Basilica Sentence Examples

basilica
  • A large basilica stood here about A.D.

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  • Heron de Villefosse, who has laid bare a beautiful temple of Jupiter, a triumphal arch of Caracalla, a Byzantine basilica and the gate of the Byzantine general Solomon.

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  • It was on this spot, on the Appian way, that was built the basilica of St Sebastian, which was a popular place of pilgrimage in the middle ages.

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  • The capitals are like those of the Basilica, but the details are differently worked out.

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  • The modern cathedral, just below the level of this temple, occupies the civil basilica of the town, upon the façade of which was a sun-dial, described by Varro (traces of which may still be seen).

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  • In the modern piazza the steps leading up to this latter basilica and the base of a large monument were found in 1907; so that only a part of the piazza represents the ancient forum.

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  • Gregory died on the 12th of March 604, and was buried the same day in the portico of the basilica of St Peter, in front of the sacristy.

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  • He restored the Lateran basilica, which had fallen down in 897.

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  • Scanty remains of a building on the south side of the forum, called the curia, but which may be a basilica, and of the theatre, on the east of the temple, still exist.

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  • The old cathedral is a round domed structure of the 10th (?) century erected over an early Christian basilica, which has forty-two ancient columns; and the Broletto, adjoining the new cathedral (a building of 1604) on the north, is a massive building of the 12th and 13th centuries (the original town hall, now the prefecture and law courts), with a lofty tower.

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  • At the south end of the forum are three .halls side by side, similar in plan with a common façade-the central one, the curia or council chamber, the others the offices respectively of the duumvirs and aediles, the principal officials of the city; while the greater part of the west side is occupied by two large buildings-a basilica, which is the largest edifice in Pompeii, and the temple of Apollo, which presents its side to the forum, and hence fills up a large portion of the surrounding space.

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  • Between this temple and the basilica the Via Marina leads off direct to the Porta Marina.

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  • The fifth temple, that of Venus Pompeiana, lay to the west of the basilica; traces of two earlier periods underlie the extant temple, which was in progress of rebuilding at the time of the eruption.

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  • About 580-590 it was sacked by the Lombards, and the monks fled to Rome, where they were established at the Lateran basilica.

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  • Its chief buildings are the citadel and many mosques, one of which is an ancient Byzantine basilica, originally a 1 Prince von Billow was credited with suggesting in his correspondence on the question of the Bundesrath that a tribunal of arbitration should be instituted to deal with all questions of capture.

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  • In the ceremony of beatification the essential part consists in the reading of the pontifical brief, placing the Venerable in the rank of the Blessed, which is done during a solemn mass, celebrated with special rites in the great hall above the vestibule of the basilica of St Peter.

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  • After a great number of formalities and prayers, the pope pronounces the sentence, and indicates eventually the day on which he will proceed to the ceremony of canonization, which takes place with great solemnity in the basilica of St Peter.

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  • This circumstance, together with the custom of ornamenting the basilica of St Peter very richly on the day of the ceremony, accounts for the considerable cost which a canonization entails.

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  • At York he renewed Paulinus's old church, roofing it with lead and furnishing it with glass windows; at Ripon he built an entirely new basilica with columns and porches; at Hexham in honour of St Andrew he reared a still nobler church, over which Eddius grows eloquent.

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  • On each visit to Rome it was his delight to collect relics for his native land; and to his favourite basilica at Ripon he gave a bookcase wrought in gold and precious stones, besides a splendid copy of the Gospels.

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  • The present building, a basilica with columns, dates from 864; the nave was restored in ro08, in which year the now ruined octagonal baptistery was built.

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  • The Coptic cathedral, dedicated to St Mark, is a modern building in the basilica style.

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  • The oldest Coptic church in Cairo is, probably, the Keniset-el-Adra, or Church of the Virgin, which is stated to preserve the original type of Coptic basilica.

