Bronze Sentence Examples

bronze
  • She wore a flowing, diaphanous gown and had long, wavy, bronze colored hair.

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  • A half, fifth and tenth of a peso are coined in silver, in addition to bronze coins.

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  • His pupils were contracted by the bright sunlight and his light green eyes contrasted sharply with his bronze tan.

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  • A soft moan sounding nothing like her reached his ears, and then slowly, out from under the cover, emerged a huge wolf with bronze colored fur.

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  • The city contains a fine statue of Schiller, designed by Thorvaldsen; a bronze statue of Christopher, duke of Wurttemberg; a monument to the emperor William I.; an equestrian statue of King William I.

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  • A bronze statue, erected by public subscription, in the Kerepes cemetery,.

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  • The bronze features were smooth and perfectly formed - almost too perfect, and yet, not effeminate.

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  • This opisthodomus was completely fenced in with bronze gratings; and the excavators believe it to have been adapted for use as an adytum (shrine).

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  • He wasn't chasing the bronze haired beauty, but running through the woods with her, laughing.

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  • The parks are the Domain, with a botanical garden, the Albert Park near the harbour, with a bronze statue of Queen Victoria, the extensive grounds at One Tree.

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  • Settlements belonging to the Stone age, and manufactories of stone implements, burial-grounds of the Bronze epoch, earthen forts and burial-mounds (kurgans) - of this last four different types are known, the earliest belonging to the Bronze period - are superposed, rendering the task of unravelling their several relations one of great difficulty.

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  • General Loring kindly showed me a copy of one of the wonderful bronze doors of the Baptistry of Florence, and I felt of the graceful pillars, resting on the backs of fierce lions.

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  • Thick, bronze skin coated layers of roped, rippling muscles.

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  • He signed the paper with a flourish and returned the pen to its elaborate bronze holder.

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  • The plane surfaces and XX are composed of a bronze of very close texture, which appears capable of receiving a finish having almost the truth and polish of an optical surface.

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  • Two brightly lit, massive bronze chandeliers dangled at even distances across the ceiling.

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  • The smooth bronze features were sober as he spoke.

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  • She shook her head, feeling giddy as she gazed up at his smooth bronze features.

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  • The counterspell took the form of a bronze image of the serpent-demon; see Frazer, Golden Bough, ii.

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  • Repositories also came to light containing treasure in the shape of bronze ingots.

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  • Cuirasses of bronze scales were worn by the kings and other leaders.

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  • Jackson took a lock of her hair in his hand, carefully combing through all the colors for the bronze.

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  • The use of iron for arms and implements now finally triumphed over bronze.

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  • The cathedral, of the 12th century, has a carved portal and three apses decorated with small arches and pilasters, and contains a fine pulpit and episcopal throne in marble mosaic. Near it are two grottos 1 To the period after 335 belong numerous silver and bronze coins with the legend Caleno.

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  • A statue in bronze was placed on the Thames Embankment, and there is a good portrait by Watts (a copy of which, by Watts himself, was hung in the National Gallery).

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  • Artificers' implements of many kinds were in use, bronze succeeding obsidian and other hard stones as the material.

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  • After 2000 B.C. all these arts revived, and sculpture, as evidenced by relief work, both on a large and on a small scale, carved stone vessels, metallurgy in gold, silver and bronze, advanced farther.

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  • We are now in the beginning of the Bronze Age, and the first of Evans's "Minoan" periods (see Crete).

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  • These periods fill the whole Bronze Age, with whose close, by the introduction of the superior metal, iron, the Aegean Age is conventionally held to end.

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  • We may take it then (and the fact is not disputed even by those who, like Dorpfeld, believe in one thorough racial change, at least, during the Bronze Age) that the Aegean civilization was indigenous, firmly rooted and strong enough to persist essentially unchanged and dominant in its own geographical area throughout the Neolithic and Bronze Ages.

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  • He goes so far as to pronounce the latter to be Cretan importations, their fabric and forms being unlike anything Nilotic. If that be so, the period at which stone implements were beginning to be superseded by bronze in Crete must be dated before 4000 B.C. But it will be remembered that below all Evans's "Minoan" strata lies the immensely thick Neolithic deposit.

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  • Iron took the place of Bronze, and Aegean art, as a living thing, ceased on the Greek mainland and in the Aegean isles including Crete, together with Aegean writing.

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  • In the centre of this gallery stand the four colossal bronze horses which belonged to some Graeco-Roman triumphal quadriga, and were brought to Venice by the Doge Enrico Dandolo after the fall of Constantinople in 1204; they were carried off by Napoleon to Paris in 1797, and restored by Francis of Austria in 1815.

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  • Leopardo was also the creator (1505) of the three handsome bronze sockets in front of St Mark's which held the flagstaffs of the banners of Cyprus, Morea and Crete, when the republic was mistress of those territories.

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  • The grey column is surmounted by a fine bronze lion of Byzantine style, cast in Venice for Doge Ziani about 1178 (this was carried off to Paris by Napoleon in 1797, and sent back in pieces in 1816; but in 1893 it was put together again); and in 1329 a marble statue of St Theodore, standing upon a crocodile, was placed on the other column.

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  • Paphos was believed to have been founded either by the Arcadian Agapenor, returning from the Trojan War (c. 1180 B.C.), or by his reputed contemporary Cinyras, whose clan retained royal privileges down to the Ptolemaic conquest of Cyprus in 295 B.C., and held the Paphian priesthood till the Roman occupation in 58 B.C. The town certainly dates back to the close of the Mycenaean Bronze age, and had a king Eteandros among the allies of Assur-bani-pal of Assyria in 668 B.C.'

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  • From the inner exit of the Propylaea a passage led towards the east along the north side of the Parthenon; almost directly facing the entrance was the colossal bronze statue of Athena (afterwards called Athena Promachos) by Pheidias, probably set up by Cimon in commemoration of the Persian defeat.

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  • On both sides of the passage were numerous statues, among them that of Athena Hygeia, set up by Pericles to commemorate the recovery of a favourite slave who was injured during the building of the Parthenon, a colossal bronze image of the wooden horse of Troy, and Myron's group of Marsyas with Athena throwing away her flute.

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  • Adjoining it to the east are the remains of a large rectangular building, which was apparently fronted by a colonnade; this has been identified with the XaXKO011Ki, a storehouse of bronze implements and arms, which was formerly supposed to lie against the north wall near the Propylaea.

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  • The building was surmounted by a weathercock in the form of a bronze Triton; it contained a water-clock to record the time when the sun was not shining.

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  • During the golden age she remained among men distributing blessings, but when the iron (or bronze) age came on, she was forced to withdraw, being the last of the goddesses to quit the earth.

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  • One has hitherto supposed that he was related to the Mediterraneans, the race to which the Bronze Age Greeks and Italians belonged; but this supposed connexion may well break down in the matter of skull form, as the Hittite skull, like that of the modern Anatolian, probably inclined to be brachycephalic. whereas that of the Mediterranean inclined in the other direction, And now the Bohemian Assyriologist Prof. Hrozny has brought forward evidence s that the cuneiform script adopted by the Hittites from the Mesopotamians expressed an Indo-European tongue, nearly akin to Latin!

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  • This, by the way, points to the conclusion that Babylonian (Sumerian) culture and art were considerably older than the Egyptian; but we have no definite evidence yet on this point.24 Later points of artistic connexion may be seen when we compare the well-known bronze statues of Pepi I.

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  • We see however the similarity of the metal-working of both countries at approximately the same time; both are in the same style of artistic development, the Egyptian perhaps the more advanced of the two, and (if the published analysis by Mosso is to be relied upon) with the additional technique of the alloy with tin, making the metal bronze, and so easier for the heads to be cast.

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  • The great bronze head of Augustus Caesar, now in the British Museum, is one of the trophies of this excavation, and is very interesting as being either a trophy of war carried off perhaps from Syene, or was actually set up at Meroe by the independent native ruler in honour of the Emperor.

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  • Money was also struck in their own name by the cities in the several dynasties' spheres of power, but in most cases only bronze or small silver for local use.

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  • All these globes are of metal (bronze), or they might not have survived so many years.

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  • As a consequence of its having accepted Roman citizenship, it became a municipium; part of a copy of the Lex Iulia Municipalis of 46 B.C. (engraved on the back of two bronze tablets, on the front of which is a Greek inscription of the 3rd century B.C. defining the boundaries of lands belonging to various temples), which was found between Heraclea and Metapontum, is of the highest importance for our knowledge of that law.

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  • At any rate it was a notable trading-place and emporium as early as the Stone Age, and continued to enjoy its importance as such through the Bronze and Iron Ages, as is proved, inter alia, by the large number of Arabic, Anglo-Saxon and other coins which have been found on the island..

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  • Around the foot of the obelisk (besides an heroic statue of Lincoln) are four groups of figures in bronze, symbolizing the army and navy of the United States.

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  • He died on the 2nd of April 1872, at New York, where his statue in bronze now stands in the Central Park.

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  • Not far off, similar relics were found at Sobunar, Zlatiste and Debelobrdo; iron and bronze ornaments, vessels and weapons, often of elaborate design, occur in the huts and cemeteries of Glasinac, and in the cemetery of Jezerine, where they are associated with objects in silver, tin, amber, glass, &c. Among the numerous finds made in other districts may be mentioned the discovery, at Vrankamer, near Bihac, of 98 African coins, the oldest of which dates from 300 B.C. Many vestiges of Roman rule survive, such as roads, mines, ruins, tombs, coins, frescoes and inscriptions.

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  • A bronze statue of the Prince Consort by Joseph Durham adorns the front terrace.

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  • Bronze implements have been found here, but no notice of Romford occurs till the 12th century.

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  • In glaring contrast to the bold and simple forms of the architecture, which belongs to the Doric style, were the bronze and marbles and pictures of the high altar, the masterpiece of the Milanese Giacomo Trezzo, almost ruined by the French in 1808.

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  • In the Public Square is a soldiers' and sailors' monument consisting of a granite shaft rising from a memorial room to a height of 125 ft., and surmounted with a figure of Liberty; in the same park, also, is a bronze statue of Moses Cleaveland, the founder of the city.

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  • Directly west of the town hall is the new Stadthaus, the chief police station of the town, in front of which is a bronze statue of the burgomaster Karl Friedrich Petersen (1809-1892), erected in 1897.

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  • Facing the judiciary building is an heroic statue in bronze of Kamehameha the Great., About 2 m.

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  • The town had no Punic coins, but under the Roman domination there were coins from the time of the Republic. These are of bronze and bear the name of the city in abbreviations, Hadr or HadrVM accompanying the head of Neptune or the Sun.

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  • Other alloys may be produced, such as bronze, or German silver, by selecting solutions (usually cyanides) from which the current is able to deposit the constituent metals simultaneously.

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  • To them must be assigned the very numerous remains dating from the Bronze period which are scattered all over southern Siberia.

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  • Iron was unknown to them; but they excelled in bronze, silver and gold work.

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  • Their bronze ornaments and implements, often polished, evince considerable artistic taste; and their irrigated fields covered wide areas in the fertile tracts.

