In the architectural plans it is an octagon with chapels projecting on each side.
In different parts of the park, and especially from the Octagon, charming views are obtained.
The other walls of the octagon-shaped command center were occupied by silent, animated screens similar to the one the underground security commander appeared on.
Each side of the octagon is covered with a large relief of a Biblical subject, very dull in style and coarse in execution.
M., and have a great variety of forms: parallel walls, circles, semicircles, a parallelogram, an octagon, &c. About 10 m.
In this case the central court is roofed over, and has an octagon lantern in the centre; the recesses are covered with horizontal ceilings carried on great beams, the whole being elaborately carved, coloured and gilded; the tomb is covered with the later type of dome, built in stone, and elaborately carved outside with delicate conventional patterns in relief.
Connecting the piazza with the neighbouring Piazza della Scala is the famous Galleria Vittorio Emanuele, a great arcade in the form of a Latin cross, with an octagon in the centre, crowned at the height of 160 ft.
The palace (Schloss), built in1751-1776on the site of the previous erection of 1715, is a plain building in the old French style, composed of a centre and two wings, presenting nothing remarkable except the octagon tower (Bleiturna), from the summit of which a splendid view of the city and surrounding country is obtained, and the marble saloon, in which the meridian of Cassini was fixed or drawn.
It somewhat resembles the Milan arcade, and has an octagon in the centre, with a cupola.
A staircase of 900 steps leads to the top. On one of the landings is a huge rudely-carved stone figure of the giant Enceladus, and at the top is an octagon building called the Riesenschloss, surmounted by a colossal copper figure of the Farnese Hercules, 31 ft.
Thick, and at the angles of an inscribed octagon are chapels formed in the thickness of the wall, and roofed with wagon-headed vaults visible on the exterior; the eastern chapel, however, is enlarged and developed into a bema and apse projecting beyond the circle, and the western and southern chapels constitute the two entrances of the building.
To N.E., and passing through the Octagon, which is surrounded by several of the principal buildings.
The former, well restored by Ricci in1898-1900(except for the dome with its baroque frescoes which has not been altered), is a regular octagon, with a vestibule, originally flanked by two towers on the west, a choir added on the east, triangular outside and circular within; it is surrounded within by two galleries interrupted at the presbytery, and supported by eight large pillars, the intervals between which are occupied by open exedrae.
A new town hall of huge dimensions, also in German Renaissance, with an octagon tower 400 ft.
(Octagon Prism, 6, 40, 42 seq.) sums up the results of the military operations of his first five years as reaching from the Lower Zab Riviera to the Euphrates Riviera (ebirtan Puratti, well rendered "Parapotamia" by Winckler 4) and Ijatte-land; but this is obviously not a proper name in the same sense as Naharin.
Mosaics of the 5th or 6th century.) In plan the church is an octagon, supported at the corners by four square towers in brickwork, which belong to the original structure.
On his return he took a curacy at Bath, and was speedily appointed to the Octagon Chapel, where his fame both as preacher and platform speaker continued to spread.
It is cruciform, with a central tower, and has an eastern octagon which may have been copied from the corona of Canterbury Cathedral, as Eystein, archbishop of Trondhjem (1160-1188) and an active builder, was in England during his episcopate.
It is an octagon, with a dome; in the interior are two arcades one above the other.
The church of St Mary and All Saints, originally collegiate, is Perpendicular, and only the nave with aisles, and the tower surmounted by an octagon, remain; but the building is in the best style of its period.
The central area, where is the basin of the font, is an octagon around which stand eight porphyry columns, with marble capitals and entablature of classical form; outside these are an ambulatory and outer walls forming a larger octagon.