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  • The Corpus Juris of Justinian continued to be, with naturally a few additions in the ordinances of succeeding emperors, the chief law-book of the Roman world till the time of the Macedonian dynasty when, towards the end of the 9th century, a new system was prepared and issued by those sovereigns, which we know as the Basilica.

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  • In the western provinces, which had been wholly severed from the empire before the publication of the Basilica, the law as settled by Justinian held its ground; but copies of the Corpus Juris were extremely rare, nor did the study of it revive until the end of the 1 ith century.

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  • The most celebrated took place in the summer of 341 at the dedication of the golden Basilica, and is therefore called in encaeniis (iv iyKawvLoas), in dedicatione.

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  • A further revision of this code is stated to have been made by Constantine Porphyrogenitus, the son and successor of Leo, but this statement rests only on the authority of Theodorus Balsamon, a very learned canonist of the 12th century, who, in his preface to the Nomocanon of Patriarch Photius, cites passages from the Basilica which differ from the text of the code as revised by the emperor Leo.

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  • This latter conclusion is the more probable from the circumstance, that the text of the code, as revised by the emperor Leo, agrees with the citations from the Basilica which occur in the works of Michael Psellus and Michael Attaliates, both of them high dignitaries of the court of Constantinople, who lived a century before Balsamon, and who are silent as to any second revision of the code having taken place in the reign of Constantine Porphyrogenitus, as well as with other citations from the Basilica, which are found in the writings of Mathaeus Blastares and of Constantine Harmenopulus, both of whom wrote shortly after Balsamon, and the latter of whom was far too learned a jurist and too accurate a lawyer to cite any but the official text of the code.

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  • Authors are not agreed as to the origin of the term Basilica, by which the code of the emperor Leo is now distinguished.

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  • No perfect MS. has been preserved of the text of the Basilica, and the existence of any portion of the code seems to have been ignored by the jurists of western Europe, until the important bearing of it upon the study of the Roman law was brought to their attention by Viglius Zuichemus, in his preface to his edition of the Greek Paraphrase of Theophilus, published in 1533.

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  • A century, however, elapsed before an edition of the sixty books of the Basilica, as far as the MSS.

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  • It may seem strange that so important a body of law as the Basilica should not have come down to us in its integrity, but a letter has been preserved, which was addressed by Mark the patriarch of Alexandria to Theodorus Balsamon, from which it appears that copies of the Basilica were in the 1 2th century very scarce, as the patriarch was unable to procure a copy of the work.

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  • In it we see that Hubert in 708 succeeded Lambert in the see of Maestricht (Tongres), and that he erected a basilica to his memory.

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  • The most magnificent church in Pest is the Leopoldstadt Basilica, a Romanesque building with a dome 315 ft.

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  • They consist of a fine nympheum on the north with a covered theatre behind it, covered market halls on the west, and a peristyle hall and a basilica on the east.

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  • It was therefore to Byzantium that Italy turned for metal-workers, and especially for goldsmiths, when, in the 6th to the 8th centuries, the basilica of St Peter's in Rome was enriched with masses of gold and silver for decorations and fittings, the gifts of many donors from Belisarius to Leo III., the mere catalogue of which reads like a tale from the Arabian Nights.

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  • The cathedral of St John Baptist is the principal object of interest; Theodelinda's basilica of 59 0 was enlarged at the close of the 13th century by throwing the atrium into the main building, and the present fine blackand-white marble façade was erected about the middle of the 14th by Matteo da Campione, and restored in 1899-1901.

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  • Viewed from the river it makes a somewhat gloomy, though picturesque, impression, with its parish church (a basilica dating from the 12th century, with four towers), the round watch-tower on the Rhine, old walls in places 15 ft.

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  • This magnificent basilica, with four round towers, two large domes, and a choir at each end, has a specially imposing exterior, though the impression produced by the interior, is also one of great dignity and simplicity, heightened by the natural colour of the red sandstone of which it is built.