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  • They were acquainted with iron, and learned from their subjects the art of bronze-casting, which they used for decorative purposes only, and to which they gave a still higher artistic stamp. Their pottery is much more perfect and more artistic than that of the Bronze period, and their ornaments are accounted among the finest of the collections at the St Petersburg museum of the Hermitage.

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  • The two last statues were of bronze.

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  • According to tradition the temple of Minerva, founded by Diomede, contained the Trojan Palladium, and the town struck numerous bronze coins; but in history it is first heard of as on the Roman side in the Samnite Wars (321 B.C.), and in 315 or 314 B.C. a Latin colony was sent here.

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  • Although its convenient harbour was probably used before Saxon times, and bronze weapons and Roman interments have been found, there is no evidence that Weymouth (Waimue, Waymuth) was a place of early settlement.

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  • The arches of the Romanesque portal are beautifully ornamented, in a manner suggestive of Arab influence; the bronze doors, executed by Barisanus of Trani in 1175, rank among the best of their period in southern Italy.

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  • Petronio, the massive Palazzo Comunale, dating from 1245, the Palazzo del Podesta, completed in the same year, and the fine bronze statue of Neptune by Giovanni da Bologna (Jean Bologne of Douai).

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  • Of the more recent erections in the town, mention may be made of the granite obelisk in memory of General Sir 'Thomas Picton (1758-1815) and the bronze statue of General Sir William Nott (1784-1846).

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  • In front of the county hall is a bronze statue of the Hungarian poet Alexander Petofi (1823-1849), erected in 18 9 7.

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  • Columbium oxysulphide, CbOS 3, is obtained as a dark bronze coloured powder when the pentoxide is heated to a white heat in a current of carbon bisulphide vapour; or by gently heating the oxychloride in a current of sulphuretted hydrogen.

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  • Metallic money is limited to nickel and bronze coins, but in 1906 the government was authorized to purchase bar silver for the coinage of pieces of the denomination of two milreis, one milreis and 500 reis (2-milreis).

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  • Playfair (1789-1857), but it was not till 1883 that the building was completed by the dome, crowned by the bronze figure of Youth bearing the torch of Knowledge, on the facade in South Bridge Street.

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  • F.," in letters once filled in with bronze, is well preserved.

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  • This memorial is built principally of Milford (Mass.) granite, with a bronze statue of the president, and with sarcophagi containing the bodies of the president and Mrs McKinley, and has a total height, from the first step of the approaches to its top, of 163 ft.

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  • In consequence of the breaking away of the lower part of "Cleopatra's Needles" when removed to Alexandria and re-erected, the Roman engineers supported the angles on bronze crabs, one of which with three reproductions now supports the angles of the obelisk on the Thames Embankment.

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  • Then one of the king's concubines and his cup-bearer, cook, groom, messenger and horses were strangled and laid by him, and round about offerings of all his goods and cups of gold - no silver or bronze.

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  • Store of wine was contained in six amphorae, and in two bronze cauldrons were mutton-bones.

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  • This style and the types of dagger, cauldron, bit and twolooped socketed axehead run right across from Hungary to the upper Yenisei, where a special Bronze Age culture seems to have developed them.

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  • We cannot place Ariantas, who made a kind of census of the nation by exacting an arrow-head from each warrior and cast a great cauldron out of the bronze, nor Taxacis and Scopasis, the under-kings in the time of Idanthyrsus.

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  • Being a component of bronze, it was used as a metal thousands of years prior to the dawn of history; but it does not follow that prehistoric bronzes were made from metallic tin.

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  • Stannic sulphide, SnS 2, is obtained by heating a mixture of tin (or, better, tin amalgam), sulphur and sal-ammoniac in proper proportions in the beautiful form of aurum musivum (mosaic gold) - a solid consisting of golden yellow, metallic lustrous scales, and used chiefly as a yellow "bronze" for plaster-of-Paris statuettes, &c. The yellow precipitate of stannic sulphide obtained by adding sulphuretted hydrogen to a stannic solution readily dissolves in solutions of the alkaline sulphides to form thiostannates of the formula M 2 SnS 31 the free acid, H2SnS3, may be obtained as an almost black powder by drying the yellow precipitate formed when hydrochloric acid is added to a solution of a thiostannate.

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  • Let them therefore not adore a cross of gold or silver or bronze or stone.

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  • Numerous bronze images of a kneeling god at Telloh give him only a loin-cloth, and often the deity, like the monarch, has only a skirt.

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  • Ear-rings (Evwrta, X¦o13ta, Exckt'7pES) of gold, silver, or bronze plated with gold, and frequently ornamented with pearls, precious stones, or enamel, were worn attached to the lobes of the ear.

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  • He accordingly returned in 1871 to England from Italy, where he was studying, and modelled the figures of Shakespeare, Fame and Clio, which were rendered in marble and in bronze.

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  • He was thereupon elected an associate of the Royal Academy, and more than justified the selection by his "Teucer" of the following year, a bronze figure of extraordinary distinction which, bought for the Chantrey collection, is now in the National (Tate) Gallery of British Art.

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  • Among the sculptor's principal statues are " The Bishop of Carlisle " (1895; Carlisle Cathedral), " General Charles Gordon " (Trafalgar Square, London), " Oliver Cromwell " (Westminster), " Dean Colet " (a bronze group - early Italianate in feeling - outside St Paul's School, Hammersmith), " King Alfred " (a colossal memorial for Winchester), the " Gladstone Monument " (in the Strand, London) and " Dr Mandell Creighton, Bishop of London " (bronze, erected in St Paul's Cathedral).

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  • One of the bronze plates which decorated the exterior of the war-chest of the legio III.

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  • The censer used was a hemispherical cup or bowl of bronze, supported by a long handle, fashioned at one end like an open hand, in which the bowl was, as it were, held, while the other end within which the pastils of incense were kept was shaped into the hawk's head crowned with a disk, as the symbol of Re.'

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  • The Nelson Column, the central feature of Trafalgar Square, is from the designs of William Railton (1843), crowned with a statue of Nelson by Baily, and has at its base four colossal lions in bronze, modelled by Sir Edwin Landseer.

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  • The duke of York's Column, Carlton House Terrace (1833), an Ionic pillar, is surmounted by a bronze statue by Sir Richard Westmacott.

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  • When mine water is acid the working parts of the pump must be lined with or made of bronze or other non-corrosive material; or the acid may be neutralized by adding lime in the sump.

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  • The city has 95 acres of boulevards and avenues under park supervision and several fine parks (17, with 307 acres in 1907), notably Washington (containing Calverley's bronze statue of Robert Burns, and Rhind's "Moses at' the Rock of Horeb"), Beaver and Dudley, in which is the old Dudley Observatory - the present Observatory building is in Lake Avenue, south-west of Washington Park, where is also the Albany Hospital.

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  • Glass, in flat pieces, such as might be employed for windows, has been found in the ruins of Roman houses, both in England and in Italy, and in the house of the faun at Pompeii a small pane in a bronze frame remains.

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  • When the window openings were large, as was the case in basilicas and other public buildings, and even in houses, the pieces of glass were, doubtless, fixed in pierced slabs of marble or in frames of wood or bronze.

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  • They are found with Roman bronze vessels and other articles.

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  • Originally applied to gold, silver, copper, iron, tin, lead and bronze, i.e.

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  • Thus, for instance, to% aluminium bronze is scratched by an ordinary steel knife-blade, yet the sets of needles used for perforating postage stamps last longer if made of aluminium bronze than if made of steel.

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  • Such an alloy can be cast like ordinary bronze, but excels the latter in hardness, elasticity, toughness and tensile strength.

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  • When diluted down to 4.8%, it assumes the colour and fusibility of bronze, but, unlike it, is tenacious and ductile like iron.

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  • From the latter came the bronze gates with hammered reliefs, which are now in the British Museum.

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  • Section Of Bronze Sheathing From Gates Of Shalmaneser Ii.

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  • The walls were brilliantly coloured, and sometimes plated with bronze or gold as well as with tiles.

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  • The Nymphi (Kara Bel) and Niobe sculptures near Smyrna are probably memorials of that extension, Certainly some inland Anatolian power seems to have kept Aegean settlers and culture away from the Ionian coast during the Bronze Age, and that power was in all likelihood the Hatti kingdom of Cappadocia.

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  • This act by tradition happened on the market-place, where in 1895, at the foot of an old tower (with rude frescoes commemorating the feat), there was set up a fine bronze statue (by Richard Kissling of Zurich) of Tell and his son.

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  • Opposite is the Baptistery built by Arnolfo di Cambio in the 13th century on the site of an earlier church, and adorned with beautiful bronze doors by Ghiberti in the 15th century.

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  • There is a splendid museum of medieval and Renaissance antiquities in the Bargello, the ancient palace of the Podesta, itself one of the finest buildings in the city; among its many treasures are works of Donatello, Ghiberti, Verrochio and other sculptors, and large collections of ivory, enamel and bronze ware.

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  • Grape-stones have been found among the remains of Swiss and Italian lake dwellings of the Bronze period, and others in tufaceous volcanic deposits near Montpellier, not long before the historic era.

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  • These inscriptions are generally on limestone or marble or on tablets of bronze, and vary from a few inches to some feet in length and height.

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  • Aluminium bronze (aluminium and copper) and ferro-aluminium (aluminium and iron) have been made in this way; the latter is the more satisfactory product, because a certain proportion of carbon is expected in an alloy of this character, as in ferromanganese and cast iron, and its presence is not objectionable.

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  • The staple productions are machinery, railway engines and carriages, steel, tin and bronze wares, pottery, bent and carved wood furniture, textiles and chemicals.

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  • TiN 2 is a dark blue powder obtained when the oxide is ignited in an atmosphere of ammonia; while TiN is obtained as a bronze yellow mass as hard as the diamond by heating the oxide in an atmosphere of nitrogen in the electric furnace.

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  • He was said to have built the labyrinth for Minos, to have made a wooden cow for Pasiphae and to have fashioned a bronze man who repelled the Argonauts.

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  • The values of the coinage are pieces of 5 and 10 centimes in bronze, of 50 centimes, 1 franc and 2 francs in silver, of 10 francs and 20 francs in gold.

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  • The use of bronze also shows that they must have worked, perhaps superficially, some of the great copper deposits.

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  • Bronze figures of deities are now the most interesting objects to be found at Sa el hagar.

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  • They are small portable braziers (foculi) of bronze or sometimes of silver and of highly ornate design.

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  • The large double doors of cedar wood, covered with bronze showing a geometric interlaced pattern, have been compared with those of Ghiberti at the Baptistery of Florence.

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  • Zeno are especially interesting as being among the earliest important examples in Italy of cast bronze reliefs.

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  • They are frequently stated to be of beaten bronze, but they are really castings, apparently by the cire perdue process.

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  • Parts of these doors are covered with bronze reliefs of scenes from the Bible, which are of still earlier date, and were probably brought to Verona from the Rhine provinces.

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  • The bronze image of the same divinity at Horyu-ji, said to have been cast at the beginning of the 7th century by Tori Busshi, the grandson of a Chinese immigrant, is of good technical quality, but much inferior in design to the former.

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  • The most noteworthy effort was the casting by Ono Goroymon in 1252 of the well-known bronze image, the Kamakura Daibutsu.

