Pericles likewise is responsible for the epoch-making splendour of Attic art in his time, for had he not so fully appreciated and given such free scope to the genius of Pheidias, Athens would hardly have witnessed the raising of the Parthenon and other glorious structures, and Attic art could not have boasted a legion of first-rate sculptors of whom Alcamenes, Agoracritus and Paeonius are only the chief names.
PHEIDIAS, son of Charmides, universally regarded as the greatest of Greek sculptors, was born at Athens about 500 B.C. We have varying accounts of his training.
The Greek sculptors of the school of Pheidias conceived of the battle of the Lapithae and Centaurs as a struggle between mankind and mischievous monsters, and symbolical of the great conflict between the Greeks and Persians.
Plastic objects, carved in stone or ivory, cast or beaten in metals (gold, silver, copper and bronze), or modelled in clay, faience, paste, &c. Very little trace has yet been found of large free sculpture, but many examples exist of sculptors' smaller work.
Here you find articles in the encyclopedia about sculptors from Greek and Roman times.
Of the various temples in which statues by Pheidias, Alcamenes and other great sculptors are known to have been placed, no traces have yet been discovered; excavation has not been possible in a large portion of the lower city, which has always been inhabited.
There may, also be mentioned many sculptors and architects, such as Lorenzo Maitani, architect of Orvieto cathedral (end of 13th century); Camaino di Crescentino; Tino di Camaino, sculptor of the monument to Henry VII.
Among the upper classes it was unusually broad and was made to stand out in 2 Old Babylonian sculptors who represent the enemy as naked (Meyer [see bibliography below], pp. 12, 70 seq., 116), conventionally anticipate the usual treatment of the slain and wounded warriors.
There is a splendid museum of medieval and Renaissance antiquities in the Bargello, the ancient palace of the Podesta, itself one of the finest buildings in the city; among its many treasures are works of Donatello, Ghiberti, Verrochio and other sculptors, and large collections of ivory, enamel and bronze ware.
(iv.) In the 15th century the influence of Venice became paramount, though this was really only a further development of the Florentine manner, Venice itself having been directly influenced in the 14th century by man y able sculptors from Florence.
Stone has never been in favor in Japan as a material for the higher expression of the sculptors art.
The first historical period of glyptic art in Japan reaches from the end of the 6th to the end of the 12th century, culminating in, the work of the great Nara sculptors, Unkei and Period, his pupil Kwaikei.
The Buddhist sculptors, however, tended to grow more conventional and the metal-workers more naturalistic as the 18th century began to wane.
The initiator was Hidari Jingoro (1594-1652), at first a simple carpenter, afterwards one of the most famous sculptors in the land of great artists.
They worked, too, with a skill little inferior to that of the GotOs, Naras, and other aristocratic sculptors of sword ornaments, and often with a refinement which their relative disadvantages in education and associations render especially remarkable.
Of splendid sculptors in wood that graced the 11th, 12th and I3th centuries left names never to be forgotten, but undoubtedly many other artists of scarcely less force regarded bronze-casting as their principal business.
He and the craftsmen of the school he established completely refute the theory that the anatomical solecisms commonly seen in the works of Japanese sculptors are due to faulty observation.
Architects, turners, tilemakers, decorative artists and sculptors, coming from China and from Korea, erected grand temples for the worship of Buddha enshrining images of much beauty and adorned with paintings and carvings of considerable merit.
It was from that period that the magistri Comacini formed a privileged corporation of architects and sculptors, who were employed in other parts of Italy also, until, at the end of the 11th century, individuals began to come more to the front (G.
One and all skilful to a surpassing degree - weavers, embroiderers, potters, painters, engravers, carvers, sculptors and jewellers, - they were wearied by drudgery and overpowered by a never-absent, weird and grotesque theology.
And other noble personages, and was the author of a long letter on ancient painters and sculptors prefixed to the third volume of Vasari.
Pradier and Chaponniere, the sculptors; Arlaud, Diday and Calame, the artists; Mallet, who revealed Scandinavia to the literary world; Necker, the minister; Sismondi, the historian of the Italian republics; General Dufour, author of the great survey which bears the name of the "Dufour Map," have each a niche in the Temple of Fame.
From that time, apparently under the influence of Athenian sculptors, he was conceived as the ideal of a youthful warrior, and was for a time associated with Aphrodite and Eros.
Of modern sculptors the works of Myslbek and Sucharda are prominent in the public monuments at Prague.
The latter, as well as others of the younger school of Czech sculptors, such as Bilek, Kafka and Maiatka, studied under Rodin at Paris.
We are all sculptors and painters, and our material is our own flesh and blood and bones.