Before the east front was the altar of Athena Nike.
But among the Greeks themselves the two works of Pheidias which far outshone all others, and were the basis of his fame, were the colossal figures in gold and ivory of Zeus at Olympia and of Athena Parthenos at Athens, both of which belong to about the middle of the 5th century.
(3) Athena Lemnia, so called because it had been dedicated by the Athenian cleruchies in Lemnos.
The northern portion of it consists of a lofty ridge with two summits, the westernmost of which is occupied by the modern town (985 ft.), while the easternmost, which is slightly higher, bears the name of Rock of Athena, owing to its identification in modern days with the acropolis of Acragas as described by Polybius, who places upon it the temple of Zeus Atabyrius (the erection of which was attributed to the half mythical Phalaris) and that of Athena.'
433, accepts the name "Rock of Athena" and yet puts the acropolis on the site of the modern town, arguing further that the cathedral hill was an acropolis within an acropolis (II.
But he could hardly be said seriously to have oppressed the subject cities, and technically all the League money was spent on League business, for Athena, to whom the chief monuments in Athens were reared, was the patron goddess of the League.
That according to which they were set up at Munich was in the main suggested by Cockerell; in the middle of each pediment was a figure of Athena, set well back, and a fallen warrior at her feet; on each side were standing spearmen, kneeling spearmen and bowmen, all facing towards the centre of the composition; the corners were filled with fallen warriors.
A figure of Athena still occupies the centre of each pediment, but is set farther forward than in the old reconstruction.
The Epidaurians had been accustomed to make annual offerings to the Athenian deities Athena and Erechtheus in payment for the Athenian olive-wood of which the statues were made.
On the Acropolis of Athens he set up a colossal bronze image of Athena, which was visible far out at sea.
At Pellene in Achaea, and at Plataea he made two other statues of Athena, also a statue of Aphrodite in ivory and gold for the people of Elis.
Furtwangler proposes to find in a statue of which the head is at Bologna, and the body at Dresden, a copy of the Lemnian Athena of Pheidias; but his arguments (Masterpieces, at the beginning) are anything but conclusive.
Much more satisfactory as evidence are some 5th century torsos of Athena found at Athens.
The very fine torso of Athena in the Ecole des Beaux Arts at Paris, which has unfortunately lost its head, may perhaps best serve to help our imagination in reconstructing a Pheidian original.
A beautiful woman, it is said, by name Phya, was disguised as Athena and drove into the Agora with Peisistratus at her side, while proclamations were made that the goddess herself was restoring Peisistratus to Athens.
It is considered probable that the festival was originally held in honour of Athena, but that the growing importance of the Eleusinia caused it to be attached to Demeter and Kore.
According to Apollodorus (iii, 12, 3) it was made by order of Athena, and was intended as an image of Pallas, the daughter of Triton, whom she had accidentally slain, Pallas and Athena being thus regarded as two distinct beings.
It was said that Zeus threw it down from heaven when Ilus was founding the city of Ilium, Odysseus and Diomedes carried it off from the temple of Athena, and thus made the capture of Troy possible.
Firenze, Florence); the patron goddess, Athena, was probably called after the place of her cult.
Here were the altar of Athena Areia and two stones, the Mhos "Tf3pewws, on which the accuser, and the XLOo 'AvatSetas, on which the accused, took their stand.
On this spot was apparently the primitive sanctuary of Athena, the rich temple (nicov vn6s) of Homer (Il.
According to DBrpfeld, this was the " old temple " of Athena Polias, frequently mentioned in literature and inscriptions, in which was housed the most holy image (oavov) of the goddess which fell from heaven; it was burnt, but not completely destroyed, during the Persian War, and some of its external decorations were afterwards built into the north wall of the Acropolis; it was subsequently restored, he thinks, with or without its colonnade - in the former case a portion of the peristyle must have been removed when the Erechtheum was built so as to make room for the porch of the maidens; the building was set on fire in 406 B.C. (Xen.
Frazer maintains the hitherto current theory that the earlier temple of Athena and Erechtheus was on the site of the Erechtheum; that the Erechtheum inherited the name apXa ios veclis from its predecessor, and that the " opisthodomos " in which the treasures were kept was the west chamber of the Parthenon; Furtwangler and Milchh6fer hold the strange view that the " opisthodomos " was a separate building at the east end of the Acropolis, while Penrose thinks the building discovered by Dorpfeld was possibly the Cecropeum.
From the inner exit of the Propylaea a passage led towards the east along the north side of the Parthenon; almost directly facing the entrance was the colossal bronze statue of Athena (afterwards called Athena Promachos) by Pheidias, probably set up by Cimon in commemoration of the Persian defeat.
On both sides of the passage were numerous statues, among them that of Athena Hygeia, set up by Pericles to commemorate the recovery of a favourite slave who was injured during the building of the Parthenon, a colossal bronze image of the wooden horse of Troy, and Myron's group of Marsyas with Athena throwing away her flute.
Beyond the Parthenon, a little to the north-east, was the great altar of Athena, and near it the statue and altar of Zeus Polieus.
The site of this precinct, in which the sacred olive tree of Athena grew, has been almost certainly fixed by an inscription found in the bastion of Odysseus.
