His strongest denunciation is directed against the religious practices of the time in Judea - the worship of the Canaanite local deities (the Baals), the Phoenician Tammuz, and the sun and other Babylonian and Assyrian gods (vi., viii., xvi., xxiii.); he maintained vigorously the prophetic struggle for the sole worship of Yahweh.
Gilgamesh becomes a god, and in certain portions of the epic clearly plays the part of the sungod of the spring-time, taking the place apparently of Tammuz or Adonis, the youthful sun-god, though the story shows traits that differentiate it from the ordinary Tammuz myths.
In the course of his recital snatches of other myths are referred to, including he famous TammuzAdonis tale, in which Tammuz, the youthful bridegroom, is slain by his consort Ishtar.
S.v.) points out that the Septuagint reads simply Rimmon, and argues that this may be a corruption of Migdon (Megiddo), in itself a corruption of Tammuz-Adon.
He would render the verse, "In that day there shall be a great mourning in Jerusalem, as the mourning of the women who weep for Tammuz-Adon" (A don means lord).
The Egyptian frontier was crossed on the 3rd of Tammuz (June), and Tirhaka, at the head of the Egyptian forces, was driven to Memphis after fifteen days of continuous fighting, during which the Egyptians were thrice defeated with heavy loss and Tirhada himself was wounded.
Nabonidus fled to Babylon, whither he was pursued by Gobryas, the governor of Kurdistan, and on the 16th of Tammuz, two days after the capture of Sippara, " the soldiers of Cyrus entered Babylon without fighting."
Of her lost husband Tammuz was celebrated, and the sign of the Virgin had thus a purely mythological signification.
The author refers to the weeping for Tammuz (I.
Thus, Ishtar descends to the kingdom of Ilat the queen of the dead, to find the means of restoring her favourite Tammuz (Adon, Adonis) to life.
The earliest form of the Grail story, the Gawain- Bleheris version, exhibits a marked affinity with the characteristic features of the Adonis or Tammuz worship; we have a castle on the sea-shore, a dead body on a bier, the identity of which is never revealed, mourned over with solemn rites; a wasted country, whose desolation is mysteriously connected with the dead man, and which is restored to fruitfulness when the quester asks the meaning of the marvels he beholds (the two features of the weeping women and the wasted land being retained in versions where they have no significance); finally the mysterious food-providing, self-acting talisman of a common feast - one and all of these features may be explained as survivals of the Adonis ritual.
The name is generally supposed to be of Phoenician origin (from adon - " lord"), Adonis himself being identified with Tammuz (but see F.