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  • There are several monuments to the heroine, and a modern basilica has been erected in her honour on a neighbouring hill, where she is said to have heard the voices in obedience to which she took up the sword.

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  • The shrine of St Martin attracted the sick from all quarters, and the basilica of the saint was a favourite sanctuary for political refugees.

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  • It has a cathedral of the same century, a triple Gothic edifice, restored in 1874 and containing the tombs of several grand masters of the Teutonic order; a (Gothic) town-hall (1880); a Roman Catholic basilica (1858); a non-commissioned officers' school; a monument of the war of 1870-71 (1897); an archaeological collection; and a seminary for female teachers.

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  • The gift, mentioned by Anastasius (in Sylv.), made by Constantine to the Vatican basilica, of a pharum of gold, garnished with Soo dolphins each holding a lamp, to burn before St Peter's tomb, points also to a custom well established before Christianity became the state religion.

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  • The cathedral, a vast basilica built of brick and white stone, with a central dome and two lofty spires above the north entrance, was founded in 1866 and consecrated in 1882.

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  • Paragorio, once the cathedral, a Romanesque basilica dating from the 1 rth century, with interesting works of art.

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  • Next t0 the cathedral, the chief is perhaps the abbey church of St Peter, a Romanesque basilica of the 12th century which was tastelessly restored in 1745, and which contains a monument to St Rupert.

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  • The principal church is the imposing Romanesque cathedral, a basilica with transepts, begun in 1042 and consecrated in 1189.

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  • An epitaph written by Charlemagne in verse, in which he styles Adrian "father," is still to be seen at the door of the Vatican basilica.

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  • There is an interesting church, a basilica, dating from the beginning of the 13th century.

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  • The general plan is that of a basilica with a nave and two (Gothic vaulted) aisles separated by pilasters.

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  • Mustiola is a basilica with a nave and two aisles, with eighteen columns of different kinds of marble, from ancient buildings.

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  • One more collection, an abstract from the Greek Basilica, published by Donici (Jassy, 1814), must be mentioned, for through it the legal.

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  • Donato, is a fine basilica, of the 12th century.

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  • The ancient church is of the domed basilica form with throne and seats still existent in the tribunal.

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  • St John of the Studium (Emir= Achor Jamissi) is a basilica of the middle of the 5th century, and the oldest ecclesiastical fabric in the city; it is now, unfortunately, almost a complete ruin.

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  • On a large scale, and in magnificent style, it combines the attractive features of a basilica, with all the glory of an edifice crowned by a dome.

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  • The cistern of Bin Bir Derek (cistern of Illus) with its 22 4 columns, each built up with three shafts, and the cistern Yeri Batan Serai (Cisterna Basilica) with its 420 columns show what covered cisterns were, on a grand scale.

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  • The cathedral, a fine basilica, of the 12th (?) century, with columns and fantastic capitals of the period, originally flat-roofed and later vaulted, with 16th-century restorations, contains the tomb of Pope John XXI., and has a Gothic campanile in black and white stone.

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  • So when next year the king of the Franks went to Rome in person, on Christmas Eve of the year 8oo and in the basilica of St Peter the pope placed on his head the imperial crown and did him reverence after the established custom of the time of the ancient emperors.

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  • The old basilica which contains the history of the monarchy sums up the whole of Gothic art to this day, and it was Suger who in the domain of art and politics brought forward once more the conception of unity.

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  • The day following, when he was performing divine service in the Basilica, the prefect of the city came to persuade him to give up at least the Portian church in the suburbs.

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  • His Latin poems include one on the dedication of a basilica built by Bugge (or Eadburga), a royal lady of the house of Wessex.

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  • The Eski Juma, or Old Mosque, is another interesting basilica, evidently later than Constantine, with side aisles and an apse without side chapels.

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  • Apparently when they came to the Basilica in Bethlehem they refused to destroy it because of a mosaic depicting the adoration of the Magi.

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  • The town fathers decided to build an impressive basilica, which was finished in 1897.

