Great Architect of Nature, help me to find the true path out of the labyrinth of lies!
The same architect designed the superb aqueduct by which the city is supplied with water from Monte Francoa, some nine miles off.
The architect was Mnesicles; the material Pentelic marble, with Eleusinian blackstone for dados and other details.
The corner towards the Ponte della Puglia was also restored, and the hideous device of walling up the five last arches, adopted in the 16th century by the architect Da Ponte, was removed without prejudice to the stability of the structure.
Was seconded by the architect Leo von Klenze, while the external decorations of painting and sculpture were mainly designed by Peter von Cornelius, Wilhelm von Kaulbach and Schwanthaler.
The new town was, for the most part, laid out by the German architect Schaubert.
This town, which was laid out on an exceptionally fine site according to a scientific plan by the architect Hippodamus of Miletus, soon rose to considerable importance, and attracted much of the Aegean and Levantine commerce which had hitherto been in Athenian hands.
Above the Piazza della Signoria, at the highest point of the town, is the Palazzo Ducale, erected by the dukes of Urbino in 1474-1480; the architect was, in all probability, Lucio da Laurana, to whom is due the palace at Urbino, which this palace resembles, especially in its fine colonnaded court.
It is especially noteworthy owing to the difficulty of the task the architect had to accomplish - that of transforming the exterior of the Palazzo della Ragione, a Gothic building of the latter half of the 15th century, which the colonnades of the basilica entirely enclose.
As a scientific engineer and practical architect Wren was perhaps more remarkable than as an artistic designer.
Gmund is the birth-place of the painter Hans Baldung (1475-1545) and of the architect Heinrich Arler or Parler (fl.
St James's church was erected, under the same architect and Lord Grimthorpe, by the Great Northern railway company.
The present structure dates, like many others in the principality, from Edward I., perhaps even from the plans of the architect of Carnarvon and Conway castles, but with the retention of old portions.
The naval architect distinguishes between the stability of form, represented by the righting couple W.BM, and the stability of ballasting, represented by W.BG.
As time went on, however, the later Assyrian architect began to shake himself free from Babylonian influences and to employ stone as well as brick.
A knoll above the town is occupied by the half-ruined fort or palace of former governors, built for Mahmud Pasha by a Persian architect and considered one of the most beautiful buildings in Turkey.
He describes an experiment made by a Benedictine monk and architect, Dom Papnutio or Panuce, of the same kind as Leonardo's but without the demonstration.
It took its name from the family in whose honour it was erected; the architect was one L.
The federal palace and the church of Santa Rosa are examples of the work of the celebrated Mexican architect, Francisco Eduardo de Tresguerras (1765-1833), who restored the church of Santa Clara also.
To the one camp belonged the old prince, Mademoiselle Bourienne, and the architect; to the other Princess Mary, Dessalles, little Nicholas, and all the old nurses and maids.
It contains few remains of antiquity, except of the aqueduct and basin, said to have been made by the architect Eupalinus for the tyrant Theagenes.
Schemes for the collection of funds and the complete restoration of the church were immediately set on foot, the architect being Mr Oldrid Scott.
And the lower storey of the left wing of the Cour de la Fontaine are the work of the same architect, who also rebuilt the two-storeyed Chapelle St Saturnin.
The town was laid out at great expense in straight, broad streets, intersecting each other at right angles, by the architect Hippodamus of Miletus in the time of Pericles.
Epiphanes, king of Syria, by the Roman architect Cossutius in the interval between 174 B.C. and 164 B.C., the date of the death of Antiochus.
The six granite buildings forming this quadrangle were built under the supervision of Arnold Brunner, a government architect, and of John M.
Themistocles was the first to urge the Athenians to take advantage of these harbours, instead of using the sandy bay of Phaleron; and the fortification of the Peiraeus was begun in 493 B.C. Later on it was connected with Athens by the Long Walls in 460 B.C. The town of Peiraeus was laid out by the architect Hippodamus of Miletus, probably in the time of Pericles.
The cathedral (dedicated to St Nicholas the Pilgrim, a Greek assassinated at Trani in 1094 and canonized by Urban II.), on a raised open site near the sea, was consecrated, before its completion, in 1143; it is a basilica with three apses, a large crypt and a lofty tower, the latter erected in1230-1239by the architect whose name appears on the ambo in the cathedral of Bitonto, Nicolaus Sacerdos.
There may, also be mentioned many sculptors and architects, such as Lorenzo Maitani, architect of Orvieto cathedral (end of 13th century); Camaino di Crescentino; Tino di Camaino, sculptor of the monument to Henry VII.
On leaving Rouen, Goujon was employed by Pierre Lescot, the celebrated architect of the Louvre, on the restorations of St-Germain l'Auxerrois; the building accounts - some of which for the years1542-1544were discovered by M.
DAEDALUS, a mythical Greek architect and sculptor, who figures largely in the early legends of Crete and of Athens.
The restoration was immediately taken in hand, and the whole work was finished in 1881, including the completion of the tower, according to the plans of the 15th century architect, Hans von Ingelheim.
The palace of the princes of Thurn and Taxis in the Eschenheimer Gasse was built (1732-1741) from the designs of Robert de Cotte, chief architect to Louis XIV.
The new cemetery (opened in 1828) contains the graves of Arthur Schopenhauer and Feuerbach, of Passavant the biographer of Raphael, Ballenberger the artist, Hessemer the architect, SOmmerring, and Johann Friedrich Bohmer the historian.
But in January Savelich came from Moscow and gave him an account of the state of things there, and spoke of the estimate an architect had made of the cost of rebuilding the town and country houses, speaking of this as of a settled matter.