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  • Bronze is called by the Japanese kara-kane, a term signifying Chinese metal and showing clearly the source from which knowledge of the alloy was obtained.

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  • Japanese bronze is well suited for castings, not only because of its low melting-point, great fluidity and capacity for taking sharp impressions, but also because it has a particularly smooth surface and readily develops a fine patina.

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  • It is a golden yellow bronze, called seniokuthis being the Japanese pronunciation of Suen-t, the era of the Ming dynasty of China when this compound was invented.

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  • From the time when they began to cast bronze statues, Japanese experts understood how to employ a hollow, removable core round which the metal was run in a skin just thick enough for strength without waste of material; and they also understood the use of wax for modelling purposes.

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  • The art of casting bronze reached its culmination in the hands of a group of great expertsSeimin, TOun, Masatune, TeijO, SOmin, Keisai, Takusai, Gido, Zenryusai and Hotokusaiwho flourished during the second half of the 18th century and the first half of the 19th.

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  • Among the artists of early times it is often difficult to distinguish between the carver of wood and the caster of bronze.

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  • In 1902 a bronze statue was erected to his memory at Friesack, and there is also a marble one of the elector in the "Siegesallee" at Berlin.

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  • We learn also that solid solutions which exist at high temperatures often break up into two materials as they cool; for example, the bronze of fig.

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  • An immense number of inscriptions have been found in the excavations, and many works of art, including a bronze charioteer, which is one of the most admirable statues preserved from ancient times.

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  • Cornelius Sulla for the payment of his soldiers; Nero removed no fewer than 500 bronze statues from the sacred precincts; Constantine the Great enriched his new city by the sacred tripod and its support of intertwined snakes dedicated by the Greek cities after the battle of Plataea.

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  • Matthiessen and Bose obtained large crystals of the alloy Au 2 Sn 5, having the colour of tin, which changed to a bronze tint by oxidation.

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  • The museum of the Accademia Etrusca, a learned body founded by Ridolfino Venuti in 1726, is situated in the Palazzo Pretorio; it contains some Etruscan objects, among which may be specially noted a magnificent bronze lamp with 16 lights, of remarkably fine workmanship, found in 1740, at the foot of the hill, two votive hands and a few other bronzes, and a little gold jewellery.

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  • As an industrial centre Corinth achieved pre-eminence in pottery, metal-work and decorative handicraft, and was the reputed "inventor" of painting and tiling; her bronze and her pottery, moulded from the soft white clay of Oneium, were widely exported over the Mediterranean.

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  • This arch appears on Roman coins from Augustus to Commodus; according to Pausanias it bore two four-horse chariots, one driven by Helios and the other by Phaethon, his son, all in gilded bronze.

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  • The bronze was plunged into the water in a red hot condition, and thus acquired its peculiar excellence.

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  • Near the middle of the long side is an opening; and from it a flight of seven steps led down to a trapezoidal chamber, on the back wall of which are two lions' heads of bronze, through which water, conducted in long semi-cylindrical channels of bronze, from behind the wall, poured out into pitchers for which holes are cut in the floor.

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  • There is no hope of finding the great bronze Athena, which stood in the middle of the agora.

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  • The head of the crozier, which is of silver-gilt with a smaller crozier of bronze inclosed within it, is now deposited in the National Museum of the Society of Antiquaries of Scotland.

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  • The excavations in the other larger mound resulted in the discovery of the remains of buildings containing objects of all sorts in bronze and stone, dating from the earliest Sumerian period onward, and enabling us to trace the art history of Babylonia to a date some hundreds of years before the time of Gudea.

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  • At its southern end, by the quay, is a bronze statue of Thiers, and at the northern end, the cathedral of St Augustine, a large church built in quasi-Byzantine style.

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  • An altar surmounted by a bronze statue of the saint has also been erected among the ruins.

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  • The present Palazzo Comunale, a Renaissance edifice, contains a fine museum, chiefly remarkable for the contents of prehistoric tombs found in the district (including good bronze fibulae, necklaces, amulets, &c., often decorated with amber), and a large collection of acorn-shaped lead missiles (glandes) used by slingers, belonging to the time of the siege of Asculum during the Social War (89 B.C.).

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  • A bronze statue of Luther by Rudolf Siemering (1835-1905) was unveiled in 1883.

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  • Among the last-mentioned are the square at the railway station - the Ernst August-Platz - with an equestrian statue of King Ernest Augustus in bronze; the triangular Theater-Platz, with statues of the composer Marschner and others; and the Georgs-Platz, with a statue of Schiller.

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  • At intervals are circular spaces, called " glorietas," with statues (the famous bronze equestrian statue of Charles IV., and monuments to Columbus, Cuauhtemoc the last of the Aztec emperors, and Juarez).

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  • The atmosphere of the whole town is, indeed, dominated by the memory of Goethe and Schiller, whose bronze statues, by Rietschel, grouped on one pedestal (unveiled in 1857) stand in front of the theatre.

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  • These include the bronze doors executed by Bishop Bernward, with reliefs from the history of Adam and of Jesus Christ; a brazen font of the 13th century; two large candelabra of the 11th century; the sarcophagus of St Godehard; and the tomb of St Epiphanius.

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  • In the cathedral also there is a bronze column 15 ft.

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  • The church of St Michael, founded by Bishop Bernward early in the 11th century and restored after injury by fire in 1186, contains a unique painted ceiling of the 12th century, the sarcophagus and monument of Bishop Bernward, and a bronze font; it is now a Protestant parish church, but the crypt is used by the Roman Catholics.

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  • There is another mint in Birmingham worked by a private company (" The Mint, Birmingham, Limited "), where coinages for foreign governments are executed and in addition silver and bronze colonial coins are occasionally manufactured under the supervision of the London Mint.

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  • Silver bullion, and the copper, tin and zinc required to make up bronze, are bought by the Mint and manufactured into coin, which is kept in stock and issued as it may be required.

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  • Coinage bronze consists of copper 95 parts, tin 4 parts and zinc I part, and a ton yields X44 8 in pence or £ 373, 6s.

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  • The difference between the nominal value of silver and bronze coin and its intrinsic value is retained by the state to cover the expenses of manufacture and as a source of profit.

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  • In spite of the cost of this recoinage, however, the profit on the issue of new silver and bronze usually exceeds in each year the total expenditure of the Mint.

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  • In the case of very large silver coins only one blank is cut in the width of the fillet, but bronze fillets are made wider so that three penny blanks are cut out at each stroke of the machine.

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  • The counting or telling is now carried out in the case of bronze and silver coins by ingenious machines introduced in 1891.

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  • A full account of the work of the Mint, with valuable tables giving the amount of the coinage of gold and silver and bronze in the United Kingdom and the colonies in detail, and a résumé of the coinages of foreign countries, will be found in the Annual Reports of the Deputy Master and Comptroller of the Mint, which have been published since 1870.

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  • Among its other industries are cotton printing and dye works, brewing, and the making of metal and bronze goods.

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  • These, with other inscriptions on stone and on bronze plates brought home by Englishmen, found a cautious and sound interpreter in Osiander.

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  • The character of the relics shows that in some cases the settlements have been the dwellings of a people using no materials but stone, bone and wood for their implements, ornaments and weapons; in others, of a people using bronze as well as stone and bone; and in others again the occasional use of iron is disclosed.

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  • The settlement of Robenhausen, in the moor which was formerly the bed of the ancient Lake of Pfaffikon, seems to have continued in occupation after the introduction of bronze.

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  • Of clay and earthenware there were many varieties of domestic dishes, cups and pipkins, and crucibles or melting pots made of clay and horse dung and still retaining the drossy coating of the melted bronze.

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  • The settlement of Auvernier in the Lake of Neuchatel is one of the richest and most considerable stations of the Bronze age.

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  • It has yielded four bronze swords, ten socketed spear-heads, forty celts or axe-heads and sickles, fifty knives, twenty socketed chisels, four hammers and an anvil, sixty rings for the arms and legs, several highly ornate torques or twisted neck rings, and upwards of two hundred hair pins of various sizes up to 16 in.

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  • The Lac de Bourget, in Savoy, has eight settlements, all of the Bronze age.

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  • These have yielded upwards of 4000 implements, weapons and ornaments of bronze, among which were a large proportion of moulds and founders' materials.

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  • A few stone implements suggest the transition from stone to bronze; and the occasional occurrence of iron weapons and pottery of Gallo-Roman origin indicates the survival of some of the settlements to Roman times.

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  • Keller, "in an age when iron and bronze had been long known, but had not come into our districts in such plenty as to be used for the common purposes of household life, at a time when amber had already taken its place as an ornament and had become an object of traffic."

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  • The forms and the ornamentation of the implements and weapons of stone and bronze found in the lake dwellings are the same as those of the implements and weapons in these materials found in the soil of the adjacent regions, and both groups must therefore be ascribed to the industry of one and the same people.

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  • There is no indication of an abrupt change from the use of stone to the use of metal such as might have occurred had the knowledge of copper and bronze, and the methods of working them, been introduced through the conquest of the original inhabitants by an alien race of superior culture and civilization.

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  • The contents of the relic beds indicate that they belong for the most part to the age of bronze, although in some cases they may be referred to the latter part of the Stone age.

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  • The central tower terminates in a Gothic spire surmounted by a gilded bronze statue of St Michael.

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  • Congress, in a joint resolution, tendered its thanks to Commodore Dewey, and to the officers and men under his command, and authorized "the secretary of the navy to present a sword of honor to Commodore George Dewey, and cause to be struck bronze medals commemorating the battle of Manila Bay, and to distribute such medals to the officers and men of the ships of the Asiatic squadron of the United States."

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  • The inside of the vault was ornamented with attached bronze ornaments, but not, as is sometimes stated, entirely lined with bronze.

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  • Opposite the cathedral is a fountain with bronze ornamentation of 1583-1621.

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  • The Tatar zodiac is not unfrequently found engraven on Chinese mirrors in polished bronze or steel of the 7th century, and figured on the " plateau of the twelve hours "' 5 " Orat.

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  • The graceful bell-tower, erected in 1224-1319, named La Ghirlandina from the bronze garland surrounding the weathercock, is 335 ft.

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  • The means at his disposal were inadequate, his excavations were incomplete and also unscientific in that his prime object was the discovery of inscriptions and museum objects; but he was wonderfully successful in achieving the results at which he aimed, and the numerous statues, monuments, inscribed stones, bronze objects and the like found by him in the ruins of Calah are among the most precious possessions of the British Museum.

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  • In it were found the winged lions, now in the British Museum, the fine series of sculptured bas-reliefs glorifying the deeds of Assur-nasir-pal in war and peace, and the large collection of bronze vessels and implements, numbering over 200 pieces; (b) the Central palace, in the interior of the mound, toward its southern end, erected by Shalmaneser II.

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  • While the ruins of Calah were remarkably rich in monumental material, enamelled bricks, bronze and ivory objects and the like, they yielded few of the inscribed clay tablets found in such great numbers at Nineveh and various Babylonian sites.

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  • On a plateau above the river, the favourite promenade of the citizens, stands the Vladimir monument (1853) in bronze.

