It has a beautiful but incomplete facade designed by Giovanni di Mino del Pellicciaio in 1382, and a marvellous font with bas-reliefs by Donatello, Ghiberti, Jacopo della Quercia and other 15th-century sculptors.
We may also mention the two celebrated fountains, Fonte Gaia and Fontebranda; the former, in the Piazza del Campo, by Jacopo della Quercia (1409-1419), but freely restored in 1868, the much-damaged original reliefs being now in the Opera del Duomo; the Fonte Nuova, near Porta Ovile, by Camaino di Crescentino also deserves notice (1298).
in the Campo Santo of Pisa; Agostino and Agnolo, who in 1330 carved the fine tomb of Bishop Guido Tarlati in the cathedral of Arezzo; Lando di Pietro (14th century), architect, entrusted by the Sienese commune with the proposed enlargement of the cathedral (1339), and perhaps author of the famous Gothic reliquary containing the head of S Galgano in the Chiesa del Santuccio, which, however, is more usually attributed to Ugolino di Vieri, author of the tabernacle in the cathedral at Orvieto; Giacopo (or Jacopo) della Quercia, whose lovely fountain, the Fonte Gaia, in the Piazza del Campo has been recently restored; Lorenzo di Pietro (Il Vecchietta), a pupil of Della Quercia and an excellent artist in marble and bronze; Francesco d'Antonio, a skilful goldsmith of the 1 6th century; Francesco di Giorgio Martini (1439-1502), painter, sculptor, military engineer and writer on art; Giacomo Cozzarelli (15th century); and Lorenzo Mariano, surnamed 11 Marrina (16th century).
Regulus and the tomb of Ilaria del Carretto by Jacopo della Quercia of Siena (described by Ruskin in Modern Painters, ii.), the earliest of his extant works (1406), and one of the earliest decorative works of the Renaissance.
A mile and a half to the north-east is the handsome early Renaissance pilgrimage church of the Madonno della Quercia; the façade is adorned with three lunettes by Andrea della Robbia.
A mile and a half to the north-east is the handsome early Renaissance pilgrimage church of the Madonno della Quercia; the faÃ§ade is adorned with three lunettes by Andrea della Robbia.
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