Between this precinct and the Propylaea were a number of statues, among them the celebrated heifer of Myron, and perhaps his Erechtheus; the Lemnian Athena of Pheidias, and his effigy of his friend Pericles.
Among the first of these benefactions was the great gymnasium of Ptolemy, built in the neighbourhood of the Agora about 250 B.C. Successive princes of the dynasty of Pergamum interested themselves in the adorn western entrance being the well-known Doric portico of Athena Archegetis with an inscription recording its erection from donations of Julius Caesar and Augustus.
Already it had been robbed of many of its works of art, among them the Athena Promachos and the Parthenos of Pheidias, for the adornment of Constantinople, and further spoliation took place when the church of St Sophia was built in A.D.
Athena and Nike alone figured upon Alexander's gold; Heracles and Zeus upon his silver.
The goddess Athena herself superintended its construction, and inserted in the prow a piece of oak from Dodona, which was endowed with the power of speaking and delivering oracles.
Among the objects of interest described by Pausanias as extant in Epidaurus are the image of Athena Cissaea in the Acropolis, the temple of Dionysus and Artemis, a shrine of Aphrodite, statues of Asclepius and his wife Epione, and a temple of Hera.
ATHENA (the Attic form of the Homeric Athene, also called Athenaia, Pallas Athene, Pallas), one of the most important goddesses in Greek mythology.
No satisfactory derivation of the name Athena has been given 1; Pallas, at first an epithet, but after Pindar used 1 0.
Athena has been variously described as the pure aether, the storm-cloud, the dawn, the twilight; but there is little evidence that she was regarded as representing any of the physical powers of nature, and it is better to endeavour to form an idea of her character and attributes from a consideration of her cultepithets and ritual.
According to the legend, her father Zeus swallowed his wife Metis ("counsel"), when pregnant with Athena, since he had been warned that his children by her might prove stronger than himself and dethrone him.
Hephaestus (or Prometheus) subsequently split open his head with a hatchet, and Athena sprang forth fully armed, uttering a loud shout of victory (Hesiod, Theogony, 886; Pindar, Olympia, vii.
In Homer Athena already appears as the goddess of counsel, of war, of female arts and industries, and the protectress of Greek cities, this last aspect of her character being the most important and pronounced.
The cult of Athena Itonia, whose earliest seat appears to have been amongst the Thessalians, who used her name as a battle-cry, made its way to Coronea in Boeotia, where her sanctuary was the seat of the Pamboeotian confederacy.
The meaning of Itonia is obscure: Dummler connects it with iTEwves, the "willow-beds" on the banks of the river Coralios (the river stated that Athena was sometimes called or 'Aeon.
At Thebes she was worshipped as Athena Onka or Onga, of equally uncertain derivation (possibly from 6yKos, " a height").
The Attic bouleutae took the oath by Athena Boulaia; at Sparta she was ayopaia, presiding over the popular assemblies in the market-place; in Arcadia µnXavZTts, the discoverer of devices.
Her oldest priestesses, the dew-sisters - Aglauros, Herse, Pandrosos - signify the fertilization of the earth by the dew, and were probably at one time identified with Athena, as surnames of whom both Aglauros and Pandrosos are found.
Athena also gave the Athenians the olive-tree, which was supposed to have sprung from the bare soil of the Acropolis, when smitten by her spear, close to the horse (or spring of water) produced by the trident of Poseidon, to which he appealed in support of his claim to the lordship of Athens.
This god, whose worship was introduced into Athens at a later date by the Ionian immigrants, was identified with ErechtheusErichthonius (for whose birth Athena was in a certain sense responsible), and thus was brought into connexion with the goddess, in order to effect a reconciliation of the two cults.
Athena was said to have invented the plough, and to have taught men to tame horses and yoke oxen.
The legend that Athena, observing in the water the distortion of her features caused by playing that instrument, flung it away, probably indicates that the Boeotians whom the Athenians regarded with contempt, used the flute in their worship of the Boeotian Athena.
The story of the slaying of Medusa by Athena, in which there is no certain evidence that she played a direct part, explained by Roscher as the scattering of the storm-cloud, probably arose from the fact that she is represented as wearing the Gorgon's head as a badge.
As in the case of Aphrodite and Apollo, Roscher in his Lexikon deduces all the characteristics of Athena from a single conception - that of the goddess of the storm or the thunder-cloud (for a discussion of such attempts see Farnell, Cults, i.
Harrison in Classical Review (June 1894), Athena Ergane is the goddess of the fruits of the field and the procreation of children.
Ceremony, at which the xoanon (ancient wooden statue) of Athena was washed in the river Inachus, a symbol of her purification after the Gigantomachia.
The usual attributes of Athena were the helmet, the aegis, the round shield with the head of Medusa in the centre, the lance, an olive branch, the owl, the cock and the snake.
(1) Athena Parthenos, in the Parthenon.
According to the legend, Athena, who had invented the flute, threw it away in disgust, because it distorted the features.
At Delphi he erected a great group in bronze including the figures of Apollo and Athena, several Attic heroes, and Miltiades the general.