The richness of effect which the English or French architect obtained by elaborate and carefully worked mouldings was produced in Italy by the beauty of polished marbles and jewel-like mosaics - the details being mostly rather coarse and often carelessly executed.
Of these the most remarkable is the Pavilion, built as a residence for the prince regent (afterwards George IV.) and remodelled in 1819 by the architect, John Nash, in a grotesque Eastern style of architecture.
The architect was Mnesicles; the material Pentelic marble, with Eleusinian blackstone for dados and other details.
The preparation of the plans and the superintendence of the work were entrusted by the king to Juan Bautista de Toledo, a Spanish architect who had received most of his professional education in Italy.
The six granite buildings forming this quadrangle were built under the supervision of Arnold Brunner, a government architect, and of John M.
The same architect designed the superb aqueduct by which the city is supplied with water from Monte Francoa, some nine miles off.
Above the Piazza della Signoria, at the highest point of the town, is the Palazzo Ducale, erected by the dukes of Urbino in 1474-1480; the architect was, in all probability, Lucio da Laurana, to whom is due the palace at Urbino, which this palace resembles, especially in its fine colonnaded court.
There may, also be mentioned many sculptors and architects, such as Lorenzo Maitani, architect of Orvieto cathedral (end of 13th century); Camaino di Crescentino; Tino di Camaino, sculptor of the monument to Henry VII.
The difficulties he encountered in producing it were very great, for the foundations had been ill-prepared b3 his predecessors, and he was obliged to be artisan and architect at the same time.
The present structure dates, like many others in the principality, from Edward I., perhaps even from the plans of the architect of Carnarvon and Conway castles, but with the retention of old portions.
As time went on, however, the later Assyrian architect began to shake himself free from Babylonian influences and to employ stone as well as brick.
It is especially noteworthy owing to the difficulty of the task the architect had to accomplish - that of transforming the exterior of the Palazzo della Ragione, a Gothic building of the latter half of the 15th century, which the colonnades of the basilica entirely enclose.
DAEDALUS, a mythical Greek architect and sculptor, who figures largely in the early legends of Crete and of Athens.
He describes an experiment made by a Benedictine monk and architect, Dom Papnutio or Panuce, of the same kind as Leonardo's but without the demonstration.
He rose to great celebrity as an architect, and designed many graceful and richly sculptured buildings in Venice, Rome and even in France; he used classical forms with great taste and skill, and with much of the freedom of the older medieval architects, and was specially remarkable for his rich and delicate sculptured decorations.
The federal palace and the church of Santa Rosa are examples of the work of the celebrated Mexican architect, Francisco Eduardo de Tresguerras (1765-1833), who restored the church of Santa Clara also.
Mr. Balcom, a promising young architect, designs it on the back of his Vitruvius, with hard pencil and ruler, and the job is let out to Dobson & Sons, stonecutters.
Although he was in retirement and had now no influence in political affairs, every high official appointed to the province in which the prince's estate lay considered it his duty to visit him and waited in the lofty antechamber just as the architect, gardener, or Princess Mary did, till the prince appeared punctually to the appointed hour.
At the appointed hour the prince, powdered and shaven, entered the dining room where his daughter-in-law, Princess Mary, and Mademoiselle Bourienne were already awaiting him together with his architect, who by a strange caprice of his employer's was admitted to table though the position of that insignificant individual was such as could certainly not have caused him to expect that honor.
"Michael Ivanovich!" cried the old prince to the architect who, busy with his roast meat, hoped he had been forgotten: "Didn't I tell you Buonaparte was a great tactician?
The architect had told him that it was necessary, and Pierre, without knowing why, was having his enormous Petersburg house done up.
Whether he was in a bad temper because Prince Vasili was coming, or whether his being in a bad temper made him specially annoyed at Prince Vasili's visit, he was in a bad temper, and in the morning Tikhon had already advised the architect not to go to the prince with his report.
Great Architect of Nature, help me to find the true path out of the labyrinth of lies!
O Lord, great Architect of Nature, help me to tear from myself these dogs--my passions especially the last, which unites in itself the strength of all the former ones, and aid me to enter that temple of virtue to a vision of which I attained in my dream.
To the one camp belonged the old prince, Mademoiselle Bourienne, and the architect; to the other Princess Mary, Dessalles, little Nicholas, and all the old nurses and maids.
Neither could the architect Michael Ivanovich, who on being sent for came in with sleepy eyes, tell Princess Mary anything.
But in January Savelich came from Moscow and gave him an account of the state of things there, and spoke of the estimate an architect had made of the cost of rebuilding the town and country houses, speaking of this as of a settled matter.
At that table were his mother, his mother's old lady companion Belova, his wife, their three children with their governess and tutor, his wife's nephew with his tutor, Sonya, Denisov, Natasha, her three children, their governess, and old Michael Ivanovich, the late prince's architect, who was living on in retirement at Bald Hills.