound: a Rhymed Lecture (New York, privately printed, 1896); Lectures on English Poets (Cleveland, The Rowfant Club, 1899).

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  • Much of the learning popularized by our poets and dramatists was derived at second hand from modern literature.

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  • At the same time Spanish influences reached them through the imitators of Guevara and the dramatists; French influences in the versions of romances; German in fluences in popular translations of the Faust legend, Eulenspiegel and similar productions.

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  • We meet with, during the present century, a considerable number of names of poets and dramatists, no doubt very minor, as also painters, sculptors and musical composers.

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  • Other dramatists are E.

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  • When in 1737 the new Royal Swedish Theatre was opened, Dalin led the way to a new school of dramatists with his Brynhilda, a regular tragedy in the style of Crebillon pere.

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  • The description of Pausanias was written at a time when the lower city was deserted, and only the temples and the gates left; and the references to Thebes in the Attic dramatists are, like those to Mycenae and Argos, of little or no topographical value.

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  • Yet his power of touching the springs of tragic awe and horror is a genuine poetical gift, of the same kind as that which is displayed by some of the early English dramatists.

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  • One of the last dramatists of the 16th century belonging to the old school was Simao Machado, who wrote the Comedy of Diu and the Enchantments of Alfea, two long plays almost entirely in Spanish, and full of digressions only made tolerable by the beauty of their lyrics.

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  • At the same time the old dramatists had to face the opposition of the classical school, which appealed to the cultured, and the hostility of the Inquisition, which early declared war on the popular plays on account of their grossness, and afterwards through the index prohibited altogether even the religious autos, as it had condemned the Italian comedies.

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  • The old dramatists came to write for the lower classes only, and though the school lingered on, its productions were performed solely by travelling companies at country fairs.

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  • All through this century Portuguese dramatists, who aspired to be heard, wrote, like Jacintho Cordeiro and Mattos Fragoso, in Castilian, though a brilliant exception appeared in the person of Francisco Manoel de Mello (q.v.), whose witty Auto do fidalgo aprendiz in redondilhas is eminently national in language, subject and treatment.

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  • But Balzac did him justice; Rotrou, as we have seen, never failed in generous appreciation; Moliere in conversation and in print recognized him as his own master and the foremost of dramatists.

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  • The most successful of Icelandic dramatists as yet is IndriOi Einarsson, whose plays, chiefly historical, in spite of excessive rhetoric, are very interesting and possess a true dramatic spirit.

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  • 1908) was also very popular; and Branislav Nushich was the most successful of Servian dramatists early in the 10th century.

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  • The works of the three great dramatists had been thus protected, about 340 B.C., by a standard Attic recension.

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  • In addition to academic teaching in literature and criticism, you will be taught by creative writing practitioners including dramatists, poets and novelists.

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  • Heidi Stephenson and Natasha Langridge Twenty leading contemporary dramatists discuss their work from the perspective of being both writers and women.

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  • Elizabethan dramatists generally assumed that the Capitol was the site of the Senate House.

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  • People today are simply not aware of the magnificent stories on which the Greek dramatists drew and which they enhanced.

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  • Ed Thomas in British and Irish dramatists since WWII (ed.

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  • In addition the list includes the most comprehensive collection of plays by classic and contemporary dramatists.

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  • In the US, TV dramatists are a more serious breed altogether.

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  • In its 28th year, the prize recognizes the work of outstanding women dramatists.

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  • Did you know, for example, that eighteenth century dramatists routinely changed his endings because they were too tragic?

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  • In About Pinter, Mark Batty provides a critical study of the work of one of our most successful living dramatists.

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  • dramatists of the 20th century.

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  • dramatists of the period, was the first play produced at the Kenton.

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  • Pseudonyms would be necessary for all Elizabethan and Jacobean dramatists, if their work is measured for potential subversion.

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  • Ford by no means stood alone among English dramatists in his love of abnormal subjects; but few were so capable of treating them sympathetically, and yet without that reckless grossness or extravagance of expression which renders the morally repulsive aesthetically intolerable, or converts the horrible into the grotesque.

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  • Many French Jews acquired fame, among them the ministers Cremieux (1796-1879), Fould, Gondchaux and Raynal; the archaeologists and philologians Oppert, Halevy, Munk, the Derenbourgs, Darmesteters and Reinachs; the musicians Halevy, Waldteufel and Meyerbeer; the authors and dramatists Catulle Mendes and A.

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  • The love that is disguised in the deadly feud between Isolde and Tristan, before the drinking of the fatal potion, rises even above the music; the love-duet in the second act depends for its greatness on its introduction, before the lovers have met, and its wonderful slow movement (shortly before the catastrophe) where they are almost silent and leave everything to the music: the intervening twenty minutes is an exhausting storm in which the words are the sophisticated rhetoric of a 19th-century novel of passion, translated into terribly turgid verse and set to music that is more interesting as an intellectual ferment than effective as a representation of emotions which previous dramatists have wisely left to the imagination.

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  • Among writers of this school who have won distinction are Ziya Pasha, Jevdet Pasha, the statesman and historian, Ekrem Bey, the author of a beautiful series of miscellaneous poems, Zemzema, Hamid Bey, who holds the first place among Ottoman dramatists, and Kemal Bey (d.

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  • Earlier dramatists had kept to the idea that plays should show heroic heroes and villainous villains, with Good coming out the winner.

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