Elegiac Sentence Examples

elegiac
  • The composition of didactic, lyrical and elegiac poetry also was the accomplishment and pastime of an educated dilettante class, the only extant specimens of any interest being some of the Silvae of Statius.

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  • The forms of poetical composition chiefly cultivated by the Alexandrians were epic and lyric, or elegiac. Great epics are wanting; but in their place, as might almost have been expected, are found the historical and the didactic or expository epics.

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  • Catulus in the preceding generation, was a kind of dilettante poet and a precursor of the poetry of pleasure, which attained such prominence in the elegiac poets of the Augustan age.

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  • The earliest of the elegiac poets was Philetas, the sweet singer of Cos.

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  • The poems of Propertius, as they have come down to us, consist of four books containing 4046 lines of elegiac verse.

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  • A fanciful explanation of his lameness is that it alludes to the elegiac couplet, one verse of which is shorter than the other.

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  • They are mainly elegiac and in the Ionic dialect, written partly in praise of the Spartan constitution an King Theopompus (Ebvoµia), partly to stimulate the Spartan soldiers to deeds of heroism in the field (`T7roOi icacthe title is, however, later than Tyrtaeus).

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  • According to Diogenes Laertius, who credits him with an undoubtedly spurious letter to Croesus (with whom his connexion was probably legendary), Pittacus was a writer of elegiac poems, from which he quotes five lines.

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  • He also put into elegiac metre, in 106 epigrams, some of Augustine's theological dicta.

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  • Next appeared an edition in elegiac verse, often cited by Suidas, but the author's name is unknown.

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  • The Hebrew word mashal, commonly rendered " proverb," is a general term for didactic and elegiac poetry (as distinguished from the descriptive and the liturgical),.

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  • It will be enough to observe that in the earliest elegiac poets, such as Archilochus, Tyrtaeus and Theognis, reminiscences of Homeric language and thought meet us on every page.

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  • His most original compositions in verse, however, are elegiac and hendecasyllabic pieces on personal topics - the De conjugali amore, Eridanus, Tumuli, Naeniae, Baiae, &c. - in which he uttered his vehemently passionate emotions with a warmth of southern colouring, an evident sincerity, and a truth of painting from reality which excuse their erotic freedom.

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  • Some anomalies, both of metre and of sense, may be removed by judicious emendation; and many lines become smooth enough, if we assume a crasis of open vowels of the same class, or a diphthongal pronunciation of others, or contraction or silence of certain suffixes as in Syriac. The oldest elegiac utterances are not couched in this metre; e.g.

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  • From very early times the Homeric poems found a home and admirers there; and to Ephesus belong the earliest elegiac poems of Greece, the war songs of Callinus, who flourished in the 7th century B.C. and was the model of Tyrtaeus.

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  • He was the author of a Latin poem, De Reditu Suo, in elegiac metre, describing a coast voyage from Rome to Gaul in A.D.

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  • With regard to the form of the poem, Rutilius handles the elegiac couplet with great metrical purity and freedom, and betrays many signs of long study in the elegiac poetry of the Augustan era.

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  • Simylus, a Greek elegiac poet, makes Tarpeia betray the Capitol to a king of the Gauls.

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  • That their author was one of the greatest elegiac and lyric poets ever born into the world, any one of these volumes would amply suffice to prove.

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  • What are the limits on Ovid's boldness in using Latin and deploying the elegiac couplet?

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  • On the brilliant June evenings which seemed so frequent in these early years the whole atmosphere had an almost elegiac quality.

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  • We learn from Ovid that Propertius was his senior, but also his friend and companion; and that he was third in the sequence of elegiac poets, following Gallus, who was born in 69 B.C., and Tibullus, and immediately preceding Ovid himself, who was born in 43 B.C. We shall not then be far wrong in supposing that he was born about 50 B.C. His early life was full of misfortune.

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  • He was the author of a collection of epigrams called Cicuta (" hemlock") 1 from their bitter sarcasm, and of a beautiful epitaph on the death of Tibullus; of elegiac poems, probably of an erotic character; of an epic poem Amazonis; and of a prose work on wit (De urbanitate).

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  • In the more considerable of the elegiac fragments which have survived, he ridicules the doctrine of the migration of souls (xviii.), asserts the claims of wisdom against the prevalent athleticism, which seemed to him to conduce neither to the good government of states nor to their material prosperity (xix), reprobates the introduction of Lydian luxury into Colophon (xx.), and recommends the reasonable enjoyment of social pleasures (xxi.).

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  • His handling of the elegiac couplet, and especially of its second line, deserves especial recognition.

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  • Besides the ELXXoi we have some lines preserved from the 'IvaaXyoi, a poem in elegiac verse, which appears to have inculcated the tenets of scepticism, and one or two fragments which cannot be with certainty assigned to either poem.

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  • About a hundred epigrams by him in various metres (the elegiac predominating) have been preserved.

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  • As a didactic and elegiac poet Stephen Kohari is much esteemed.

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  • According to Sostratus, author of an elegiac poem called Teiresias, he was originally a girl, but had been changed into a boy by Apollo at the age of seven; after undergoing several more transformations from one sex to the other, she (for the final sex was feminine) was turned into a mouse and her lover Arachnus into a weasel (Eustathius on Odyssey, p. 1665).

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  • The greatest masters of this kind of poetry are the elegiac poets of the Augustan age - Tibullus, Propertius and Ovid.

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  • The idealizing poetry of passion, which found a genuine voice in Catullus and the elegiac poets, could not prolong itself through the exhausting licence of successive generations.

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  • A 12th-century version of the first three books of Romulus in elegiac verse enjoyed a wide popularity, even into the Renaissance.

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  • In their lyric and elegiac poetry there is much worthy of admiration.

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  • His study of the Alexandrine theology, as well as of profane literature, brought him under the suspicions of the orthodox, and a former pupil of his, by name Constantine, accused him in an elegiac poem of having abandoned Christianity.

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