For his position in the history of the revival, see Voigt's Wiederbelebung des classischen Alterthums, and Symonds's Renaissance in Italy.
In the early 14th century, the age of Dante, the new spirit of the Renaissance made Italian rulers the patrons of art and literature, and the Jews to some extent shared in this gracious change.
Among charitable institutions the principal is the handsome royal infirmary, a Renaissance building.
On the Continent, the movement was more aristocratic and theoretical; it was part of the intellectual renaissance which found its most striking expression in the principles of the French Revolution.
This epoch is marked by the renaissance of Sanskrit literature and the gradual revival of Hinduism at the expense of Buddhism.
The creator of the present edifice was Francis I., under whom the architect Gilles le Breton erected most of the buildings of the Cour Ovale, including the Porte Doree, its southern entrance, and the Salle des Fetes, which, in the reign of Henry II., was decorated by the Italians, Francesco Primaticcio and Nicolo dell' Abbate, and is perhaps the finest Renaissance chamber in France.
In 1479 a fire consumed the earlier buildings along the Rio, and these were replaced (1480-1550) by the present Renaissance structure.
Early Renaissance palaces occur frequently in Venice and form a pleasing contrast with those in the Gothic style.
I., Fhe Renaissance, which contains valuable bibliographies.
The Oedipus legend was handed down to the period of the Renaissance by the Roman and its imitations, which then fell into oblivion.
We can trace the continuous growth of Venice through the successive styles of Byzantine, Gothic, early Renaissance and late Renaissance architecture.
Indeed, the building has been compared to the treasure den of a gang of "sea sharkers," and from a museum of sculpture of the most varied kind, nearly every century from the 4th down to the latest Renaissance being represented.
From the interior of the court access is given to the upper loggia by a very beautiful staircase of early Renaissance style, built in the middle of the 15th century by Antonio Rizzo.
We find it retaining some traces of Byzantine influence in the decorated surfaces of applied marbles, and in the roundels of porphyry and verd antique, while it also retained certain characteristics of Gothic, as, for instance, in the pointed arches of the Renaissance facade in the courtyard of the ducal palace designed by Antonio Rizzo (1499).
When we come to the fully developed Renaissance, architecture in Venice ceases to possess that peculiarly individual imprint which marks the earlier Library styles.
It is still characterized by great splendour; of San indeed, the library of San Marco, built by Jacopo Sansovino in 1536, is justly considered the most sumptuous example of Renaissance architecture in the world.
The architects Rupolo and Sardi have erected a considerable number of buildings, in which they have attempted, and with considerable success, to return either to Venetian Gothic or to the early Renaissance Lombardesque style.
The library (1888-1895; cost $2,486,000, exclusive of the site, given by the state) is a dignified, finely proportioned building of pinkish-grey stone, built in the style of the Italian Renaissance, suggesting a Florentine palace.
Gian Francesco Poggio Bracciolini, Italian scholar of the Renaissance, was born in 1380 at Terranuova, a village in the territory of Florence.
Though it isn't so much a time as a state of mind, historians plot the Renaissance as moving around Europe for a couple of centuries.
The Renaissance artists and thinkers had very few tools: pen and paper, paint and canvas, marble and chisel, and a few more.
Many of them, however, are of considerable architectural importance and the revival of the Renaissance style is perhaps illustrated nowhere better than in Stuttgart.
The massive and elaborately ornamented cathedral was built in the Renaissance style between 1746 and 1774; a Dominican church in Subtiaba is little less striking.
The cathedral contains other 14th-century and early Renaissance paintings, the former including some Passion scenes, the only certain work of Barna da Siena, and some fine choir stalls.
The central feature of the estate is a château (375 X 150 ft.) of French Renaissance design, after the famous chateau at Blois, France.
The small cathedral of St Aurea, also an early Renaissance structure, with Gothic windows, is by some ascribed to Meo del Caprina (1430-1501).
It has a fine Renaissance facade, constructed about 1500 by Cardinal Giovanni de' Medici (afterwards Pope Leo X.), and some good terra cottas by the Della Robbia.
