Officer David said in tones as sweet as they were bitter toward her.
Her tones rose and fell, her hands and arms animated.
Bach's conception of the function of an instrument is that it holds a regular part in a polyphonic scheme; and his blending of tones is like the blending of colours in a purely decorative design.
But a few weeks before, Mr Drummond, who was Sir Robert Peel's private secretary, had been shot dead in the street by a lunatic. In consequence of this, and the manifold anxieties of the time with which he was harassed, the mind of the great statesman was no doubt in a moody and morbid condition, and when he arose to speak later in the evening, he referred in excited and agitated tones to the remark, as an incitement to violence against his person.
When the clerk read the orders of the day Lord Palmerston rose, and in impressive and solemn tones declared "it was not.possible for the House to proceed to business without every member recalling to his mind the great loss which the House and country had sustained by the event which took place yesterday morning."
So persistently does the human ear rebel against the division of the tetrachord into two greater tones and a leimma or hemitone, as represented by the fractions 9, 9, 26, that, centuries before the possibility of reconciling the demands of the ear with those of exact science was satisfactorily demonstrated, the Aristoxenian school advocated the use of an empirical scale, sounding pleasant to the sense, in preference to an unpleasing tonality founded upon immutable proportions.
Portland stone is frequently employed in the larger buildings, as in St Paul's Cathedral, and under the various influences of weather and atmosphere acquires strongly contrasting tones of light grey and black.
Burmese, which was spoken by 7,006,495 people in the province in 1901, is a monosyllabic language, with, according to some authorities, three different tones; so that any given syllable may have three entirely different meanings only distinguishable by the intonation when spoken, or by accents or diacritical marks when written.
There are, however, very many weighty authorities who deny the existence of tones in the language.
To the bishop's formula, "I separate thee from the church militant and the church triumphant," Savonarola replied in firm tones, "Not from the church triumphant; that is beyond thy power."
Copper, too, by patina-producing treatment, is made to show not merely a rich golden sheen with pleasing limpidity, but also red of various hues, from deep coral to light vermilion, several shades of grey, and browns of numerous tones from dead-leaf to chocolate.
The plate thus obtained shows accidental clouding, or massing of dark tones, and these patches are taken as the basis of a pictorial design to which final character is given by inlaying with gold and silver, and by kata-kiri sculpture.
As Cicero tones down his oratory in his moral treatises, so Horace tones down the fervour of his lyrical utterances in his Epistles, and thus produces a style combining the ease of the best epistolary style with the grace and concentration of poetry - the style, as it has been called, of "idealized common sense," that of the urbanus and cultivated man of the world who is also in his hours of inspiration a genuine poet.
It is not easy to determine the exact point at which the impulses fuse into a continuous tone, for higher tones are usually present with the deepest of which the frequency is being counted, and these may be mistaken for it.
Ix.) used a string loaded at the middle point so that the higher tones were several octaves above the fundamental, and so not likely to be mistaken for it; he found that with 37 vibrations per second a very weak sensation of tone was heard, but with 34 there was scarcely anything audible left.
Using the term " note " for the sound produced by a periodic disturbance, there is no doubt that a well-trained ear can resolve a note into pure tones of frequencies equal to those of the fundamental and its harmonics.
If, for instance, a note is struck and held down on a piano, a little practice enables us to hear both the octave and the twelfth with the fundamental, especially if we have previously directed our attention to these tones by sounding them.
A practised ear easily discerns the coexistence of these various tones when a pianoforte or violin string is thrown into vibration.
As the interval between two tones, and consequently the number of beats, increases the effect on the ear becomes more and more unpleasant.
Suppose that we start with two simple tones in unison; there is perfect consonance.
The two tones are now dissonant, and, as we have seen, about the middle of the scale the maximum dissonance is when there are between 30 and 40 beats per second.
If all tones were pure, dissonance at this part of the scale would not occur if the interval were more than a third.
Let the two tones with their harmonic overtones be 256 512 768 1024 1280 1536 512 1024 1536.
But obviously in either the octave or the fifth, if the tuning is imperfect, beats occur all along the line wherever the tones should coincide with perfect tuning.
When two sources emit only pure tones we might expect that we should have no dissonance when, as in the major seventh, the beat frequency is greater than the range of harshness.
But the interval is still dissonant, and this is to be explained by the fact that the two tones unite to give a third tone of the frequency of the beats, easily heard when the two primary tones are loud.
Formerly it was generally supposed that the Tartini tone was due to the beats themselves, that the mere variation in the amplitude was equivalent, as far as the ear is concerned, to a superposition on the two original tones of a smooth sine displacement of the same periodicity as that variation.
II) he examines the beats due to these combination tones and their effects in producing dissonance.
We shall conclude by a brief account of the ways in which combination tones may be produced.
There appears to be no doubt that they are produced, and the only question is whether the theory accounts sufficiently for the intensity of the tones actually heard.
Combination tones may be produced in three ways: (I) In the neighbourhood of the source; (2) in the receiving mechanism of the ear; (3) in the medium conveying the waves.
Let us suppose that with constant excess of pressure, p, in the wind-chest, the amplitude produced is proportional to the pressure, so that the two tones issuing may be represented by pa sin 27-nit and pb sin 21rn 2 t.
R (nl+n2)t+f} (35) Thus, accompanying the two original pure tones there are (I) the octave of each; (2) a tone of frequency (n i - n 2); (3) a tone of frequency (It/ -1--n 2).
