It was a tragic love story, one she knew the end to and dreaded seeing how it came to be that way.
She shoved the photo back into the envelope and closed the lip, willing herself not to think about the previous pregnancy and its tragic end.
His troubles with his subjects were closely connected with the tragic dissensions in his own family.
What a sad and tragic life poor Annie led.
PRATINAS (the quantity of the second vowel is doubtful), one of the oldest tragic poets of Athens, was a native of Phlius in Peloponnesus.
His episcopate, however, is chiefly remembered owing to its tragic close.
His infidelity to his wife and his harshness towards his son Carlino are blemishes on a splendid career, but he more than expiated these faults by his tragic end.
In the tragic poets the tale takes a different form.
When asked what he was doing when he was arrested, Pierre replied in a rather tragic manner that he was restoring to its parents a child he had saved from the flames.
I realize in most ways Edith isn't deserving of too much sympathy, but I still think of her as a tragic figure.
Their tragic end was afterwards immortalized in the Divina commedia.
In these he made those criticisms on the older tragic and epic poets of which Horace and other ancient writers speak.
The tragic story of Niobe was a favourite subject in literature and art.
When she made reference to the tragic story, the whole room burst into tears.
The scheme, in the main the work of Sieyes, was refused by the Convention, who submitted the whole question to a special commission of six, which under the influence of Robespierre adopted a report by Michel le Peletier de Saint Fargeau shortly before his tragic death.
It is at first sight remarkable that Voltaire, whose comic power was undoubtedly far in excess of his tragic, should have written many tragedies of no small excellence in their way, but only one fair second-class comedy, Nanine.
Monuments of the tragic story were shown by the Romans in the time of Livy (the altar of Janus Curiatius near the sororium tigillum, the "sister's beam," or yoke under which Horatius had to pass; and the altar of Juno Sororia).
Here, with Mme Guerin as the leading comedy actress, she played the great tragic love parts for more than thirty years, dying on the i 5th of May 1698.
Actors, comic and tragic, pantomimi, and the performers of the circus were commonly slaves, as were also the gladiators.
He is at home alike in the epic and the lyric, the tragic and the comic poets, and his knowledge of the prose writers is very extensive.
His first tragedy was produced between 452-449 B.C.; and he was third to Euripides and Iophon in the tragic contest of 429.
The tragic death of the crown prince Rudolph hushed for a time the strife of tongues, and in the meantime Tisza brought into the ministry Ders6 Szilagyi, the most powerful debater in the House, and Sandor Wekerle, whose solid talents had hitherto been hidden beneath the bushel of an under-secretaryship. But in 1890, during the debates on the Kossuth Repatriation Bill, the attacks on the premier were renewed, and on the 13th of March he placed his resignation in the king's hands.
The hunting-boot (EVbpoµis) was laced up the front, and reached to the calves; the K60opvos (cothurnus) was a high boot reaching to the middle of the leg, and as worn by tragic actors had high soles.
Very beautiful pieces of ornament of an architectural character are met with, which probably once served as decorations of caskets or other small pieces of furniture or of trinkets; also tragic masks, human faces and birds.
He also won the favour of Biren, and on the tragic fall of Artemy Voluinsky in 1739 was summoned home to take his place in the council.
The struggles of the great rival clans, replete with episodes of the most tragic and stirring character, inspired quasi-historical narrations of a more popular character, which often took the form of illuminated scrolls.
They are highly susceptible of tragic emotions, but they turn gladly to, the ~ ~ brighter phases of life.
He is the chief tragic poet of the revolutionary period, and as Camille Desmoulins expressed it, he decorated Melpomene with the tricolour cockade.
The tragic writers had occasionally taken their subjects from Roman life (fabulae praetextae), and in comedy we find the corresponding togatae of Lucius Afranius and others, in which comedy, while assuming a Roman dress, did not assume the virtue of a Roman matron.
He first vindicates the claims of his own age to literary pre-eminence, and then seeks to stimulate the younger writers of the day to what he regarded as the manlier forms of poetry, and especially to the tragic drama, which seemed for a short time to give promise of an artistic revival.
Propertius is a less accomplished artist and a less equably pleasing writer than either Tibullus or Ovid, but he shows more power of dealing gravely with a great or tragic situation than either of them, and his diction and rhythm give frequent proof of a concentrated force of conception and a corresponding movement of imaginative feeling which remind us of Lucretius.
One cannot avoid the suspicion that in this instance the Hebrew chronicler purposely phrased his account to convey the impression that Sennacherib's tragic end was but the slightly delayed culmination of the punishment inflicted for his attack upon the "chosen people."
