She made her debut at the Comedie Frangaise in 1699, in La Grange Chancel's Oreste et Pylade, and was at once received as societaire.
Semirame (1748), Oreste (1750) and Rome sauvee itself were all products of this rivalry.
Modena (1859); Oreste Raggi, Modena descritta (1860); Baraldi, Storia di Modena; Valdrighi, Diz.
Olivieri, "Sul mito di Oreste nella letteratura classica" (with a section on modern literature) in Rivista di Filologia, xxvi.
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