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  • de l'art, &c., in which, however, the restoration of Ezekiel's temple (by Chipiez) is probably untrustworthy.

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  • Among the older works are: Bosio, Roma sotterranea, Severano's edition (1632), and Aringhi's edition (1651); Boldetti, Osservazioni sopra i Cmiteri dei santi martini (Rome, 1720); Bottari, Sculture e pitture sagre, &c. (Rome, 1 7371 754); Seroux d'Agincourt, Histoire de l'art par les monuments (Paris, 1823; German ed., 1840); G.

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  • Heuzey in Daremberg and Saglio's Dictionnaire des antiquites, also in Revue de l'art, i.

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  • A different and very interesting piece of evidence is afforded by the Ipomedon of Hue de Rotelande; in relating how his hero appeared at a tournament three days running, in three different suits of armour, red, black and white, the author remarks, Sul ne sai pas de mentir l'art Walter Map reset ben sa part.

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  • In addition to many memoirs he wrote Legons de physique expdrimentale (1743), Essai sur l'electricite des corps (1747), Recherches sur les causes particulieres des phenomenes eiectriques (1749 and 1754), Recueil de lettres sur l'electricite (1753), L'Art de faire les chapeaux (1764) and L'Art des experiences (1770).

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  • This is the epoch assumed by the authors of L'Art de verifier les dates.

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  • 4to of L'Art de verifier les dates, which in its third edition (1818-1831) appeared in 38 vols.

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  • Muntz, La Legende de Charlemagne dans l'art du moyen age (Paris, 1885); and for the German legend, vol.

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  • He published in 1810 a translation of the Parthenais of the Danish poet Baggesen, with a preface on the various kinds of poetry; in 1823 translations of two tragedies of Manzoni, with a preface "Sur la the orie de l'art dramatique"; and in 1824-1825 his translation of the popular songs of modern Greece, with a "Discours preliminaire" on popular poetry.

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  • All The Tables Of This Kind Previously Published, Which Extend Beyond The Year 1900 Of The Christian Era, Are Erroneous, Not Excepting The Celebrated French Work, L'Art De Verifier Les Dates, So Justly Regarded As The Greatest Authority In Chronological Matters.

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  • de l'art, iii.

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  • The centres around which the young writers were grouped were two reviews, L'Art moderne and La Jeune Belgique.

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  • L'Art moderne was founded in 1882 by Edmond Picard, who had as his chief supporters Victor Arnould and Octave Maus.

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  • (1902); Foucher, L'Art greco-bouddhique du Gandhdra (1905).

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  • Perrot and C. Chipiez, Histoire de l'art dans l'antiquite, v.

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  • 1819-1824); Vie politique et militaire de Napoleon racontee par lui-meme (1827) and, perhaps the best known of all his publications, the theoretical Précis de l'art de la guerre (1836).

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  • B eule was also the author of high-class popular works on artistic and historical subjects: Histoire de l'art grec avant Pericles (2nd ed., 1870); Le Proces des Cesars (1867-1870, in four parts; Auguste, sa famille et ses amis; Tibere et l'heritage d'Auguste; Le Sang de Germanicus; Titus et sa dynastie).

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  • Denis, and L'Art du moyen age (various dates); Karch, Die Rdthselbilder an der Broncethiire zu Augsburg (1869); Krug, Entwiirfe fiir Gold-, Silber-, and Bronze-Arbeiten; Linas, Orfevrerie merovingienne (1864), and Orfevrerie du XIII me siecle (1856); Bordeaux, Serrurerie du moyen age (1858); Didron, Manuel des oeuvres de bronze et d'orfevrerie du moyen age (1859); Du Sommerard, Arts au moyen age (1838-1846), and Musee de Cluny (1852); Rico y Sinobas, Trabajos de metales (1871); Bock, Die Goldschmiedekunst des Mittelalters (1855), and Kleinodien des heil.-romischen Reiches; Jouy, Les gemmes et les joyaux (1865); Texier, Dictionnaire d'orfevrerie (1857); Virgil Solis, Designs for Goldand Silversmiths (1512), (facsimile reproduction, 1862); Molinier, Les Bronzes de la Renaissance (1886); Servant, Les bronzes d'art (1880); Wilhelm Bode, Italian Bronze Statuettes of the Renaissance (Eng.

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  • de l'art dans l'antiquite, vols.

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  • See Leonce Benedite, Alexandre Falguiere, Librairie de l'art (Paris).

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  • He was also a member in 1794 of the committee on agriculture and the arts, and technical science was further indebted to him for a systematic exposition of the principles of dyeing - Elemens de l'art de la teinture, 1791, of which he published a second edition in 1809, in association with his son, A.

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  • See L'Art de gouverner, ed.

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  • Beule, "L'Art a Sparte," in Etudes sur le Peloponnese (Paris, 1855).

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  • 3 Mt nard, La Mythologie dans l'Art, p. 388.

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  • de l'art (Eng.

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  • Ellis gives Dom Bedos (L'Art du facture d'orgues, Paris, 1766) as authority for a mean tone a' 376.6.

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  • en Angleterre et en France (Paris, 1878); La Science sociale contemporaine (1880); La Propriete sociale et la democratie (1884); Critique des systemes de morale contemporains (1883); La Morale, l'art et la religion d'apres Guyau (1889); L'Avenir de la metaphysique fondee sur l'experience (1889); L'Enseignement au point de vue national (1891); Descartes (1893); Temperament et caractere (2nd ed., 1895) Le Mouvement positiviste et la conception sociologique du monde (1896); Le Mouvement idealism et la reaction contre la science positive (1896); La Psychologie du peuple frangais (2nd ed., 1898); La France au point de vue moral (1900); L'Esquisse psychologique des peuples europeens (1903); Nietzsche et l'"immoralisme" (1903); Le Moralisme de Kant (1905).

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  • Guiffrey in Nouvelles archives de l'art francais, viii., 2nd series, iii.

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  • Chipiez, Histoire de l'art dans l'antiquite, vol.

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  • Les Arts (1902); Gazette des beaux-arts (1859), monthly, with Chronique des arts; Revue de fart ancien et moderne (1897) monthly; L'Art decoratif, monthly, Art et decoration, monthly; L'Art pour tous, monthly; La Decoration, monthly; L'Architecture- journal of the Soc. centrale des Architectes francais, weekly; L'Art (1875) is no longer published.

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  • Others of interest are: Antee, revue mensuelle de litterature (1904); L'Art et la vie (1892); Cosmopolis (1896); L'Ermitage (1890); Le Mercure de France, serie moderne (1890), a magazine greatly valued in literary circles; La Revue de Paris, fortnightly (1894), and the Nouvelle Revue (1879) a compositor, and by translating from the English earned sufficient to purchase the moribund Revue des deux mondes, which acquired its subsequent position in spite of the tyrannical editorial behaviour of the proprietor.

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  • Tsountas, Mvrcivac Kai Mvcfvauces iroacrcvuos (1893); Tsountas and Manatt, The Mycenaean Age (1897); Perrot and Chipiez, Histoire de l'art dans l'antiquite, vol.

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  • 1819-1824); Vie politique et militaire de Napoleon racontee par lui-meme (1827) and, perhaps the best known of all his publications, the theoretical Précis de l'art de la guerre (1836).

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  • Perrot and C. Chipiez, Histoire de l'art dans l'antiquite, vol.

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  • Baedeker's Egypt; Prisse d'Avennes, Histoire de l'art egyptien (Paris, 1878), vol.

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