At that table were his mother, his mother's old lady companion Belova, his wife, their three children with their governess and tutor, his wife's nephew with his tutor, Sonya, Denisov, Natasha, her three children, their governess, and old Michael Ivanovich, the late prince's architect, who was living on in retirement at Bald Hills.
Of these the most remarkable is the Pavilion, built as a residence for the prince regent (afterwards George IV.) and remodelled in 1819 by the architect, John Nash, in a grotesque Eastern style of architecture.
The architect is said to have been a Coptic Christian who deprecated the destruction of ancient buildings to obtain columns and blocks of stone, and who undertook to design a mosque which should be built entirely in brick, which when coated with stucco and appropriate decorative designs would rival its predecessors.
On his return to Berlin he studied art under the sculptor Christian Daniel Rauch and the painter and architect Karl Friedrich Schinkel (1781-1841), proving himself in the end a good draughtsman, a born architect and an excellent landscape gardener.
1795), the architect, nephew of the poet Thomson, and the erection of Regent Bridge in Waterloo Place (formally opened in 1819 on the occasion of the visit of Prince Leopold, afterwards king of the Belgians) gave access to Calton Hill.
The difficulties he encountered in producing it were very great, for the foundations had been ill-prepared b3 his predecessors, and he was obliged to be artisan and architect at the same time.
The architect had told him that it was necessary, and Pierre, without knowing why, was having his enormous Petersburg house done up.
The four wall-surfaces that flank the three western doorways are decorated with very beautiful sculpture in relief, once ornamented with colour, the designs for which, according to Burckhardt, must be ascribed to the architect of the whole, though executed by other (but still Sienese, not Pisan) hands.
The question as to whether copper really was first used in Egypt is not yet resolved, and many arguments can be brought against the theory of Egyptian origin and in favour of one in Syria or further north.26 Egypt has also recently been credited with being the inceptor of the whole " megalithic (or heliolithic, as the fashionable word now is) culture " of mankind, from Britain to China and (literally) Peru or at any rate Mexico via the Pacific Isles.27 The theory is that the achievements of the Egyptians in great stone architecture at the time of the pyramid-builders so impressed their contemporaries that they were imitated in the surrounding lands, by the Libyans and Syrians, that the fame of them was carried by the Phoenicians further afield, and that early Arab and Indian traders passed on the megalithic idea to Farther India, and thence to Polynesia and so on so that both the teocalli of Teotihuacan and Stonehenge are ultimately derived through cromlechs and dolmens innumerable from the stone pyramid of Saqqara, built by Imhotep, the architect of King Zoser, about 3100 B.C. (afterwards deified as the patron of science and architecture).
Neither could the architect Michael Ivanovich, who on being sent for came in with sleepy eyes, tell Princess Mary anything.
Excavations were made on its site in 1811 by Baron Haller von Hallerstein and the English architect C. R.
Among the later buildings, a few may be noted by Sanmicheli of Verona, who was employed as chief architect of the cathedral from 1509 to 1528.
The creator of the present edifice was Francis I., under whom the architect Gilles le Breton erected most of the buildings of the Cour Ovale, including the Porte Doree, its southern entrance, and the Salle des Fetes, which, in the reign of Henry II., was decorated by the Italians, Francesco Primaticcio and Nicolo dell' Abbate, and is perhaps the finest Renaissance chamber in France.
The name of the architect who 'began the work and thus fixed the design of the whole is not certainly known, but it must have been a man of an earlier generation than that of Filippo Calendario, who is often stated to have been the chief architect of the older portion.
The preparation of the plans and the superintendence of the work were entrusted by the king to Juan Bautista de Toledo, a Spanish architect who had received most of his professional education in Italy.
His education was obtained mainly at the Ecole Normale in Paris, where his father, a painter and architect, was engaged in the construction of the Theatre Italien, From his twenty-fifth year he began to lecture in the colleges of Evreux, Dieppe, Blois and Toulouse.
It appears probable that a Venetian architect and sculptor named Pietro Baseggio was the chief masterbuilder in the first half of the 14th century.
In the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).
The first practical step towards the development of the camera obscura seems to have been made by the famous painter and architect, Leon Battista Alberti, in 1437, contemporaneously with the invention of printing.
He rose to great celebrity as an architect, and designed many graceful and richly sculptured buildings in Venice, Rome and even in France; he used classical forms with great taste and skill, and with much of the freedom of the older medieval architects, and was specially remarkable for his rich and delicate sculptured decorations.
The architect of private dwellings attached more importance to satin-surfaced boards and careful joinery than to any appearance of strength or solidity.
Mr. Balcom, a promising young architect, designs it on the back of his Vitruvius, with hard pencil and ruler, and the job is let out to Dobson & Sons, stonecutters.
SIR CHRISTOPHER WREN (1632-1723), English architect, the son of a clergyman, was born at East Knoyle, Wiltshire, on the 10th of October 1632; he entered at Wadham College, Oxford, in 1646, took his degree in 1650, and in 1653 was made a fellow of All Souls.
It was begun by the architect Antonio da San Gallo the younger in 1527 for Clement VII., who fled to Orvieto after the sack of Rome, and was finished by Simone Mosca under Paul III.
The architect was Polyclitus, probably to be identified with the younger sculptor of that name.
The architect to whom, after the great fire of 1666, the opportunity fell of leaving the marks of his influence upon London was Sir Christopher Wren.
Whether he was in a bad temper because Prince Vasili was coming, or whether his being in a bad temper made him specially annoyed at Prince Vasili's visit, he was in a bad temper, and in the morning Tikhon had already advised the architect not to go to the prince with his report.
At the appointed hour the prince, powdered and shaven, entered the dining room.