In that case, all who accept a revelation without professing to understand its content would require to be ranked as mystics; the fierce sincerity of Tertullian's credo quia ab-' surdum, Pascal's reconciliation of contradictions in Jesus Christ, and Bayle's half-sneering subordination of reason to faith would all be marks of this standpoint.
In 1823; the Crown of Our Lord, attributed to Michael of Florence, a Camaldolese monk (c. 1516), and consisting of 33 Paters, 5 A y es and a Credo; St Bridget's, 7 Paters and 63 A y es, in honour of the joys and sorrows of the Blessed Virgin and the 63 years of her life.
Obviously the greatest difficulty in any elaborate instrumental setting of the Credo is the inevitable anti-climax after the Resurrexit.
This gives the utmost possible effect of finality to the whole Credo, and contrasts admirably with the coldly formal instrumental end of the Resurrexit three movements further back.
By this time the resources of music were such that the long and varied text of the Gloria and Credo inevitably either overbalanced the scheme or met with an obviously perfunctory treatment.
Accordingly, Palestrina and his great contemporaries and predecessors treated the Gloria and Credo in a style midway in polyphonic organization and rhythmic breadth between that of the elaborate motet (adopted in the Sanctus) and the homophonic reciting style of the Litany.
Anselm's motto, Credo ut intelligam, marks well the distance that has been traversed since Tertullian's Credo quia absurdum est.
Credo) - is the duty and privilege of the eldest son of the deceased, or, failing him, of the nearest relative who thereby establishes his right as next of kin in respect of inheritance; and those other relatives who have the right to take part in the ceremony are called sapinda, i.e.
Credo, I believe), or Confessions Of Faith.
Aemilius Scaurus, praetor in 53 B.C. Cicero, speaking no doubt to his brief, gives them a very bad character, adding " ignoscent alii viri boni ex Sardinia; credo enim esse quosdam ".
The railway pierces the Credo by a tunnel.
Credo, quia absurdum was applied, notably by the popular writers of the French Second Empire, in a fashion grotesquely literal enough to scandalize Tertullian himself.
Nam et hoc credo, quia, nisi credidero, non intelligam."
Now the texts of the Gloria and Credo were more voluminous than any others which 16th-century composers attempted to handle in a continuous scheme.
Yet he was a sincerely religious man, as the curious Credo, written at Acre and forming a kind of anticipatory appendix to the history, sufficiently shows.
Soon after it becomes French the river rushes furiously through a deep gorge, being imprisoned on the north by the Credo and on the south by the Vuache, while the great fortress of 1'Ecluse guards this entrance into France.