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  • Bartholdi, stands in front of the castle; and in the Place d'Armes is the bronze group "Quand Meme" by Antonin Mercie, in memory of Thiers and of Colonel Pierre Marie Aristide Denfert-Rochereau (1823-1878), commandant of the place during the siege.

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  • One of the most noted pieces of monumental art in the United States is the beautiful Tyler Davidson bronze fountain in Fountain Square (Fifth Street, between Walnut and Vine streets), the business centre of the city, by which (or within one block of which) all car lines run.

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  • The design, by August von Kreling (1819-1876), embraces fifteen bronze figures, all cast at the royal bronze foundry in Munich, the chief being a female figure with outstretched arms, from whose fingers the water falls in a fine spray.

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  • At Crannon in Thessaly there was a bronze chariot, which in time of drought was shaken and prayers offered for rain (Antigonus of Carystus, Historiae mirabiles, 15).

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  • Buckingham, a bronze statue by Karl Gerhardt of Nathan Hale, a bronze tablet (also by Karl Gerhardt) in memory of John Fitch (1743-1798), the inventor; a portrait of Washington, purchased by the state in 1800 from the artist, Gilbert Stuart; and a series of oil portraits of the colonial and state governors.

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  • His flight on the shoulders of Aeneas is frequently represented on engraved gems of the Roman period; and his visit from Aphrodite is rendered in a beautiful bronze relief, engraved in Millingen's Unedited Gems.

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  • Both in the town and neighbourhood there are numerous foundries and works for iron, brass, steel and bronze goods, while other manufactures include wire, needles and pins, fish-hooks, machinery, umbrella-frames, thimbles, bits, furniture, chemicals, coffee-mills, and pinchbeck and britanniametal goods.

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  • The pulpit itself has beautiful reliefs of dancing children; beneath it is a splendid bronze capital.

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  • A secondary standard measure for dry goods is the bushel of 1824, containing 8 imperial gallons, represented by a hollow bronze cylinder having a plane base, its internal diameter bring double its depth.

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  • And a strange division of the shekel in 10 (probably therefore connected with this decimal mina) is shown by a series of bronze weights (44) with four curved sides and marked with circles (British Museum, place unknown), which may be Romano-Gallic, averaging 125/10.

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  • From Phoenicia this naturally became the main Punic unit; a bronze weight from Iol (18), marked 100, gives a drachma of 56 or 57 (224-228); and a Punic inscription (18) names 28 drachmae = 25 Attic, and therefore 57 to 59 grains (228-236); while a probably later series of 8 marble disks from Carthage (44) show 208, but vary from 197 to 234.

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  • This last conception lay beyond the horizon of Caesar, as of all ancient statesmen, but his first act on gaining control of Italy was to enfranchise the Transpadanes, whose claims he had consistently advocated, and in 45 B.C. he passed the Lex Julia Municipalis, an act of which considerable fragments are inscribed on two bronze tables found at Heraclea near Tarentum.3 This law deals inter alia with the police and the sanitary arrangements of the city of Rome, and hence it has been argued by Mommsen that it was Caesar's intention to reduce Rome to the level of a municipal town.

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  • In 1892 a bronze statue of Semper, by Johannes Schelling, was unveiled on the.

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  • The coinage of Mexico, now concentrated at the mint in the capital (all others having been closed) is based (since November 28, 1867) on the decimal system - the peso being divided into 100 centavos - and consists of gold, silver, nickel and bronze coins, whose weight and fineness are determined by the monetary law of 1904.

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  • Fractional silver coin is not legal tender above 20 pesos, and bronze and nickel coins not above 1 peso, but the government maintains conversion offices where such coins can be converted into silver pesos without loss.

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  • From the palaces and retinues of thousands of servants attached to the royal service may be inferred at once the despotic power of the Mexican rulers and the heavy taxation of the people; in fact some of the most remarkable of the picture-writings are tribute-rolls enumerating by hundreds and thousands the mantles, ocelot-skins, bags of gold-dust, bronze hatchets, loads of chocolate, &c., furnished periodically by the towns.

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  • The archers shot well and with strong bows, though their arrows were generally tipped only with stone or bone; their shields or targets, mostly round, were of ordinary barbaric forms; the spears or javelins had heads of obsidian or bronze, and were sometimes hurled with a spear-thrower or atlatl, of which pictures and specimens still exist, showing it to be similar in principle to those used by the Australians and Eskimo.

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  • Iron was not known, but copper and tin ores were mined, and the metals combined into bronze of much the same alloy as in the Old World, of which hatchet blades and other instruments were made, though their use had not superseded that of obsidian and other sharp stone flakes for cutting, shaving, &c. Metals had passed into a currency for trading purposes, especially quills of gold-dust and T-shaped pieces of copper, while coco-beans furnished small change.

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  • The brass and bronze industries are carried on at Iserlohn and Altena, those of tin and Britannia metal at Ludenscheid; needles are made at Iserlohn and wire at Altena.

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  • There is a bronze statue of the duke of Wellington (erected in 1854) by John Evan Thomas, a native of the town.

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  • Two bronze doors, those on the north and west of the church, are of great interest in the history of art.

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  • The cathedrals at Trani and Ravello also have bronze doors by the same sculptor.

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  • The western door at Monreale, inferior to the northern one both in richness of design and in workmanship, is by Bonannus of Pisa, for the cathedral of which place he cast the still existing bronze door on the south, opposite the leaning tower.

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  • The name is preserved from antiquity and is derived from the Greek XaXKOS (copper, bronze), though there is no trace of any mines in the neighbourhood.

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  • Its rich library is now housed in the old university buildings, erected in the 15th century, in the beautiful Gothic court of which a bronze statue of Copernicus was placed in 1900.

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  • The 16th-century Fortezza Vecchia, guarding the harbour, is picturesque, and there is a good bronze statue of the grand duke Ferdinand I.

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  • There is a portrait of her in the Capitoline Museum at Rome, and a bronze medal in the British Museum representing the bringing back of her ashes to Rome by order of Caligula.

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  • Inscriptions, beautiful mosaics and other traces of comfortable houses have been found, with many potsherds, coins and bronze, iron and other objects; and a large part of the town walls, several mosaics and parts of buildings, can be seen.

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  • In the Neustadt are the market square, with a bronze equestrian statue of Augustus the Strong; the Kaiser Wilhelmplatz; and the Aibertplatz.

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  • The public monuments of Dresden also include the Moritz Monument, a relief dedicated by the elector Augustus to his brother Maurice, a statue of Weber the composer by Rietschel, a bronze statue of Theodor Korner by Hahne', the Rietschel monument on the Briihl Terrace by Schilling, a bust of Gutzkow, and a statue of Bismarck on the promenade.

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  • Within the plaza are a monument to the soldiers who fell in New Mexico during the Civil War and the Indian wars, a stone marking the spot where the first American flag was raised by General Kearny in 1846, and a bronze drinking fountain erected as a memorial to John Baptist Lamy (1814-1888), the first Roman Catholic bishop (1853) and archbishop (1815) of Santa Fe.

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  • This work was refused; the jury alleged that a statue of Diana demanded drapery; without drapery, they said, the goddess became a "suivante de Venus," and not even the proud and frank chastity of the attitude and expression could save the Diana of Houdon (a bronze reproduction of which is in the Louvre) from insult.

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  • For this reason some observers use a thin strip of phosphor bronze to suspend the magnet, considering that the absence of a variable torsion more than compensates for the increased difficulty in handling the more fragile metallic suspension.

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  • During the Neolithic and Bronze Ages we can dimly trace further immigrations.

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  • Real knowledge begins with two Celtic invasions, that of the Goidels in the later part of the Bronze Age, and that of the Brythons and Belgae in the Iron Age.

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  • Its finest products were in bronze, but the artistic impulse spread to humbler work in wood and pottery.

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  • Smaller objects abound - coins, pottery, window and bottle and cup glass, bronze ornaments, iron tools, &c. - and many belong to the beginnings of Calleva, but few pieces are individually notable.

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  • The nature of the imports during the heathen period may be learned chiefly from the graves, which contain many brooches and other ornaments of continental origin, and also a certain number of silver, bronze and glass vessels.

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  • No bronze coins were current except in Northumbria, where they were extremely common in the 9th century.

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  • As to the value of the bronze coins we are without information The purchasing power of money was very great.

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  • But the last-mentioned type varies greatly, from rude and almost plain disks of bronze to magnificent gold specimens studded with gems. No.

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  • The evil reputation of these festivals, at which the grossest debaucheries took place, and all kinds of crimes and political conspiracies were supposed to be planned, led in 186 B.C. to a decree of the senate - the so-called Senatus consultum de Bacchanalibus, inscribed on a bronze tablet discovered in Calabria (1640), now at Vienna - by which the Bacchanalia were prohibited throughout the whole of Italy, except in certain special cases, in which the senate reserved the right of allowing them, subject to certain restrictions.

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  • Boreas carrying off Oreithyia is the subject of a beautiful bronze relief in the British Museum, found in the island of Calymna.

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  • The doors had pivots of bronze revolving in well-fitted bronze cup-like sockets let into the thresholds.

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  • As no Teutonic inscriptions are extant from before the 3rd or 4th centuries, it cannot be stated with absolute certainty what types of objects are characteristic of Teutonic civilization in the bronze and earliest iron ages.

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  • Yet throughout the bronze age it is possible to trace a fairly well-defined group of antiquities covering the basin of the Elbe, Mecklenburg, Holstein, Jutland, southern Sweden and the islands of the Belt, and archaeologists have conjectured with much probability that these antiquities represent the early civilization of the Teutonic peoples.

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  • We have evidence, both archaeological and linguistic, that the cultivation of cereals in Teutonic lands goes back to a very remote period, while the antiquity even of the ox-plough is attested by the rock-carvings at Tegneby in Bohuslan (Sweden), which are believed to date from early in the bronze age.

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  • Cremation makes its appearance first in the earlier part of the bronze age, and in the latter part of that age practically displaces the older rite.

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  • Laurentius, archbishop of Sipontum; the bronze doors, made in Constantinople, bear the date 1076.

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  • Titian painted Paul's portrait, and Guglielmo della Porta cast the bronze statue which now adorns his grave in St Peter's.

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  • In memory of the victory several monuments have been erected in the town and its vicinity, of which the most noticeable are the bronze statue of the Danish Land Soldier by Bissen (one of Thorvaldsen's pupils), and the great barrow over 50o Danes in the cemetery of the Holy Trinity Church, with a bas-relief by the same sculptor.

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  • The old wooden doors, burnt in 1760, were replaced in 1858 by bronze doors, bearing the Latin text of the theses.

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  • It is said that the shadow of Mount Athos fell at sunset on a bronze cow in the agora of Myrina.

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  • Within the grounds, which comprise nearly 1500 acres, is the mausoleum erected by the 10th duke, a structure resembling in general design that of the emperor Hadrian at Rome, being a circular building springing from a square basement, and enclosing a decorated octagonal chapel, the door of which is a copy in bronze of Ghiberti's gates at Florence.

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  • Aristotle saw in the temple of Hera at Olympia a bronze disk, recording the traditional laws of the festival, on which the name of Lycurgus stood next to that of Iphitus, king of Elis.

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  • The Zanes were bronze images of Zeus, the cost of making which was defrayed by the fines exacted from competitors who had infringed the rules of the contests at Olympia.

