This work, the Taj-ut-Tevarikh (Crown of Chronicles), is reckoned, on account of its ornate yet clear style, one of the masterpieces of the old school, and forms the first of an unbroken series of annals which are written, especially the later among them, with great minuteness and detail.
Shah Jahan erected many splendid monuments, the most famous of which is the Taj Mahal at Agra, built as a tomb for his wife Mumtaz Mahal; while the Pearl Mosque at Agra and the palace and great mosque at Delhi also commemorate him.
20 vols., Bulaq, 1883-1889), was compiled by Ibn Manzur (1232-131 I), the Qamus by Fairuzabadi, the Taj ul`Arus (ed.
Another stone, the Taj-e-mah, belonging to the shah, is a pale rose pear-shaped stone and is said to weigh 146 carats.
At Delhi also he erected the celebrated peacock throne; but his favourite place of residence was Agra, where his name will ever be associated with the marvel of Indian architecture, the Taj Mahal.
Aurangzeb, who erected here a mausoleum to his wife which has been compared to the Taj at Agra, made the city the seat of his government during his viceroyalty of the Deccan, and gave it the name of Aurangabad.
But the glory of Agra, the most splendidly poetic building in the world, is the Taj Mahal, the mausoleum built (A.D.
The Taj has been modelled and painted more frequently than any other building in the world, and the word pictures of it are numberless.
In regard to colour and design the Taj ranks first in the world for purely decorative workmanship; while the perfect symmetry of its exterior once seen can never be forgotten, nor the aerial grace of its domes, rising like marble bubbles into the azure sky.
All the spandrils of the Taj, all the angles and more important architectural details, are heightened by being inlaid with precious stones such as agates, bloodstones, jaspers and the like.
It is lavishly bestowed on the tombs themselves and the screens which surround them, but more sparingly introduced on the mosque that forms one wing of the Taj, and on the fountains and surrounding buildings.
Of the Taj as a whole Lord Roberts says in his Forty Years in India:- " Neither words nor pencil could give to the most imaginative reader the slightest idea of the all-satisfying beauty and purity of this glorious conception.
The Taj alone is well worth the journey."' The Taj was designed by Ustad Isa, variously described as a Byzantine Turk and a native of Shiraz in Persia.
Havell, Handbook to Agra and the Taj (1904).
Next to this comes the Ibrahim Roza, or tomb and mosque of Ibrahim Adil Shah II., which was completed about 1620 and is supposed to be one of the most exquisite buildings in the world after the Taj at Agra.