Angelico sentence example

angelico
  • His art was carried on by his sons, Cencio and Ubaldo, but was afterwards lost, and only recovered in 1853 by Angelico Fabbri and Luigi Carocci.
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  • Of the monasteries, that of St Mark should be mentioned, as containing many works of Fra Angelico, besides relics of Savonarola, while of the private collections the only one of importance is that of Prince Corsini.
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  • His cloister, sanctified by memories of St Antonine and adorned with the inspired paintings of Fra Angelico, seemed to him a fore-court of heaven.
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  • The last and greatest master of the school was a priest named Meicho, better known as Ch Densu, the Japanese Fra Angelico.
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  • Opposite is the baptistery, with three fine pictures by Fra Angelico.
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  • He had now plunged into the study of Bellini and the Venetian school, Fra Angelico and the early Tuscans, and he visited Lucca, Pisa, Florence, Padua, Verona and Venice, passionately devoting himself to architecture, sculpture and painting in each city of north Italy.
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  • Il Beato Fra Giovanni Angelico da Fiesole is the name given to a far-famed painter-friar of the Florentine state in the 15th century, the representative, beyond all other men, of pietistic painting.
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  • He is often, but not accurately, termed simply "Fiesole," which is merely the name of the town where he first took the vows; more often Fra Angelico.
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  • The pope who reigned from 1431 to 1447 was Eugenius IV., and he it was who in 1445 appointed another Dominican friar, a colleague of Angelico, to be archbishop of Florence.
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  • If the story (first told by Vasari) is true - that this appointment was made at the suggestion of Angelico only after the archbishopric had been offered to himself, and by him declined on the ground of his inaptitude for so elevated and responsible a station - Eugenius, and not (as stated by Vasari) his successor Nicholas V., must have been the pope who sent the invitation and made the offer to Fra Giovanni, for Nicholas only succeeded in 14 4 7.
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  • Certain it is that Angelico was staying in Rome in the first half of 1447; and he painted in the Vatican the Cappella del Sacramento, which was afterwards demolished by Paul III.
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  • All these works are later than the altarpiece which Angelico painted (as before mentioned) for the choir connected with this convent, and which is now in the academy of Florence; it represents the Virgin with Saints Cosmas and Damian (the patrons of the Medici family), Dominic, Peter, Francis, Mark, John Evangelist and Stephen; the pediment illustrated the lives of Cosmas and Damian, but it has long been severed from the main subject.
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  • We have spoken of Angelico's art as "pietistic"; this is in fact its predominant character.
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  • After allowing for this, Angelico should nevertheless be accepted beyond cavil as an exalted typical painter according to his own range of conceptions, consonant with his monastic calling, unsullied purity of life and exceeding devoutness.
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  • Books regarding Fra Angelico are numerous.
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  • The Greeks have produced no Giotto, no Fra Angelico, no Raphael.
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  • The walls and vault of this chapel are covered with some of the best-preserved and finest frescoes in Italy - among the noblest works of Fra Angelico and Luca Signorelli, mainly painted between 1450 and 1501 - the latter being of especial importance in the history of art owing to their great influence on Michelangelo in his early days.
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