Ambrogio sentence example

ambrogio
  • Some are by Domenico Rosselli of Florence, others by Ambrogio d'Antonio da Milano.
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  • In the Sala dei Nove or della Pace above are the noble allegorical frescoes of Ambrogio Lorenzetti representing the effects of just and unjust government; the Sala delle Balestre or del Mappamondo is painted by Simone di Martino (Memmi) and others, the Cappella della Signoria by Taddeo di Bartolo, and the Sala del Consistorio by Beccafumi.
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  • It was there broken into six square pieces, four of which were built into a tomb within the great church of Sant' Ambrogio.
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  • The Milanese sculptor, Ambrogio, who worked so much for Federigo, married a lady of Urbino, and was the progenitor of the Baroccio family, among whom were many able mathematicians and painters.
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  • Federigo Baroccio, Ambrogio's grandson, was a very popular painter, some of whose works still exist in the cathedral and elsewhere in Urbino.
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  • Ambrogio, which is one of the earliest genuine campanili in Italy (789-824).
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  • Ambrogio, in the Corso Magenta, is the church of Santa Maria delle Grazie, built by the Dominicans about 1460, to which the Gothic facade and nave belong.
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  • Contemporary documents prove that the interior was begun in 1508 by Cola Matteuccio da Caprarola, and the exterior completed in1516-1524by Ambrogio da Milano and Francesco di Vito Lombardo; the slender dome was not added till .1606; its plan is a Greek cross.
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  • Documents show him, among other things, planning during an absence of several months from the city vast new engineering works for improving the irrigation and water-ways of the Lomellina and adjacent regions of the Lombard plain; ardently studying phenomena of storm and lightning, of river action and of mountain structure; co-operating with his friend, Donato Bramante, the great architect, in fresh designs for the improvement and embellishment of the Castello at Milan; and petitioning the duke to secure him proper payment for a Madonna lately executed with the help of his pupil, Ambrogio de Predis, for the brotherhood of the Conception of St Francis at Milan.
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  • The National Gallery "Virgin of the Rocks" certainly, with help from Ambrogio de Predis; in this the Florentine character of the original is modified by an admixture of Milanese elements, the tendency to harshness and over-elaboration of detail softened, the strained action of the angel's pointing hand altogether dropped, while in many places pupils' work seems recognizable beside that of the master.
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  • Strong claims have also been made on behalf of a fine profile portrait resembling Beatrice d'Este in the Ambrosiana; but this the best judges are agreed in regarding as a work, done in a lucky hour, of Ambrogio de Predis.
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  • The painters especially recorded as Leonardo's immediate pupils during this part of his life at Milan are the two before mentioned, Giovanni Antonio Boltraffio and Ambrogio Preda or de Predis, with Marco d'Oggionno and Andrea Salai, the last apparently less a fully-trained painter than a studio assistant and personal attendant, devotedly attached and faithful in both capacities.
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  • In silverpoint there are many beautiful drawings of his earlier time, and some of his later; but of the charming heads of women and young men in this material attributed to him in various collections, comparatively few are his own work, the majority being drawings in his spirit by his pupils Ambrogio Preda or Boltraffio.
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