The bird is often spoken of in Latin poetry, and is the subject of an idyll by Claudian.
Is occupied by Idyll vii., the " Harvest Feast.
The idyll of Sesenheim, as described in Dichtung and Wahrheit, is one of the most beautiful love-stories in the literature of the world.
Idyll vii., the Harvest Feast (eaXUVla), is the most important of the bucolic poems. The scene is laid in the isle of Cos.
She is constantly invoked, in the well-known idyll (ii.) of Theocritus, in the incantation to bring back a woman's faithless lover.
A vivid description of the festival at Alexandria (for which Bion probably wrote his Dirge of Adonis) is given by Theocritus in his fifteenth idyll, the Adoniazusae.
Other of his lyrics are: "The Monymusk Christmas Ba'ing," a football idyll; "The Ewie wi' the Crookit Horn" and "John o' Badenyon."
The date at which it was written is uncertain; there are features in it which point to its having been the work of a poet living in north Israel, and writing at an early date; but most recent scholars, on account chiefly of certain late expressions occurring in it, think that it cannot have been written earlier than the 4th or 3rd century B.C. In the graceful and tender idyll of Ruth, it is told how Ruth, the Moabitess, and a native consequently of a country hostile theocratically to Israel, adopted Israel's faith (i.
13; Theocritus, Idyll 25.
His last published volume contains a series of sonnets of singular beauty, addressed to the river, resembling Wordsworth's "Sonnets to the Duddon," but more perfect in form; and a blank verse idyll, "Ii Pettirosso" ("The Redbreast"), bearing an equally strong, though equally accidental, resemblance to the similar compositions of Coleridge.
This Idyll and iv.
Theocritus (Idyll 17) hails Ptolemy Philadelphus as a demigod, and speaks of his father as seated among the gods along with Alexander.
Whatever the predominant party might think of foreign marriages, the tradition of the half-Moabite origin of David serves, in the beautiful idyll of Ruth (q.v.), to suggest the debt which Judah and Jerusalem owed to one at least of its neighbours.
Amongst the finest of his classical pictures were - "Syracusan Bride leading Wild Beasts in Procession to the Temple of Diana" (1866), "Venus disrobing for the Bath" (1867), "Electra at the Tomb of Agamemnon," and "Helios and Rhodos" (1869), "Hercules wrestling with Death for the Body of Alcestis" (1871), "Clytemnestra" (1874), "The Daphnephoria" (1876), "Nausicaa" (1878), "An Idyll" (1881), two lovers under a spreading oak listening to the piping of a shepherd and gazing on the rich plain below; "Phryne" (1882), a nude figure standing in the sun; "Cymon and Iphigenia" (1884), "Captive Andromache" (1888), now in the Manchester Art Gallery; with the "Last Watch of Hero" (1887), "The Bath of Psyche" (1890), now in the Chantrey Bequest collection; "The Garden of the Hesperides" (1892), "Perseus and Andromeda" and "The Return of Persephone," now in the Leeds Gallery (1891); and "Clytie," his last work (1896).