The amplitudes of these tones are proportional to the products of a and b multiplied by X or µ.
These combination tones will in turn react on the pressure and produce new combination tones with the original tones, or with each other, and such tones may be termed of the second, third, &c., order.
It is evident that we may have tones of frequency hn 1 kn 2 hn i - kn 2 hnl+kn2, where h and k are any integers.
The combination tones thus produced in the source should have a physical existence in the air, and the amplitudes of those represented in (35) should be of the same order.
The conditions assumed in this investigation are probably nearly realized in a harmonium and in a double siren of the form used by Helmholtz, and in these cases there can be no doubt that actual objective tones are produced, for they may be detected by the aid of resonators of the frequency of the tone sought for.
If the tones had no existence outside the ear then resonators would not increase their loudness.
Further, Rucker and Edser, using a siren as source, have succeeded in making a fork of the appropriate pitch respond to both difference and summation tones (Phil.
Mag., 1878, 2, p. 500, or Rayleigh, Sound, § 386) that sounds of considerable intensity when heard by themselves are liable to be completely obliterated by graver sounds of sufficient force goes far to explain this, for the summation tones are of course always accompanied by such graver sounds.
The second mode of production of combination tones, by the mechanism of the receiver, is discussed by Helmholtz (Sensations of Tone, App. xii.) and Rayleigh (Sound, i.
Suppose now that F =a sin 22rn i t+b sin 21rn 2 t, the second term will evidently produce a series of combination tones of periodicities 2n 1, 2772, n, - n2, and n 1 -1-n 2, as in the first method.
There can be no doubt that the ear is an unsymmetrical vibrator, and that it makes combination tones, in some such way as is here indicated, out of two pure tones.
Probably in most cases the combination tones which we hear are thus made, and possibly, too, the tones detected by Koenig, and by him named " beat-tones."
He found that if two tones of frequencies p and q are sounded, and if q lies between Np and (N-Fop, then a tone of frequency either (N + I) p - q, or of frequency q - Np, is heard.
The difficulty in Helmholtz's theory is to account for the audibility of such beat tones when they are of a higher order than the first.
If we are to assume that the tones received by the ear are pure and free from partials, the loudness of the beattones would appear to show that Helmholtz's theory is not a complete account.
The third mode of production of combination tones, the production in the medium itself, follows from the varying velocity of different parts of the wave, as investigated at the beginning of this article.
But probably in practice there is not a sufficient interval between source and hearer for these tones to grow into any importance, and they can at most be only a small addition to those formed in the source or the ear.
"Oh, there is no need of that," said the voice, which from its gentle tones seemed to belong to a young girl.
The fishermen talked in low tones with one another for a little while, and then one said, It's a bargain.
"My friend," said Anna Mikhaylovna in gentle tones, addressing the hall porter, "I know Count Cyril Vladimirovich is very ill... that's why I have come...
I have written to my poor mother, said the smiling Mademoiselle Bourienne rapidly, in her pleasant mellow tones and with guttural r's.
Then a thin, pale soldier, his neck bandaged with a bloodstained leg band, came up and in angry tones asked the artillerymen for water.
When Prince Vasili returned to the drawing room, the princess, his wife, was talking in low tones to the elderly lady about Pierre.
"I should not be doing my duty, Count," he said in timid tones, "and should not justify your confidence and the honor you have done me in choosing me for your second, if at this grave, this very grave, moment I did not tell you the whole truth.
Nurse Savishna, knitting in hand, was telling in low tones, scarcely hearing or understanding her own words, what she had told hundreds of times before: how the late princess had given birth to Princess Mary in Kishenev with only a Moldavian peasant woman to help instead of a midwife.
All were silent, only the pilgrim woman went on in measured tones, drawing in her breath.
Before and behind them other visitors were entering, also talking in low tones and wearing ball dresses.
After the cry of the hounds came the deep tones of the wolf call from Daniel's hunting horn; the pack joined the first three hounds and they could be heard in full cry, with that peculiar lift in the note that indicates that they are after a wolf.
Pierre, however, felt excited, and the general desire to show that they were ready to go to all lengths--which found expression in the tones and looks more than in the substance of the speeches--infected him too.
Beside him sat Uvarov, who with rapid gesticulations was giving him some information, speaking in low tones as they all did.
They waited for him from four till six o'clock and did not begin their deliberations all that time but talked in low tones of other matters.
Some of the generals, in low tones and in a strain very different from the way they had spoken during the council, communicated something to their commander-in-chief.
I must tell you, mon cher," he continued in the sad and measured tones of a man who intends to tell a long story, "that our name is one of the most ancient in France."
"Don't you like it?" said a laughing voice, and moderating their tones the men moved forward.
Neither of the men seemed to pay the slightest attention to either Dean or the painters, but one of them seemed to be keeping an eye on the door while the other spoke in low tones to his companion.
The chords necessary in this part, which with its supporting bass is called the continuo, were indicated by figures; and the evanescent and delicate tones of the harpsichord; lent themselves admirably to this purpose where solo voices and instruments were concerned.
Otherwise, when Beethoven has anything special for the violoncellos to say, he invariably softens and deepens their singularly incisive cantabile tones by doubling them with the violas.
The meanings of the monosyllables were differentiated, as in the other Tai languages and in Chinese, by a system of tones, but these were rarely indicated in writing, and the tradition regarding them is lost.
We hear the echoes in Jeremiah and Ezekiel and lastly in Haggai in ever feebler tones, and they were destined to reawaken in the Psalter (Pss.