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  • Although we have not yet found the basilica we would expect it to be in the area indicated.

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  • Architecturally, it has a basilica, which is believed to closely mirror the now destroyed abbey at Cluny.

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  • The style preferred was that of a Romanesque basilica with campanile, after the style of the cathedral of Torcello near Venice.

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  • The huge basilica has magnificent stained glass windows which are awe inspiring for both the believer and the non believer.

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  • In the fifth century A.D. a large basilica was built in front of these temples, incorporating them into its atrium.

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  • The tiny aperture that serves as both entrance and exit to this great basilica constitutes a danger to pilgrims.

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  • At the western end of the beach is the remains of a 5th century basilica.

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  • In 1960 her team cleared the interior and conducted excavations in and around the basilica.

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  • The basilica was partially destroyed by the Berbers in the 5th century, and was rebuilt in A.D.

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  • A quatrefoil chapel on the east side of the basilica is a Byzantine addition.

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  • The tessellated pavement which covers the basilica proper is in almost perfect condition.

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  • The whole of the basilica and its dependencies have been cleared and are kept in order by the Service des Monuments historiques, the principal work having been accomplished by Heron de Villefosse.

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  • Apart from the province of Constantine, Algeria is less rich in Roman remains than Tunisia; mention must, however, be made of the excavations of Victor Waille at Cherchel, where were found fine statues in the Greek style of the time of King Juba II.; of P. Gavault at Tigzirt (Rusuccuru), and finally of those of Stephane Gsell at Tipasa (basilica of St Salsa) and throughout the district of Setif and at Khamissa (Thuburticum Numidarum).

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  • Besides the cathedral, the baptistery and the famous leaning tower, the city possesses several notable churches, as the Renaissance church of the Tuscan order of St Stephen, built in 1562 from plans by Vt,sari; San Niccolo, with a four-storeyed tower (1230), built by Niccola Pisano, and the tomb of John of Swabia, the parricide; Santa Caterina (1262); Santa Maria della Spina, in the Italo-Gothic style, built in 1230 and restored in 1872; San Sepolchro, erected in 1150 by Diotisalvi; San Francesco, with frescoes byTaddeo Gaddi; and the basilica of San Michele (Io18).

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  • The most famous of the Paduan churches is the basilica dedicated to Saint Anthony, commonly called Il Santo; the bones of the saint rest in a chapel richly ornamented with carved marbles, the work of various artists, among them of Sansovino and Falconetto; the basilica was begun about the year 1230 and completed in the following century; tradition says that the building was designed by Niccola Pisano; it is covered by seven cupolas, two of them pyramidal.

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  • The inhabitants of Bari organized an expedition, seized his remains by means of a ruse, and transported them to Bari, where they were received in triumph on the qth of May 1087, and where the foundations were laid of a new basilica in his honour.

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  • The clergy, now Roman officials, vested in the robes of the civil dignitaries (see Vestments), took their seats in the apse of the basilica where the magistrates were wont to sit, in front of them the holy table, facing the congregation.

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  • The archaeological museum is housed here on the ground floor; besides Roman and pre-Roman objects it contains fragments of the 9th century basilica of Santa Maria in Aurona, one of the first examples of vaulted Lombard architecture; the bas-reliefs of the ancient Porta Romana of Milan, representing the return of the Milanese in 1171 after the defeat of Barbarossa; the remains of the church of Santa Maria in Brera, the work of Balduccio da Pisa; the grandiose sepulchral monument of Bernabo Visconti formerly in the church of San Giovanni in Conca; the tomb of Regina della Scala, the wife of Bernabo; the funeral monument of the Rusca family; the great portal of the palace of Pigello Portinari, seat of the Banco Mediceo at Milan, a work of Michelozzo; a series of Renaissance sculptures, including works by Amadeo Mantegazza, Agostino Busti (surnamed Bambaia), including fragments of the tomb of Gaston de Foix.

