In the first, or general, prologue, Douglas claims a higher position for Virgil than for his master Chaucer, and attacks Caxton for his inadequate rendering of a French translation of the Aeneid.
After 1390 - but whilst he was still a young man - he made the acquaintance of Geoffrey Chaucer, with whose son Thomas he was on terms of considerable intimacy.
In these he reveals himself as a not unworthy successor of Chaucer, and the pity of it is that he should have squandered his powers in a futile attempt to create an entire literature.
Chaucer translated it into English prose before the year 1382; and this translation was published by Caxton at Westminster, 1480.
Among the first, the name of the "Tabard" is well known from its mention by Chaucer in detailing the company of pilgrims for Canterbury.
Thus we read in Chaucer (Chanouns Yemannes Tale): - The bodies sevene eek, lo!
Chaucer, Chanouns Yemannes Tale, where, however, mercury figures both as a spirit and a body: " The firste spirit quik-silver called is, The second orpiment, the thridde ywis Sal armoniak, and the ferthe brimstoon."
Dunbar's satire is never the gentle funning of Chaucer: more often it becomes invective.
Chaucer, when he spoke of Gawain coming "again out of faerie," spoke better than he knew; the home of that very gallant and courteous knight is indeed Fairy-land, and the true Gawain-tradition is informed with fairy glamour and grace.
- Chaucer, Treatise on the Astrolabe (Skeat's edition of Chaucer); J.
The form ceorl soon became cherl, as in Havelok the Dane (ante 1300) and several times in Chaucer, and subsequently churl.
Transpositions of words, if not purely accidental, as in Chaucer, "Parson's Tale," p. 689 (ed.
Schofield, English Literature from the Norman Conquest to Chaucer (London, 1906); Johan Vising, Franska Spraket i England (Goteborg, 1900, 1901, 1902).
The effigies of Margaret Byron, wife of Sir Robert Harcourt, K.G., at Stanton Harcourt, and of Alice Chaucer, wife of William de la Pole, duke of Suffolk, K.G., at Ewelme, which date from the reigns of Henry VI.
He was also the patron of Chaucer, whose Boke of the Duchesse was a lament for Blanche of Lancaster.
Chaucer in his Nun's Priest's Tale ranks Bradwardine with St Augustine.
He was more successful with his Life of Chaucer, for which he received £600.
Godwin's more important works are - The Inquiry concerning Political Justice, and its Influence on General Virtue and Happiness (1793); Things as they are, or the Adventures of Caleb Williams (1794); The Inquirer, a series of Essays (1797); Memoirs of the Author of the Rights of Woman (1798); St Leon, a Tale of the Sixteenth Century (1799); Antonio, a Tragedy (1800); The Life of Chaucer (1803); Fleetwood, a Novel (1805); Faulkner, a Tragedy (1807); Essay on Sepulchres (1809); Lives of Edward and John Philips, the Nephews of Milton (1815); Mandeville, a Tale of the Times of Cromwell (1817); Of Population, an answer to Malthus (1820); History of the Commonwealth (1824-1828); Cloudesley, a Novel (1830); Thoughts on Man, a series of Essays (1831); Lives of the Necromancers (1834).
His last piece of work, the crowning glory of his printing-press, was the Kelmscott Chaucer, which had taken nearly two years to print, and fully five to plan and mature.
Both his collegiate and editorial duties stimulated his critical powers, and the publication in the two magazines, followed by republication in book form, of a series of studies of great authors, gave him an important place as a critic. Shakespeare, Dryden, Lessing, Rousseau, Dante, Spenser, Wordsworth, Milton, Keats, Carlyle, Thoreau, Swinburne, Chaucer, Emerson, Pope, Gray - these are the principal subjects of his prose, and the range of topics indicates the catholicity of his taste.
It is still used where hand printing prevails, and it was this form of press which was employed by William Morris at his famous, but short-lived, Kelmscott Press, the upright frame or staple, of iron; the feet of this staple rested upon two pieces of substantial timber dovetailed into a cross, which formed a base or foundation for the in the production of many sumptuous books, the most celebrated of which was the Chaucer, a large folio volume, illustrated by Sir Edward Burne-Jones.
The essential parts of one type of bale opener are three specially shaped rollers, the peri pheries of which contain a number of 1 Also in the forms "streek," "strick" or "strike," as in Chaucer, Cant.
The gillyflower of Chaucer and Spenser and Shakespeare was, as in Italy, Dianthus Caryophyllus; that of later writers and of gardeners, Matthiola.
The use made of the flowers to impart a spicy flavour to ale and wine is alluded to by Chaucer, who writes: "And many a clove gilofre To put in ale"; also by Spenser, who refers to them by the name of sops in wine, which was applied in consequence of their being steeped in the liquor.
GALEN (or [[Galenus), Claudius]], called Gallien by Chaucer and other writers of the middle ages, the most celebrated of ancient medical writers, was born at Pergamus, in Mysia, about A.D.
Those in which the foundations of modern Europe were laid, which produced parliaments, cathedrals, cities, Dante and Chaucer, were grouped alike on one dismal level and christened the middle ages.
The poet Chaucer may serve as a humbler example of the rise of the burgher class the son of a vintner, he became the father of a knight, and the ancestor, through female descents, of many baronial families.
As to intellectual vigour, the age that produced two minds of such marked originality in different spheres as Wycliffe and Chaucer must not be despised, even if it failed to carry out all the promise of the 13th century.
Wright), treatises like those of John of Salisbury, Gerald of Wales, and, later, Wycliffes works, Netters Fasciculi Zizaniorum, Gascoignes Loci e libro veritatum, Pecocks Repressor, and the literary writings of Chaucer, Langland, Gower, Richard Rolle and others.
The name is of uncertain origin; some derive it from lolium, tares, quoting Chaucer (C. Shipman's Prologue) "This Loller heer wil prechen us somwhat..
Chaucer wrote a treatise on the astrolabe; Milton constantly refers to planetary influences; in Shakespeare's King Lear, Gloucester and Edmund represent respectively the old and the new faith.