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  • This has been much crossed with the American Bronze, the largest of all, which has the beautiful metallic plumage of the wild bird, with the 1 The French Coq and Poule d'Inde (whence Dindon) involve no contradiction, looking to the general idea of what India then was.

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  • In front is a beautiful quadrangular court (112 by 102 ft.), surrounded by arcades formed of twenty-eight ancient pillars mostly of granite from Paestum, and containing twelve sarcophagi of various periods; the middle entrance into the church is closed by remarkable bronze doors of 11th-century Byzantine work.

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  • In the crypt is a bronze statue of St Matthew.

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  • Owing to proximity to the magnetic compass the whole of the tube must be non-magnetic. High-strength bronze was used in the earlier practice in the British navy.

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  • Krupp for use for the outer tube of the German navy periscope used before the war, and a similar steel was developed and used in the British service, but it is costly and more difficult to machine to the required accuracy than is the case with bronze.

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  • The plumage is white, except the primaries, which are black, and a black plume, formed by the secondaries, tertials and lower scapulars, and richly glossed with bronze, blue and green, which curves gracefully over the hind-quarters.

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  • About ioo lb of bronze, containing from 15 to 20 lb of aluminium, were obtained from each run, the yield of the alloy being reported at about 1 lb per 18 e.h.p.-hours.

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  • The large bronze candelabrum in the left transept is said to be 13th century work.

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  • In front of the cathedral rises a colossal bronze equestrian statue of Victor Emmanuel II.

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  • House industry is still widely diffused in Milan itself, especially as regards working in gold, silver, vulcanite, bronze and leather.

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  • No objects have been discovered belonging to the period intermediate between the 7th and 3rd centuries B.C.; but "from about 250 B.C. onwards we have a series of Praenestine graves surmounted by the characteristic ` pine-apple ' of local stone, containing stone coffins with rich bronze, ivory and gold ornaments beside the skeleton.

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  • Behind the exchange is the great market-place, built on vaulting over a canal, and containing a bronze statue of Erasmus, who was born in Rotterdam in 1467.

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  • In 1900 the association for the preservation of Virginia antiquities, to which the site was deeded in 1893, induced the United States government to build a wall to prevent the further encroachment of the river; the foundations of several of the old buildings have since been uncovered, many interesting relics have been found, and in 1907 there were erected a brick church (which is as far as possible a reproduction of the fourth one built in 1639-1647), a marble shaft marking the site of the first settlement, another shaft commemorating the first house of burgesses, a bronze monument to the memory of Captain John Smith, and another monument to the memory of Pocahontas.

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  • If iron thus preceded copper in many places, still more must it have preceded bronze, an alloy of copper and tin much less likely than either iron or copper to be made unintentionally.

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  • It is not improbable that, once bronze became known, it might replace iron in a measure, perhaps even in a very large measure, because it is so fusible that it can be cast directly and easily;into many useful shapes.

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  • The absence of iron and the abundance of bronze in the relics of a prehistoric people is a piece of evidence to be accepted with caution, because the great defect of iron, its proneness to rust, would often lead to its complete disappearance, or conversion into an unrecognizable mass, even though tools of bronze originally laid down beside it might remain but little corroded.

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  • That the ancients should have discovered an art of hardening bronze is grossly improbable, first because it is not to be hardened by any simple process like the hardening of steel, and second because, if they had, then a large proportion of the ancient bronze tools now known ought to be hard, which is not the case.

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  • With this method of making molten cast iron in the hands of a people already familiar with bronze founding, iron founding, i.e.

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  • Numerous isolated palaeolithic objects of the Mousterian type have been found in the neighbourhood of Rome in the quaternary gravels of the Tiber and Anio; but no certain traces of the neolithic period have come to light, as the many Pre" flint implements found sporadically round Rome pro- historic bably belong to the period which succeeded neolithic (called by Italian archaeologists the eneolithic period) inasmuch as both stone and metal (not, however, bronze, but copper) were in use.

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  • Objects of the Bronze age too have only been found sporadically.

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  • There are also preserved the bronze statues which stood over the portal of the palace before the fire - figures of Strength, Wisdom, Health and Justice, designed by Thorvaldsen.

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  • Over the principal entrance is the chariot of Victory drawn by four horses, executed in bronze from a model by Bissen.

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  • The Norrevold Gade leads through the N6rretor y past the Folketeatre and the technical school to the Orsteds park, and from its southern end the Vestervold Gade continues through the Raadhus Plads, a centre of tramways, flanked by the modern Renaissance town hall (190,), ornamented with bronze figures, with a tower at the eastern angle.

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  • There are several quaint old houses, with high gables, in the market-place, in the middle of which stand a Roland column, of about 1445, and a bronze figure known as the Butterjungfer (butter-girl), of uncertain origin and meaning, but now regarded as the palladium of the town.

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  • The city has four parks, in one of which is a soldiers' and sailors' monument of granite and bronze, and not far away, along the shore of lake and bay, are several attractive summer resorts.

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  • The most remarkable edifice was a celebrated temple, adorned with 250 lofty pillars of gilt wood, and containing a colossal bronze statue of Buddha.

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  • It contains a famous bronze statue of Victory, found in 1826.

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  • Of the numerous works of art discovered in the course of the excavations the statues and large works of sculpture, whether in marble or bronze, are inferior to those found at Herculaneum, but some of the bronze statuettes are of exquisite workmanship, while the profusion of ornamental works and objects in bronze and the elegance of their design, as well as the finished beauty of their execution, are such as to excite the utmost admiration - more especially when it is considered that these are the casual results of the examination of a second-rate provincial town, which had, further, been ransacked for valuables (as Herculaneum had not) after the eruption of 79.

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  • Nickel coins are 10 and 5 pfennige pieces, and there are bronze coins of 2 and I pfennige.

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  • As regards north Germany, Muller puts the Northern Bronze age 500 years later than the Southern, but a recent find in Sweden bears out Monteliuss view that southern influence made itself rapidly felt in the North.

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  • Bronze Age (in south Germany from c. 2000-1000 B.C.).In the later StOne age we note the occasional use of copper, and then the gradual appearance of bronze.

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  • The bronze civilization of the Aegean seems to have had direct influence along the basins of the Danube and Elbe, while the culture of the western parts of central Germany was transmitted through Italy and France.

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  • Bronze is cast, whereas at a later time it shows signs of the hammer.

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  • The women wore two bronze pins, a bracelet on each arm, amber ornaments and a necklace of bronze tubes in spirals.

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  • In Brandenburg, Lusatia, Silesia, Posen and Saxony, where there was no strong Bronze age tradition, Hallstatt influence is very noticeable.

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  • Fibulae, often of the kettle-drum form, take the place of the Bronze age pin.

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  • Immense booty was secured, the Venetians obtaining among other treasures the four bronze horses which adorn the facade of St Mark's.

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  • The vases were of the last red figure style, and were mostly imported from Greece or Magna Graecia, while the bronze objects came from Etruria, and the brooches (fibulae) from Gaul.

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  • The second period (150o-l000 B.C.) shows a great increase in the use of bronze, and the introduction of gold and silver, and of imported Mycenaean vases.

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  • There are signs of settlement at Halstead (Halsteda,Halgusted, Halsted) in the Bronze Age; but there is no evidence of the causes of its growth in historic times.

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  • This people had dwelt in the Aegean from the Stone Age, and, though still in the Bronze Age at the Achaean conquest, had made great advances in the useful and ornamental arts.

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  • They introduced a special style of ornament ("geometric") instead of that of the Bronze Age, characterized by spirals and marine animals and plants.

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  • We now find a sudden issue of bronze money by a large number of the cities of the kingdom in their own name - an indication of liberties extended or confirmed.

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  • There is a bronze statue to John Fielden (1784-1849), to whose energy in developing the cotton manufacture the town owes much of its prosperity.

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  • The birds include the ostrich, marabout, vultures, kites, hawks, ground hornbill, great bustard, guinea fowl, partridge, lesser bustard, quail, snipe, duck, widgeon, teal, geese of various kinds, paraquets, doves, blue, bronze and green pigeons, and many others.

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  • Egyptian silver money is minted at Birmingham, and nickel and bronze money at Vienna.

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  • The Cairenes and the inhabitants of Lower Egypt generally have a clear complexion and soft skin of a light yellowisb color; those of Middle Egypt have a tawny skin, and the dwellers in Upper Egypt a deep bronze or brown complexion.

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  • Stone mace-heads are found in the earliest cemeteries, together with flint implements that may be the heads of lances, &c, and thin leaf-shaped daggers of bronze.

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  • Rings of metal, gold, silver and bronze played some part in exchange, and from the Hyksos period onwards formed the usual standards by which articles of all kinds might be valued.

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  • Chisels of bronze began of very small size (33) at S.D.

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  • The socketed or mortising chisel (38) is unknown till the Italian bronze of the 8th century s.c., and the Naucratis iron of the 6th century.

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  • Rasps of conical form (45), made of a sheet of bronze punched and coiled round, were common in the XVI1Ith Dynasty, apparently as personal objects, possibly used for rasping dried bread.

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  • The saw is first found as a notched bronze knife of the IHrd Dynasty.

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  • There are no dated specimens till the Assyrian iron saws (48) of the 7th century B.C. Drills were of flint (49) for hard material and bead-making, of bronze for woodwork.

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  • The drill brace appears to have been used by Assyrians in the 7th century B.C. Piercers of bronze tapering (58), to enlarge holes in leather, &c., were common in all ages.

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  • Fine ones of bronze are common in the XVIIIth Dynasty, and some with two eyes at right angles, one above the other, to carry two different threads.

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  • Casting bronze over iron rods was also done, to gain more stiffness for thin parts.

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  • Metal seems to be entirely absent from the earliest type of graves, but immediately thereafter copper begins to appear (bronze is hardly to be found before the XIIth Dynasty).

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  • The wheels and body of the chariot were usually of wood, strengthened in places with bronze or iron; the wheels had from four to eight spokes and tires of bronze or iron.

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  • The degradation of the chamber naturally produced a corresponding degradation of the mound which covered it, and the barrows of the Bronze Age, in which cremation was common, are smaller and less imposing than those of the Stone Age, but often surprisingly rich in the relics of the life and of the art workmanship of the time.

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  • In addition to the varied and beautiful forms of implements and weapons - frequently ornamented with a high degree of artistic taste - armlets and other personal ornaments in gold, amber, jet and bronze are not uncommon.

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  • The barrows of the bronze period, like some of those of the Stone Age, appear to have been used as tribal or family cemeteries.

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  • The obsequies of Achilles, as described in the Odyssey, were also celebrated with details which are strikingly similar to those observed in tumuli both of the Bronze and Iron Ages.

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  • He built Castelfranco on the northern frontier; fortified the port of Civita Vecchia; and strengthened the Castel Sant' Angelo, equipping it with cannon made from the bronze of the Pantheon, an act of vandalism which the Romans punished by the epigram, "Quod non fecerunt barbari, fecerunt Barberini."

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  • Remains of an ancient bronze furnace, discovered near the town, tend to prove that tinsmelting was practised here at an early period.

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  • Tubal may be the eponymous ancestor of the people of that name mentioned in Ezekiel in connexion with "vessels of bronze."

