Camoens sentence example
- It is so called by Camoens in the Lusiads.
- See Fernao Lopes, Chronica del Rey Dom Pedro (1735); Camoens, Os Lusiadas; Antonio Ferreira's Ines de Castro, - the first regular tragedy of the Renaissance after the Sofonisba of Trissino; Luis Velez de Guevara, Reinar despues de morir, an admirable play; and Ferdinand Denis, Chroniques chevaleresques de l'Espagne et du Portugal.
- The Camoens grotto, where the exiled poet found leisure to celebrate the achievements of his ungrateful country, lies in a secluded spot to the north of the town, which has been partly left in its native wildness strewn with huge granite boulders and partly transformed into a fine botanical garden.
- Argensola (1609) uses the forms islas Malucas, Maluco, and el Maluco; Coronel (1623), islas del Moluco; and Camoens, Maluco.
- Camoens, in the Lusiad, if we may here group Portugal with Spain, was the first modern poet to compose an epic on a purely modern theme, vying with Virgil, but not bending to pedantic rules, and breathing the spirit of the age of heroic adventures and almost fabulous discoveries into his melodious numbers.Advertisement
- It lay not in the German genius to escape from the preoccupations and the limitations of the middle ages, for this reason mainly that what we call medieval was to a very large extent Teutonic. But on the Spanish peninsula, in the masterpieces of Velazquez, Cervantes, Camoens, Calderon, we emerge into an atmosphere of art, definitely national, distinctly modern, where solid natural forms stand before us realistically modelled, with light and shadow on their rounded outlines, and where the airiest creatures of the fancy take shape and weave a dance of rhythmic, light, incomparable intricacy.
- witnessed a profound decadence of court poetry, while there is not a single poem by a Portuguese author in the last half of the 14th century, and only the names of a few authors have survived, among them the Galicians Vasco Pires de Camoens, an ancestor of Luiz de Camoens, and the typical lover Macias.
- the court became an important literary centre, the king himself composed a Livro de Montaria, so far unedited, and his sons are rightly described as Camoens as " inclyta geracdo, altos I of antes."
- In Santarem appeared Antonio Prestes, a magistrate who drew from his judicial experience but evinced more knowledge of folk-lore than dramatic talent, while Camoens himself was so far influenced by Gil Vicente, whose plays he had perhaps seen performed in Lisbon, that in spite of his Coimbra training he never exchanged the old forms for those of the classical comedy.
- Except Camoens, all these men, though disciples of Gil Vicente, are decidedly inferior to him in dramatic invention, fecundity and power of expression, and they were generally of humble social position.Advertisement
- Camoens (q.v.) is, as Schlegel remarked, an entire literature in himself, and some critics rate him even higher as a lyric than as an epic poet.
- His first decade undoubtedly influenced Camoens, and together the two men fixed the Portuguese written tongue, the one by his prose, the other by his verse.
- The Ulyssea of Gabriel Pereira de Castro describes the foundation of Lisbon by Ulysses, but, notwithstanding its plagiarism of The Lusiads and faults of taste, these ten cantos contain some masterly descriptive passages, and the ottava rima shows a harmony and flexibility to which even Camoens rarely attained; but this praise cannot be extended to the tiresome Ulyssipo of Sousa de Macedo.
- Francisco Alexandre Lobo, bishop of Vizeu, whose essays on Camoens and other authors show sound critical sense and a correct style, Cardinal Saraiva, an expert on ancient and modern history and the voyages of his countrymen, and Frei Fortunato de S.
- The incense of " Dofar " is alluded to by Camoens, Os Lusiadas, x.Advertisement
- Burton stated that he had met with Sebastianists in remote parts of Brazil (Burton, Camoens, vol.
- Manoel de Portugal, Pero de Andrade Caminha, Diogo Bernardes, Frei Agostinho da Cruz and Andre Falcao de Resende continued the erudite school, which, after considerable opposition, definitely triumphed in the person of Luiz de Camoens.
- Manoel de Faria y Sousa (q.v.), a voluminous writer on Portuguese history and the arch-commentator of Camoens, wrote, by an irony of fate, in Spanish, and Mello's classic account of the Catalonian War is also in that language, while, by a still greater irony, Jacinto Freire de Andrade thought to picture and exalt the Cato-like viceroy of India by his grandiloquent Vida de D.