Yashts sentence example

yashts
  • The litanies of the Yasna, and the Yashts, refer to him as a personage belonging to the past.
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  • As we now have it, the Avesta consists of five parts - the Yasna, the Vispered, the Vendidad, the Yashts, and the Khordah Avesta.
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  • The great Yashts - some nine or ten - are impressed with a higher stamp: they are cast almost throughout in a poetical mould, and represent the religious poetry of the ancient Iranians.
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  • In part, these brief petitions serve as convenient substitutes for the more lengthy Yashts - especially the so-called Nyaishes.
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  • In its present form, however, the Avesta is only a fragmentary remnant of the old priestly literature of Zoroastrianism, a fact confessed by the learned tradition of the Parsees themselves, according to which the number of Yashts was originally thirty.
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  • The number twenty-one points, indeed, to an artificial arrangement of the material; for twenty-one is a sacred number, and the most sacred prayer of the Parsees, the so-called Ahuno Vairyo (Honovar) contains twenty-one words; and it is also true that in the enumeration of the nasks we miss the names of the books we know, like the Yasna and the Yashts.
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  • But we must assume that these were included in such or such a nask, as the Yashts in the seventeenth or Bakan Yasht; or, it may be that other books, especially the Yasna, are a compilation extracted for liturgical purposes from various nasks.
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  • In the Khordah Avesta, as we now have it, we find two Srosh Yashts; with regard to the first, it is expressly stated in old MSS.
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  • The great Yashts are not of very frequent occurrence in the manuscripts: some of them, indeed, are already met with but seldom, and MSS.
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  • Of the fifteenth, seventeenth and nineteenth Yashts the few useful copies that we possess are derived from a single MS. of the year 1591 A.D.
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  • The Yasna and many Yashts in great part consist of formulae of prayer which are as poor in contents as they are rich in verbiage.
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  • Nor can we deny to the Yashts, in their depiction of the Zoroastrian angels and their presentment of the old sagas, a certain poetic feeling, at times, and a pleasant diction.
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