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  • In view of the connexion, the poem is interpreted as expressing Lamech's exultation at the advantage he expects to derive from Tubal-Cain's new inventions; the worker in bronze will forge for him new and formidable weapons, so that he will be able to take signal vengeance for the least injury.

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  • This consisted of bronze swords and vases, gold jewellery with agate and other gems, bracelets, collars, a seal cylinder and two engraved gold rings, one of which, the largest known, bears a religious scene.

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  • Another new bronze from Crete had been lately acquired (1921) by an English collector.

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  • They had been plundered and were destroyed to within a metre of the ground, but still contained some pottery and stone vases, bronze blades, seals, and ivory fragments.

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  • Many bronze mirrors were found.

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  • A cemetery at Locri yielded large numbers of poor Greek vases, and some exceptionally fine bronze mirrors.

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  • Afterwards a population to whom bronze was known left traces in earthen walls and kitchen-middens on the Bay of Aniva.

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  • Here was found the bronze statue of Mars, now in the Vatican, so that the building is sometimes erroneously called the temple of Mars.

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  • In Africa, where there has been no Bronze Age, the use of iron succeeded immediately the use of stone.

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  • The dead were buried in an extended position, while in the preceding Bronze Age cremation had been the rule.

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  • A good deal of local self-government was permitted; the cities struck their own bronze coins, inscribed on them the names of their own magistrates, 2 and probably administered their own laws in matters purely local.

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  • A bronze statue of the reformer was erected in the Anger, the chief street of the town, in 1890.

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  • Here a colossal statue of him was set up in bronze by the Greeks after their victory over the Persians.

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  • Ganymede being carried off by the eagle was the subject of a bronze group by the Athenian sculptor Leochares, imitated in a marble statuette in the Vatican.

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  • The names generally given to the three prehistoric periods of man's life on the earth - the Stone, the Bronze and the Iron age - imply the vast importance of the progressive steps from the flint knife to the bronze celt, and lastly to the keen-edged elastic iron weapon or tool.

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  • The metals chiefly used in the arts have been gold, silver, copper and tin (the last two generally mixed, forming an alloy called bronze), iron and lead (see the separate articles on these metals).

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  • The great fluidity of bronze when melted, the slightness of its contraction on solidifying, together with its density and hardness, make it especially suitable for casting, and allow of its taking the impress of the mould with extreme sharpness and delicacy.

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  • In many specimens of ancient bronze, small quantities of silver, lead and zinc have been found, but their presence is probably accidental.

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  • In modern times brass has been much used, chiefly for the sake of its cheapness as compared with bronze.

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  • In beauty, durability and delicacy of surface it is very inferior to bronze, and, though of some commercial importance, has been of but little use in the production of works of art.

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  • Among the Assyrians, Egyptians and Greeks the use of iron, either cast or wrought, was very limited, bronze being the favourite metal almost for all purposes.

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  • The difficulty of smelting the ore was probably one reason for this, as well as the now forgotten skill which enabled bronze to be tempered to a steel-like edge.

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  • The first of these, casting is chiefly adapted for bronze, or ' Analyses of the iron of prehistoric weapons have brought to light the interesting fact that many of these earliest specimens of iron manufacture contain a considerable percentage of nickel.

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  • The next stage was, in the case of bronze, to introduce an iron core, probably to save needless expenditure of the more valuable metal.

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  • It is a bronze statuette from Sessa on the Volturno, about 2 ft.

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  • Their exact method is not certainly known, but it appears probable that they were acquainted with the process now called a cire perdue - the same as that employed by the great Italian artists in bronze.

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  • If a statue was to be cast, the figure was first roughly modelled in clay - only rather smaller in all its dimensions than the future bronze; all over this a skin of wax was laid, and worked by the sculptor with modelling tools to the required form and finish.

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  • Thus a hollow was left, corresponding to the skin of wax between the core and the mould, the relative positions of which were preserved by various small rods of bronze, which had previously been driven through from the outer mould to the rough core.

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  • The mould was now ready, and melted bronze was poured in till the whole space between the core and the outer mould was full.

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  • The projecting rods of bronze were then cut away, and the whole finished by rubbing down and polishing over any roughness or defective places.

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  • The most skilful sculptors, however, had but little of this after-touching to do, the final modelling and even polish which they had put upon the wax being faithfully reproduced in the bronze casting.

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  • In the most primitive method thin plates of bronze were hammered over a wooden core, rudely cut into the required shape, the core serving the double purpose of giving shape to and strengthening the thin metal.

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  • This process was chiefly applied by medieval artists to the precious metals, but by the Assyrians, Greeks and other early nations it was largely used for bronze.

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  • They are a pair of shoulderpieces from a suit of bronze armour, and each has in very high relief a combat between a Greek warrior and an Amazon.

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  • Copper in its pure state may be worked by the same methods as bronze, but it is inferior to it in hardness, strength and beauty of surface.

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  • As in almost all the arts, the ancient Egyptians excelled in their metal-work, especially in the use of bronze and the precious metals.

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  • The description of the great gold lions of Solomon's throne, and the laver of cast bronze supported on figures of oxen, shows that the artificers of that time had overcome the difficulties of metal-working and founding on a large scale.

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  • The numerous objects of bronze and other metals brought to light by the excavations in the Tigris and Euphrates valleys, though mostly on a small scale, bear witness to the great skill and artistic power of the people who produced them; while the discovery of some bronze statuettes, shown by inscriptions on them to be not later than 2200 B.C., proves how early was the development of this branch of art among the people of Assyria.

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  • The early history of metal-working in Greece is extremely obscure, and archaeologists are divided in opinion even on so important a question as the relative use of bronze and iron in the Homeric age.

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  • The poems of Homer are full of descriptions of elaborate works in bronze, gold and silver, which, even when full allowance is made for poetic fancy, show clearly enough very advanced skill in the working and ornamenting of these metals.

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  • Homer's description of the shield of Achilles, made of bronze, enriched with bands of figure reliefs in gold, silver and tin, could hardly have been written by a man who had not some personal acquaintance with works in metal of a very elaborate kind.

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  • Of the two chief methods of working bronze, gold and silver, it is probable that the hammer process was first practised, at least for statues, among the Greeks, who themselves attributed the invention of the art of hollow casting to Theodorus and Rhoecus, both Samian sculptors, about the middle of the 6th century B.C. Pausanias specially mentions that one of the oldest statues he had ever seen was a large figure of Zeus in Sparta, made of hammered bronze plates riveted together.

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  • With increased skill in large castings, and the discovery of the use of cores, by which the fluid bronze was poured into a mere skin-like cavity, hammered or repousse work was only used in the case of small objects in which lightness was desirable, or for the precious metals in order to avoid large expenditure of metal.

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  • One artist, named Staurachios, produced many works of this class, some of which still exist, such as the bronze doors of the cathedral at Amalfi, dated 1066 A.D.

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  • Probably by the same artist, though his name was spelled differently, were the bronze doors of San Paolo fuori le Mura, Rome, careful drawings of which exist, though the originals were destroyed in the fire of 1824.

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  • Most of these works in bronze were enriched with fine lines inlaid in silver, and in some cases with a kind of niello or enamel.

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  • The technical skill of these Byzantine metal-workers was soon acquired by native Italian artists, who produced many important works in bronze similar in style and execution to those of the Byzantine Greeks.

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  • Such, for example, are the bronze doors of San Zenone at Verona (unlike the others, of repoussel not cast work); those of the Duomo of Pisa, cast in 1180 by Bonannus, and of the Duomo of Troia, the last made in the beginning of the 12th century by Oderisius of Benevento.

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  • Another artist, named Roger of Amalfi, worked in the same way; and in the year 1219 the brothers Hubertus and Petrus of Piacenza cast the bronze door for one of the side chapels in San Giovanni in Laterano.

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  • It is of gilt bronze, more than 14 ft.

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  • During the 13th and 14th centuries in Italy the widespread influence of Niccola Pisano and his school encouraged the sculptor to use marble rather than bronze for his work.

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  • Whole volumes might be devoted to the magnificent works in bronze produced by the Florentine artists of this century, works such as the baptistery gates by Ghiberti, the statues of Verrocchio, Donatello and many others, the bronze screen in Prato cathedral by Simone, brother of Donatello, in 1444-1461, and the screen and bronze ornaments of the tomb of Piero and Giovanni dei Medici in San Lorenzo, Florence, by Verrocchio, in 1472.

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  • At the latter part of the 15th century and the beginning of the 16th the Pollaiuoli, Ricci and other artists devoted much labour and artistic skill to the production of candlesticks and smaller objects of bronze, such as door-knockers, many of which are works of the greatest beauty.

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  • The Strozzi palace in Florence and the Palazzo del Magnifico at Siena have fine specimens of these - the former of wrought iron, the latter in cast bronze.

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  • The bronze and wrought-iron screens - rejas, mostly of the 15th and 16th centuries - to be found in almost every important church in Spain are very fine examples of metal-work.

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  • It is of cast bronze enriched with delicate scroll-work foliage, and with numbers of well-modelled statuettes.

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  • From an early period bronze and latten (a variety of brass) were much used in England for the smaller objects both of ecclesiastical and domestic use, but except for tombs and lecterns were but little used on a large scale till the r6th century.

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  • Unlike England, Germany in the 10th and iith centuries produced large and elaborate works in cast bronze, especially doors for churches, much resembling the contemporary doors made in Italy under Byzantine influence.

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  • The bronze column with winding reliefs now at Hildesheim was the result of his study of Trajan's column, and the bronze door which he made for his own cathedral shows classical influence, especially in the composition of the drapery of the figures in the panels.

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  • The bronze doors of Augsburg (1047-1072) are similar in style.

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  • The bronze tomb of Rudolph of Swabia in Merseburg Cathedral (1080) is another fine work of the same school.

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  • Hermann Vischer, in the 15th century, and his son and grandsons were very remarkable as bronze founders.

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  • In the 13th and 14th centuries many life-size sepulchral effigies were made of beaten copper or bronze, and ornamented by various-coloured "champleve" enamels.

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  • At the same time a most active production of modern designs was proceeding, stimulated by rewards, with the result that the supply of clocks, lamps, candelabra, statuettes, and other ornaments in bronze and zinc to the rest of Europe became a monopoly of Paris for nearly half a century.

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  • In the domain of bronze and imitation bronze statuary the originality of the French is absolutely unrivalled.

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  • And not only in bronze, but in Paris jewellery, enamels, silver, pewter and iron work a cultured refinement is apparent, beside which other productions, even the most finished, appear crude.

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  • A piece of cast iron, or steel or bronze, shows on rupture a granular, crystalline surface destitute of any fibre.

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  • Here is the "laurel ditch" or "dead-line" - commemorated by a handsome bronze relief set in the wall of the fortress - where scores of Cuban patriots were shot.

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  • Their school of bronze sculpture, whose first famous exponent was Ageladas (Hagelaidas), the reputed master of Pheidias, reached its climax towards the end of the 5th century in the atelier of Polyclitus and his pupils.

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  • The Black Friars' church is of the 13th century, and the museum possesses specimens of the Stone, Bronze and Iron Ages, also medieval antiquities.

