Alhambra sentence example

alhambra
  • A child of the Alhambra, he entered the service of the alcalde as page, and, his.
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  • The most beautiful portion of the mosque, however, still exists in the prayer chamber of Hakim, where are to be found the earliest examples of the cusped arch and the origin of many of the geometrical patterns in stucco at the Alhambra.
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  • Among the theatres are the Davidson, Majestic, Schubert, Bijou, Alhambra and the Pabst German.
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  • Within the houses the ceilings are often exquisitely carved and painted in Mauresque designs, such as are found in the Alhambra, and the tile-work for which Tetuan is known may be seen on floors, pillars and dados.
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  • The hall of the Abencerrages in the Alhambra takes its name from being the reputed scene of the massacre of the family.
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  • The river Darro, which foams through a deep ravine on the north, divides the plateau from the Albaicin district of Granada; the Assabica valley, containing the Alhambra Park, on the west and south, and beyond this valley the almost parallel ridge of Monte Mauror, separate it from the Antequeruela district.
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  • The name Alhambra, signifying in Arabic "the red," is probably derived from the colour of the sun-dried tapia, or bricks made of fine gravel and clay, of which the outer walls are built.
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  • The situation of the Alhambra is one of rare natural beauty; the plateau commands a wide view of the city and plain of Granada, towards the west and north, and of the heights of the Sierra Nevada, towards the east and south.
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  • The park (Alameda de la Alhambra), which in spring is overgrown with wild-flowers and grass, was planted by the Moors with roses, oranges and myrtles; its most characteristic feature, however, is the dense wood of English elms brought hither in 1812 by the duke of Wellington.
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  • The Moorish portion of the Alhambra resembles many medieval Christian strongholds in its threefold arrangement as a castle, a palace and a residential annexe for subordinates.
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  • Beyond the Alcazaba Emery Walker se is the palace of the Moorish kings, or Alhambra properly so-called; and beyond this, again, is the Alhambra Alta (Upper Alhambra), originally tenanted by officials and courtiers.
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  • In spite of the long neglect, wilful vandalism and ill-judged restoration which the Alhambra has endured, it remains the most perfect example of Moorish art in its final European development, - freed from the direct Byzantine influences which can be traced in the cathedral of Cordova, more elaborate and fantastic than the Giralda at Seville.
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  • Access from the city to the Alhambra Park is afforded by the Puerta de las Granadas (Gate of Pomegranates), a massive triumphal arch dating from the i 5th century.
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  • A steep ascent leads past the Pillar of Charles V., a fountain erected in 1554, to the main entrance of the Alhambra.
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  • The Sala de los Ambajadores (Hall of the Ambassadors) is the largest in the Alhambra, and occupies all the Torre de Comares.
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  • Among the other wonders of the Alhambra are the Sala de la Justicia (Hall of Justice), the Patio del Mexuar (Court of the Council Chamber), the Patio de Daraxa (Court of the Vestibule), and the Peinador de la Reina (Queen's Robing Room), in which are to be seen the same delicate and beautiful architecture, the same costly and elegant decorations.
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  • The palace and the Upper Alhambra also contain baths, ranges of bedrooms and summerrooms, a whispering gallery and labyrinth, and vaulted sepulchres.
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  • The original furniture of the palace is represented by the celebrated vase of the Alhambra, a splendid specimen of Moorish ceramic art, dating from 1 3 20, and belonging to the first period of Moorish porcelain.
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  • Of the outlying buildings in connexion with the Alhambra, the foremost in interest is the Palacio de Generalife or Gineralife (the Moorish Jennat al Arif, " Garden of Arif," or " Garden of the Architect ").
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  • The Villa de los Martires (Martyrs' Villa), on the summit of Monte Mauror,commemorates by its name the Christian slaves who were employed to build the Alhambra, and confined here in subterranean cells.
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  • These two magnificent folios, though first published in London between 1842 and 1845, give the best pictorial representation of the Alhambra.
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  • See also Rafael Contreras, La Alhambra, El Alcdzar, y la gran Mezquita de Occidente (Madrid, 1885); The Alhambra, by Washington Irving, was written in 1832, and rewritten in 1857, when it had already become widely celebrated for its picturesque and humorous descriptions.
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  • Immediately after the expulsion of the Moors in 1492, their conquerors began, by successive acts of vandalism, to spoil the marvellous beauty of the Alhambra.
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  • Saber delves back into Verney 's past and travels to Liverpool 's Alhambra Theater to talk to a wardrobe mistress.
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