These are fresh, unaffected accounts,
using the predominately slow tempi
that seem to have been prevalent in sacred music for this period.
These are fresh, unaffected accounts, using the predominately
slow tempi
that seem to have been prevalent in sacred music for this period.
It is also unusual for the very
fast tempi
taken by the conductor.
On the final track, for example, there are three drum kit parts on the go at once, all in
different tempi.
Clearly this role is diminished at
higher tempi, but they are of tremendous value at lower speeds.
Editorial note 4: thus, the
standard tempi
for a transcendental æsthetic are those of bodily movement or slower.
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