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  • In 1880 a pre-Aryan grave was found between the town and the river, with a skeleton painted red, stone implements and a bronze dagger.

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  • The Villa Suburbana has given us a good number of marble busts, and the so-called statue of Aristides, but above all that splendid collection of bronze statues and busts mostly reproductions of famous Greek works now to be found in the Naples Museum.

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  • Its central square, adorned with a handsome bronze fountain, contains the municipal buildings, and a large but unattractive cathedral.

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  • The museum, housed in the hotel de ville, contains a fine collection of antiquities, including a famous bronze statuette of the winged figure of Victory, 23 in.

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  • The antiquities are the Bell Tower, with a huge bronze bell dated 1468, a marble pagoda elaborately carved, but not of Korean workmanship, seven centuries old, and a "Turtle-Stone" of about the same date.

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  • Everywhere else the change from iron weapons to bronze is immediate, but at Hallstatt iron is seen gradually superseding bronze, first for ornament, then for edging cutting instruments, then replacing fully the old bronze types, and finally taking new forms of its own.

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  • The weapons and axes are mostly iron, a few being bronze.

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  • Both flanged and socketed celts occurred, the iron being much more numerous than the bronze.

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  • Greaves were found at Glasinatz and Jezerin, though not at Hallstatt; two helmets were found at Hallstatt and others in Bosnia; broad bronze belts were numerous, adorned in repousse with beast and geometric ornament.

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  • The latter are formed of two spirals of wire, sometimes four such spirals being used, whilst there were also brooches in animal forms, one of the latter being found with a bronze sword.

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  • But as they are found in the late Bronze Age and early Iron Age, the early iron culture of Hallstatt must have originated long before 1350 B.C., a conclusion in accord with the absence of silver at Hallstatt itself.

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  • The Koreans are distinct from both Chinese and Japanese in physiognomy, though dark straight hair, dark oblique eyes, and a tinge of bronze in the skin are always present.

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  • From the 1st of August 1905 the old nickels paid into the treasury were remitted and the issue carefully regulated; so also with the cash, which was retained as a subsidiary coinage, while a supplementary coinage was issued of silver 10-sen pieces and bronze I-sen and half-sen pieces.

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  • A bronze statue of Abraham Lincoln overlooks the lake.

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  • The imperial parks and gardens cover 1680 acres; the chief of them is the "old" garden, containing the "old palace," built (1724) by Rastrelli and gorgeously decorated with mother-of-pearl, marbles, amber, lapis lazuli, silver and gold; the gallery of Cameron adorned with fine statues and entrance gates; numerous pavilions and kiosks; and a bronze statue (1900) of the poet Pushkin.

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  • A blue bronze, Na2W5015, forming dark blue cubes with a red reflex, is obtained by electrolysing fused sodium paratungstate; a purple-red variety, Na2W309, and a reddish yellow form result when sodium carbonate and sodium tungstate are heated respectively with tungsten trioxide and tinfoil.

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  • It was discovered in 1858, was excavated by Alabin, Lerch and Nevostruyev, and has since supplied extremely valuable collections belonging to the Stone, Bronze and Iron Ages.

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  • A great variety of bronze decorations and glazed clay pearls were strewn round the skeletons.

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  • The knives, daggers and arrowpoints are of slate, bronze and iron, the last two being very rough imitations of stone implements.

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  • The fragment of a bronze bowl discovered in Cyprus in 1876, which bears round its edge an inscription dedicating it to BaalLebanon as a gift from a servant of Hiram, king of the Sidonians, is probably the oldest Phoenician document which we possess.

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  • Of Etruscan origin also is the Umbrian alphabet, represented first and foremost in the bronze tablets from Gubbio (the ancient Iguvium).

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  • In this square is situated the Gothic church of St Michael (1396-1432); in front is a bronze equestrian statue of King Matthias Corvinus by the Hungarian sculptor Fadrusz (1902).

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  • Carapanos suggests, the statuette and bronze bowl by which divinations were carried on.

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  • Whitney (both of Lowell), whose regiment was mobbed in Baltimore on the 19th of April 1861 while marching to Washington; and a bronze figure of Victory (after one by Rauch in the Valhalla at Ratisbon), commemorating the Northern triumph in the Civil War.

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  • In the crannog of Lisnacroghera, county Antrim, iron swords, with sheaths of thin bronze ornamented with scrolls characteristic of the Late Celtic style, iron daggers, an iron spear-head 162 in.

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  • Besides the implements and weapons of iron there are fibulae and brooches of bronze, weaving combs and spindle-whorls, a bronze mirror and tweezers, wheel-made pottery as well as hand-made, ornamented with Late Celtic patterns, a bowl of thin bronze decorated with bosses, the nave of a wooden wheel with holes for twelve spokes, and a dug-out canoe.

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  • Another site in Holderness, Yorkshire, examined by Mr Boynton in 1881, yielded evidence of fascine construction, with suggestions of occupation in the latter part of the Bronze Age.

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  • On the other hand, the implements and weapons found in the Scottish and Irish crannogs are usually of iron, or, if objects of bronze and stone are found, they are commonly such as were in use in the Iron Age.

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  • The main thoroughfares are embellished by several striking monuments, notably the memorials of the wars of 1864 and 1870, bronze statues of the emperor William I.

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  • Barium does not seem to have been a place of great importance in early antiquity; only bronze coins struck by it have been found.

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  • The allegorical decorations here are by Persico and Horatio Greenough; those on the Senate portico are by Thomas Crawford, who designed the bronze doors at the entrances to the Senate and House wings.

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  • At the east door of the rotunda is the bronze door (1858; modelled by Randolph Rogers).

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  • There are fine bronze doors by Olin Warner and Frederick Macmonnies.

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  • Teeth, when not otherwise specified, are understood to be made in one piece with the wheOl, the material being generally cast-iron, brass or bronze.

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  • In the cup and ball pivot the end of the shaft HJJ and the step present two recesses facing each other, into which are fitted two shallow cups of steel or hard bronze.

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  • The shrine of St Sebald, in the church of St Sebald, consisting of a bronze sarcophagus and canopy, in the richest Gothic style, adorned with numerous statues and reliefs, is looked upon as one of the greatest achievements of German art.

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  • It was executed by Peter Vischer, the celebrated artist in bronze, who was occupied on the work for thirteen years (1506-1519), and has here shown himself no unworthy rival of Lorenzo Ghiberti.

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  • There are statues of Dürer, Sachs, Melanchthon, the reputed founder of the grammar-school, the navigator Martin Behaim, and Peter Henlein, the inventor of the watch; and the streets are further embellished with several fountains, the most noteworthy of which are the Schöne Brunnen, 1385-1396, in the form of a large Gothic pyramid, adorned with statues of the seven electors, the "nine worthies," and Moses and the prophets; and the GÃnsemÃnnchen or goose-mannikin, a clever little bronze figure by Pankratz Labenwolf.

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  • In one, a large circular tomb, were found three sepulchral couches in stone, carved in imitation of wood, and a fine statuette in bronze of Ajax committing suicide.

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  • Close by was found a horse collar with 14 bronze bells.

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  • As the abode of the sculptors Dipoenus and Scyllis it gained pre-eminence in woodcarving and bronze work such as is still to be seen in the archaic metal facings found at Olympia.

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  • During the Persian wars Sicyon could place 3000 heavy-armed men in the field; its school of bronze sculptors still flourished, and produced in Canachus a master of the late archaic style.

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  • The sculptures of the portals, the pulpit, the Paschal candelabrum, &c., and the bronze doors of this period are important.

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  • Our knowledge of the process and materials employed in niello-work is derived mainly from four writers,- Eraclius the Roman (a writer probably of the nth century), Theophilus the monk, who wrote in the 12th or 13th century,' and, in the 16th century, Benvenuto Cellini 2 and Giorgio Vasari.3 The design was cut with a sharp graving tool on the smooth surface of the metal, which was usually silver, but occasionally gold or even bronze.

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  • One is a bronze statuette of a Roman general, nearly 2 ft.

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  • The dark tint of the bronze rather prevents the niello from showing out distinctly.

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  • The study of the prehistoric population of Finland - Neolithic (no Palaeolithic finds have yet been made) - of the Age of Bronze and the Iron Age has been carried on with great zeal.

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  • The square in front is known as the Piazza dei Cavalli, from the two bronze equestrian statues of Ranuccio (1620) and his father Alexander, prince of Parma, governor of the Netherlands (1625).

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  • The British sovereign is the current gold coin, the unit of the bronze and silver coinage being the piastre (13 penny).

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  • The Bronze Age, on the other hand, is of peculiar importance in an area which, like Cyprus, was one of the chief early sources of copper.

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  • Objects of Cypriote manufacture are found but rarely on sites abroad; in the later Bronze Age, however, they occur in Egypt and South Palestine, and as far afield as Thera (Santorin), Athens and Troy (Hissarlik).

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  • The Bronze Age culture of Cyprus falls into three main stages.

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  • In the first, the implements are rather of copper than of bronze, tin being absent or in small quantities (2 to 3%); the types are common to Syria and Asia Minor as far as the Hellespont, and resemble also the earliest forms in the Aegean and in central Europe; the pottery is all hand-made, with a red burnished surface, gourd-like and often fantastic forms, and simple geometrical patterns incised; zoomorphic art is very rare, and imported objects are unknown.

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  • In the second stage, implements of true bronze (9 to io% tin) become common; painted pottery of buff clay with dull black geometrical patterns appears alongside the red-ware; and foreign imports occur, such as Egyptian blue-glazed beads (XIIth-XIIIth Dynasty, 2500-2000 B.C.),1 and cylindrical Asiatic seals (one of Sargon I., 2000 B.C.).2 In the third stage, Aegean colonists introduced the Mycenaean (late Minoan) culture and industries; with new types of weapons, wheel-made pottery, and a naturalistic art which rapidly becomes conventional; gold and ivory are abundant, and glass and enamels are known.

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  • Iron, which occurs rarely, and almost exclusively for ornaments, in a few tombs at Enkomi, suddenly superseded bronze for tools and weapons, and its introduction was accompanied, as in the Aegean, by economic, and probably by political changes, which broke up the high civilization of the Mycenaean colonies, and reduced them to poverty, 1 Myres, Journ.

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  • Gem-engraving and jewelry follow similar lines; pottery-painting for the most part remains geometrical throughout, with crude survivals of Mycenaean curvilinear forms. Those Aegean influences, however, which had been predominant in the later Bronze Age, and had never wholly ceased, revived, as Hellenism matured and spread, and slowly repelled the mixed Phoenician orientalism.

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  • Diimmler opened tombs at Dali, Alambra and elsewhere, and laid the foundations of knowledge of the Bronze Age and Early Iron Age; 17 and Richter, on behalf of officials and private individuals, excavated parts of Frangissa (Tamassus), Episkopi and Dali.18 In the same year, 1885, and in 1886, a syndicate opened many tombs at Poli-tis-Khrysochou (Marium, Arsinoe), and sold the contents by auction in Paris.

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  • No definite succession like the series of ages marked by the use of stone, bronze and iron can be clearly marked.

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  • Its alloy with tin (bronze) was the first metallic compound in common use by mankind, and so extensive and characteristic was its employment in prehistoric times that the epoch is known as the Bronze Age.

