Spitta, Zur Geschichte and Litteratur (GÃ¶ttingen, 1893); E.
Briggs, The Messiah of the Apostles, p. 284 seq.; Sabatier, Les Origines litteraires et la composition de l'Apocalypse de St Jean (1887); Spitta, Die Offenbarung des Johannes untersucht (1889).
Finally, the contention that no visit of Timothy to Rome is known is an argument from silence which is of little more weight than the plea of Spitta that the cupidity of Felix (Acts xxiv.
Generally speaking, Hermas's piety, especially in its language, adheres closely to Old Testament forms. But it is doubtful (pace Spitta and Volter, who assume a Jewish or a proselyte basis) whether this means more than that the Old Testament was still the Scriptures of the Church.
On the priority of Jude see especially against Spitta Zur Gesch.u.
A very elaborate form of this theory was issued in 1884 (Offenbarung Johannis) by Spitta, who found three main sources in the Apocalypse.
1-8 may be concluded with Spitta, Bousset and others from the fact that the four winds, which in vii.
Spitta takes verse 6 to be an addition of the redactor, which describes proleptically what follows, while Gunkel sees in 6 and 7-16 parallel accounts.
661), Spitta and Erbes, have contended that 616 was the original reading (I'aios Kaivap= 6r6) and that ' On the possibility of other points of contact between the Apocalypse and Egyptian mythology, see Mrs Grenfell's article, "Egyptian Mythology and the Bible," in the Monist (1906), pp. 169 - zoo.
This view is taken by Vischer, Weyland, Spitta, Sabatier, J.
" Abendmahlsfeier " in Herzog's Realencyklopddie (1896.) Spitta, Urchristentum (GÃ¶ttingen, 1893); Schultzen, Das Abendmahl im N.T.
Spitta, Zur Geschichte Abu `l-Hasan al As`ari's (Leipzig, 1876); A.
Willmore, The Spoken Arabic of Egypt (2nd ed., London, 1905); Spitta Bey, Grammatik des arabischen Vulgardialektes von Agypten, Conies arabes modernes (Leiden, 1883).
216 et seq.); Coussemaker, Memoire sur Hucbald (Paris, 1841); Hans Muller, Hucbald's echte and unechte Schriften fiber Musik (Leipzig, 1884); Spitta, Die Musica Enchiriadis and seine Zeitalter (Vierteljahresschrift ffir Musikwissenschaft, 1889, 5th year).
The most recent and radical analyses are those of Spitta (Urchristentum, iii.
1, where there is reason to think the words 1 7 µ)v '17 7 aov Xpr.crov interpolated) has even led to the theory, ably but unconvincingly maintained by Spitta, that the writing is a mere recast of a Jewish moralistic writing like the Two Ways.
We might almost admit a resemblance in form to the general literary type which Spitta adduces.