Smith (cited below) see Schubert, "Die Porusschlacht," in Rhein.
(Stuttgart, 1881); and P. Villari's Machiavelli (London 1892); also C. Yriarte, Cesar Borgia (Paris, 1889), an admirable piece of writing; Schubert-Soldern, Die Borgia and ihre Zeit (Dresden, 1902), which contains the latest discoveries on the subject; and E.
Von Schubert, Tubingen, 1902), i.
Schubert, Peurbach and Regiomontan (Erlangen, 1828); A.
Recently Schubert has sought to derive the elements which are found in the Petrine Gospel, but not in the canonical gospels, from the original Ada Pilati, while Zahn exactly reverses the relation of these two works.
In 1885 a long fragment was discovered at Akhmim, and published by Bouriant in 1892, and subsequently by Lods, Robinson, Harnack, Zahn, Schubert, Swete.
Schubert), A 4 (E.
23; Schubert, Geschichte des Agathokles (1887); Grote, History of Greece, ch.
- Schubert, De Romanorum Aedilibus (1828); Hoffmann, De Aedilibus Romanis (1842); G011, De Aedilibus sub Caesarum Imperio (1860); Labatut, Les Ediles et les mccurs 0868); MarquardtMommsen, Handbuch der romischen Altertiimer, ii.
Schubert, he published an edition of the works of Kant, to which he appended a history of the Kantian doctrine.
See Faber, Die Hauptand Residenzstadt Konigsberg in Preussen (Konigsberg, 1840); Schubert, Zur 600 jahrigen JubelfeierKonigsbergs (Konigsberg, 1855); Beckherrn, Geschichte der Befestigungen Konigsbergs (Konigsberg, 1890); H.
Among the theatres are the Davidson, Majestic, Schubert, Bijou, Alhambra and the Pabst German.
Von Schubert-Soldern, who says that y.
Paracelsus (London, 1887); Schubert and Sudhoff, Paracelsus-Forschungen (Frankfurt a.M., 1887-1889); Sudhoff, Versuch einer Kritik der Echtheit der Paracelsischen Schriften (Berlin, 1894); Waite, The Hermetic and Alchemical Writings of Paracelsus (London, 1894).
Prominent scholars were summoned to it, mostly belonging to the Romantic School, such as Goerres, Schubert and Schelling, though others were not discouraged.
It is evident from them that a dramatic treatment of the Agnus Dei was "in the air"; all the more so, since Schubert does not imitate Beethoven's realism.
They are now included, together with articles on Schumann and Schubert, and the elaborate and rather highflown essays on Chopin and Des Bohemiens et de leur musique en Hongrie (the latter certainly, and the former probably, written in collaboration with Madame de Wittgenstein), in his Gesammelte Schriften (6 vols., Leipzig).
Later, we find him imitating Paganini and Chopin, and at the same time making a really passionate and deep study of Beethoven, Weber, Schubert, Berlioz.
Paraphrases, Auber, Tarantella di bravura (Masaniello); Verdi, Rigoletto, Ernani, 11 Trovatore; Mendelssohn, " Hochzeitsmarsch and Elfenreigen "; Gounod, Valse de Faust, Les Adieux de Romeo et Juliette; Tschaikowsky, Polonaise; Dargomiyski, Tarantelle; Cui, Tarantella; Saint-Satins, Danse macabre; Schubert, Soirees de Vienne, Valses caprices, 1-9.
Beethoven's Nine Symphonies; Berlioz's " Symphonie fantastique," " Harold en Italie "; Benediction et Serment (Benvenuto Cellini); Danse des Sylphes (Damnation de Faust); Weber's overtures, Der Freischiitz, Euryanthe, Oberon, Jubilee; Beethoven's and Hummel's Septets; Schubert's Divertissement a la Hongroise; Beethoven's Concertos in C minor, G and E flat (orchestra for a second piano); Wagner's Tannhauser overture, march, romance, chorus of pilgrims; Lohengrin, Festzug and Brautlied, Elsa's Brautgang, Elsa's Traum, Lohengrin's Verweiss an Elsa; Fliegender Hollander, Spinnlied; Rienzi, Gebet; Rheingold, Walhall; Meistersinger, " Am stillen Herd "; Tristan, Isolde's Liebestod; Chopin's six Chants Polonais; Meyerbeer's Schillermarsch; Bach's six organ Preludes and Fugues; Prelude and Fugue in G minor; Beethoven, Adelaide; 6 miscellaneous and 6 Geistliche Lieder; Liederkreis; Rossini's Les Soirees musicales; Schubert, 59 songs; Schumann, 13 songs; Mendelssohn, 8 songs; Robert Franz, 13 songs.
- Beethoven's Sonatas; Weber's Concertstack and Sonatas; Schubert Fantasia, 4 Sonatas, Impromptus, Valses and Moments musicaux.
More weight was naturally attached to the opinion he had advocated in his early criticism of Kant as to the importance, if not the superiority, of the first edition of the Kritik; in the collected issue of Kant's works by Rosenkranz and Schubert in 1838 that edition was put as the substantive text, with supplementary exhibition of the differences of the second.
Schubert, the colonel of the Pavlograd Hussars, is dining with us today.
Their colonel, Karl Bogdanich Schubert, came up to Denisov's squadron and rode at a footpace not far from Rostov, without taking any notice of him although they were now meeting for the first time since their encounter concerning Telyanin.