They introduced the sonnet and blank verse.
Du Bellay did not actually introduce the sonnet into French poetry, but he acclimatized it; and when the fashion of sonneteering became a mania he was one of the first to ridicule its excesses.
In October 1881 he wrote a touching sonnet on the death of President Garfield, and in January 1882, when the hand of death was already upon him, his poem, Hermes Trismegistus, in which he gives utterance, in language as rich as that of the early gods, to that strange feeling of awe without fear, and hope without form, with which every man of spotless life and upright intellect withdraws from the phenomena of time to the realities of eternity.
The laudatory sonnet composed by James VI.
A 13thcentury sonnet by one Durante (xcii.
As a sonnet writer none stands higher than Paul Szemere, known also for his rendering of Korner's drama Zrinyi (1818), and his contributions to the Elet es Literatura (Life and Literature).
The present Westminster Bridge, of iron on granite piers, was opened in 1862, but another preceded it, dating from 1750; the view from which was appreciated by Wordsworth in his sonnet beginning " Earth has not anything to show more fair."
Of the Eliot oaks, made famous by Longfellow's sonnet, one was cut down in 1842, the other still stands.
Pier della Vigna there wrote the first sonnet, and Italian lyrics by Frederick himself are preserved to us.
The pen of Milton was employed for this purpose, and his famous sonnet is but the condensation of his state papers.
Sonnet to the Poles.
Du Bellay replied to his various assailants in a preface to the second edition (1550) of his sonnet sequence Olive, with which he also published two polemical poems, the Musagnaeomachie, and an ode addressed to Ronsard, Contre les envieux poetes.
Specimens of Fowler's verses were published in 1803 by John Leyden in his Scottish Descriptive Poems. Fowler contributed a prefatory sonnet to James VI.'s Furies; and James, in return, commended, in verse, Fowler's Triumphs.
He denounced Milton's Divorce i at Pleasure, was answered in the Colasterion, and contemptuously referred to in the sonnet "On the Forcers of Conscience."
He introduced and practised the forms of the sonnet, canzon, ode, epistle in oitava rim y and in tercets, and the epigram, and raised the whole tone of poetry.