His resignation in 1916, and the stages of his relations with the Emperor and the Higher Naval Command which led to it, are described in his Erinnerungen with almost tragic vividness.
He seems to have commenced his poetical career by ridiculing and parodying the conventional language of epic and tragic poetry, and to have used the language commonly employed in the social intercourse of educated men.
MARCUS PACUVIUS (c. 220-130 B.C.), Roman tragic poet, was the nephew and pupil of Ennius, by whom Roman tragedy was first raised to a position of influence and dignity.
In the interval between the death of Ennius (169) and the advent of Accius, the youngest and most productive of the tragic poets, he alone maintained the continuity of the serious drama, and perpetuated the character first imparted to it by Ennius.
The strange contrast between the succession of dynasties and kings cut off by assassination in the northern kingdom, ending in the tragic overthrow of 721 B.C., and the persistent succession through three centuries of the seed of David on the throne of Jerusalem, as well as the marvellous escape of Jerusalem in 701 B.C. from the fate of Samaria, must have invested the seed of David in the eyes of all thoughtful observers with a mysterious and divine significance.
BEATRICE CENCI (1577-1599), a Roman woman, famous for her tragic story; poetic fancy has woven a halo of romance about her, which modern historic research has to a large extent destroyed.
Apart from the gain in tragic force resulting from Wagner's masterly development of the character of Brangaene, the raw material of the story was already suggestive of that astounding combination of the contrasted themes of love and death, the musical execution of which involves a harmonic range almost as far beyond that of its own day as the ordinary harmonic range of the 19th century is beyond that of the 16th.
LUCIUS ACCIUS, Roman tragic poet, the son of a freedman, was born at Pisaurum in Umbria, in 170 B.C. The year of his death is unknown, but he must have lived to a great age, since Cicero (Brutus, 28) speaks of having conversed with him on literary matters.
Cicero, who frequently quotes from him with great admiration, appears (De optimo genere oratorum, i.) to rank him first among the Roman tragic poets, as Ennius among the epic, and Caecilius among the comic poets.
2 9-33); and if the earlier detailed accounts of Judaean heathenism were repulsive, so the tragic account of the fate of Jerusalem was a painful subject upon which the chronicler's age did not care to dwell (contrast 2 Kings xxiv.
Descent into Sheol is intensely tragic. Whether these discourses were all uttered between the investment of Jerusalem and its fall, or were here inserted by Ezekiel or by a scribe, it is not possible to say.
Her character and these incidents of her life presented an attractive subject to the Greek tragic poets, especially Sophocles in the Antigone and Oedipus at Colonus, and Euripides, whose Antigone, though now lost, is partly known from extracts incidentally preserved in later writers, and from passages in his Phoenissae.
Kutschbach, and George Meredith's Tragic Comedians (1880).
The tragic interest which distinguishes the annals of Israel from the forgotten history of Moab or Damascus lies wholly in that long contest.
Again, in regard to Antigone's tragic end Sophocles differs from Euripides, according to whom the calamity was averted by the intercession of Dionysus and was followed by the marriage of Antigone and Haemon.
Die Meistersinger is perhaps Wagner's most nearly perfect work of art; and it is a striking proof of its purity and greatness that, while the whole work is in the happiest comic vein, no one ever thinks of it as in any way slighter than Wagner's tragic works.
It was truly tragic that his doom should have come at the moment when he had once more drawn together a great alliance in Europe, and when he possessed a popularity in England such as he had never before enjoyed.
Although Rome wanted creative force to add a great series of tragic dramas to the literature of the world, yet the spirit of elevation and moral authority breathed into tragedy by Ennius passed into the ethical and didactic writings and the oratory of a later time.
PUBLIUS POMPONIUS SECUNDUS, Roman general and tragic poet, lived during the reigns of Tiberius, Caligula and Claudius.
So far too as the Romans were capable of taking interest in speculative questions, the tragic poets contributed to stimulate curiosity on such subjects, and they anticipated Lucretius in using the conclusions of speculative philosophy as well as of common sense to assail some of the prevailing forms of superstition.
She appointed panegyrics to be composed in his honour, and offered valuable prizes for the best oratorical and tragic compositions.
Euripides was the first among the tragic poets to speak of it as a sea, but Herodotus before him ridiculed the notion of Oceanus as a river as an invention of the poets and described it as the great world sea.
But such Huckleberry Finn is, beyond all question; it is a story of very varied interest, now comic, now almost tragic, frequently poetic, unfailingly truthful, although not always sustained at its highest level.