Her first solo swing was surprisingly successful.
I guess we have to trust him, but I wish he'd stop going solo and confide in us.
Haydn's numerous examples of independent violoncello melodies are almost all either marked solo or written for such small orchestras that they would be played as solos.
Thus there was quite as much important solo music for the flute as for the violin; and almost more music for the viola da gamba than for the violoncello.
In 1740, on the recommendation of the Dean of Hainburg, Haydn obtained a place in the cathedral choir of St Stephen's, Vienna, where he took the solo-part in the services and received, at the choir school, some further instruction on the violin and the harpsichord.
- Concerto pathetique (identical with the Konzert-Solo in E minor); Dante symphony; Faust symphony; Poemes symphoniques, 1-12; Beethoven's 9th symphony.
The development of pianoforte technique since Beethoven has been in some ways even more revolutionizing than that of the brass instruments; and pianoforte instrumentation, both in solo and in chamber-music, is a study for a lifetime.
I feel like I've been on my first solo flight for the last three years, but I can't seem to get my wheels off the runway.
The instrumentation of solo combinations, is one of the largest and most detailed subjects in the.
Sinai, and afterwards, not in the flesh, but in appearance (Solo r G) as Jesus Christ, and, finally, as the Holy Ghost, according to the promise of Christ.
The only difference to be reckoned with may be in recent tendencies of solo vocalists to sing for effect, and so to extend the compass of the voice upwards.
The free use of discords and of wider intervals, together with the influence of the florid elements of solo-singing, enlarged the bounds of choral expression almost beyond recognition, while they crowded into very narrow quarters the subtleties of 16th-, century music. These, however, by no means disappeared; :and such devices as the crossing of parts in the second Kyrie of Bach's B Minor Mass (bars 7, 8, 14, 15, 22, 23, 50) abundantly show that in the hands of the great masters artistic truths are not things which a change of date can make false.
The chords necessary in this part, which with its supporting bass is called the continuo, were indicated by figures; and the evanescent and delicate tones of the harpsichord; lent themselves admirably to this purpose where solo voices and instruments were concerned.
There is not room for one together with an independent violoncello part; the wonderful use of muted solo violoncellos in the slow movement of the Pastoral Symphony being a special effect, like the earlier instance in Haydn's 12th Salomon Symphony.