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  • The modern cathedral, just below the level of this temple, occupies the civil basilica of the town, upon the façade of which was a sun-dial, described by Varro (traces of which may still be seen).

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  • At the south end of the forum are three .halls side by side, similar in plan with a common façade-the central one, the curia or council chamber, the others the offices respectively of the duumvirs and aediles, the principal officials of the city; while the greater part of the west side is occupied by two large buildings-a basilica, which is the largest edifice in Pompeii, and the temple of Apollo, which presents its side to the forum, and hence fills up a large portion of the surrounding space.

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  • This explanation of the term "Basilica" is more probable than the derivation of it from the name of the father of the emperor Leo, inasmuch as the Byzantine jurists of the Iith and 12th centuries ignored altogether the part which the emperor Basil had taken in initiating the legal reforms, which were completed by his son; besides the name of the father of the emperor Leo was written Oa6LXaos, from which substantive, according to the genius of;r? ??

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  • The cathedral of St John Baptist is the principal object of interest; Theodelinda's basilica of 59 0 was enlarged at the close of the 13th century by throwing the atrium into the main building, and the present fine blackand-white marble façade was erected about the middle of the 14th by Matteo da Campione, and restored in 1899-1901.

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  • The church of San Michele Maggiore is one of the finest specimens of the Lombard style in existence, and as it was within its walls that the crown was placed on the head of those "kings of Italy" from whom the house of Savoy claims descent it was by royal decree of 1863 given the title of Basilica Reale.

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  • It is probable that the basilica situated at the second milestone on the Via Flaminia was also dedicated to him.

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  • Accessible by a door in the left aisle of the cathedral is the church of Sta Restituta, a basilica of the 7th century, and the original cathedral.

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  • There are several great architectural examples of the early intarsia method found in St. Peter's Basilica in Rome as well as fifteenth century Florence buildings.

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  • Peter's Basilica is the burial site of St. Peter, one of the apostles of Jesus, and is one of Rome's five largest churches.

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  • The most important ruins are those of the great basilica.

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  • Many of the columns of the basilica have fallen, but the bases of all are in their original positions.

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  • The present church of the Holy Sepulchre stands on the site upon which one of the churches of Constantine was built, but the second church, the Basilica of the Cross, has completely disappeared.

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  • In the 6th century the emperor Justinian erected a magnificent basilica at Jerusalem, in honour of the Virgin Mary, and attached to it two hospitals, one for the reception of pilgrims and one for the accommodation of the sick poor.

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  • The interior is in the form of a basilica, the double aisles being borne by ancient columns, and contains ambones and a candelabrum of 1311, the former resting on columns supported by lions, and decorated with reliefs and coloured marble mosaic. The castle at the highest point of the town was erected in the 14th century.

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  • The basilica reared over his tomb at Rome is still visited by pilgrims. His legend is very popular.

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  • San Pietro de' Cassinensi (outside the Porta Romana) is a basilica with nave and aisles, founded in the beginning of the i 1th century by San Pietro Vincioli on the site of a building of the 6th century, and remarkable for its conspicuous spire, its ancient granite and marble columns, its walnut stall-work of 1535 by Stefano de' Zambelli da Bergamo, and its numerous pictures (by Perugino, &c.).

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  • On the Constantins platz stands the magnificent brick basilica, probably of the age of Constantine, though the south and east walls are modern.

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  • Another Roman basilica forms the nucleus of the cathedral.

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  • A Sicilian church has nothing in common with a French or an English church; it is sometimes purely Oriental, sometimes a basilica with pointed arches.

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  • Other noteworthy churches are the Jakobskirche, an i r th-century Romanesque basilica; the St Martinskirche; the Marienkirche or Obere Pfarrkirche (1320-1387), which has now been restored to its original pure Gothic style.

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  • Apollinare in Classe, erected at the same time outside the walls of Classis, and now standing by itself in the lonely marshes, is the largest basilica existing at Ravenna.

