Aesthetik sentence example

aesthetik
  • Literary and General: Geschichte der deutschen Poesie im Mittelalter (1830); Handbuch einer allgemeinen Geschichte der Poesie (1832-33); Die Pddogogik als System (1848); Aesthetik des Hdsslichen (1853); Die Poesie and ihre Geschichte (1885); Studien (1839-47) and Neue Studien (1875-78).
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  • 1852-1853), long reckoned the best work on the synonyms of the German language (an abridgment of it was published by the author in one large volume, Halle, 1802); Handbuch der Aesthetik (Halle, 1803-1805, 2nd ed.
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  • The best edition is by Rose (2nd ed., Leipzig, 1899); see also Nohl, Index Vitruvianus (1876); Jolles, Vitruvs Aesthetik (1906); Sontheimer, Vitruv and seine Zeit (1908).
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  • His most important works are: Aesthetik (Leipzig, 1859; 3rd ed., 1885), supplemented by Die Kunst im Zusammenhang der Kulturentwicklung and der Ideale der Menschheit (3rd ed., 1877-1886); Die philosophische Weltanschauung der Reformationszeit (Stuttgart, 1847; 2nd ed., Leipzig, 1886), and Die sittliche Weltordnung (Leipzig, 1877; 2nd ed., 1891), in which he recognized both the immutability of the laws of nature and the freedom of the will.
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  • So, again, the Aesthetik is rendered extremely obscure and difficult by the prevalence of the view, already noted as obtaining in the Dissertation, that sense is a faculty receiving representations of objects.
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  • They occupy, therefore, a peculiar position, and one section of the Kritik, the Aesthetik, is entirely devoted to the consideration of them.
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  • The Aesthetik isolates sense-perception, and considers its forms as though it were an independent, complete faculty.
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  • Beside his works on Plato, he wrote, on aesthetics,, System der Kunstlehre (1805) and Grundriss der Aesthetik (1807);, on the history of philosophy, Grundlinien der Philosophic (1807, republished 1809, but soon forgotten), Grundriss einer Geschichte der Philosophic (1807 and 1825), and Hauptmomente der Geschichte der Philosophie (1829); in philology, Grundlinien der Philologie (1808), and Grundlinien der Grammatik, Hermeneutik and Kritik (1808).
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  • Some traces of this confused fashion of regarding sense-perceptions are left even in the Kritik, specially perhaps in the Aesthetik, and they give rise to much of the ambiguity which unfortunately attaches to the more developed theory of cognition.
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