The conditions which have the five been described, of despotism, mercenary warfare and bourgeois prosperity, determined the character of this epoch, which was also the period when the great achievements of the Renaissance were prepared.
A Symondss Renaissance in Italy (5 vols., London, 1875, &c.) should be consulted.
In the market-place is the market cross, said to date from 958, and a beautiful Renaissance fountain, the Petersbrunnen, erected in 1595.
Cesare Borgia was a type of the adventurers with which the Italy of the Renaissance swarmed, but he was cleverer and more unscrupulous than his rivals.
The eastern façade overlooking the market-place was built in 1595-1628, in the Renaissance style, with three tiers of columns.
Bacharach was a man of wide culture, and holds an honourable place among the pioneers of the Jewish Renaissance which was inaugurated towards the end of the 18th century.
Wide, built of granite and white limestone in the Italian Renaissance style, with 70 large Ionic columns, and a dome 205 ft.
Before modern philosophy began its career, there was a great revival of ancient philosophy at the Renaissance; sometimes anti-Christian, sometimes pro-Christian.
The cathedral, originally erected in the 12th century, was reconstructed in the 15th and 16th; the façade shows traces of both periods, the Renaissance work being complete only in the lower portion.
There are several good palaces of the early Renaissance, a fine theatre (1857) and a museum containing important palaeo-ethnological collections, ancient and medieval sculptures, and the natural history collection of Spallanzani.
The exaggeration of the height of the mitre, which began at the time of the Renaissance, reached its climax in the 17th century.
Schultze, Geschichte der Philosophie der Renaissance, i.
Symonds, The Renaissance in Italy (1877), ii.
He was the foremost Jewish figure of the 18th century, and to him is attributable the renaissance of the House of Israel.
Nothing marks the secular attitude of the Italians at an epoch which decided the future course of both Renaissance and Reformation more strongly than the mundane proclivities of this apostolic secretary, heart and soul devoted to the resuscitation of classical studies amid conflicts of popes and antipopes, cardinals and councils, in all of which he bore an official part.
The hotel de ville, the facade of which is decorated with armorial bearings of Renaissance carving, and the church of St Etienne, an unblemished example of Romanesque architecture, are of interest.
There may be noted Durand's Marguerite de Valois et la tour de Francois Ier (1848); La Ferriere's Marguerite d'Angouleme (1891); Lotheissen's Konigin Margareta von Navarra (1885); Miss Edith Sichel's Women and Men of the French Renaissance (1901), and P. Courtault's Marguerite de Navarre (1904).
But the Internet Renaissance dwarfs by a hundredfold, a thousandfold, the Renaissance of Europe.
In the Italian Renaissance, only a thin veneer of society's elites participated in the creation or ownership of the frescos, music, statues, and paintings; most were only passive observers.
In these early days of the Internet Renaissance, the number of great masters is in the tens of thousands, not the hundreds.
And in our Internet Renaissance, aren't we seeing an explosion of these same things at a spectacularly more massive scale?
In the Italian Renaissance, people of wealth distinguished themselves by their altruistic endeavors.
That Douglas undertook this work and that he makes a plea for more accurate scholarship in the translation have been the basis of a prevalent notion that he is a Humanist in spirit and the first exponent of Renaissance doctrine in Scottish literature.
Most of the buildings belong to the Renaissance; except the castle, the 14th-century Palazzo Pubblico, and the portals of two or three churches, especially that of S.
Yet the group of islands called Rialto, in mid-Venetian lagoon, were first the asylum and then the magnificent and permanent home of a race that took a prominent part in the medieval and Renaissance history of Europe.
The palaces of the later Renaissance are numerous and frequently grandiose though frigid in design.
See the essay in Walter Pater's Renaissance (1878); and the study by J.
The Renaissance had little or no influence on Sardinian architecture and culture.
Flavin Biondo, the first Renaissance writer on the topography of ancient Rome (1388-1463), was a native of Forli.
Jackson rounded the corner onto Elm Street toward the Renaissance inspired estate he currently called home.