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  • Maria in Porto near the ancient harbour (1096 sqq.), a basilica with open roof, with frescoes by masters of the Rimini school, may be noticed.

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  • These last years of his life were spent in journeying backwards and forwards between Toulouse and Rome, where his abode was at the basilica of Santa Sabina on the Aventine, given to him by the pope; and then in extended journeys all over Italy, and to Paris, and into Spain, establishing friaries and organizing the order wherever he went.

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  • It concluded an alliance with Rome in 308 B.C. The modern village lies higher than the ancient town, and excavations on the site of the latter in 1775 and following years led to the discovery of the baths, a theatre, a basilica and other buildings.

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  • Pietro Orseolo and his successors rebuilt the church on a larger scale in the form of a basilica with three eastern apses and no transept, and Byzantine workmen were employed.

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  • A lively agitation all over Europe, and particularly in England (conducted by Ruskin and William Morris), led the Italian government to discard the Austrian plan of restoration, at least as regards the interior of the Basilica, and to respect the ancient portions which had stood the test of time and had escaped "renewal" by man.

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  • The interior, a basilica with nave and two aisles, contains columns said to come from a temple of Minerva and a fine mosaic pavement of 1166, with interesting representations of the months, Old Testament subjects, &c. It has a crypt supported by forty-two marble columns.

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  • In the district that bore this designation, lying close to the Appian Way, the basilica of San Sebastiano was erected, and the extensive burial-vaults beneath that church - in which, according to tradition, the bodies of the apostles St Peter and St Paul rested for a year and seven months previous to their removal to the basilicas which bear their names - were, in very early times, called from it coemeterium ad catacumbas, or catacumbas alone.

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  • From this crypt a staircase led up to the basilica in which Pope Silvester was buried, and the whole plan of which was laid bare by De Rossi.

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  • Stevenson, since dead, discovered in 1896 a small subterranean basilica in the catacomb of Santi Pietro e Marcellino on the Via Labicana, with pious acclamations on the plaster similar to those in the Papal crypt in St Calixtus.

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  • After his baptism Edwin, according to Bede, began to construct "a large and more noble basilica of stone," but it was partly destroyed during the troubles which followed his death, and was repaired by Archbishop Wilfrid.

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  • The building suffered from fire in 741, and, after it had been repaired by Archbishop Albert, was described by Alcuin as "a most magnificent basilica."

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  • Of the houses, most of which stood on the central hill, no traces remain; but there are ruins of three churches - the Great Basilica and the Basilica Alexander on the western hill, and the Basilica of St Salsa on the eastern hill - two cemeteries, the baths, theatre, amphitheatre and nymphaeum.

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  • Gsell, consists of a nave and two aisles, and still contains a mosaic. The Great Basilica served for centuries as a quarry, but it is still possible to make out the plan of the building, which was divided into seven aisles.

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  • The body, miraculously recovered from the sea, was buried, on the hill above the harbour, in a small chapel which gave place subsequently to the stately basilica.

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  • Daux, discovered the jetties and the moles of the commercial harbour, and the line of the military harbour (Cothon); both harbours, which were mainly artificial, are entirely silted up. There remains a fragment of the fortifications of the Punic town, which had a total length of 6410 metres, and remains of the substructions of the Byzantine acropolis, of the circus, the theatre, the water cisterns, and of other buildings, notably the interesting Byzantine basilica which is now used as an Arab cafe (Kahwat-el-Kubba).

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  • The cathedral (dedicated to St Nicholas the Pilgrim, a Greek assassinated at Trani in 1094 and canonized by Urban II.), on a raised open site near the sea, was consecrated, before its completion, in 1143; it is a basilica with three apses, a large crypt and a lofty tower, the latter erected in1230-1239by the architect whose name appears on the ambo in the cathedral of Bitonto, Nicolaus Sacerdos.

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  • The earliest temple in Paestum, the socalled Basilica, must in point of style be associated with the temples D and F at Selinus, and is therefore to be dated about 57 0 -554 B.C.'