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  • The principal alloys in which it forms a leading ingredient are brass, bronze, and German or nickel silver; under these several heads their respective applications and qualities will be found.

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  • In later times the story of a Phoenician immigrant of that name became current, to whom was ascribed the introduction of the alphabet, the invention of agriculture and working in bronze and of civilization generally.

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  • In front of the stock exchange is a monument in memory of the 257 settlers killed in the Matabele rebellion of 1896, and at the junction of two of the principal streets is a colossal bronze statue of Cecil Rhodes.

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  • In front of the southern facade, which looks on to Khedive Avenue, is a bronze statue of General Gordon seated on a camel, a copy of the statue by Onslow Ford at Chatham, England.

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  • Silver pieces of 2 and i krona, 50, 25 and 10 Ore are struck, and bronze pieces of 5, 2, 'and i ore.

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  • The antiquities of the Bronze Age are much more widely distributed and reach as far as the north of Helsingland.

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  • So far as can be judged from the human remains found the population in general in both the Stone and Bronze Ages seems to have been similar in type to that of the present day, and there is no clear evidence for the advent of a new race.

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  • The bronze coins are of 22, 2, I, and 2 centavos.

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  • On the green stand a monument erected by the state in 1799 to the memory of the minute-men who fell in that engagement, a drinking fountain surmounted by a bronze statue (1900, by Henry Hudson Kitson) of Captain John Parker, who was in command of the minute-men, and a large boulder, which marks the position of the minute-men when they were fired upon by the British.

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  • In the process considerable additions were made to Wood's find of sculptures in marble and bronze, and of inscriptions, including missing parts of the Vibius Salutaris texts.

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  • It has yielded to the Austrians fine sculpture in marble and bronze and many inscriptions.

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  • His first bronze statue of importance was the "Victor of the Cock-Fight" (5864), and "Tarcisus the Christian Boy-Martyr" followed in 1867; both are now in the Luxembourg Museum.

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  • One of his masterpieces, a bronze statue of Rene of Anjou, stands close by the castle.

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  • The Umbrians, who were part of the Alpine Celts, had been pressing down into Italy from the Bronze Age, though checked completely by the rise of the Etruscan power in the ioth century B.C. The invention of iron weapons made the Celts henceforth irresistible.

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  • But there is evidence that from the Bronze Age there had been settlers in northern Britain who were broad-skulled and cremated their dead, a practice which had arisen in south Germany in the early Bronze Age or still earlier.

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  • Until comparatively recent times the surrounding district was in a state of nature with merely a thin coating of turf interspersed with tufts of heath and dwarf thistles, but bare of trees and shrubs and altogether devoid of the works of man, with the exception of a series of prehistoric barrows of the Bronze Age which, singly and in groups, studded the landscape.

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  • Lord Avebury regards it as a temple of the Bronze Age (150o - 1000 B.C.), though apparently it was not all erected at one time, the inner circle of small unwrought, blue stones being probably older than the rest (Prehistoric Times).

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  • Dr Gowland at a meeting of the Society of Antiquaries (Dec. 19, 1901), read a paper on his recent excavations on the site of Stonehenge, in which he came to the conclusion that the structure was a temple dedicated to the worship of the sun, and he assigns its erection to the end of the Neolithic period (2000 to 1800 B.C.), on the ground that no bronze implements or relics were found during his explorations.

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  • It does not follow, however, from the fact that only stone tools were found at the bottom of the trenches that the monument was constructed when metal tools were unknown, because none of the Stonehenge tools have the characteristic forms of Neolithic implements, so that they might have been specially improvised for the purpose of roughly hewing these huge stones, for which, indeed, they were really better adapted, and more easily procured, than the early and very costly metal tools of the Bronze Age.

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  • Facing the west portal is the monument to the emperor William I., and before the north gate, opening upon the Lustgarten, are the famous bronze groups, the " horse-tamers " by Clodt, the gift of the emperor Nicholas I.

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  • On the Kreuzberg a Gothic monument in bronze was erected by Frederick William III.

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  • On the K6nigs-platz between the column of Victory and the Reichstagsgebaude, and immediately facing the western facade of the latter, is the bronze statue of Bismarck, unveiled in 1901, a figure 20 ft.

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  • The garden towards Unter den Linden is adorned by a bronze statue of Helmholtz; the marble statues of Wilhelm and Alexander von Humboldt, which were formerly placed on either side of the gate, have been removed to the adjacent garden.

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  • The interior consists of a souterrain, and of a first floor, entered from the portico through bronze doors, after designs by Stiller, weighing 7-1 tons, and executed at a cost of 3600.

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  • Among the curiosities of the capital is the celebrated monster gun (Malik-i-Maidan), stated to be the largest piece of cast bronze ordnance in the world.

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  • At about a third of the height of the rod is a large disk with a hole in the centre through which the rod runs; in a socket at the top is a small bronze figure, with right arm and right leg uplifted.

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  • In the second (as in the third) the bronze figure was used; the smaller disk was placed above the figure, upon which it fell when hit, and thence on to the larger disk below.

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  • In front of the former church stands a bronze statue, 14 ft.

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  • The "finds" of stone and bronze, of bronze and iron, and even of stone and iron implements together in tumuli and sepulchral mounds, suggest that in many countries the three stages in man's progress overlapped.

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  • From the similarity of types of weapons and implements of the period found throughout Europe a relatively synchronous commencement has been inferred for the Bronze Age in Europe, fixed by most authorities at between 2000 B.C. to 1800 B.C. But it must have been earlier in some countries, and is certainly known to have been later in others; while the Mexicans and Peruvians were still in their bronze age in recent times.

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  • Not a few archaeologists have denied that there ever was a distinct Bronze Age.

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  • The beginning, the prevalence and duration of the Bronze Age in each country would have been ordered by the accessibility of the metals which form the alloy.

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  • Thus in some lands bronze may have continued to be a substance of extreme value until the Iron Age was reached, and in tumuli in - which more than one body was interred, as was frequently the case, it would only be with the remains of the richer tenants of the tomb that the more valuable objects would be placed.

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  • Another curious fact has been seized on by those who argue against the existence of a Bronze Age.

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  • On the other, how account for a comparatively synchronous commencement of bronze civilization when one at least of the metals needed for the alloy would have been naturally difficult of access, if not unknown to many races?

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  • The answer is that there can be but little doubt that the knowledge of bronze came to the races of Europe from outside.

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  • Copper would thus have been but seldom used unalloyed; and the relatively synchronous appearance of bronze in Europe, and the scanty "finds" of copper implements, are explained.

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  • We may conclude then that there was a Bronze Age in most countries; that it was the direct result of increasing intercommunication of races and the spread of commerce; and that the discovery of metals was due to information brought to Stone-Age man in Europe by races which were already skilful metallurgists.

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  • The Bronze Age in Europe is characterized by weapons, utensils and implements, distinct in design and size from those in use in the preceding or succeeding stage of man's civilization.

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  • Moreover - and this has been employed as an argument in favour of the foreign origin of the knowledge of bronze - all the objects in one part of Europe are identical in pattern and size with those found in another part.

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  • The implements of the Bronze Age include swords, awls, knives, gouges, hammers, daggers and arrow-heads.

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  • A remarkable confirmation of the theory that the Bronze Age culture came from the East is to be found in the patterns of the arms, which are distinctly oriental; while the handles of swords and daggers are so narrow and short as to make it unlikely that they would be made for use by the large-handed races of Europe.

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  • The Bronze Age is also characterized by the fact that cremation was the mode of disposal of the dead, whereas in the Stone Age burial was the rule.

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  • Barrows and sepulchral mounds strictly of the Bronze Age are smaller and less imposing than those of the Stone Age.

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  • Besides varied and beautiful weapons, frequently exhibiting high workmanship, amulets, coronets, diadems of solid gold, and vases of elegant form and ornamentation in gold and bronze are found in the barrows.

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  • In the British Museum are the bronze matrices of seals of ZEthilwald, bishop of Dunwich, about Boo; of lElfric, alderman of Hampshire, about 985; and the finely carved ivory double matrix of Godwin the thane (on the obverse) and of the nun Godcythe (on the reverse), of the beginning of the 11th century.

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  • In the middle ages the metal chiefly employed in the manufacture of matrices was bronze.

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  • It has fine bronze doors with long inscriptions; the exterior is entirely faced with cipollino (Carystian) marble.

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  • It possesses a bronze statue of Fritz Reuter (1893); a monument to Bismarck (1895); another commemorating the war of 1870-71 (1895); a small museum of antiquities; and an art collection.

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  • Pantaleo, almost entirely modernized, has fine bronze doors by Barisanus of Trani (1179), and two pulpits in Cosmatesque work.

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  • In the old St Mary's church (Protestant Episcopal), which was built in 1703 and has been called St Anne's as well as St Mary's, Daniel Coxe (1674-1739), first provincial grand master of the lodge of Masons in America, was buried; a commemorative bronze tablet was erected in 1907.

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  • Opposite the custom-house is a bronze statue of the Bavarian king Maximilian II., erected in 1856.

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  • Its campanile, built after the model of the famous campanile in Venice, is crowned with a bronze statue of St Eufemia, the patron saint of the town, whose remains are preserved in the church.

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  • Charles XI., the founder of the town as naval headquarters (1680), is commemorated by a bronze statue (1897).

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  • Among the most clearly marked of these lines is that which follows the succession of the Stone, Bronze, and Iron Ages (see Archaeology).

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  • The Stone Age represents the early condition of mankind in general, and has remained in savage districts up to modern times, while the introduction of metals need not at once supersede the use of the old stone hatchets and arrows, which have often long continued in dwindling survival by the side of the new bronze and even iron ones.

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  • The Bronze Age had its most important place among ancient nations of Asia and Europe, and among them was only succeeded after many centuries by the Iron Age; while in other districts, such as Polynesia and Central and South Africa, and America (except Mexico and Peru), the native tribes were moved directly from the Stone to the Iron Age without passing through the Bronze Age at all.

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  • Although the three divisions of savage, barbaric, and civilized man do not correspond at all perfectly with the Stone, Bronze, and Iron Ages, this classification of civilization has proved of extraordinary value in arranging in their proper order of culture the nations of the Old World.

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  • Furth is the seat of several important industries; particularly, the production of chromolithographs and picture-books, the manufacture of mirrors and mirror-frames, bronze and gold-leaf wares, pencils, toys, haberdashery, optical instruments, silver work, turnery, chicory, machinery, fancy boxes and cases, and an extensive trade is carried on in these goods as also in hops, metals, wool, groceries and coal.

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  • It is probable that from the first he had not forgotten his great task of the Sforza monument, with its attendant researches in equine movement and anatomy, and in the science and art of bronze casting on a great scale.

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  • Leonardo obtained Pacioli's help in calculations and measurements for the great task of casting the bronze horse and man.

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  • In the time of Aristotle the names of the enrolled ephebi were engraved on a bronze pillar (formerly on wooden tablets) in front of the council-chamber.

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  • The splendid recumbent effigies in bronze, of Italian workmanship, rest upon a tomb of black marble, and the whole is enclosed in a magnificent shrine of wrought brass.

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