In the council chamber of the town-hall (1288-1323) is a fresco by Lippo Memmi of the Madonna enthroned of 1317, copied closely from the similar fresco (the "Majestas") by his master Simone di Martino in the Palazzo Pubblico at Siena; there is also a curious frescoed frieze of 1291, with knights in armour.
Giovanni Evangelista, which was founded along with the Benedictine monastery in 981, but as a building dates from 1510, and has a façade erected by Simone Moschino early in the 17th century.
CAMILLO PORZIO (1526-1580?), Italian historian, belonged to a wealthy and noble Neapolitan family, and was the son of the philosopher, Simone Porzio.
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In 16thcentury sculpture the cathedral is especially rich, containing many statues, groups and altar-reliefs by Simone Mosca and Ippolito Scalza.
It was begun by the architect Antonio da San Gallo the younger in 1527 for Clement VII., who fled to Orvieto after the sack of Rome, and was finished by Simone Mosca under Paul III.
SIMONE PORZIO (1497-1554), Italian philosopher, was born and died at Naples.
In the Sala dei Nove or della Pace above are the noble allegorical frescoes of Ambrogio Lorenzetti representing the effects of just and unjust government; the Sala delle Balestre or del Mappamondo is painted by Simone di Martino (Memmi) and others, the Cappella della Signoria by Taddeo di Bartolo, and the Sala del Consistorio by Beccafumi.
The 14th century gives us Ugolino, Duccio di Buoninsegna, Simone di Martino (or Memmi), Lippo Memmi, Pietro and Ambrogio Lorenzetti, Andrea di Vanni (painter and statesman), Bartolo di Fredi and Taddeo di Bartolo.
As soon as order was restored a balia was appointed to reform the government, in which task it was assisted by the Sienese and Perugian ambassadors and by Simone da Battifolle.
It is true that the Florentine Simone Sigoli, who visited Cairo in 1384, in his Viaggio al Monte Sinai still speaks of "Presto Giovanni" as a monarch dwelling in India; but it is the India which is conterminous with the dominions of the soldan of Egypt, and whose lord is master of the Nile, to close or open its discharge upon Egypt.
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Simone, Il Duomo di Conversano, Trani, 1896).
San Siro, originally the "Church of the Apostles" and the cathedral of Genoa, was rebuilt by the Benedictines in the 11th century, and restored and enlarged by the Theatines in 1576, the facade being added in 1830; in this church in 1339 Simone Boccanera was elected first doge of Genoa.
From these contests of rival nobles, in which the names of Spinola and Doria stand forth with greatest prominence, Genoa was soon drawn into the great vortex of the Guelph and Ghibelline factions; but its recognition of foreign authority - successively German, Neapolitan and Milanese - gave way to a state of greater independence in 1339, when the government assumed a more permanent form with the appointment of the first doge, an office held at Genoa for life, in the person of Simone Boccanera.
Whole volumes might be devoted to the magnificent works in bronze produced by the Florentine artists of this century, works such as the baptistery gates by Ghiberti, the statues of Verrocchio, Donatello and many others, the bronze screen in Prato cathedral by Simone, brother of Donatello, in 1444-1461, and the screen and bronze ornaments of the tomb of Piero and Giovanni dei Medici in San Lorenzo, Florence, by Verrocchio, in 1472.