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  • The Greek cathedral, built in1740-1779in the Basilica style, is situated on a height which dominates the town.

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  • In the West these buildings were raised over the tomb, which was left intact; but in the East there was no hesitation in disturbing the graves of the saints and removing the bodies to a basilica built to receive them.

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  • The foundation walls of a basilica were discovered, and from the time when that was built until the present day the ground has always.

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  • Sir William Tite gave reasons for believing that Bishopsgate Street was not a Roman thoroughfare, and in the excavations at Leadenhall the basilica to which allusion has already been made was found apparently crossing the present thoroughfare of Gracechurch Street.

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  • In the 5th century the clergy of the diocese of Paris built a basilica over the tomb.

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  • About 625 Dagobert, son of Lothair II., founded in honour of St Denis, at some distance from the basilica, the monastery where the greater number of the kings of France have been buried.

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  • The best of these is the town hall, otherwise known as the basilica, one of the finest works of the Renaissance period, of which Palladio himself said that it might stand comparison with any similar work of antiquity.

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  • It is especially noteworthy owing to the difficulty of the task the architect had to accomplish - that of transforming the exterior of the Palazzo della Ragione, a Gothic building of the latter half of the 15th century, which the colonnades of the basilica entirely enclose.

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  • The basilica is still the predominent type, but the influence of the domed churches of Constantinople and the mosques of Palermo is also apparent.

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  • The principal mosque at Beja was originally a Christian basilica, and is still dedicated to Sidna Aissa (our Lord Jesus).

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  • Among the other churches of Munich the chief place is due to St Boniface's, an admirable copy of an early Christian basilica.

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  • St Peter's is interesting as the oldest church in Munich (12th century), though no trace of the original basilica remains.

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  • The Palazzo della Ragione, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 2672 ft., its breadth 89 ft., and its height 78 ft.; the walls are covered with symbolical paintings in fresco; the building stands upon arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza; the Palazzo was begun in 1172 and finished in 1219; in 1306 Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three compartments into one and forming the present great hall.

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  • Romolo is an early and simple example of the Tuscan Romanesque style; it is a small basilica, begun in 1028 and restored in 1256.

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  • It was originally a three-aisled basilica, but is now a five-aisled Hallenkirche; the choir was added in 1314.

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  • The cathedral of St Benigne, originally an abbey church, was built in the latter half of the 13th century on the site of a Romanesque basilica, of which the crypt remains.

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  • The cathedral, originally a Tuscan Romanesque building of the 11th-12th centuries, is now a fine Renaissance basilica restored in the 18th century, containing some paintings by Luca Signorelli, a native of the place.

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  • Below it is an early Christian basilica excavated in 1901.

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  • On the top of the hill on which Hippo stood, a large basilica, with chancel towards the west, dedicated to St Augustine, was opened in 1900.

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  • The church of St James - also called Schottenkirche - a plain Romanesque basilica of the 12th century, derives its name from the monastery of Irish Benedictines ("Scoti") to which it was attached; the principal doorway is covered with very singular grotesque carvings.

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  • Examples of the Romanesque basilica style are the church of Obermiinster, dating from Iwo, and the abbey church of St Emmeran, built in the 13th century, and remarkable as one of the few German churches with a detached belfry.

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  • About 580-590 Monte Cassino was sacked by the Lombards, and the community came to Rome and was established in a monastery attached to the Lateran Basilica, in the centre of the ecclesiastical world.

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  • In the suburb of Moritzberg there is an abbey church founded in 1040, the only pure columnar basilica in north Germany.

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  • It has been supposed that he was responsible for the erection of the basilica at Aix-laChapelle, where he resided with the emperor, and the other buildings mentioned in chapter xvii.

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  • The fame of the martyrs led to the building of a basilica in their honour at Carthage; and their annual commemoration required that the brevity and obscurity of their Acts should be supplemented and explained, to make them suitable for public recitation.

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  • The extreme licence of the Heliopolitan worship is often animadverted upon by early Christian writers, and Constantine, making an effort to curb the Venus cult, built a basilica.

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  • Attached to one side, towards the Lateran basilica, is a fine porch with two noble porphyry columns and richly carved capitals, bases and entablatures.

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  • It is a copy of that of Sessa Aurunca, and preserves the type of the Latin basilica.

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  • The basilica of St Reparatus, discovered in 1843, was allowed to be used as a public stable and has been completely destroyed.

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  • The Dittochaeon is a series of quatrains, probably intended to explain forty-nine pictures of a basilica.

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  • His refusal of this post was overruled, so he entered on his office on the 13th of April; and two days after, the newly constituted Society took its formal corporate vows in the basilica of San Paolo fuori le mura.

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  • Tradition states that the hero Roland was buried in its basilica, which was on the site of the citadel.

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  • The nave is like an Italian basilica, while the large triple-apsed choir is like one of the early three-apsed churches, of which so many examples still exist in Syria and other eastern countries.

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  • The old quarter is united with the new town by a bridge which is continued in an esplanade leading to the basilica, the church of the Rosary and the Grotto, with its spring of healing water.

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  • A statue of the Virgin stands on a rock projecting above the grotto, the walls of which are covered with crutches atld other votive offerings; the spot, which is resorted to by multitudes of pilgrims from all quarters of the world, is marked by a basilica built above the grotto and consecrated in 1876.

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  • In addition the church of the Rosary, a rich building in the Byzantine style, was erected in front of and below the basilica from 1884 to 1889.

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  • The cathedral, a flat-roofed basilica, was erected by Patriarch Poppo in 1031 on the site of an earlier church, and rebuilt about 1379 in the Gothic style by Patriarch Marquad.

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  • In the following year he was ordained priest, and nominated arch-priest of the Vatican Basilica.

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  • Each of these is a basilica with ancient columns and mosaics in the apse.

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  • In 330 it was enclosed by a basilica built by the orders of the emperor Constantine.

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  • In 1850 a dispute arose between France and Russia, in the name of the Latin and Greek Churches respectively, concerning the possession of the key of the chief door of the basilica, and concerning the right to place a silver star, with the arms of France, in the grotto of the Nativity.

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  • Bartolomeo in Pantano is an interesting basilica of 1167.

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  • The earliest type of Christian Church, out of which the others developed, was the basilica.

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  • The clergy, now Roman officials, vested in the robes of the civil dignitaries, took their seats in the apse of the basilica where the magistrates were wont to sit, in front of them the holy table, facing the congregation.

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  • Though we cannot apportion the rooms to their precise uses, the great hall was plainly the basilica, for meetings and business; the rooms behind it were perhaps law courts, and some of the rooms on the other three sides of the quadrangle may have been shops.

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  • The Callevan Forum seems in general simpler than others, but its basilica is remarkably large.

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  • The latter form is, however, usual only in large churches, more especially of the basilica type, e.g.

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  • The church was built by St Ambrose early in the 4th-century (on the site of a temple of Bacchus it is said), but as it stands it is a Romanesque basilica of the 12th century, recently well restored (like many other churches in Milan), with a brick exterior, like so many churches of Milan and Lombardy, curious galleries over the facade, and perhaps the most perfectly preserved atrium in existence.

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  • To the east of this is a large space, now open, but once very possibly roofed, and forming a basilica in two storeys, built against the rock on the north side, and there decorated with pilasters also; and to the east again is an apsidal hall, often identified with the temple itself, in which the famous mosaic with scenes from the Nile, now in the Palazzo Barberini on the uppermost terrace, was found.

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  • From this period came some of humanity's greatest masterpieces, including St. Peter's Basilica, Da Vinci's Last Supper, Michelangelo's Pieta, and hundreds of other instantly recognizable artistic treasures.

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